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Abrams recorded this set of seven songs in Chicago with Joseph Jarman and Douglas Ewart on saxophones and other woodwinds. Amina Claudine Myers contributes piano and voice in addition to Abrams' own. Thurman Barker plays drums and percussion. Song titles include "Bud P.", "Lifea... read more

Originally, this set was issued as a double LP in the early 70s, pulling together sides Cannonball cut for Riverside and Capitol, but the set was subsequently split into 2 separate volumes, and this is the first of those. Touching on the many styles Adderley played throughout his career, though... read more

An early masterpiece from the team of Toshiko Akiyoshi and Lew Tabackin -- big band tracks written and arranged by Toshiko, and played to perfection by a group that includes Bobby Shew, Don Rader, Mike Price, Dick Spencer, and the great Gary Foster. Titles include "Opus Number Zero",... read more

US issue of one of Monty Alexander's great MPS recordings, with his nice groovy piano, cool rhythm lines, and a nice laidback groove. Montego Joe complements Monty's trio on conga, and he gives the set a nice rolling feeling. Tracks include "Montevideo", "Brown Skin Girl", and... read more

Live Monty Alexander set from the mid 70s, featuring his groovy group with Ernest Ranglin on guitar, Eberhard Weber on bass, and Kenny Clare on drums. The bass playing's especially good, and there's lots of nice round funky moments in some of the best tracks. Titles include "Feel Like Making... read more

A very groovy batch of pop bossa tracks, and one that has Laurindo Almeida nodding to his Brazilian roots, and the movement that was supposedly inspired by his early 50s records with Bud Shank. This album expands the west coast jazzy concept, by adding a larger group with players like Bob Cooper,... read more

Easily the greatest album ever by the Ames Brothers -- from the fantastic space age cover, right down to the excellent arrangements from Sid Ramin! The whole thing's done in a swinging hi fi sort of mode -- one that really pulls a heck of a lot of range out of the vocals! Tunes dip and turn and... read more

Dang! Poor Gene Ammons kept getting stuck with albums that had titles which referenced his prison time! Fortunately, the quality of this one's good enough to live past the stupid name -- and the record has Gene blowing with a larger group of west coast soul jazz players, arranged by Bobby Bryant,... read more

Gene Ammons has some pretty hip friends here -- a roster of talent that includes guest appearances by hornmen Cannonball Adderley, Dexter Gordon, and Nat Adderley on one long jam number -- plus Hampton Hawes on electric piano on the entire set! The work's done in a laidback, long-blowing way --... read more

A more laidback set than usual from Ammons' early 70s stretch on Prestige -- but a record that nicely gets back to that big-toned tenor sound he used often on ballads from earlier years! The combo mixes both electric piano and organ -- the former from Hank Jones, the latter from Ernie Hayes -- and... read more

Ahhhh . . . The Jam Session years of Gene Ammons! This album was one of a number that Jug cut for Prestige during the mid 50s, all excellent examples of how perfectly the label's "blowing session" style could work when it wanted to. The set takes Ammons' tenor, and groups it with an... read more

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Vanessa serves up a contemporary gospel batch of Christmas tunes -- but also works here with some arrangements that are more traditional than some of her regular albums of the time. Titles include "Christ The Lord", "Drummer Boy", "Go Tell It On The Mountain", "Ch... read more

Hard swinging big band material from Sweden -- featuring the big band of Harry Arnold arranged by Quincy Jones. Quincy had been spending a lot of time in Sweden during the mid 50s -- bringing with him a host of great players that would soon become big names on the European scene. Biggest of these... read more

High-stepping disco from Arpeggio -- an album of longer tracks with a really soaring feel! The groove here is tight, but never schmaltzy -- with arrangements and production by Simon Soussan, and an overall feel that's more powerfully driven by the instrumentation in the set than the group's sweet... read more

Post-Slave, post-Hall Of Fame -- but Arrington's still going strong, and really working that 80s groove that he helped invent back in the day! Tracks are leaner and simpler than you'd expect -- not a lot of nonsense, and a good focus on rhythmically catchy numbers. Titles include "Dancin In... read more

Always-great work from the team of Ashford & Simpson -- the kind of a record that has them at the top of their game, even though they'd changed their overall sound over the years! The vibe here is more in an 80s groove mode than some of the duo's Warner albums, but they've still got an... read more

By this point, Nick Ashford and Valerie Simpson are firmly holding the foreground as artists in their own right after many years of acting as songwriters for other soul and R&B hitmakers, and this self produced album continues in their tradition of sophisticated soul and rich balladry. With a... read more

Excellent work from Ashford & Simpson -- with some modern soul groovers that are among the best they ever did! The album includes their original reading of "Top Of The Stairs", a great sexy soul duet that was later done by Collins & Collins -- and it's also got a fantastic... read more

Radiant grooves indeed from Atlantic Starr -- a group who really make things sparkle throughout this magnificent set! The group are at the height of their powers here -- skirting a perfect line between mainstream soul and upbeat club -- never falling too much into one style or the other, and never... read more

The group's 3rd album for Salsoul -- still going strong in a bass-heavy 80s groove mode, with sweet female vocals by Starleana Young, and male vocals by Curt Jones that give the set a heavier soulful touch that keeps things real. Titles include "It's You", "Make Up Your Mind",... read more

A sweet blend of jazz and soul from Patti Austin -- recorded at Muscle Shoals studios, with a sound that's surprisingly rootsy on a few numbers! Patti's still got all the polish she picked up from her years with Quincy Jones, but she's also stepping out a bit more as an artist with a stronger... read more

Hey, we can't ever find fault with Roy Ayers -- and even though this record's not up there with the classic ones, it's still got some incredibly nice moments that blow away most of his contemporaries! The bad news is that some cuts have a bit too much Linn drum and DMX work for Roy's smooth soul... read more

While in the post fusion years when lite jazz was beginning to take off a lot of jazz and fusion artists got a bit lost, Azymuth continued to make a number of fine recordings, some of the best of their career. Bertrami and crew continue to groove along in their tight Brazilian fusion mode, with a... read more

Proof that Azymuth were one of the few groups who could keep things real at a time when most of their fusion contemporaries were sounding cloying and commercial! The album's got a well-rounded sound that really shows the group's roots in the 70s, and their wonderful evolution over the years --... read more

Proof that Azymuth were one of the few groups who could keep things real at a time when most of their fusion contemporaries were sounding cloying and commercial! The album's got a well-rounded sound that really shows the group's roots in the 70s, and their wonderful evolution over the years --... read more

We never get enough of Jose Roberto Bertrami's vocoded vocal melodies! Sparkling Brazilian fusion, from the prolific Azymuth, with laid back grooves and light melodies, but not "lite" jazz. One of their more mellow outings, at most these tracks might approach mid-tempo, with a beautiful... read more

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Heavy duty hardbop -- and the rarest of Dave Bailey's sides for Epic! The record grooves as massively as his One and Two Feet In the Gutter albums, and it was recorded with a similar lineup that includes Horace Parlan on piano, Curtis Fuller on trombone, Charlie Rouse on tenor, and Clark Terry on... read more

Searing live work from Gato Barbieri -- a brilliant little album that follows on the spirit of his other Latin America sessions for Impulse! The format here is similar to those studio outings -- an organic blend of percussion, keyboards, and sax -- all bubbling together in a highly rhythmic mode... read more

A far reaching late 70s set from Gato Barbieri -- a record that blends fusiony jazz funk, lush stings, and Latin rhythms and fluid solos on a varied batch of tunes! One of the more interesting things about the production is that those varied approaches often come into play within the same tunes --... read more

Later work from Charlie Barnet, but a set that really cooks nicely overall -- still with the strong sax tones of earlier years, but also with a groovier sort of sparkle that marks the 60s date of the session! The tunes are short, but Charlie gets plenty of space to do his thing -- leading off... read more

Sweet mellow soul from Keith Barrow -- a great little 70s soul singer who began his career doing gospel work, and then moved on to cut some great secular LPs for Columbia. This one's his second, and it features some great smooth arrangements by Johnny Allen, with a few original tracks by the great... read more

Pretty groovy stuff, actually -- although it's probably not classic Basie from a "jazz" perspective. The record should be thought of more as a hip instrumental album -- kind of in the jaunty 60s groovy mode -- but one done with some great players, and put together with excellent... read more

One of the lesser-remembered Basie sessions for Roulette -- but one of the best ones too! The album follows nicely in the "dance" style of Basie's earlier albums for Clef -- by offering a set of work that was typical of that the group might have performed on one of their more popular... read more

A great little set -- despite our initial fears! We'll admit that we're the first ones to shy away from anything that says "Kansas City" in the title -- as we expect a lot of hoke -- but this album's a surprisingly great batch of tunes, original numbers written by Benny Carter in honor... read more

Breakfast Dance & Barbecue? Our stomachs are growling already! The album's a great little live set from Basie -- recorded at the Americana Hotel in Miami at 2 in the morning -- featuring an all-star late 50s Basie group with Freddie Green, Sonny Payne, Frank Foster, Frank Wess, Joe Newman,... read more

15 tracks in all, including "Feel It In The Air", "One Shot Deal", "Gotta Have It", "Don't Stop", "Oh Daddy", "Change", "Bread & Butter", "Flatline", "Tales Of A Hustler Pt 2", "Look At Me Now",... read more

The first full-length Beatnuts LP. With "Props Over Here", "Psycho Dwarf", "Hellraiser", "Ya Don't Stop", "Are You Ready (featuring Grand Puba)", "Hit Me With That", "2-3 Break" and 10 more.... read more

A strange little record that features monologues by Richard Burton intertwined with orchestral passages by Richard Rodney Bennett -- in a mode that captures the play-like quality of this Sidney Lumet film. Burton's spoken bits are no surprise, but nice -- and Bennett's scoring is light, but sweet -... read more

Pretty mellow stuff from George Benson, but with some nice moments! Don Sebesky handled the arrangements for this set of larger backings -- but Benson's guitar is right out front, hitting some super-dope lines at the best moments, stretching out from the warm Fender Rhodes or horn heavy backings. ... read more

A sweet 70s collection of late 60s work from George Benson -- tracks recorded in 1968 for Verve, originally from the albums Giblet Gravy and Goodies! The set list here really does a great job of picking out the best numbers -- the kind of clean, lean tunes that were pushing Benson from his soul... read more

Yipes! This one made everyone a bucket of money -- especially Quincy Jones, whose new Qwest imprint the record was one of the first to grace. George has come a long way from his roots with Jack McDuff here -- but in a way that kind of has us impressed, as he's grooving away slickly on guitar,... read more

Sweet 70s funk from George Benson -- an album that's a bit smoother than some of his earlier work, but still free from the commercial polish of his later hits! Maestro David Matthews is at the helm for this session -- and most numbers have a full backing from players who include some of the best... read more

Includes "Hey Girl", "Nassau Day", "Livin Inside Your Love", "Welcome Into My World", "Before You Go", "Unchained Melody", "Love Ballad", "Prelude To Fall", and "Soulful Strut".... read more

A collection of George Benson material from other CTI sessions -- but that's ok with us, because the material's great, with that spare spaced-out funk sound of the label's best early 70s work! Players include Hubert Laws, Ronnie Cuber, Fred Wesley, Steve Gadd, and Bad Bascomb -- and Dave Matthews... read more

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Obscure recording by the great trombonist Slide Hampton, and one of the last that he made in the US before disappearing to Europe for a long while. The set's put together by trombonist Harold Betters for the Gateway label, based in Betters' home base of Pittsburgh. The two players trade off solo... read more

80s repackaging of a fantastic live set from 1968 -- recorded after Blakey's classic Blue Note years, with a unique lineup that includes a young Billy Harper on tenor, Ronnie Matthews on piano, and Julian Priester on trombone! Harper alone is worth the price of the LP -- as his firey solos are... read more

Peggie's definitely got love on this sparkling debut -- but even better than that, she's got Jerry Ragovoy helping out on production, arrangement, and composition for most of the tunes -- a top-shelf professional approach that makes the whole album sound a lot richer and more unified than most of... read more

With Blythe on alto, Abdul Wadud on cello, Kelvyn Bell on guitar, Steve McCall and Bobby Battle on drums, John Hicks on piano, Amina Claudine Myers on organ, and Fred Hopkins on bass. Titles include "Misty", "Spirits In The Field", "Just A Closer Walk With Thee",... read more

Sweet jazzy soul from Angie Bofil -- recorded in 1979 with Dave Grusin, who gives the album a smooth edge that really works perfectly with her vocals! The set's a perfect blend of the more soulful elements in the fusion scene of the late 70s, combined with Angie's warm vocal style and some... read more

Angela Bofill's 3rd album for Arista -- a tight set of 80s modern and pop soul tunes, arranged and produced by Narada Michael Walden with some jazzy touches in the right moments! Angie's taking things to a sophisticated soul level with this one -- stepping out on a few ballads with a proud and... read more

An Arista winner from Angela Bofill -- one that has her working strongly with Narada Michael Walden -- who helps Bofill on production and songwriting for part of the album, and really helps bring a nicely solid feel to the set! The tunes are more in an 80s soul mode than before for Angie, but... read more

On earlier recordings, Clea was much more of a bluesy singer with a strong R&B sound. On this one, arranger Jim Tyler nicely uncovers a sweeter, more sophisticated side to her singing -- and sets her voice in some larger arrangements with a very mellow sound. In a way, the overall approach is... read more

A great album gets even better -- as The Brand New Heavies' excellent Get Used To It set is re-invigorated here by the talents of a host of great remixers! The album's presented almost like one of those classic Delicious Vinyl double-12" singles from years back -- with multiple remixes of... read more

Sweet 80s grooves from Brass Construction -- still with Randy Muller at the helm, but with a sound that's a bit more bassy than before! Trademark Brass Construction horns still make an appearance on the set, but there's almost more focus on the keyboards -- which, along with the bass, help give... read more

A more Latin-styled set than usual from The Brass Ring -- as you might guess from the title and cover! The sound is slightly fuller here -- a bit of brassy trumpets used sparingly, but just enough to fill out the groove at times -- and other new elements too, like acoustic guitar, added rhythms,... read more

The first record of what proved to be a very successful run for this seminal group from the Hotlanta scene of the 70s. As with other Atlanta groups, Brick took a harder soul style, and mixed it with the bourgeoning disco sound that was hitting the Peachtree city. The results scored pretty darn... read more

Bang are smoothing out their act a bit here -- going for more of that bass-heavy funk sound that worked a lot in the early 80s, a sound that they helped inspire in no small part, thanks to their first few records! There's still some great little numbers on the set, though -- done with a smoothly... read more

This one's a real shift from her earlier jazz-based work, or her recent recordings for Verve -- and a sweet funky fusion album that Dee Dee recorded for Elektra in the late 70s. The set was produced by Stanley Clarke, and has a soul/fusion sound that's not that different than his own work of the... read more

Very obscure work from singer Johnny Bristol -- an artist that we know best from his post-Motown work in the 70s, but who sounds great on this sweet album of early 80s soul! The record's got a feel that's a bit smoother than some of Johnny's albums for MGM and Atlantic -- and it goes for a mellow... read more

Smooth jazzy soul from the Brothers -- still sounding wonderful at this point, producing themselves for the record, and using the best parts of all those lessons they learned from Quincy Jones! The bass is a bit down in the mix for this album -- a good move, considering that 1981 was kind of... read more

Not the great older Christmas songs Brown recorded for King, but still a nice R&B holiday record, made years later. 9 great Christmas numbers in all: "Coming Home To Mama For Christmas", "Peace At Christmas", "What A Christmas For Me", "No friend This... read more

A surprisingly cool collection of tracks that hides under the "Merry Christmas Baby" title of Charles Brown's big postwar Holiday hit -- but which instead includes a fair bit of later soul, blues, and gospel numbers recorded for Jewel and Paula Records! The package mixes things up nicely... read more

70's album that compiles some of Clifford Brown's best moments for Blue Note -- including sides that were recorded under the leadership of JJ Johnson and Lou Donaldson, plus a few from sessions under Brown's own name. Titles include "Wail Bait", "Hymn Of The Orient", "Easy... read more

An inspiring set from pianist Donald Brown-- working here in a group that features some especially nice work from Gary Bartz and Eddie Henderson! Bartz plays soprano and alto sax, Henderson trumpet and flugelhorn -- and both players fill the album with soulful colors and well-spun solos --... read more

Mel's a long way here from the dirty funk of earlier years -- in a richly-arranged style that has some of the touches of the disco years, but which also nicely sets up Brown's vocals in a few gentler ballads that are the real winners of the set. These numbers have a honest, almost earthy feel --... read more

Great arrangements from Alan Hawkshaw!... read more

A great collaboration between Oscar Brown Jr. and the breezy Brazilian singer Luiz Henrique! Henrique was one of Brown's "discoveries", as was Sivuca, who also plays and arranges on the LP -- gracing it with his classic bossa/jazzy kind of groove. The whole thing's an excellent mix of... read more

One of Oscar Brown's 70's efforts for Atlantic, when he was stretching his groove a bit, and trying to give it more of an soulful feel, and less of a theatrical one. Oscar's longtime accompanist Floyd Morris is on piano, and other musicians include Seldon Powell, David Spinozza, Chuck Rainey, and... read more

A super-huge moment for Miami funk guru Peter Brown -- a record instantly recognized by the silhouetted cover image of a perky nude in a window on the front, and for the very famous title hit, "Do You Wanna Get Funky With Me?" Despite its hit status, the record's actually a pretty nice... read more

The second album from disco superstar Peter Brown -- and a batch of tracks that's a bit less clubby than before! Brown's emerging here more as a fully-fledged pop singer in his own right -- showing at least a bit of confidence by putting himself on the front cover this time around, even though his... read more

A key bit of jazz funk from trumpeter Tom Browne -- still grooving strong here, with a sublime mix of modern soul, funky jazz, and some of the 80s groove touches that showed up on the best GRP titles from the time! The album's got a smooth compressed groove -- kind of post-Donald Byrd, with Tom... read more

An unusual Dave Brubeck set from the start of the 60s -- surprisingly on Fantasy, given his Columbia fame of the time -- and with a slightly different lineup that features the great Bill Smith on clarinet! Smith's got a cool modern sound that's not unlike Jimmy Giuffre -- icy but expressive too,... read more

One of the best Dave Brubeck albums from later years -- and one of the hippest! The record is noteworthy for its pairing of Anthony Braxton and Lee Konitz -- the former a rising star at the time, influenced strongly by the latter in his roots -- showcased here in some rare moments of Braxton... read more

Beautiful later work by the Dave Brubeck Quartet -- an overlooked gem from their 60s Columbia sessions, and an album that features interpretations of tunes written by the great Matt Dennis! Dennis had a way with a tune that often put dark corners in the back of lovely melodies -- and this subtle... read more

Way more than just a gimmicky bossa nova session -- and a surprisingly great showcase for the inventive rhythms of the Brubeck group, and the sensitive alto work of Paul Desmond! The record's got a really different feel than some of Dave's other work for Columbia -- in that the modernism is put... read more

Brubeck is reunited with tenorist David Van Kriedt, a key member of his early quintet, which first started making waves in San Francisco during the late 40s. The rest of the group includes Paul Desmond on alto, Joe Morello on drums, and Norm Bates on bass -- and it's interesting to hear Brubeck... read more

Two generations, four Brubecks -- an all family affair from the early 70s! Patriarch Dave Brubeck leads the sons through some of Dave's fine original numbers, sitting at his acoustic piano with Darius Brubeck on electric piano, organ and more, Chris Brubeck on trombone and bass, and Danny Brubeck... read more

Titles include "By Jupiter", "The Unihorn", "Pan's Pipes", "Siren Song", and "Baggin The Dragon".... read more

A rare meeting of 2 modern talents from the 50s -- joined together in one unique performance from the Newport Jazz Festival in 1971! The baritone sax of Gerry Mulligan's a nice contrast to the usual Brubeck alto of Paul Desmond -- long-departed from Dave's combo by this time, but referenced... read more

An excellent example of the massive groove that Ray Bryant set up during his 60s years at Cadet -- a simple soul jazz trio style, but augmented with dual horn backing -- which makes for a tightly stepping sound that's all-soulful, all the way! Bryant's left hand is nice and hard on the keys --... read more

Simple stuff -- but very nice! Ray's working here in a live trio setting -- ala Ramsey Lewis or Les McCann from the same time -- and his work on the album has a similar gutbuckety soul feel to it. The rhythm section of Jimmy Rowser bass and Rudy Collins drums is very tight -- and the best cuts... read more

Tightly-strung score for this forgotten war flick starring Roger Moore, Richard Burton, and Richard Harris. Budd does a nice job with the orchestra on this one, and most of the themes have a snappy militaristic style, in the vein of The Magnificent Seven or The Great Escape. Not as many jazzy... read more

An 80s classic from guitarist Hiram Bullock -- a fusion set with a lot more smooth edges than the gritty surface of Hiram's well-played guitar on the cover! The set's quite polished, but still pretty great -- never too overdone, and still based mostly around instrumentation by a core combo on most... read more

Why thank you -- we will! Kenny does too, as he grooves nicely and gently over arrangements by Richard Evans, perfectly crafted in that soul jazz mode of his 60s work for Chess -- not Kenny's most challenging format, to be sure, but proof that he often works better in a more structured environment... read more

Groovy! This is a great A&M/CTI album of easy funky grooves, with all the great backing you'd expect on a record like this! Players include Herbie Hancock, Ron Carter, and Jerome Richardson -- and of course, Artie Butler, who plays piano and ondioline in a very groovy way. The whole thing has... read more

Fantastic bit of solid soul from Jerry's Mercury period. Includes the great title cut, plus a lot of other originals like "Lost", "Beside You", "The Way I Love You", and more. This has the Gamble/Huff Mercury sound, but the feel's a lot like his great Vee Jay albums,... read more

One of Jerry's more heartfelt efforts, and a strange attempt to get inside the mind of the 70's "single girl" -- right down to the sad little photo of a brown bag lunch and a Gucci purse on the cover. Includes the title cut, plus "Music In Her Dreams", "Only Pretty... read more

A tasty collection of goodies that Donald recorded with the great Larry Mizell during the early 70s. Certainly not his all-inclusive best, but some of our favorite material by this legendary soul jazz trumpeter. The tracks have a sparkling electric jazz funk sound, with amazing production that... read more

Nothing fancy, but a great back to basics session from Byrd -- very solidly played, with a tight group, in a style that recalls his best mid 60s work for Blue Note! Players include Kenny Garrett, Joe Henderson, Donald Brown, Peter Washington, and the great Al Foster on drums -- and the strength of... read more

Cameo are going for more of an 80s groove here than on earlier albums -- adding in slicker bass parts and more keyboards, but also still keeping a nice soulful finish on the best cuts. These include great vocal tracks like "Feel Me" and "Is This The Way", which have a sweetly... read more

A bit of a hit for the young Carl Carlton -- as the record features his version of "Everlasting Love", done in a mode that has a strident Stevie Wonder groove, with a few more touches of pop orchestrations in the background. The rest of the record has a similar feel, mixing older tunes... read more

Jean Carn was one of the best-ever singers to hit the Philly International label -- a sophisticated diva with a style that would strongly influence soul music for the next 10 years, and a downright compelling voice that crafted some of the best modern soul of her generation. Although Jean started... read more

Sublime smooth soul from Jean Carn -- who by this point has really honed her act into a polished one, perfect for the rising modern soul groove of late Philly. The record features production by Jerry Butler, Dexter Wansel, and Eddie Levert -- but Jean unites the whole thing with her mature sense... read more

A great album, released in the 80s, that brings together some of Betty Carter's rare vocal recordings for the Epic label from decades earlier. There's a total of 11 tracks in the set -- with 6 from the Meet Betty Carter and Ray Bryant album, which features piano by Bryant, arrangements by Quincy... read more

Although this one's the bane to Clarence's earlier reputation, it's also the album that has him earning waaaaay more money than most of his late 60s southern soul contemporaries! The record snuck onto the market in 1986, one of the many so-so releases of bluesy southern soul on the Ichiban label... read more

The fantastic first album by Cerrone -- a landmark disco record that features the 15 minute long "Love In C Minor" -- a swirling bit of strings, beats, and female voices -- one of those tunes that forever went onto change the face of dance music in the 70s. The cut's got some nice... read more

A 2LP set of work by The Chambers Brothers -- one studio disc, and one live one, recorded at the height of their fame before a very lively audience! Disc one features Love Peace & Happiness -- a set that features a number of original tracks, played with a harder soul feel than some of their... read more