Titles include "Nature Boy", "Mona Lisa", "Too Young", "Darling, Je Vous Aime Beaucoup", "All Over The World", and "Those Lazy-Hazy-Crazy Days Of Summer" – 20 tracks total. (Vocalists) CD
Mel Torme may have wrote "The Christmas Song", but Nat King Cole owned it – thanks to a classic recording for Capitol that became one of the best-remembered Christmas chestnuts of the time! Nat's original 1961 recording is followed up here with an array of classic Holiday tunes ... read moreCD
Nat King Cole —
Early 1940s ... CD Mark 56, Early 40s. Used ...
Out Of Stock
Titles include "When Your Lover Has Gone", "These Foolish Things", "Just For The Fun Of It", "The Party's Over", and "The Song Is Ended" – 15 tracks in all with wonderful Billy May arrangements! (Vocalists) CD
Rare unrelased recordings by the legendary Nat King Cole Trio! Forget all the soppy pop stuff you've heard a million times – this is the real deal, the kind of stuff that got Nat noticed in the first place, and the type of material that he was playing for LA audiences in the immediate ... (Vocalists) read moreCD
20 years of greatness – starting with early trio material by Nat King Cole, right up through his sublime mature recordings for Capitol in the later years! 100 tracks in all! (Vocalists) CD
(BMG music club pressing. Back cover has light wear – a nice copy!)
A nice little session that's one of Nat's last great vocal albums – thanks to some solid jazz backing by George Shearing. Shearing's group here is a super-hip west coast Latin one, with Emil Richards on vibes, Al Hendrickson on guitar, Al McKibbon on bass, and Shelly Manne on drums. Most ... (Vocalists) read moreCD
A nice little session that's one of Nat's last great vocal albums – thanks to some solid jazz backing by George Shearing. Shearing's group here is a super-hip west coast Latin one, with Emil Richards on vibes, Al Hendrickson on guitar, Al McKibbon on bass, and Shelly Manne on drums. Most ... (Vocalists) read moreCD
With 36 tracks including "Straighten Up and Fly Right", "Sweet Lorraine", "It's Only a Paper Moon", "Nature Boy", "Lush Life", "Blue Gardenia", "Stardust", "The Sand and the Sea", and more. (Vocalists) CD
Some great little groovers from back in the day when Nat knew how to rock! The tracks aren't exactly raw R&B, but they're nice little groovers in the smoother LA mode that Nat helped develop in the postwar years on Capitol. Titles include "I'm An Errand Boy For The Blues", "Ooh ... (Vocalists) read moreCD
With 78 tracks on 5 CDs including "Little Joe From Chicago", "Sweet Lorraine", "Rhythm Sam", "Besame Mucho", "Boogie A La King", "The Man I Love", "Wild Goose Chase", "Mexico Joe", and "A Pile O'Cole". (Vocalists) CD
It's been nearly 20 years since Natalie Cole first sang duets with her father through the magic of technology – so the time's long overdue to throw a host of other talents into the mix! The style here is a bit like the Verve Remixed albums – in that the record takes older classics by ... (New Grooves) read moreCD
Nat King Cole as a leader and a sideman – incredible material from 1936-1946 – featuring the King Cole Trio, side work with Eddie Cole's Solid Swingers, Dexter Gordon, The Keynoters and The Lester Young Trio! There's a number of great tunes here with Nat singing, but also a whole bunch ... (Vocalists) read moreCD
(In nice shape with the slipcover!)
Nat King Cole & Pete Rugolo —
Lush Life ... CD Capitol, Late 40s/Early 50s. Used ...
Out Of Stock
Titles include "Babs", "Early Morning Blues", "Honeysuckle Rose", "Stop, The Red Light's On", "Honey Hush", "I Like To Riff", and "Hit The Ramp" – 22 tracks total. (Vocalists) CD
Titles include "This Will Be (An Everlasting Love)", "I Can't Say No", "Mr Melody", "Our Love", "Party Lights", "I'm Catching Hell", "Stand By", and "Someone That I Used To Love". (Soul) CD
An unforgettable album from Natalie Cole – a record that came at a time when her R&B career was faltering slightly, and a set that not only helped Natalie reach a new level of sophistication in her music – but also find a huge new audience too! If the title sounds familiar, it's ... (Soul) read moreCD
Nothing too mad here, but a wonderful record that really shows the genius of Richie Cole in the 70s! Cole on Muse is a wonderful combination – sharp-edged alto sax, rooted in tradition – but let loose on some freer soul jazz modes as well, really showing the strong jazz underground ... (Jazz) read moreCD
(Out of print.)
Richie Cole —
Live ... CD Just Jazz, 1978. Used ...
$6.99
Great live work from alto giant Richie Cole – stretching out on long tracks with Smith Dobson on piano, and guest work from Bishop Norman Williams on alto, and Eddie Jefferson on vocals! (Jazz) CD
Richie Cole with Eddie Jefferson —
Hollywood Madness ... CD Muse, 1980. Used ...
Temporarily Out Of Stock
A great example of the Muse Records charm of altoist Richie Cole – bop-fired creativity at its peak, mixed with some added contemporary elements to keep things fresh! In this case, Richie's horn takes on some key bop classics, but also opens up a bit with vocalsits too – Eddie ... (Jazz) read moreCD
(1994 pressing.)
Richie Cole with Phil Woods —
Side By Side ... CD Muse/32 Jazz (Japan), 1981. Used ...
Out Of Stock
With Cole and Woods on alto, Walter Booker on bass, Jimmy Cobb on drums, John Hicks on piano, and Eddie Lockjaw Davis on tenor. (Jazz) CD
A rich testament to the strength of the Parisian traditional jazz scene in the early 70s – as key players Coleman and Lafitte work here with a quintet live at the Montreux jazz fest in 1973. Lafitte's tenor is always a treasure, warm and rich, but moody and edgey at the same time – ... (Jazz) read moreCD
Possibly the strongest album ever recorded by mellow-voiced jazz vocalist Earl Coleman – a singer with a deeper style that's very much in the classic Billy Eckstine mode, but which swings a bit more freely in a small combo! The set's got a nicely open style – with longer tracks than ... (Vocalists) read moreCD
Tremendous work from tenorist George Coleman – featured here in the sort of setting that really reminds us of his genius when allowed to really open up and blow! The tracks are long, and the material was recorded by the Left Bank Jazz Society – that Baltimore-based organization that's ... (Jazz) read moreCD
The music of Richard Rodgers – swung beautifully by tenorist George Coleman – blowing in that clear, strong, soulful style we love so much! The rhythm section is great – a cooking lineup that features Harold Mabern on piano, Jamil Nasser on bass, and Billy Higgins on drums – ... (Jazz) read moreCD
A rare moment in the major label spotlight for George Coleman – an early 90s session for Verve, and one that should have gotten him the same sort of ongoing recognition as contemporary sessions at the label by JJ Johnson, Randy Weston, and Joe Henderson! The format here is spare, but nicely ... (Jazz) read moreCD
Great lost work from Ornette Coleman – material recorded in New York and LA during the years 1959 through 1961 – never issued at the time, but pulled together in this wonderful package at the start of the 70s! Although not recorded as an official album, the record stands easily with ... (Jazz) read moreCD
We'll be honest with you – we love this stuff! Sure, Ornette made some great recordings for a number of other labels – but as a whole, his Atlantic stuff is some of the greatest modern jazz ever recorded, and no other period of an artist is more worth collecting and having in a ... (Jazz) read moreCD
(Original pressing in the heavy outer slipcase – in great shape!)
We'll be honest with you – we love this stuff! Sure, Ornette made some great recordings for a number of other labels – but as a whole, his Atlantic stuff is some of the greatest modern jazz ever recorded, and no other period of an artist is more worth collecting and having in a ... (Jazz) read moreCD
(2015 EU reissue of Coleman's Atlantic anthology in a smaller clamshell box – in great shape!)
Ornette Coleman on saxophone, trumpet, and violin, Dewey Redman on tenor saxophone and musette, Charlie Haden on bass, and Ed Blackwell on drums. (Jazz) CD
Ornette Coleman —
Body Meta ... CD Verve, 1978. Used ...
Out Of Stock
One of Ornette's best LPs from the 70's! Recorded in 1976, this is a perfect demonstration of the harmelodic style, with the whole group jaunting along in tight choppy bits. James Blood Ulmer's on guitar, and the sound is very dark and deep. Tracks include "Voice Poetry", "Macho ... (Jazz) read moreCD
One of our favorite albums of all time from the legendary saxophonist Ornette Coleman – an essential showcase for his early harmelodic concepts, but with a vibe that's maybe more pulsatingly rhythmic than on other albums from the time! Ornette plays his incredible plastic alto sax, which has ... (Jazz) read moreCD
Ornette Coleman —
Chappaqua Suite ... CD Columbia (UK), 1966. Used 2 CDs ...
Out Of Stock
One of Ornette Coleman's most groundbreaking albums – a set that takes his best free jazz energy of the 60s, and expands it out into the space of a longer suite – all originally designed as a film soundtrack, then never used in the movie at all! Yet even without the film placement, the ... (Jazz) read moreCD
A complete issue of a groundbreaking late 50s performance by Ornette Coleman – some of which has been released on the French album Fabulous Paul Bley Quintet, and other parts on albums under Ornette's name! The quality of the performance is amazing – some of the freshest jazz recorded ... (Jazz) read moreCD
One of Ornette Coleman's best recordings from the 70s – and like his other album for Columbia, quite a change from the freewheeling sounds he was blowing over at Blue Note! The style here is a bit more high concept, but in a good way – with all the edges that Coleman had developed from ... (Jazz) read moreCD
(Out of print, 2000 pressing with Broken Shadows album and 3 extra bonus tracks!)
One of the few standout 70s sessions by Ornette Coleman – a wonderfully rhythmic record that shows Ornette's expanding musical vision at the time! Most of the record is dominated by the guitar-heavy "Theme From A Symphony" – a very harmelodic number that takes up all of side ... (Jazz) read moreCD
One of the few standout 70s sessions by Ornette Coleman – a wonderfully rhythmic record that shows Ornette's expanding musical vision at the time! Most of the record is dominated by the guitar-heavy "Theme From A Symphony" – a very harmelodic number that takes up all of side ... (Jazz) read moreCD
(Early A&M digipak pressing with some light wear.)
One of our favorite Ornette Coleman albums of the post-Atlantic 60s years – a set that still hangs onto some of the bold rhythmic conception of his previous records, but also points the way towards his freer jazz modes to come! The group's a trio – with really tremendous work from ... (Jazz) read moreCD
One of our favorite Ornette Coleman albums of the post-Atlantic 60s years – a set that still hangs onto some of the bold rhythmic conception of his previous records, but also points the way towards his freer jazz modes to come! The group's a trio – with really tremendous work from ... (Jazz) read moreCD
The title gets it right – as the album's easily the closest thing to free jazz that Ornette Coleman ever recorded – an album-length improvisation played by a "double quartet" that's overflowing with classic players! The style here is a fair bit like John Coltrane's Ascension ... (Jazz) read moreCD
Set of material from the mid 80's – one featuring Ornette reunited with his classic quartet of Don Cherry, Charlie Haden, and Billy Higgins; the other with his Prime Time group that included Bern Nix, Jamaaladeen Tacuma, and Denardo Coleman. The whole set's a "30 Years Of Harmelodic ... (Jazz) read moreCD
A really incredible performance from Ornette Coleman – recorded in Italy in 1968, and featuring a unique lineup that includes Ed Blackwell on drums, plus the dual basses of Charlie Haden and David Izenzon! The two-bass lineup gives the set an amazingly tight edge – with one player ... (Jazz) read moreCD
"New York is now" – a pretty bold statement from saxophonist Ornette Coleman, but one that definitely shows his shift in role – from a major force on the LA underground of the early 60s, to an artist who was helping pave the way for a huge wave of growth on the New York ... (Jazz) read moreCD
"New York is now" – a pretty bold statement from saxophonist Ornette Coleman, but one that definitely shows his shift in role – from a major force on the LA underground of the early 60s, to an artist who was helping pave the way for a huge wave of growth on the New York ... (Jazz) read moreCD
Ornette Coleman —
Of Human Feelings ... CD Antilles/Polystar (Japan), 1982. Used ...
Temporarily Out Of Stock
Early Prime Time stuff by Ornette, with the harmelodic sound electric sound of the group that included Jamaaladeen Tacuma, Bern Nix, and Charlie Ellerbee. Lots of popping guitar strings, jumping basslines, and rambling solos by Ornette. Tracks include "Jump Street", "Sleep ... (Jazz) read moreCD
Important mid 60s work from Ornette – and one of the few recordings of this format to see larger release at the time! The set captures Ornette in a much freer style than heard on his Atlantic recordings from a few years before – paying alto, violin, and trumpet, in a trio with David ... (Jazz) read moreCD
Important second chapter work from Ornette Coleman – a record that marked a real shift in his sound from the Atlantic Records years – issued by Blue Note at a level that gave the rest of the world a chance to see what Ornette had been cooking up on the underground scene! The album was ... (Jazz) read moreCD
Important second chapter work from Ornette Coleman – a record that marked a real shift in his sound from the Atlantic Records years – issued by Blue Note at a level that gave the rest of the world a chance to see what Ornette had been cooking up on the underground scene! The album was ... (Jazz) read moreCD
Important second chapter work from Ornette Coleman – a record that marked a real shift in his sound from the Atlantic Records years – issued by Blue Note at a level that gave the rest of the world a chance to see what Ornette had been cooking up on the underground scene! The album was ... (Jazz) read moreCD
Important second chapter work from Ornette Coleman – a record that marked a real shift in his sound from the Atlantic Records years – issued by Blue Note at a level that gave the rest of the world a chance to see what Ornette had been cooking up on the underground scene! The album was ... (Jazz) read moreCD
Important second chapter work from Ornette Coleman – a record that marked a real shift in his sound from the Atlantic Records years – issued by Blue Note at a level that gave the rest of the world a chance to see what Ornette had been cooking up on the underground scene! The album was ... (Jazz) read moreCD
(2002 RVG pressing.)
Ornette Coleman —
Ornette! ... CD Atlantic/Rhino, 1962. Used ...
$5.99
A stunning session by Ornette, and one that always seems to get overlooked in discussions of his albums for Atlantic! His quartet here features the amazing Scott LaFaro on bass, and a young Ed Blackwell on drums – both of whom give the tracks an amazing pulse that brings new energy out of ... (Jazz) read moreCD
Comprised selected tracks from the first five albums of his era, Something Else!!! and Tomorrow Is the Question, recorded for the Contemporary label during 1958 and 1959, and The Shape of Jazz to Come, Change of the Century and This Is Our Music, recorded for Atlantic during 1959 and 1960. It ... (Jazz) read moreCD
An album that certainly lives up to the promise of its title – as it's filled with amazing instrumentation, groundbreaking compositions, and a sound in jazz that few ears could imagine at the time! The groove here is extremely modal – all instruments rolling along on the same rhythmic ... (Jazz) read moreCD
An album that certainly lives up to the promise of its title – as it's filled with amazing instrumentation, groundbreaking compositions, and a sound in jazz that few ears could imagine at the time! The groove here is extremely modal – all instruments rolling along on the same rhythmic ... (Jazz) read moreCD
A brilliant large ensemble work from Ornette Coleman – ambitious material recorded with full orchestra, in a haunting sound that's light years from any of his smaller group recordings of the 60s and 70s! There's an incredible feel to the strings used here – played by the London ... (Jazz) read moreCD
Pre-Atlantic work from Ornette Coleman – one of his first recorded statements in jazz – and one of his boldest! At some level, the complete Coleman sound isn't entirely in place here – as there's a bit of a trace of hardbop in the mix – not entirely, but just a bit. But at ... (Jazz) read moreCD
(2011 OJC Remasters pressing. Small cutout hole through rear case and artwork.)
Pre-Atlantic work from Ornette Coleman – one of his first recorded statements in jazz – and one of his boldest! At some level, the complete Coleman sound isn't entirely in place here – as there's a bit of a trace of hardbop in the mix – not entirely, but just a bit. But at ... (Jazz) read moreCD
Tomorrow may be the question, but the record screams "today!" – and even this many years after its recording, this early set by Ornette Coleman has an energy and presence that cannot be denied! The sound here is kind of a rougher take on the mode that would gel more strongly on ... (Jazz) read moreCD
Ornette Coleman —
Town Hall 1962 ... CD ESP/ZYX (Germany), 1962. Used ...
Out Of Stock
A really unique chapter in the career of Ornette Coleman – an album that he produced by himself in 1962, away from any other label – as an effort to showcase the newly freer sounds of his music! The recording's the first in a really groundbreaking stretch for the 60s – and it was ... (Jazz) read moreCD
Duets featuring Ornette Coleman on alto saxophone, trumpet, and violin – and Joachim Kuhn on piano! (Jazz) CD
(Out of print, punch through barcode.)
Ornette Coleman & Prime Time —
Tone Dialing ... CD Harmolodic/Verve, 1995. Used ...
Out Of Stock
With Bradley Jones on electric bass, Al McDowell on electric bass, Chris Rosenberg and Ken Wessel on guitar, Dave Bryant on keyboards, Denardo Coleman on drums, and Badal Roy on tabla. (Jazz) CD
Ornette Coleman Quartet —
Reunion 1990 ... CD Domino (Spain), 1990. Used 2 CDs ...
Out Of Stock
A special 1990 regrouping of Ornette's famous quartet – with Don Cherry on cornet, Charlie Haden on bass, and Billy Higgins on drums! (Jazz) CD
Steve Coleman with the Council of Balance & Five Elements, which includes George Lewis on trombone, David Gilmore on guitar, Andy Milne on piano, and Ravi Coltrane on saxophone. (Jazz) CD
A live album with Steve Coleman on alto saxophone, David Murray on tenor saxophone, Andy Milne on keyboards and piano, Reggie Washington on bass, and Gene Lake on drums. (Jazz) CD
Complex rhythms from reedman Steve Coleman – as you might guess from the title, or from some of the other excellent work by his Five Elements group! The bass and drums are definitely at the core of the set – handled by Anthony Tidd and Sean Rickman, respectively – but the alto of ... (Jazz) read moreCD
Excellent work from Steve Coleman and his Five Elements group – just the sort of record that reminds us why Coleman's records for the past few decades have always been ones to catch! Steve works in this beautifully angular mode that seems to take some of the jazz changes from the downtown ... (Jazz) read moreCD
Steve Coleman on alto saxophone, Jonathan Finlayson on trumpet, Miles Okazaki on guitar, Anthony Tidd on bass, and Sean Rickman on drums. (Jazz) CD
Steve Coleman & Five Elements —
Mancy Of Sound ... CD PI Recordings, 2007. Used ...
$6.99
Steve Coleman on alto saxophone, Tim Albright on trombone, Jonathan Finlayson on trumpet, Thomas Morgan on bass, Marcus Gilmore and Tyshawn Sorey, Ramon Garcia Perez on percussion, and Jen Shyu on vocals. (Jazz) CD
(Digipak has light wear.)
Steve Coleman & Five Elements —
Resistance Is Futile ... CD Label Bleu (France), 2001. Used 2 CDs ...
Out Of Stock
Features Steve Coleman on alto and vocals, Jonathan Finlayson and Ambrose Akinmusire on trumpet, Andy Milne on piano and keys, Anthony Tidd on bass, Jesus Diaz on percussion, and Sean Rickman on drums. (Jazz) CD
With Steve Coleman on alto, Anthon Tidd on bass, Sean Rickman on drums, and Miguel 'Anga' Diaz on percussion – plus a long list of guest artists including Ravi Coltrane, Ralph Alessi, Vijay Iyer, Jason Moran, and Stefon Harris. (Jazz) CD
A rare session as a leader from trumpeter Johnny Coles – a player who cut some great work in the groups of James Moody and Gil Evans, but who shines even more brightly on this classic Blue Note album! Coles really has an ear for finding the hippest side of his instrument – and he blows ... (Jazz) read moreCD
Johnny Coles —
New Morning ... CD Criss Cross (Holland), 1982. Used ...
Out Of Stock
A great later date from trumpeter Johnny Coles – best known for his important work with Charles Mingus, and his 60s album on Blue Note – still sounding great here in the company of Horace Parlan on piano, Reggie Johnson on bass, and Billy Hart on drums! (Jazz) CD
Buddy Collette on on alto sax, tenor sax, clarinet, and flute – with Sam Most on reeds, George Bohanon on trombone, Ronnell Bright on piano, and others. (Jazz) CD
One of the best albums ever from reedman Buddy Collette – a great small group session with a harder edge than some of Buddy's later records for bigger labels! Collette was always one of the more interesting players from the LA scene of the 50s – and although he had his roots in harder ... (Jazz) read moreCD
Buddy Collette's definitely a man of many parts here – and many talents too, considering the reedwork on the set! Buddy plays alto, tenor, clarinet, and flute – using the horns with wonderful invention that really showcases his unique style of the time – that mix of modern and ... (Jazz) read moreCD