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Early soul jazz piano work from Takehiro Honda – recorded in a style that's quite different than most of his later albums! The sound here is full and rich – with Honda's work on the keys augmented by fuller backings arranged by Teddy Adams – all recorded in the US (we think),... read more

A great girl group from Philly! Honey & The Bees were a very soulful quartet, with a sound that was much more in keeping with some of their male harmony contemporaries than the usual all-girl pop group. They had a real talent for putting together a song, and the 14 tracks on this new reissue... read more

The last Honey Cone album for Hot Wax Records – and a set that's still very much at the top of their game! As with other artists from the Holland-Dozier-Holland stable of hits in the 70s, Honey Cone have a massive amount of force behind their groove – so much so, the record might still... read more

Tremendous sounds from Honey Cone – easily one of the most hard-hitting girl groups in soul music – thanks to some funky funky backings on these early 70s tracks! The trio work in a mode that was first forged by female soul groups in the 60s – yet really push things forward with... read more

Definitely a soulful tapestry here – as the trio of Edna Wright, Shellie Clark, and Carolyn Willis are at the height of their 70s powers – soaring forth in a massive trio mode, and one that really rewrites the sound of girl group soul for the 70s! There's a bouncy, upbeat groove to the... read more

The second album by Honey Cone – and the one that really broke them out of the box! The record's got a groove that gets going right from the start – a sense of upbeat, soulful energy that really shows why the Honey Cone approach was so different than most of the girl groups who came... read more

A brilliant early set from Honey Cone – and a perfect illustration of the way the trio really moved past simple girl group modes of the 60s! There's a bold, proud, righteous tone to the record right from the start – thanks to these soaringly soulful vocals from the girls, and these... read more

Four albums, plus bonus tracks – a massive collection of work from the lovely Honey Cone trio! First up is Take Me With You – a record that has them taking the girl group sound of 60s Philly, and start to forge it with some of the fuller arrangements that would transform the genre in... read more

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Fantastic stuff from John Lee Hooker, and a record that's unlike any other he's ever done! The groove is very hard and funky, with tight drumbreaks and excellent basslines that you'd hardly expect to find on an album by a blues artist – jamming around with a tight groove that really makes us... read more

A brilliant showcase for the drums of William Hooker – ringing out loudly and proudly here in the company of younger players who really help support his energy! Hooker's got this sharp punch that comes through right away – that mixture of freewheeling rhythms and more expressive... read more

Beautiful trio work by Elmo Hope – one of his first sessions as a leader, and while still quite modern, also a record that's done with a warmer, mellower feel than some of his other work – as you might guess from the cover image and the Meditations title! The group on the set features... read more

Classic bop material from the great Elmo Hope – recorded here before he'd had his spirit broken down entirely, and when he was working in a much more bop-heavy style than on later sessions. The group on the album features Frank Foster on tenor – doing some excellent early work similar... read more

If the story is stripped down avant funk instrumentals with subtle stylistic twists and turns, it's a story worth telling – and that's what Clutchy Hopkins puts down on The Story Teller – an album that manages to be among his most raw and direct and his most adventurous at the same time!... read more

A seminal recording from this duo who were a key part of the Northeastern improv scene in the 80s – bassist Fred Hopkins and cellist Deirdre Murray, who between the two of them manage to cover a hell of a lot of space with their instruments! Both players work together with an energy on the... read more

Late 50s jazzy recordings from Kenyon Hopkins – best known as a soundtrack composer, working some magic on the Rooms and Sound Of New York LPs – on a single CD! Rooms is one of those groovy late 50s pre-concept albums, with 10 pieces put together to portray moods via jazzy backing of... read more

Back to back jazz soundtracks – the cream of the crop of the early 60s! First up is The Hustler – a killer jazz score from Kenyon Hopkins – a composer we can almost always trust to turn around a killer jass score! The work is mostly in a jazz ensemble mode – and moves... read more

A Belgian take on the Congotronics vibe – not done in the same musical style necessarily, but definitely grabbing that great spirit for homemade instruments and unique stylistic hybrids! There's a punky, funky sort of vibe going on here – but one that also has more laidback qualities... read more

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One of the most starkly beautiful recordings in Paul Horn's career – with spiritually resonant, almost spine tingling solo flute and some chants, all recorded in the Taj Majal one day in April of 1968! It's really all about the atmosphere, as it would have to be given the location –... read more

Two excellent early albums from Shirley Horn – back to back on a single CD! Travelin Light is one of the greatest jazz vocal albums of the 60s, and probably the greatest album ever by Shirley Horn! The session's got a beautiful lively sound, with extremely interesting arrangements by Johnny... read more

Stunning Miami grooves from the legendary Jimmy Bo Horne – one of the key figures in the southern club scene of the 70s! Jimmy's got a groove that's very much his own on the set – a snapping, almost clapping sort of rhythm picked up from the George McCrae and KC camps at TK Records... read more

Features 10 bonus tracks!... read more

A killer set from one of the most unique acts of the 70s – the legendary Hot Chocolate, a group with a sound unlike anyone else at the time! Hot Chocolate's groove was a bit soul, a bit rock, and often nicely funky underneath – and the British group really won lots of new ears on this... read more

A brilliant return from the Hot 8 Brass Band – a New Orleans combo who take tradition into some great funky new territory! As you'd guess from their name, the instrumentation is heavy on brass – played with a gritty, soulful edge – in the way you'd find during some street... read more

These guys just keep getting better and better with each new record – really transforming the older sound of New Orleans into a rich new groove – one that's not just jazz, street music, or conventional brass band – but a really unique hybrid of all those modes and more! The album... read more

An inventive project from Hot Peas & Butta and Big Pimp Jones – one that's similar to some of the soundtrack-styled funk we've heard before from the latter act – but with a vibe that's definitely deeper, too! The music here is written for an imaginary thriller – based around... read more

A lost album from the legendary Stax Records – a full set of tracks from the deep soul group Hot Sauce – planned as a record of its own in the final years of the label, but never issued at the time! Hot Sauce were one of the funkiest groups on Stax in the early 70s – a wickedly... read more

The complete early 70s sessions of Hotlegs – the group that hit the charts for brief moment thanks to the unforgettable, sparely drum-heavy, kinda Kinks-ian "Neanderthal Man" single – and later went on to shuffle the line-up a bit and reintroduce themselves as 10CC! We've... read more

A much-needed tribute to one of the greatest groups on Creation Records – one of the few to really get the label's aesthetic perfectly right – and a vastly overlooked group that's finally getting its due! House Of Love had a near-perfect revision of psychedelia going on in the mid 80s... read more

Amazing early work from Cissy Houston – arguably her deepest set ever, and put together with a wonderful balance of New York class and southern soul modes! There's no denying that Houston's vocals are great – especially given her family pedigree – but she really gets a chance to... read more

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Way more than the cheapo fad record you might guess from the title – thanks to some wonderfully soulful tenor from Joe Houston! The setting's almost more Latin than limbo – a mode that really works perfectly with Houston's horn – driving the big-toned sound strongly right up from... read more

Smoking Motown work from Thelma Houston – a great 70s set that catches the singer at the top of her groove! The album's polished, but never in a too-commercial way – and the grooves acknowledge the growing role of the dancefloor in mainstream soul, yet also mostly stay away from some... read more

Two early 80s groovers from Thelma Houston – back to back on a single CD! Breakwater Cat is an excellent set – one that has Thelma really reinventing herself after the disco years – stepping back into deeper soul vocals, while still working with full arrangements that push things... read more

A pretty darn amazing album from Thelma Houston – recorded during the zenith of Jimmy Webb's career, when Jimmy was not only one of the hippest songwriters in pop, but also kind of a mini-Burt Bacharach, writing, arranging, and conducting albums for a variety of stars. This little gem... read more

A pretty darn amazing album from Thelma Houston – recorded during the zenith of Jimmy Webb's career, when Jimmy was not only one of the hippest songwriters in pop, but also kind of a mini-Burt Bacharach, writing, arranging, and conducting albums for a variety of stars. This little gem... read more

Thelma Houston's first album for Motown – and the start of a tremendous run of music in the 70s! The set's a great mix of modes – with vocals from Thelma that definitely show her roots in gospel – and rich, mature backings that give Houston the same sort of star treatment that... read more

The only album we've ever seen from singer Dori Howard – and a heck of a cool 50s date, put together with jazzy backings from the groups of Don Elliott and Eddie Costa! Dori's got a well-punctuated style, one that has a very nice flair at times – and which really matches the small... read more

2 blues classics from the great Howlin Wolf – back to back on a single CD! First up is the self-titled Howlin Wolf – a record that has Wolf tightening it up a bit from his earliest years at Chess, and moving into a groove that would forever make him one of the key artists to record for... read more

Funky blues work from Howlin Wolf – his key entry into the funked-up genre that Chess Records was cutting at the end of the 60s with other blues artists like Etta James, Bo Diddley, and Muddy Waters! As on records with those artists, Wolf's older modes are updated here for a hipper, younger... read more

The complete Philips recordings of HP Lovecraft – a wonderfully trippy group from late 60s Chicago – one who shined briefly, but brilliantly enough to give the world two great albums and a few singles! Like so many groups of their time, HP Lovecraft have their roots in the later years... read more

A totally fantastic set from the turn of the 70s, and one of Freddie Hubbard's most soulful, spiritual albums ever – a seminal chapter in the evolution of soul jazz – and a record that was a keen inspiration for changes to come on labels like Strata East and Black Jazz! The group here... read more

A bundle of soul from Freddie Hubbard – one that has him blowing beautifully over full arrangements from Bert DeCoteux – the 70s super-soul maestro who really brings a new sound to Hubbard's music! The style's a bit smoother than other Freddie albums of the time, but still really great... read more

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Sweet early CTI work from trumpeter Freddie Hubbard – the kind of groundbreaking electric jazz that really helped him find a new space in the 70s! The album follows strongly from Freddie's classic Red Clay set for CTI – and like that one, it features extended tracks that build... read more

Jazz funk genius from Freddie Hubbard in the mid 70s! Gleam was a Japanese-only double album from the jazz giant in its original release – mighty funky at times, too – right up there with some of the best Miles Davis and Herbie Hancock Japanese sets from the 70s! It's a live set... read more

Sweet electric Freddie Hubbard – a wonderfully laidback session that's filled with space and soul – hardly what you'd expect from the title! The album follows nicely in the style that Hubbard hit at CTI – an openly flowing groove that has Freddie's trumpet on top of long electric... read more

A classic European date from Freddie Hubbard – recorded right around the vintage of his Red Clay years, but with a sound that hearkens back more towards his Blue Note sessions of the mid 60s! There's a nicely angular feel to this set – that bold, modern quality that really set Hubbard... read more

An overlooked gem from Freddie Hubbard – a late fusion outing, done for the Japanese market at a time when most of his American work was returning to more acoustic modes! Freddie's trumpet sparkles brilliantly in the lead – hitting the same sort of soulful, stretching vibe as his best... read more

One of the best recordings from Freddie Hubbard's "back to basics" stretch in the early 80s – a time when Freddie returned to a strongly acoustic jazz mode after a mostly electric 70s! The record still has Freddie stretching out on the longer tracks he got used to during the CTI... read more

Moody genius from Freddie Hubbard – one that features a unique group with McCoy Tyner on piano, Wayne Shorter on tenor, and Bernard McKinney on euphonium – a tuba-like instrument that gives the album a nicely shadowy sound! McKinney's probably better known for his 70s work with the... read more

One of Freddie Hubbard's wildest records ever – a really unique experiment with electronics, and a set that sounds way different than his other albums for Atlantic, Blue Note, or CTI! The key factor here is experimentalist Ilhan Mimaroglu – who adds lots of electronics and processed... read more

The title reads like a typo, but the album's a great set of smooth fusion from Freddie Hubbard – self-produced, and almost a summation of all the styles he'd mastered in the 70s! The session's never too over the top or too ambitious – just features Freddie working with a hip group in a... read more

A wonderful session of hip soul jazz tracks from Freddie Hubbard – mostly short tight and groovy, but played with a sophisticated style that points the way towards the soul jazz sound of the 70s. Soul Experiment is a fitting title – as Freddie works hard with hip players like Billy... read more

An obscure date from trumpeter Freddie Hubbard and tenorist Benny Golson – but some really great work from both players! The format here is relaxed and very open – long tunes that allow both players to really stretch out on their solos with tremendous grace and imagination. And... read more

Mid 80s effort from 2 of the greatest modern trumpeters to have put a horn to their lips. Woody & Freddie run through a set of tunes, all written by trumpeters, like Clifford Brown, Fats Navarro & Kenny Dorham, as well as their own, with a group of the then-young players on Blue Note, like... read more

Classic work from Al Hudson – pre One Way, but in the same uptempo soul vein. Al's working here with arrangements by Kevin McCord, Rudy Robinson, and Dave Roberson – in a mix of club-heavy tunes that are augmented by a few welcome mellower numbers. Titles include "I Don't Want... read more

An amazing debut from Keith Hudson – a record with undeniably soulful power all the way through – a strong testament to the lasting talents of this memorable singer from the 70s! The production's mighty nice too – often dubby at points, yet in really unconventional ways –... read more

Fantastic! This is the kind of soul that we still collect vinyl for and are all the more thrilled to see officially reissued by careful curators such as those at Kent UK! Freddie Hughes is one of the great lost voices of the 60s, and this sparkling album of soulful tunes is a real gem – ... read more

Stellar work by Jimmy Hughes – one of those southern soul talents whose name you've heard, but can't always find on record! Jimmy's best known for his classic Muscle Shoals tune "Steal Away" – and that great number, plus many other similar ones, are presented on this obscure... read more

Seminal southern soul from Jimmy Hughes – a classic Fame production from the early days of the Muscle Shoals scene – and definitely the kind of work that set the tone for countless imitations to follow! Jimmy Hughes sounds even better here than in his first batch of recordings for Fame... read more

A wonderful collection of work from Langston Hughes – material pulled from a handful of albums recorded for the Folkway labels in the 50s, all of which are pretty darn great and long out of print! Hughes' writings are well known – part of a rich tradition of African-American expression... read more

A great and rare solo guitar record by Lena Hughes – issued here by Tompkins Square – a label that's put out some of the best fingerstyle guitar folk releases in recent memory – in both the contemporary and archival realms! Queen Of The Flat Top Guitar is an archival release in... read more

The title's a great way to sum up the unique mood of this session from drummer Daniel Humair – a really wonderful blend of his own percussion with saxes, accordion, and bass – a mix of sounds that's definitely got plenty of French jazz touches! The sweet moments are those warm passages... read more

Suburban LA psychedelia from the dawn of the 70s – the rare self-titled album from The Human Zoo! The Human Zoo started out as The Circus, eventually cutting this underappreciated album for Accent Records. Even in a freewheeling, anything goes era of Cali rock, The Human Zoo have a pretty... read more

A monster – and one of our jazz funk favorites of all-time! This is the best record ever cut by the great flute player Bobbi Humphrey – and the record features some stellar production work by the great Larry Mizell, very much in the same vein as that which he used on classic sessions... read more

A stone killer from funky flute player Bobbi Humphrey – one of her early albums for Blue Note Records, and a set that's a perfect summation of the best sides of her talents! The album's got a slightly different feel than Bobbi's work with Larry Mizell – yet still sports a similar... read more

Sublime genius from funky flute player Bobbi Humphrey – a record we'd rank right up there with her classic Blacks & Blues set – and like that one, another fantastic collaboration with producer Larry Mizell! The groove here is tremendous throughout – a heady mix of Bobbi's... read more

Some of Bobbi Humphrey's greatest work of the post-Blue Note years – an album that's filled with soulful fusion tunes throughout, all with a great focus on her funky flute! Bobbi also sings a bit on the set, but in a way that's pretty darn great – wonderfully sweet at times, with a bit... read more

Mindblowing music from Bobbi Humprhey – a set cut during her legendary early 70s run for Blue Note – but a live session with a very different vibe than her studio work! The tracks are all long and very spontaneous – not nearly as tied to larger arrangements as some of Bobbi's... read more

Funky drums from the mighty Paul Humphrey – one of the standout studio players of the LA scene of the 60s and 70s, and an even better talent as a leader on this set! Paul's working here in a style that's partly in a funk mode, and partly soul instrumental – supported by small combo... read more

A great setting for the 7 string guitar of Charlie Hunter – served up here in a spare set of duets with drummer Scott Amendola! The sound is nice and wide – way fuller than you might expect from two instruments, thanks to some lush phrasing from Charlie, as he moves nicely along with... read more

Tightly grooving folk rock from Hunt & Turner – far less hippy dippy than so many groups of the ilk, and focusing an really tight, guitar & melody driven sound! The instrumentation really pulls you into the vibe, not to take away from the appeal of the vocal performances, but they... read more

Seminal work from the great Ivory Joe Hunter – an artist who went onto have a huge impact on the development of music well into the 70s, but who doesn't always get his due! Joe's got a really amazing way of weaving together different strands of music – jazz, blues, and R&B –... read more

James Hunter at the Daptone Studios – working here with Bosco Mann production, and a sound that's much rawer than before! James has always had one hell of a voice, but this time around he also gets a bit more bite in his music too – a funky undercurrent that's more late 60s soul than... read more

Probably the best-ever album by this obscure bluesy singer from Chicago! Jimmy Giuffre handled the arrangements, and the record has a bit more polish than some of her other albums. The tracks feature some very nice jazzy arrangements – with Jim Hall on guitar, Jimmy Jones on piano, and... read more

A rare gem on 60s Prestige Records – and one of the earliest records to feature the incredible talents of reedman Sonny Fortune! Sonny burst into fame in the 70s as a spiritual player with a really freewheeling groove – but this late 60s date has Fortune in the company of Hammond... read more

A great record from folk rock oddball Michael Hurley – with spare, ragged little solo guitar & vocal tunes that greatly showcase both Hurley's easygoing, slowly rolling along vocals, as well has his piercing, high emphatic howls– plus more fleshed out tunes with the band, full of... read more

Raw & rambling folk sounds from Michael Hurly – recorded in early '72 – some of his better material of the era, living up to if not surpassing his Armchair Boogie of a couple years earlier! Michael's in seemingly amiable spirit here on some tunes, and a standing on shakier ground... read more

Super-dope work from Willie – a great selection of laidback and electric grooves, done here with plenty of great work on hollow-body electric guitar, which adds a nice raspiness to the instrumentation, and creates the same sort of vibe you'd hear on Willie's best soundtrack work. The record's... read more

Willie Hutch's classic score about pimpin' & mackin'! The album (and film) is virtually a handbook for junior grade hoods, and we can remember back around 1990, when the first wave of candy-ass hardcore hip hoppers were coming up, this was sort of a holy grail. And it still holds up nicely,... read more

One of the nicer Willie Hutch albums on Motown – a killer batch of heavy and funky tracks that evoke some of his soundtrack work from the same time – as well as a more hard grooving album-oriented approach! Willie arranged and produced, and there's lots of nice moogy and guitary bits... read more

An excellent soul album from the great Willie Hutch! The record's got more of a vocal focus than some of Willie's other albums – and his rich voice is perfectly set up in some sweet and soulful arrangements that have a full sound and a classy finish, but still a raw edge that keeps things... read more

Sweet funky soul from the great Willie Hutch – best known to most as the composer of the fantastic soundtracks for Foxy Brown and The Mack, but a heck of a great soul artist in his own right, with a wealth of great albums from the 70s! Willie's got a sweet raspy vocal style that's really... read more

An incredible collection of work from vibist Bobby Hutcherson – some of his most righteous recordings ever, spread out over the span of 5 albums recorded for Blue Note in the mid 70s – one of which was only ever issued in Japan! The work here has Bobby taking off nicely from his years... read more

Righteous Bobby Hutcherson from the 70s – one of his last albums recorded in the company of reedman Harold Land – and one of his greatest too! There's a wonderful mix of modes going on here – modal jazz meets California sun, blending a sense of spiritualism with some of the... read more

One of the most sophisticated albums that Bobby Hutcherson recorded with reedman Harold Land – a very hip session that features the arrangements of piano player Todd Cochran – also known as Bayete for a pair of early 70s albums on Prestige! The sound here is more farther-reaching than... read more

A subtle gem from Bobby Hutcherson's wonderful years on Landmark Records – a point when he was really getting back to basics, and cutting some great straight work that almost hearkened back to his 60s gems on Blue Note! The set's recorded live at the Village Vanguard – and Bobby swings... read more

Beautiful late Blue Note work from vibist Bobby Hutcherson – laidback, warm, electric, and with a mixture of CTI funk and some of the more lyrical soul jazz work of his years with Harold Land! Part of the credit for the set should go to George Cables – who plays both acoustic and... read more

A beautiful later Blue Note album from vibist Bobby Hutcherson – a set recorded after his famous association with Harold Land, but with a groove that's wonderfully soulful in a whole different way! Bobby plays marimbas instead of vibes this time around, and he's working with his own... read more

One of the most wonderful 70s albums from Bobby Hutcherson – and one of the most deeply spiritual, too! As with others in Blue Note's Montreux series, the tracks are long and very open – with a different flavor than the artists' studio work. Hutcherson works with a hip small group... read more

A lost set of work from the team of Bobby Hutcherson and Harold Land – recorded right around the same time as their famous San Francisco album! The album's overflowing with the soulful, righteous tones the pair could create together – sublime vibes from Hutcherson, both tenor and flute... read more

A really heady set of tracks from vibist Bobby Hutcherson – a record that has him stepping away from the harder sounds of his early modern years – and moving into the sublime mix of soulful and modal styles that would really grow strongly by the end of the 60s! The album's a treasure... read more

A real charmer from Bobby Hutcherson – and a set that features his vibes in a quartet with great Hammond from Joey DeFrancesco! We haven't heard Hutcherson with organ in many years – and the pairing is a wonderful treat, and really takes us back to some of his Blue Note moments of the... read more

Moody material from Bobby Hutcherson – and one of the first records to feature his vibes in the company of tenorist Harold Land – a player who would help Hutcherson make some mighty fine music over the years! The set's got a super-hip group – with Stanley Cowell on piano, giving... read more

Sweet 70s grooves from Bobby Hutcherson – an overlooked mid 70s gem for Blue Note – done in a style that's a bit more laidback than some of his other work for the label! The group here is similar to that used on the Waiting album – and Emmanuel Boyd turns in some great tenor and... read more

Soaring, spiritual jazz from Bobby Hutcherson – one of his soulful, modal killers for Blue Note in the 70s – and a record that's done in a style that's very similar to Bobby's work with Harold Land! This time around, Emanuel Boyd is on deck on tenor, flute, and soprano sax –... read more

An oft-overlooked gem from 70s Blue Note – and a great little record that's especially nice for the Bobby Hutcherson material! As you'd guess from the title, there's a larger orchestra working with the artists here – and in Hutcherson's case, this creates the same sort of soulful,... read more