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Excellent live work by The Association – quite different than their earlier pop hits, but still with the same great harmony feel! The style here is in the rougher, more guitar-based mode of albums like Birthday and Stop Your Motor – and the band really sounds great in this live setting... read more

Excellent live work by The Association – quite different than their earlier pop hits, but still with the same great harmony feel! The style here is in the rougher, more guitar-based mode of albums like Birthday and Stop Your Motor – and the band really sounds great in this live setting... read more

One of the harder to find LPs by this fantastic pop harmony group from LA. You already know their hits from other LPs, but this one's got a bit more of a rock sound, and some excellent groovy production by Bones Howe. All of the tracks are originals, and they've got nice groovy themes, as you'll... read more

Mindblowing music from The Association – a heady double-length package that features every single the group ever cut for the Valiant and Warner Brothers label – which together make for an amazing evolution in sound! Although best remembered for their few soft rock hits, The Association... read more

Fantastic dreamy pop! Despite the fact that this one yielded the super-huge hits "Windy" and "Never My Love", the album's also filled with great 60s pop tunes that you've probably never heard before – all as fantastically well-crafted and delicately strung-out as the big... read more

Fantastic dreamy pop! Despite the fact that this one yielded the super-huge hits "Windy" and "Never My Love", the album's also filled with great 60s pop tunes that you've probably never heard before – all as fantastically well-crafted and delicately strung-out as the big... read more

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Some of the biggest singles by British reggae giants Aswad! Don't Turn Around his pretty heavy with material from the mid-to-late 80s period – when they were at a commercial peak – blending Lovers Rock and were crossing over in a major way. Breezy, easygoing stuff – plus some... read more

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A brilliant, first-time ever collection of the few rare singles ever recorded by north suburban Chicago psych folk group Athanor – plus some previously unreleased songs that are just as solid – and it might be our favorite rare rock discovery yet from the great Guerssen label! Most of... read more

Incredible home studio recordings by guitar genius Chet Atkins – all previously unissued versions from RCA Victor archives – and released here for the first time ever.... read more

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A mid 80s classic from Atlantic Starr – at the height of their catchy commercial fame – bouncing along with rhythms that crossover nicely to the mainstream, yet still keep a bit of their previous funky edge intact! The groove here is almost in the style that Atlantic Starr inspired in... read more

The first album by Atlantic Starr – a tight set of modern soul tunes with a very different feel than their later work! Part of the credit goes to Bobby Eli – who arranged and produced the set, giving it a feel that's almost late Philly – tight, sophisticated, and right on the... read more

The first album by Atlantic Starr – a tight set of modern soul tunes with a very different feel than their later work! Part of the credit goes to Bobby Eli – who arranged and produced the set, giving it a feel that's almost late Philly – tight, sophisticated, and right on the... read more

The title's certainly right on this one – because Atlantic Starr serve up a really brilliant blend of electro funk and mainstream soul – balanced with that near-perfect sound that made them one of the best groups of their generation! Despite the size of the combo, the sound is... read more

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A groovy little classic from Atlantic Starr – and a great example of the group's wonderfully catchy way of hitting a groove! The music's never pop, but has some captivating hooks all the way through – sweet little bits mixed in with the funky soul approach of the ensemble – made... read more

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This haunting EP brings you more of Atmosphere's signature tortured, playful, catchy songs of relationships and introspection. This EP is a tad bit more polished than their previous efforts, but Slug still harnesses the dark, bitter, nonchalant anger down inside him that spews forth these catchy... read more

Definitely up there with the best of 1997, this 8 track ep starts off with the amazing "Scapegoat", an interesting look at blaming the world, where Slug runs through a list of things that are causing strife in life. "Primer" has hilarious and insightful verses from the... read more

Creative electronics from Uwe Schmidt – aka Atom (TM) and dozens of other pseudonyms! Atom (TM) And Friends make these great pop music pastiches laced with electronic textures – putting modern electronica, classic funk, pop, rock, bossa nova and more in a blender – and coming... read more

The collected work of a mighty trippy group from the Indian scene – a psychedelic combo who worked in the 70s, but who had the same sort of edge you'd hear from the American and British scenes of the late 60s! In truth, there's a fair bit of Anglo influence going on in the music – not... read more

Norwegian progressive metal.... read more

An incendiary collection of mid-to-late 60s material from The Attack – a proponent of the same UK scene that spawned The Creation and The Who – and influenced later firebrands like The Buzzcocks and other punk era greats! About Time includes the group's Decca singles, rare radio... read more

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Unreleased soul from Vince Broomfield – a singer and saxophone player with a warm and smooth style! The work here is all from private recordings of the late 80s and early 90s, and has a sound that echoes mainstream R&B of the period, but which is served up in a much more stripped-down... read more

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Brian Auger's first album with The Oblivion Express – a harder-rocking ensemble than his initial Trinity trio, but one who also really pushed things with a really jazzy edge! Like many of Auger's contemporaries on the UK scene, Brian was making the shift from Brit beat group jazz and soul,... read more

Brian Auger's first album with The Oblivion Express – a harder-rocking ensemble than his initial Trinity trio, but one who also really pushed things with a really jazzy edge! Like many of Auger's contemporaries on the UK scene, Brian was making the shift from Brit beat group jazz and soul,... read more

Brian Auger's first album with The Oblivion Express – a harder-rocking ensemble than his initial Trinity trio, but one who also really pushed things with a really jazzy edge! Like many of Auger's contemporaries on the UK scene, Brian was making the shift from Brit beat group jazz and soul,... read more

A great later sleeper from Brian Auger – a record that's much deeper and more soulful than some of his earlier work – and done in a soaring style that's really great! Alex Lighterwood sings as much as Auger plays the keys here, but that's ok with us – because he fuses his voice... read more

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Soaring, soulful sounds from Kylie Auldist – maybe the best so far from this up-and-coming singer! The vocalist gets superb help from Lance Ferguson, of The Bamboos – and together, they both explore a mode that's more swinging 60s mod than some of Lance's usual funk – an upbeat,... read more

Mid 70s funk rock from Aura – the psych Sativa from the San Francisco group – a dense blend of funky horns & rhythms, chorus vocals, organ fuzz and heavily -layed piano, lumbering drums and blazing electric guitars! This is a group that cared not for stylistic boundaries and they... read more

Mid 70s funk rock from Aura – the psych Sativa from the San Francisco group – a dense blend of funky horns & rhythms, chorus vocals, organ fuzz and heavily -layed piano, lumbering drums and blazing electric guitars! This is a group that cared not for stylistic boundaries and they... read more

The first Salsoul album from Aurra – and the start of a great run that would make the group one of the label's strongest acts in the early 80s! Things are nicely funky throughout – more 80s groove than the disco that first brought Salsoul success – and right from the start, Aurra... read more

Nice "best of" comp that brings together loads of the hard to find 80's club tracks that Aurra recorded for Salsoul. The CD's got 13 cuts in all, with a number of 12" mixes that differ from the LP versions of the tracks. Titles include "Make Up Your Mind", "A Little... read more

Snapping beats and a really great 80s groove make "Checking You Out" one of Aurra's best tracks! The tune starts out slow, in a way that's perfect for bringing up out of a mix – then the vocals come in with some nice electro undercurrents – really making for a catchy appeal... read more

The image on the cover is a great summation of the Aurra magic – a sweet blend of male and female vocals with plenty of soul – woven together in ways that are quite different from more cliched duet modes of earlier years! The grooves are at the center of the record – set out... read more

The image on the cover is a great summation of the Aurra magic – a sweet blend of male and female vocals with plenty of soul – woven together in ways that are quite different from more cliched duet modes of earlier years! The grooves are at the center of the record – set out... read more

Great grooves from Aurra – a group with a sound that's rooted in the late 70s funk of Slave, but which is given a whole new life at Salsoul by fearless leader Stephen Washington! The album's tight and right on the money at the very first note – heavy on bass, but not in a way that's... read more

Rare work from Aurra – recorded right at the tail end of their years at Salsoul Records, and with a groove that's still very tight and in the pocket1 "Satisfaction" is a bassy groover that has plenty of bump way down at the bottom – that leaner groove Aurra used near the end,... read more

Sweet 80s grooving from one of Salsoul's best acts of the post-disco years – a group with a groove that comes up right from the bottom, thanks to a great ear for a funky bassline! The sound is nice and lean – but all still mighty live, with a lot of spontaneous energy in the... read more

Heavy 80s groove boogie from Aurra, off their third LP.... read more

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A sweet little album of funky instrumental guitar! The record's one of the most obscure on the Westbound label – and it features guitar player Donald Austin going to town on 13 short little cuts with a tripped-out funky groove – sometimes fuzzy, usually funky, and always with that... read more

Two great funky guitar tracks! Both cuts have kind of a slow chugging stoner groove to them – right up there with work by Shuggie Otis or Eddie Senay, and with a similar mix of tripped-out soloing over the top of slow funky beats!... read more

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CTI Masters, and then some – a collection that features one full album from Patti Austin, plus lots of bonus tracks too! The first 10 tracks on the album comprise the classic End Of The Rainbow debut for CTI – wonderfully warm soul from the great Patti Austin – a key artist in... read more

A relatively recent set from Patti Austin, but a great one too – an album that has her working in warmly jazzy arrangements that are much more restrained than her soul work of a few years before! There's a relaxed, easygoing feel to the set – one that's somewhat smooth, as you might... read more

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No honking here, as Sil Austin takes his deeply soulful tenor sax, and turns it to a set of creamy late-nite tracks – all done over some very "pretty" backings, ala the Verve strings work of Ben Webster or Lester Young. Most cuts have voices in with the orchestrations – and... read more

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One of a few records cut by this surprisingly popular Australian group – temporary ex-pats to the US scene, featuring Errol Buddle on tenor and Bryce Rhode on piano, two of the country's greatest jazz players of the 50s and 60s. Given the sympatico between the Aussie and LA mode of the 50s... read more

One of a few records cut by this surprisingly popular Australian group – temporary ex-pats to the US scene, featuring Errol Buddle on tenor and Bryce Rhode on piano, two of the country's greatest jazz players of the 50s and 60s. Given the sympatico between the Aussie and LA mode of the 50s... read more

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The incendiary full length by The Avengers – their almighty, unjustly overlooked self-titled set (aka the Pink Album)! This is one of our absolute favorite Bay Area punk albums of any era – recorded in '77 and '78, but it went unreleased until 1983. We have no doubt that if this thing... read more

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AWB's first for Atlantic – and a nice slice of funk that proves that they can mix it up with the best groups of the 70s! The record's got plenty of sweet electric keyboards over smooth funky basslines – and as the years go by, the band's white boy vocals don't sound nearly as bad as we... read more

If you need to own one album by Average White Band, this is it! The album features the band at their funky best – playing hard and chopping away with a strong crossover sound that put them firmly on the map during the early 70s. Loads of tight rolling basslines and hard drums – all... read more

Sure, it's not classic funky Average White Band, but the album's a great one that showcases the group's best second suit – their smooth compressed late 70s soul sound – a great evolution of their earlier groove, and one that showed them as a great mainstream soul act! The tunes are a... read more

Sublime mid 70s work from The Average White Band – and a record that really has the group deepening their groove a bit – moving past the heavier funk of their roots, into some mellower grooves that are totally great! There's a great undercurrent of jazz in some of the playing here... read more

In case you don't get the joke, the title's a play on the fact that Atlantic Records had just been acquired by Warner Communications – now fully a major label at the end of the 70s! That fact doesn't stop the album from being a good one, though – and AWB work here with Arif Mardin on a... read more

Ben E King joins the Average White Band for this sweet 70s set – a killer record that not only stands as one of King's best efforts of the decade, but one that also gives the group a great new frontman! Ben's not the only singer on the record, but his presence here can definitely be felt... read more

A wicked album of Latin Soul tunes – recorded by Harvey Averne, one of the heaviest hitting producers of the New York scene of the late 60s! The album's one of the few that Harvey issued under his own name, and it features him on piano and vibes, working with arrangements by Marty Sheller,... read more

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From The CMT Crossroads series. Randy Travis joins The Avett Brothers on "February Seven" and the Avetts return the favor on "Three Wooden Crosses".... read more

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A wonderful record from bassist Omer Avital – an artist who recently turned in one of our favorite albums in the Live At Smalls series – and who sounds equally great on this recent studio set! There's a depth to the music that really lives up to Omer's righteous image on the front... read more

An incredibly well-crafted set from bassist Omer Avital – a player who's really got a bold vision for his group here, and manages to lead a host of strong players through a set of very personal material! There's some great righteous energy going on here – making the set easily one of... read more

An excellent funky fusion group from Chicago – and one of the best ensembles to record for the Black Jazz label! The group's made up of hip Chicago underground players – and includes Ken Chaney on electric piano, Ari Brown on saxes, and Frank Gordon on trumpet – a lineup that... read more

No Mirage here – as the album's got a presence that's impossible to deny – a solid, soulful uttering from this key Chicago combo of the 70s! The group's led by reedman Ari Brown – better known for his later avant work – and they've got a wicked blend of keyboards and horns... read more

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Stunning! This is David Axelrod's rare suite of tracks dedicated to saving the enviroment with a set of jazzy funky grooves! The record's probably his most baroque album ever, with a big group of jazz players that mixes vibes, guitars, and off-kilter reeds – plus a group of singers who... read more

Although he's best known for his albums on Capitol, David Axelrod cut this great record for Fantasy during the mid-70s, and it features Cannonball Adderley producing Axelrod's work (instead of the other way around, as on Cannonball's albums from the time). The tracks here are a bit more jazz funk... read more

A masterpiece! This is one of David Axelrod's most perfectly realized albums – and it's a brilliant batch of baroque arrangements, jazzy solos, and slightly subtle funky bits! The album contains the much-sampled song "Holy Thursday", but the whole thing has a very similar feel to... read more

A masterpiece! This is one of David Axelrod's most perfectly realized albums – and it's a brilliant batch of baroque arrangements, jazzy solos, and slightly subtle funky bits! The album contains the much-sampled song "Holy Thursday", but the whole thing has a very similar feel to... read more

One of the greatest albums ever by studio genius David Axelrod! The album's one of Axelrod's first on his own – cut for Capitol Records at a time when he was working with some of the label's biggest selling soul acts – like Cannonball Adderley and Lou Rawls – turning their... read more

A great little groover from David Axelrod – cut years after his more famous work at Captiol, and more of a funky fusion record, but still pretty darn great! The record's got lots of nice keyboards, and is sort of an extension of the style he begun on the Heavy Axe album from the mid 70s. ... read more

David Axelrod takes on Handel's Messiah – and the result is an amazingly complex set of music – very similar to his earlier albums on Capitol Records, and his Warner work with the Electric Prunes! If you love the Axe, you'll find plenty to love here – spare, dark orchestrations,... read more