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Once again, Cannon proves that it's not the song, it's the singer! This set of tunes from the hit musical Fiddler On The Roof should be schmaltzy – but thanks to the quality of the group (a great sextet with Nat Adderley, Charles Lloyd, Joe Zawinul, Sam Jones, and Louis Hayes), and thanks to... read more

An interesting early side by Cannonball that captures him before he'd really found his voice – and when the folks at Mercury still didn't really know what to do with him. The record's a tightly arranged set of tracks from Duke Ellington's musical "Jump For Joy" – with... read more

A gem of a record from Nat Adderley – filled with short soulful groovers, and done with an upbeat vibe that rivals some of Cannonball's best of the 60s! Joe Zawinul handled the arrangements, so there's definitely a strong influence here from the Cannon group – and although the players... read more

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A return to Stax by Rance Allen – his first album for the label after a stellar set for Capitol, and a much smoother set than before! Rance has learned from his work with Larry Mizell on Capitol, and is using a warmer glide on his tracks on this set – arrangements mostly done by... read more

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Trumpety magic from Herb Alpert & The Tijuana Brass – a record that's known not only for its classic cover of a model dipped in whipped cream, but also for it's tremendously groovy groove! The Tijuana sound is very firmly in place by the time of this set – Mexican-inspired, but... read more

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Dang! Poor Gene Ammons kept getting stuck with albums that had titles which referenced his prison time! Fortunately, the quality of this one's good enough to live past the stupid name – and the record has Gene blowing with a larger group of west coast soul jazz players, arranged by Bobby... read more

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A nice little album – featuring some of the sides that Gene Ammons cut "off contract" for Chess/Argo during the early 60s, and ones that feature him paired with Sonny Stitt, his longtime partner in legendary tenor battles from the 50s. The two horns aren't really locked in combat... read more

A mix of moods, colors, and feelings – handled with the full range of talents of David Amram, who's one of the few composers who could pull this one off! A number of the tracks have weird instrumentation that gives them a sound that's almost "eastern", and certainly exotic –... read more

The major label debut of Amuzement Park – almost more obscure than the indie set that preceded it, and kind of in a different mode altogether! There's still a boogie groove to most of the set, but the group are also funking things up a bit more – possibly following a Minneapolis... read more

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Louis Armstrong recreates the sound of the 20s in these later recordings for Decca!... read more

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Some consider this the worst point in Louis' career – when he was singing odd pop material for Decca, and had really left his jazz roots behind. We don't think it's that bad, though – and the album's got a wonderfully playful style that shows what a great entertainer Louis could be... read more

Satchmo's tribute to King Oliver with 12 titles in all including, "Snake Rag", "Jelly Roll Blues", "St James Infirmary", "Dr Jazz", and "New Orleans Stomp".... read more

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Swedish leader Harry Arnold tackles the music of Richard Rodgers – taking the tunes into some sweet jazzy big band directions, without as many of the showy flourishes you might expect from the "Broadway" title! Of course, many of the tunes here are older Rodgers material –... read more

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The first full length album recorded by the legendary Association – a classic bit of Sunshine Pop that would forever change the sound of the 60s! Although familiar, the album's got an amazing depth that still never fails to surprise today – odd production twists and turns, courtesy of... read more

Excellent live work by The Association – quite different than their earlier pop hits, but still with the same great harmony feel! The style here is in the rougher, more guitar-based mode of albums like Birthday and Stop Your Motor – and the band really sounds great in this live setting... read more

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A mid 80s classic from Atlantic Starr – at the height of their catchy commercial fame – bouncing along with rhythms that crossover nicely to the mainstream, yet still keep a bit of their previous funky edge intact! The groove here is almost in the style that Atlantic Starr inspired in... read more

The first album by Atlantic Starr – a tight set of modern soul tunes with a very different feel than their later work! Part of the credit goes to Bobby Eli – who arranged and produced the set, giving it a feel that's almost late Philly – tight, sophisticated, and right on the... read more

No honking here, as Sil Austin takes his deeply soulful tenor sax, and turns it to a set of creamy late-nite tracks – all done over some very "pretty" backings, ala the Verve strings work of Ben Webster or Lester Young. Most cuts have voices in with the orchestrations – and... read more

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Sure, it's not classic funky Average White Band, but the album's a great one that showcases the group's best second suit – their smooth compressed late 70s soul sound – a great evolution of their earlier groove, and one that showed them as a great mainstream soul act! The tunes are a... read more

A great little album by Roy Ayers – one that features none of his hits, but which has great examples of both sides of Roy's talents at the time. The dancefloor side of Roy kicks in with "Love Will Bring Us Back Together", an extremely catchy groover that's very much in the mode of... read more

Roy Ayers in a seductive mid 80s mode – his first for Columbia – and a record with some incredibly nice moments that blow away most of his contemporaries! The synth soul and drum machine era might seem like an odd fit for Roy's jazzy vibes, but it actually works really well here! You... read more

Pure magic from the height of Roy Ayers' classic 70s run on Polydor – a record that's filled with warm, jazzy grooves – all served up in that unique style that Roy was forging at the time! The album perfectly balances dancefloor tracks with mellower numbers – stepping out one... read more

Titles include "Up In A Tree", "Yonder In Molon", "Midsummer Eve", "Far Away Star", and "Loves Me Loves Me Not".... read more

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Cool repackaging of some of Burt's great work for Kapp from the 60's. The album, which has a cover that makes him look like a statue at a piano in a forest, was put together for the Abbott pharmaceutical company as a promotion for their drug Placidyl! A wild package, and a great batch of cuts... read more

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Joan Baez, back when she was really pretty darn amazing – a young, fresh, powerful force in 60s folk music! The set features Baez on vocals and guitar – with additional electric guitar on a few tracks, a bit of mandolin, and some bass. Includes great readings of Dylan tunes "Farew... read more

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A really wonderful take on Porgy & Bess and other Gershwin standards by Pearl Bailey – there's just something about her naturally rich, bluesy, husky tone on these tunes that's simply wonderful! The backing is often well measured, but, occasionally a bigger sound and chorus vocals kick... read more

A delightful album of vocal renditions of Duke's tunes by little known singer Eugenie Baird. Baird's wonderfully relaxed takes on these great Ellington tunes begs the question of how she remained sidelined for so many years, and then went on to largely be forgotten except for a spell with Bing... read more

Recorded for a small label in Milwaukee – but featuring arrangements and production from Jimmie Haskell!... read more

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Titles include "Walk Like An Egyptian", "Manic Monday", "Not Like You", and "If She Knew What She Wants".... read more

Amazing work from Gato Barbieri's legendary exploration of Latin American sounds for Impulse Records – a set that's heavy on Cuban influences, thanks to arrangements from the mighty Chico O'Farrill! The sound is sublime – a bit fuller than some of Gato's other albums in the run, but... read more

A far reaching late 70s set from Gato Barbieri – a record that blends fusiony jazz funk, lush stings, and Latin rhythms and fluid solos on a varied batch of tunes! One of the more interesting things about the production is that those varied approaches often come into play within the same... read more

A real sleeper – and one of the treasures of the Arista Freedom series! The album's a rare meeting between Argentine tenor player Gato Barbieri and South African pianist Dollar Brand – a true global meeting of the jazz minds, and a recording that's stronger than most of the work either... read more

Not much of a package, but some pretty great music! Gato Barbieri and Don Cherry play together on "OCDC" and "Third Movement", and the set also features a live take on "If We Only Knew" by John Handy, and "Ghosts" by Albert Ayler.... read more

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Titles include "Promises", "From Now On", "Freeze Thaw", "How Dare You", "Astrud", and "Miles Away".... read more

One of Basie's biggest albums – but still a work of pure genius! "April In Paris" is one of the darkest jazz standards ever written, and it never sounded better than in this original version, which features that great ending in which Basie and the band stop, then start, then stop... read more

The genius of Basie meets the genius of Quincy Jones – a 60s pairing that's every bit as great as the 50s pairing of Basie and Neal Hefti! Jones and Basie worked together in a number of settings during the 60s – including a very successful album for Frank Sinatra on Reprise – but... read more

A really wonderful back to basics session for Basie – featuring arrangements by longtime band members Frank Foster, Erick Dixon, Bobby Plater, and Thad Jones! The set also features vocals on 2 tracks by bluesy vocalist Richard Boone – a singer with a really great scatting approach... read more

Way before Sinatra first grabbed the "Chairman Of The Board" title for his own musical persona, Basie laid great claim to the tag with this tight little album for Roulette! The album's got the 50s Basie band working at the height of their powers – with original compositions written... read more

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Basie hits the hits of the 50s and early 60s – working here with some tight Billy Byers arrangements that really help transform the tunes! The groove is upbeat, bright, and brilliantly soulful – that punctuated Basie groove first formed when Neal Hefti was with the group, still carried... read more

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Count Basie plays the piano and Joe Williams sings in his bluesy way and they are backed by a slew of musicians who include Thad Jones on trumpet, Ben Powell on trombone, Frank Foster on tenor saxophone, Sonny Payne on drums and many, many others. Frank Foster did all of the arrangements and the... read more

Live material recorded in Germany in the early 70s – also featuring Eddie Lockjaw Davis on tenor and Al Grey on trombone!... read more

A repackaged version of the album Summer Days & Summer Nights – one of those stupid Capitol reissues that somehow contains less tracks than the original album! Fortunately, there's enough good stuff on here to make this one worth checking out – like some key pre-Pet Sounds gems... read more

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Not quite the Wild Style soundtrack, but still not a bad one, and with a good assortment of popular hip hop cuts. Features tracks like Beastie Boys "She's On It", LL Cool J "I Can't Live Without My Radio", Kurtis Blow "If I Ruled The World" (with the chorus Lauryn... read more

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