Rare unrelased recordings by the legendary Nat King Cole Trio! Forget all the soppy pop stuff you've heard a million times – this is the real deal, the kind of stuff that got Nat noticed in the first place, and the type of material that he was playing for LA audiences in the immediate ... (Vocalists) read moreCD
20 years of greatness – starting with early trio material by Nat King Cole, right up through his sublime mature recordings for Capitol in the later years! 100 tracks in all! (Vocalists) CD
(BMG music club pressing. Back cover has light wear – a nice copy!)
A nice little session that's one of Nat's last great vocal albums – thanks to some solid jazz backing by George Shearing. Shearing's group here is a super-hip west coast Latin one, with Emil Richards on vibes, Al Hendrickson on guitar, Al McKibbon on bass, and Shelly Manne on drums. Most ... (Vocalists) read moreCD
A nice little session that's one of Nat's last great vocal albums – thanks to some solid jazz backing by George Shearing. Shearing's group here is a super-hip west coast Latin one, with Emil Richards on vibes, Al Hendrickson on guitar, Al McKibbon on bass, and Shelly Manne on drums. Most ... (Vocalists) read moreCD
With 36 tracks including "Straighten Up and Fly Right", "Sweet Lorraine", "It's Only a Paper Moon", "Nature Boy", "Lush Life", "Blue Gardenia", "Stardust", "The Sand and the Sea", and more. (Vocalists) CD
With 38 tracks including "Straighten Up and Fly Right", "Sweet Lorraine", "It's Only a Paper Moon", "Nature Boy", "Lush Life", "Blue Gardenia", "Stardust", "The Sand and the Sea", and more. (Vocalists) CD
(Out of print, hybrid SACD pressing – mastered by Kevin Gray and Steve Hoffmann.)
Some great little groovers from back in the day when Nat knew how to rock! The tracks aren't exactly raw R&B, but they're nice little groovers in the smoother LA mode that Nat helped develop in the postwar years on Capitol. Titles include "I'm An Errand Boy For The Blues", "Ooh ... (Vocalists) read moreCD
18 great tracks that show Nat's strong ability to handle material as a romantic and ballad singer – not in kind of a weepy mode, but in a sophisticated strong-willed style that was a perfect blend of measured emotion and simmering intensity. Titles include "Love Is The Thing", ... (Vocalists) read moreCD
With 78 tracks on 5 CDs including "Little Joe From Chicago", "Sweet Lorraine", "Rhythm Sam", "Besame Mucho", "Boogie A La King", "The Man I Love", "Wild Goose Chase", "Mexico Joe", and "A Pile O'Cole". (Vocalists) CD
CD includes 28 tracks, with music by the early King Cole Trio, plus some nice solo material too! Titles that include "Nature Boy", "Too Young", "Send For Me", "Mona Lisa", "On The Street Where You Live", "Almost Like Being In Love", "S ... (Vocalists) read moreCD
It's been nearly 20 years since Natalie Cole first sang duets with her father through the magic of technology – so the time's long overdue to throw a host of other talents into the mix! The style here is a bit like the Verve Remixed albums – in that the record takes older classics by ... (New Grooves) read moreCD
Nat King Cole as a leader and a sideman – incredible material from 1936-1946 – featuring the King Cole Trio, side work with Eddie Cole's Solid Swingers, Dexter Gordon, The Keynoters and The Lester Young Trio! There's a number of great tunes here with Nat singing, but also a whole bunch ... (Vocalists) read moreCD
Nat King Cole & Pete Rugolo —
Lush Life ... CD Capitol, Late 40s/Early 50s. Used ...
Out Of Stock
A beautiful set by Nat King Cole joined by conductor/bandleader Quincy Jones and his Big Band – performing live in Zurich on May 1, 1960 – and what an impeccable performance it is! Quincy was touring with a pretty amazing line-up in his Big Band at this point – with Benny Bailey, ... (Vocalists) read moreCD
Titles include "Babs", "Early Morning Blues", "Honeysuckle Rose", "Stop, The Red Light's On", "Honey Hush", "I Like To Riff", and "Hit The Ramp" – 22 tracks total. (Vocalists) CD
Titles include "This Will Be (An Everlasting Love)", "I Can't Say No", "Mr Melody", "Our Love", "Party Lights", "I'm Catching Hell", "Stand By", and "Someone That I Used To Love". (Soul) CD
Natalie Cole —
Stardust ... CD Elektra, 1996. Used ...
Temporarily Out Of Stock
An unforgettable album from Natalie Cole – a record that came at a time when her R&B career was faltering slightly, and a set that not only helped Natalie reach a new level of sophistication in her music – but also find a huge new audience too! If the title sounds familiar, it's ... (Soul) read moreCD
Nothing too mad here, but a wonderful record that really shows the genius of Richie Cole in the 70s! Cole on Muse is a wonderful combination – sharp-edged alto sax, rooted in tradition – but let loose on some freer soul jazz modes as well, really showing the strong jazz underground ... (Jazz) read moreCD
(Out of print.)
Richie Cole —
Live ... CD Just Jazz, 1978. Used ...
Out Of Stock
Great live work from alto giant Richie Cole – stretching out on long tracks with Smith Dobson on piano, and guest work from Bishop Norman Williams on alto, and Eddie Jefferson on vocals! (Jazz) CD
A great example of the Muse Records charm of altoist Richie Cole – bop-fired creativity at its peak, mixed with some added contemporary elements to keep things fresh! In this case, Richie's horn takes on some key bop classics, but also opens up a bit with vocalsits too – Eddie ... (Jazz) read moreCD
A rich testament to the strength of the Parisian traditional jazz scene in the early 70s – as key players Coleman and Lafitte work here with a quintet live at the Montreux jazz fest in 1973. Lafitte's tenor is always a treasure, warm and rich, but moody and edgey at the same time – ... (Jazz) read moreCD
Possibly the strongest album ever recorded by mellow-voiced jazz vocalist Earl Coleman – a singer with a deeper style that's very much in the classic Billy Eckstine mode, but which swings a bit more freely in a small combo! The set's got a nicely open style – with longer tracks than ... (Vocalists) read moreCD
A perfect setting for the rich-voiced tenor of the great George Coleman – presented here as one of the best titles so far in the strongly-revived Live At Smalls series! Smalls is one of those players who's been on countless albums over the years, and turned out plenty of great work – ... (Jazz) read moreCD
The music of Richard Rodgers – swung beautifully by tenorist George Coleman – blowing in that clear, strong, soulful style we love so much! The rhythm section is great – a cooking lineup that features Harold Mabern on piano, Jamil Nasser on bass, and Billy Higgins on drums – ... (Jazz) read moreCD
A rare moment in the major label spotlight for George Coleman – an early 90s session for Verve, and one that should have gotten him the same sort of ongoing recognition as contemporary sessions at the label by JJ Johnson, Randy Weston, and Joe Henderson! The format here is spare, but nicely ... (Jazz) read moreCD
George Coleman on tenor saxophone, Mike Stern on electric guitar, Ron Carter on double bass, and Jimmy Cobb on drums. (Jazz) CD
Gloria Coleman —
Soul Sisters ... CD Impulse, 1963. Used ...
Temporarily Out Of Stock
A wonderful session of soul jazz – and totally obscure! The album's one of a rare few cut by organist Gloria Coleman – an obscure east coast player who was also the wife of tenorist George Coleman, and who follows wonderfully in a strong tradition of female organists that includes ... (Jazz) read moreCD
(Out of print 2004 digipak pressing with domestic obi.)
Gloria Coleman with George Coleman —
Sweet Missy ... CD Doodlin, 2008. Used ...
Out Of Stock
The first album in many many years from organist Gloria Coleman – the Hammond player best known for her famous 60s date on Impulse Records, still sounding pretty darn great here all these many years later! A good portion of the record features Gloria's husband, George Coleman joining in on ... (Jazz) read moreCD
Great lost work from Ornette Coleman – material recorded in New York and LA during the years 1959 through 1961 – never issued at the time, but pulled together in this wonderful package at the start of the 70s! Although not recorded as an official album, the record stands easily with ... (Jazz) read moreCD
We'll be honest with you – we love this stuff! Sure, Ornette made some great recordings for a number of other labels – but as a whole, his Atlantic stuff is some of the greatest modern jazz ever recorded, and no other period of an artist is more worth collecting and having in a ... (Jazz) read moreCD
(Original pressing in the heavy outer slipcase – in great shape!)
We'll be honest with you – we love this stuff! Sure, Ornette made some great recordings for a number of other labels – but as a whole, his Atlantic stuff is some of the greatest modern jazz ever recorded, and no other period of an artist is more worth collecting and having in a ... (Jazz) read moreCD
(2015 EU reissue of Coleman's Atlantic anthology in a smaller clamshell box – in great shape!)
Ornette Coleman —
Body Meta ... CD Verve, 1978. Used ...
Temporarily Out Of Stock
One of Ornette's best LPs from the 70's! Recorded in 1976, this is a perfect demonstration of the harmelodic style, with the whole group jaunting along in tight choppy bits. James Blood Ulmer's on guitar, and the sound is very dark and deep. Tracks include "Voice Poetry", "Macho ... (Jazz) read moreCD
One of our favorite albums of all time from the legendary saxophonist Ornette Coleman – an essential showcase for his early harmelodic concepts, but with a vibe that's maybe more pulsatingly rhythmic than on other albums from the time! Ornette plays his incredible plastic alto sax, which has ... (Jazz) read moreCD
Ornette Coleman —
Chappaqua Suite ... CD Columbia (UK), 1966. Used 2 CDs ...
Out Of Stock
One of Ornette Coleman's most groundbreaking albums – a set that takes his best free jazz energy of the 60s, and expands it out into the space of a longer suite – all originally designed as a film soundtrack, then never used in the movie at all! Yet even without the film placement, the ... (Jazz) read moreCD
A complete issue of a groundbreaking late 50s performance by Ornette Coleman – some of which has been released on the French album Fabulous Paul Bley Quintet, and other parts on albums under Ornette's name! The quality of the performance is amazing – some of the freshest jazz recorded ... (Jazz) read moreCD
One of Ornette Coleman's best recordings from the 70s – and like his other album for Columbia, quite a change from the freewheeling sounds he was blowing over at Blue Note! The style here is a bit more high concept, but in a good way – with all the edges that Coleman had developed from ... (Jazz) read moreCD
(Out of print, 2000 pressing with Broken Shadows album and 3 extra bonus tracks!)
One of the few standout 70s sessions by Ornette Coleman – a wonderfully rhythmic record that shows Ornette's expanding musical vision at the time! Most of the record is dominated by the guitar-heavy "Theme From A Symphony" – a very harmelodic number that takes up all of side ... (Jazz) read moreCD
One of the few standout 70s sessions by Ornette Coleman – a wonderfully rhythmic record that shows Ornette's expanding musical vision at the time! Most of the record is dominated by the guitar-heavy "Theme From A Symphony" – a very harmelodic number that takes up all of side ... (Jazz) read moreCD
(Early A&M digipak pressing with some light wear.)
One of our favorite Ornette Coleman albums of the post-Atlantic 60s years – a set that still hangs onto some of the bold rhythmic conception of his previous records, but also points the way towards his freer jazz modes to come! The group's a trio – with really tremendous work from ... (Jazz) read moreCD
One of our favorite Ornette Coleman albums of the post-Atlantic 60s years – a set that still hangs onto some of the bold rhythmic conception of his previous records, but also points the way towards his freer jazz modes to come! The group's a trio – with really tremendous work from ... (Jazz) read moreCD
Set of material from the mid 80's – one featuring Ornette reunited with his classic quartet of Don Cherry, Charlie Haden, and Billy Higgins; the other with his Prime Time group that included Bern Nix, Jamaaladeen Tacuma, and Denardo Coleman. The whole set's a "30 Years Of Harmelodic ... (Jazz) read moreCD
Set of material from the mid 80's – one featuring Ornette reunited with his classic quartet of Don Cherry, Charlie Haden, and Billy Higgins; the other with his Prime Time group that included Bern Nix, Jamaaladeen Tacuma, and Denardo Coleman. The whole set's a "30 Years Of Harmelodic ... (Jazz) read moreCD
A really incredible performance from Ornette Coleman – recorded in Italy in 1968, and featuring a unique lineup that includes Ed Blackwell on drums, plus the dual basses of Charlie Haden and David Izenzon! The two-bass lineup gives the set an amazingly tight edge – with one player ... (Jazz) read moreCD
"New York is now" – a pretty bold statement from saxophonist Ornette Coleman, but one that definitely shows his shift in role – from a major force on the LA underground of the early 60s, to an artist who was helping pave the way for a huge wave of growth on the New York ... (Jazz) read moreCD
"New York is now" – a pretty bold statement from saxophonist Ornette Coleman, but one that definitely shows his shift in role – from a major force on the LA underground of the early 60s, to an artist who was helping pave the way for a huge wave of growth on the New York ... (Jazz) read moreCD
Ornette Coleman —
Of Human Feelings ... CD Antilles/Polystar (Japan), 1982. Used ...
Out Of Stock
Early Prime Time stuff by Ornette, with the harmelodic sound electric sound of the group that included Jamaaladeen Tacuma, Bern Nix, and Charlie Ellerbee. Lots of popping guitar strings, jumping basslines, and rambling solos by Ornette. Tracks include "Jump Street", "Sleep ... (Jazz) read moreCD
Important mid 60s work from Ornette – and one of the few recordings of this format to see larger release at the time! The set captures Ornette in a much freer style than heard on his Atlantic recordings from a few years before – paying alto, violin, and trumpet, in a trio with David ... (Jazz) read moreCD
Important second chapter work from Ornette Coleman – a record that marked a real shift in his sound from the Atlantic Records years – issued by Blue Note at a level that gave the rest of the world a chance to see what Ornette had been cooking up on the underground scene! The album was ... (Jazz) read moreCD
Important second chapter work from Ornette Coleman – a record that marked a real shift in his sound from the Atlantic Records years – issued by Blue Note at a level that gave the rest of the world a chance to see what Ornette had been cooking up on the underground scene! The album was ... (Jazz) read moreCD
Important second chapter work from Ornette Coleman – a record that marked a real shift in his sound from the Atlantic Records years – issued by Blue Note at a level that gave the rest of the world a chance to see what Ornette had been cooking up on the underground scene! The album was ... (Jazz) read moreCD
Important second chapter work from Ornette Coleman – a record that marked a real shift in his sound from the Atlantic Records years – issued by Blue Note at a level that gave the rest of the world a chance to see what Ornette had been cooking up on the underground scene! The album was ... (Jazz) read moreCD
Important second chapter work from Ornette Coleman – a record that marked a real shift in his sound from the Atlantic Records years – issued by Blue Note at a level that gave the rest of the world a chance to see what Ornette had been cooking up on the underground scene! The album was ... (Jazz) read moreCD
(2002 RVG pressing.)
Ornette Coleman —
Ornette! ... CD Atlantic/Rhino, 1962. Used ...
$5.99
A stunning session by Ornette, and one that always seems to get overlooked in discussions of his albums for Atlantic! His quartet here features the amazing Scott LaFaro on bass, and a young Ed Blackwell on drums – both of whom give the tracks an amazing pulse that brings new energy out of ... (Jazz) read moreCD
Comprised selected tracks from the first five albums of his era, Something Else!!! and Tomorrow Is the Question, recorded for the Contemporary label during 1958 and 1959, and The Shape of Jazz to Come, Change of the Century and This Is Our Music, recorded for Atlantic during 1959 and 1960. It ... (Jazz) read moreCD
An album that certainly lives up to the promise of its title – as it's filled with amazing instrumentation, groundbreaking compositions, and a sound in jazz that few ears could imagine at the time! The groove here is extremely modal – all instruments rolling along on the same rhythmic ... (Jazz) read moreCD
A brilliant large ensemble work from Ornette Coleman – ambitious material recorded with full orchestra, in a haunting sound that's light years from any of his smaller group recordings of the 60s and 70s! There's an incredible feel to the strings used here – played by the London ... (Jazz) read moreCD
Pre-Atlantic work from Ornette Coleman – one of his first recorded statements in jazz – and one of his boldest! At some level, the complete Coleman sound isn't entirely in place here – as there's a bit of a trace of hardbop in the mix – not entirely, but just a bit. But at ... (Jazz) read moreCD
Pre-Atlantic work from Ornette Coleman – one of his first recorded statements in jazz – and one of his boldest! At some level, the complete Coleman sound isn't entirely in place here – as there's a bit of a trace of hardbop in the mix – not entirely, but just a bit. But at ... (Jazz) read moreCD
(2011 OJC Remasters pressing. Small cutout hole through rear case and artwork.)
Tomorrow may be the question, but the record screams "today!" – and even this many years after its recording, this early set by Ornette Coleman has an energy and presence that cannot be denied! The sound here is kind of a rougher take on the mode that would gel more strongly on ... (Jazz) read moreCD
A really unique chapter in the career of Ornette Coleman – an album that he produced by himself in 1962, away from any other label – as an effort to showcase the newly freer sounds of his music! The recording's the first in a really groundbreaking stretch for the 60s – and it was ... (Jazz) read moreCD
(CONDTION NOTE: booklet pages are separated and held together with tape.)
Ornette Coleman —
Who's Crazy? ... CD Freedom/Tokuma (Japan), 1965. Used 2 CDs ...
Temporarily Out Of Stock
Reissue of this hard to get album, originally issued as two separate LPs, on the small French IRI imprint. Excellent work from Ornette – recorded in Paris in 1966 for the film Who's Crazy, featuring him on alto, violin, and trumpet – with a wonderfully playful feel thoroughout, plus ... (Jazz) read moreCD
Duets featuring Ornette Coleman on alto saxophone, trumpet, and violin – and Joachim Kuhn on piano! (Jazz) CD
(Out of print, punch through barcode.)
Ornette Coleman & Prime Time —
Tone Dialing ... CD Harmolodic/Verve, 1995. Used ...
Out Of Stock
With Bradley Jones on electric bass, Al McDowell on electric bass, Chris Rosenberg and Ken Wessel on guitar, Dave Bryant on keyboards, Denardo Coleman on drums, and Badal Roy on tabla. (Jazz) CD
Ornette Coleman & Prime Time —
Virgin Beauty ... CD Portrait, 1988. Used ...
$9.99
Brilliant later work from Ornette Coleman – quite adventurous stuff, too! By the late 80s, the shock of the new of Ornette's harmolodic sound had worn off enough that majors like CBS/Portrait were more than willing to invest in it – but for every catchy modern groove here, there's a ... (Jazz) read moreCD
A live album with Steve Coleman on alto saxophone, David Murray on tenor saxophone, Andy Milne on keyboards and piano, Reggie Washington on bass, and Gene Lake on drums. (Jazz) CD
Creative sounds from alto saxophonist Steve Coleman – working here with his Five Elements group, at a time that was one of his most productive! The group have an angular sort of swing – a style that certainly grows out of some more exploratory moments in 80s mainstream jazz, yet which ... (Jazz) read moreCD
(Out of print, punch through barcode.)
Steve Coleman & Five Elements —
Drop Kick ... CD Novus, 1992. Used ...
Temporarily Out Of Stock
Steve Coleman on alto sax, Andy Milne & James Weidman on piano & keyboards, David Hilmore on guitar, Reggie Washington on bass & Marvin Smitty Smith on drums & percussion. (Jazz) CD
Excellent work from Steve Coleman and his Five Elements group – just the sort of record that reminds us why Coleman's records for the past few decades have always been ones to catch! Steve works in this beautifully angular mode that seems to take some of the jazz changes from the downtown ... (Jazz) read moreCD
Steve Coleman on alto saxophone, Jonathan Finlayson on trumpet, Miles Okazaki on guitar, Anthony Tidd on bass, and Sean Rickman on drums. (Jazz) CD
Steve Coleman & Five Elements —
Mancy Of Sound ... CD PI Recordings, 2007. Used ...
Temporarily Out Of Stock
Steve Coleman on alto saxophone, Tim Albright on trombone, Jonathan Finlayson on trumpet, Thomas Morgan on bass, Marcus Gilmore and Tyshawn Sorey, Ramon Garcia Perez on percussion, and Jen Shyu on vocals. (Jazz) CD
Steve Coleman on alto sax – with Jonathan Finlayson on trumpet, Malik Mezzadri on flute and vocals, Anthony Tidd on electric bass, Reggie Washington on acoustic bass, and Sean Rickman on drums. (Jazz) CD
With Steve Coleman on alto, Anthon Tidd on bass, Sean Rickman on drums, and Miguel 'Anga' Diaz on percussion – plus a long list of guest artists including Ravi Coltrane, Ralph Alessi, Vijay Iyer, Jason Moran, and Stefon Harris. (Jazz) CD
With Andy Milne on paino & keyboards, David Gilmore on guitar and guitar synth, Reggie Washington on electric bass, and Oliver Gene Lake Jr on drums and percussion. (Jazz) CD
Steve Coleman's Natal Eclipse —
Morphogenesis ... CD PI Recordings, 2017. Used ...
Temporarily Out Of Stock
Steve Coleman on alto saxophone, Jonathan Finlayson on trumpet, Maria Grand on tenor saxophone, Rane Moore on clarinet, Kristin Lee on violin, Jen Shyu on vocals, Matt Mitchell on piano, Greg Chudzik on bass, and Neeraj Mehta on percussion. (Jazz) CD
Johnny Coles —
Little Johnny C ... CD Blue Note (Japan), 1963. Used ...
Temporarily Out Of Stock
A rare session as a leader from trumpeter Johnny Coles – a player who cut some great work in the groups of James Moody and Gil Evans, but who shines even more brightly on this classic Blue Note album! Coles really has an ear for finding the hippest side of his instrument – and he blows ... (Jazz) read moreCD
(Out of print 1994 Japanese pressing. Still sealed with the obi.)
A rare session as a leader from trumpeter Johnny Coles – a player who cut some great work in the groups of James Moody and Gil Evans, but who shines even more brightly on this classic Blue Note album! Coles really has an ear for finding the hippest side of his instrument – and he blows ... (Jazz) read moreCD
(1996 Connoisseur Series pressing with a promotional stamp on CD and sticker on booklet cover.)
A rare session as a leader from trumpeter Johnny Coles – a player who cut some great work in the groups of James Moody and Gil Evans, but who shines even more brightly on this classic Blue Note album! Coles really has an ear for finding the hippest side of his instrument – and he blows ... (Jazz) read moreCD
Johnny Coles —
New Morning ... CD Criss Cross (Holland), 1982. Used ...
Out Of Stock
A great later date from trumpeter Johnny Coles – best known for his important work with Charles Mingus, and his 60s album on Blue Note – still sounding great here in the company of Horace Parlan on piano, Reggie Johnson on bass, and Billy Hart on drums! (Jazz) CD
One of the best albums ever from reedman Buddy Collette – a great small group session with a harder edge than some of Buddy's later records for bigger labels! Collette was always one of the more interesting players from the LA scene of the 50s – and although he had his roots in harder ... (Jazz) read moreCD
Buddy Collette's definitely a man of many parts here – and many talents too, considering the reedwork on the set! Buddy plays alto, tenor, clarinet, and flute – using the horns with wonderful invention that really showcases his unique style of the time – that mix of modern and ... (Jazz) read moreCD