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A standout classic of the French disco scene of the 70s – and a record that found a perfect way to bridge the gap between spacier grooves and tighter rhythms for the mainstream! The 70s French scene was often known for plenty of great keyboards – kind of an offshoot of earlier prog,... read more

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Includes "Dear Lonesome", "Everything She Touches Gets The Blues", "Tomorrow We'll Retire", "Hey, Maw", "Me And Fred And Joe And Bill", and more.... read more

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A great idea for a session – and one of our favorite albums from the legendary America free jazz series! Mal Waldron is working here with the legendary Steve Lacy French quintet of the 70s – the ensemble that featured Steve Potts on alto, Kent Carter on bass, Noel McGhee on drums, and... read more

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At some level, we have to admit, we've always been a shade disappointed in this record, no matter how many times we go back to it. It must be that the music doesn't quite live up to what the Efram Wolff cover image implies is within, and perhaps it's that Walker hasn't fully brought himself up to... read more

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A rare US album for this famous Swedish trumpeter – working here with backdrops from the orchestra of Rolf Blomquist!... read more

A rare quintet session from George Wallington – and a smoking little record we'd rate right up there with his other non-trio sides of the 50s! The set's done in that hard-edge Savoy mode of the time – relaxed and open, with lots of dark elements in the rhythms – and beautifully... read more

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A repackaging of tracks put together in the late 70s, collecting some of War's "jazzier" moments. Although it was War's more succinct, funkier numbers and singles that we dug most about the band at first, it's these numbers where the group opens up a bit more that they really shine, if... read more

One of THE disco hits of the 70s – a set that spawned not only a huge hit single for Anita Ward, but which also firmly pushed the Miami scene over the top! The record's a wonderful mix of modes – served up with stone southern soul production from Frederick Knight, but also given plenty... read more

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A pretty groovy little album from Dinah Washington – at first glance a set of older standards, but at second glance a date that features some wonderfully swinging arrangements from Quincy Jones! The Q really helps Dinah break from the usual mode here – providing here with an upbeat,... read more

A cool compilation that features one album of new recordings of older Dinah Washington hits – done in 1961 with backings by Quincy Jones – and another record that features some of Dinah's best bits for Mercury from the late 50s and early 60s!... read more

Titles include "September In The Rain", "Mixed Emotions", "Harbor Lights", "What A Difference A Day Makes", and "Time Out For Tears".... read more

One of the richest albums from the Kudu years of Grover Washington – a double-length set that shows the full range of his soul and imagination! The album was done in collaboration with Bob James – who arranged and conducted all tracks, and also plays keyboards on the date – and... read more

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Tripped-out funk from Johnny – very much in his "I Got To Ta Ta Ya Baby" mode, with the guitar skipping around keyboards in a mellow Bay Area kind of way! Johnny's gone way way past his bluesy roots here – into a sublime blend of soul and funk that's all crafted with just the... read more

Gina Watson and Alfred Beasley sport a very new wave look on the cover of this one – and the album, although mostly a soul set, certainly echoes with some of the crossover touches that worked big at the time – heavier guitars, a harder sound in the rhythms, and lyrics that are a bit... read more

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The classic Dirt Style offering from D-Styles.... read more

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Sublime sounds from We Five – and a record that really takes the group past the pop styles of their debut! There's some nicely sinister echoes of the San Francisco scene going on here – more electric guitar than previously, used in edgey ways – and this more "arch"... read more

A tight little ensemble soul group from Chicago – with an approach that's clearly influenced by Earth, Wind, & Fire, although the group also seems to be trying for more of a pop easy soul sound at times. Funky 45 artists Lonell Dantzler is on keyboards and Finis Henderson on vocals... read more

One of the biggest hits ever for Weather Report – thanks to Joe Zawinul's leadoff track "Birdland" – one of those tunes that entered the canon immediately, and saw countless covers pop up over the years – kind of a rare thing for a jazz tune at this point in time! The... read more

One of our favorite albums ever from Weather Report – an album that has them picking up a bit more soul than before, and shaking off some of the experimental sounds of their roots – yet all in a way that still makes them one of the most revolutionary fusion combos of the time! There's... read more

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Sweet mid-60s sides from Ben Webster – recorded late in his career, but with that wonderful world-weary tone he was sporting at the time! The set features a few different groups – one a quartet with Kenny Drew on piano – another a larger group with Danish reedmen.... read more

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One of the best entries in the Commodore Series on Mainstream – a collection of obscure mid 50s recordings by flute and tenor player Frank Wess, done in small group settings with a variety of players that include some of his bandmates in the Basie group! There's a more tightly arranged feel... read more

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A great slice of the modern jazz underground of the late 50s – and a session by a group you've probably never heard of! The Westchester Workshop is an octet that features trumpet by Joe Shepley, trombone by Eddie Bert, tenor by Carmen Leggio, and alto by Vinnie Riccitelli – composer of... read more

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You came a long way from Motown baby! This is Kim's weird, oddly patriotic (and slightly reactionary) album with Marty Paich arrangements of tracks like "The House I Live In", "This Is My Country", and "This is America". Also with tracks like "Exodus" and... read more

An unusual record for Randy Weston – a freewheeling live set recorded at Montreux in 1974, with Billy Harper joining Weston's group on tenor and flute, playing long spiritual solos that work wonderfully next to Weston's spiralling piano lines! Harper's searching quality really opens up the... read more

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Not as sublime as some of the group's earlier efforts, but still with a strong harmony sound that keeps things moving nicely ahead. The arrangements are in a smooth soul mode – still uptempo on a number of tracks, in the same style that they were using with the Philly crew. The difference... read more

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Later than Barry's classic years, but some nice material that often gets overlooked! As the 80s approached, Barry changed his style slightly – and hit a smooth modern soul groove that was still closely related to a lot of trends he invented in the early 70s, but which also had a slicker... read more

Can't get enough of Barry White at this key point in his career – a time when he was stepping from the shadows as one of the most sensuous soul stars of the 70s! The album's a near-perfect effort throughout – a great blend of the soaring strings and funkier rhythms that always made... read more

Barry White was always the victim of his own success – in that he cut so many excellent records early on, that folks always over look the great stuff he did in later years. This 1979 album is a perfect example of Barry's greatness in this respect – as it's still totally on the money,... read more

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The only solo album ever recorded by Maurice White – an upbeat and soulful set that's right up there with his best 80s work in Earth Wind & Fire! Like that group at the time, White's hitting a rhythmic side that's more electronic at points – letting beats and keyboard bits stand in... read more

An overlooked soulful gem from Michael White – one of his smoother albums, but with a tight sound that really makes the whole thing great! The set was produced by George Duke, and it's got the same feel as some of Duke's best work of the time – soaring, soulful, with a style that... read more

Features performances by The Who, Elton John, Eric Clapton, and Tina Turner.... read more

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Features Sahib Shihab on alto, soprano sax, and flute!... read more

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Totally great work from Deniece Williams – still mostly free from the tinny pop of later years, and done in a solidly soulful style at Sigma Sound, with arrangements and production from the mighty Thom Bell! The groove is almost an update of 70s Philly, with traces of the maturing mellow... read more

A seminal set in the career of Deniece Williams – a set that really helped her find the voice she'd use more strongly in the 80s, but one that still holds onto all the best strongly soul styles of her earlier work! There's a catchy bounce here that's quite compelling – but the overall... read more

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One of Joe Williams' standout classics from the 50s – just the sort of record that put him on top of his game at the time! The album's one of Joe's classic outings with Count Basie – one recorded for Roulette with a slightly looser, slightly rawer feel than their work together on Verve.... read more

Joe Williams was really reviving his career as a vocalist at this point – working with the Thad Jones/Mel Lewis big band on a few well-selling records, and on this smoother set with arrangements by Horace Ott. The overall feel is kind of in a swinging Grady Tate mode, with jazziness... read more

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John Williams come back! All is forgiven! We'll hardly complain anymore about all those overblown top-selling scores after hearing this gem from the early 70s! The record is a treasure – completely unlike any work that Williams did in later years – quite possibly because the film... read more

Diamond Head is a great early score from Johnny Williams – penned for a film set in Hawaii, with a cast that includes Charlton Heston, James Darren, and George Chakiris! Williams' score is a mix of tropical themes, dramatic modes, and a number of groovier-styled tunes – music that's a... read more

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