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Bird does a guest spot with the DC area big band then known as The Orchestra. This 80s issue was the first time this concert performance had been released, and has Parker soloing nicely over a set of standards: "Fine & Dandy", "These Foolish Things", "Light Green"... read more

Part 2 of a series of double LPs issued by Verve in the late 70s compiling Bird's classic recordings for Verve under the direction of Norman Granz. Loads of landmark bop performances are documented here, mostly smaller groups, but several with orchestral backing too, with sidemen that include Max... read more

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Classic meeting of these 2 bebop giants, and a record that Norman Granz would later list as one of the truest realizations of his jazz vision. Monk's on piano, and the group plays a lot of short tight boppish numbers like "Relaxin With Lee", "Leap Frog", "Oscar For... read more

A legendary concert – recorded at Massey Hall in Toronto, with a previously-unmatched quintet of superstar bop players: Charlie Parker on alto, Dizzy Gillespie on trumpet, Bud Powell on piano, Charles Mingus on bass, and Max Roach on drums. This reissue set also includes the Bud Powell trio... read more

A live set with all the big players listed above – plus Willie Smith on alto, Howard McGhee on trumpet, and Arnold Ross on piano – on long jamming versions of "Sweet Georgia Brown", "Crazy Rhythm", "Blues For Norman", and "I Can't Get Started". ... read more

One of the nicest records we've heard from Jeff Parker in years – a trio date with some wonderfully rich sounds, and a great showcase for some of the more lyrical sides of his music! Parker plays in these great chromatic modes throughout – using some slight effects with his hollow-body... read more

Titles include "Somebody's Calling My Name", "Said I Wasn't Going To Tell Nobody", "Shine On Me", "Set Me Free", and "Bridge Over Troubled Waters".... read more

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Van Dyke Parks' masterpiece – and one of the hippest records to come out of LA in the 60s! The album's a strangely anachronistic one – steeped in the kind of past-days scoring found on early records by Harpers Bizarre and Randy Newman (both of which Parks had a hand in!), wrapped... read more

With Niels Henning Orsted Pedersen on bass and Tony Inzalaco on drums.... read more

A darkly-grooving killer from pianist Horace Parlan – and one of our favorite Blue Note albums ever! Although Parlan's always a great player on other sides for the label, this album has him stepping out with an extra edge that's really amazing – working with brothers Tommy and Stanley... read more

Ahhhhh . . . By this point, George Clinton and the P-Funk team were on top of the world! The record is a masterful dose of slick mothership jamming – perfectly woven together with that tightly compressed style that really served Clinton's production work well. The tracks are long, but never... read more

An overlooked later gem from Parliament – a set that's very tight and funky, and which really picks up the groove first laid down on "Flashlight"! There's a tightly snapping approach here that rivals the best late 70s work by Funkadelic – the later P-Funk mode that's even... read more

The first album that Parliament cut after their trippy fuzzed-out headblast Osmium. The record features a much more stripped down sound – nice and funky, with a blueprint of the bass-driven groove that would dominate the P-Funk sound of the 70s. Bootsy's on bass, and the group features... read more

Important work from European electronic genius Bernard Parmegiani – an artist who works here in a relatively academic setting, but also manages to hit with the power of the industrial generation to come! Parmegiani really has a way with noisy sounds – and although some moments here are... read more

An album of fragile beauty and buried darkness – in a space that's somewhere between the work of Nico and Brigitte Fontaine, but a fair bit sweeter overall! Emmanuelle Parrenin sings here in a timeless style that might almost be called folksy – especially in the return to tradition... read more

Fred Parris, the ex-lead singer of the old Five Satins doo wop group, leads a new group through some nice modern soul stuff with that sort of updated harmony soul sound. The record is similar to some of the other good modern soul albums on Elektra at the time, and includes the tracks "I'll Be... read more

The seminal Gram Parsons solo debut, and arguably his most consistant post-Burritos album. GP is pretty much the record that put the country in country rock – with a sharp steel guitar cry throughout, an unpretentious proud/poor delivery, and those sweet harmonies with Emmylou Harris. The... read more

Important early work from the legendary Harry Partch – a rare album that features some of the best passages from his larger Bewitched composition – recorded here in a rootsy style that really gets at the groundbreaking nature of the music! Passages are pulled from the larger story... read more

Visionary stuff from Harry Partch – the kind of record that's a great introduction to his music – and a relic from an era when mindbending, rule breaking sound art could come out on a label like Columbia! There's lots of Partch's weird invented instruments – like chromelodeon,... read more

Just a few of the songs here are from the 60s, and many of the rest are written by Gaetano Partipilo himself – and mixed with a few Brazilian numbers as well – all to round out a wonderfully rich sounding album that really lives up to the best Schema tradition! Instrumentation is... read more

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A nicely sensitive set from guitarist Joe Pass – hardly the usual bag of Ellington-alike material, and instead a small group outing that unlocks a newly introspective side of Duke's compositions! Joe's working here with Ray Brown on bass and Bobby Durham on drums – and the feel overall... read more

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A funky treasure – finally unleashed! Bucktown was one of the best of the mid 70s indie blacksploitation films – thanks to some great starring work from Fred Williamson and Pam Grier – but for years, the soundtrack's never been available as an individual release. Now, this tasty... read more

An incredible funky soundtrack – one of the best of the blacksploitation generation, and one of the rarest too! Johnny Pate did the orchestrations for this excellent lost film, and he brought the same sort of energy to it that he did with his soundtrack for Shaft In Africa. There's some... read more

One of the greatest blacksploitation soundtracks ever – a massively beautiful record that goes beyond any cliches of the genre, and serves up a fantastically unique batch of tracks! Chisoul arranger Johnny Pate did the music for the film – and (dare we say it?) it's even greater that... read more

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A largely unheard psychedelic gem from the end of the 60s – originally private pressed by the group of suburban NY teenagers responsible for the wild sound! There's a cosmic rock groove and a bit of doe-eyed innocence in these cute odes to mind expansion – with freewheeling guitars,... read more

Groovy trio set, with a organ/guitar/drums lineup playing through a batch of soul hits like "Uptight" and "Wade in the Water", plus "Wee Dot", and a few pop hits. More groovy organ lines from Patterson, who's the main star here, and a surprisingly nice version of... read more

A great groover from Don Patterson – cut in a trio format, with an open-ended style that lets the players kick back and play, in the sort of free and easy setting you'd hear in a hip small club. Patterson's organ is backed by his usual drummer Billy James, and 4 of the album's 5 tracks... read more

An excellent early album from Billy that has him singing in a mixed jazz and soul vein, with a sound that's similar to some of Nina Simone's great live albums from the time! Billy's singing with a small piano trio, and his voice is rich and soulful in a way that you don't always get on his later... read more

Great stuff from Billy – not his most famous album, but filled with some obscure treasures that really stand out in his work – and the stellar Philadelphia International label! The record's got a tight Gamble/Huff sound – moving very much into the Philly modern style that would... read more

A weird one, but pretty compelling. Cyril Paul is an African American folk singer – less in the mode of jazz/soul folkies like Terry Callier or Oscar Brown, than in the style of the New York/Boston new traditionalists of the early 60s. At most levels, the album's a straight folk one –... read more

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Volume 9 in the Paul Nice Drum Library series of heavy, hard-to-find drums compiled from myriad resources – drums, drums and more drums for the funky beat connoisseur! More than 20 drum breaks on 2 sides of wax.... read more

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A fairly straight album of piano tracks for Liberty, but with a subtle Polynesian feel to it. The cover would imply more, though – since it's got a beautiful underwater shot of an exotic looking model hiding behind some coral! Titles include "Hana", "Black Coral", "M... read more

A landmark in 70s jazz and Latin – one of 2 legendary sets cut during the decade by composer/arranger Bobby Vince Paunetto – easily one of the most unique voices of his generation! Bobby's got an approach to melody that's all tied up in the rhythms – one that has most of the... read more

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Genius work from Pearls Before Swine – the haunting folk rock combo that was headed by singer/songwriter Tom Rapp! We'd place Rapp in a unique category with Tim Hardin, Leonard Cohen, Nick Drake, and a rare few other talents who could mix together styles and come up with a sound that... read more

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A set that features the successful Dave Pell Octet of the mid 50s – a group who was playing a lot of swing-oriented gigs at colleges around the country, hence the title. The set features Pell leading players that include Andre Previn, Don Fagerquist, and other smooth west coasters –... read more

A pretty strange concept for an album – a bunch of LA jazz players get together and do versions of songs usually associated with the south! This penchant for swinging tunes from unusual sources was one of Pell's strongest 50s tricks, though, and he makes it come off pretty well with a group... read more

Libidinous, soundtracky funk from France! Streaking is a great set of funky French grooves from Jean Claude Pelletier – one that's clearly informed by and indebted to the cinematic soul and blacksploitation soundtrack style coming out of the States in the early part of the 70s – with a... read more

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Lots of sweet keyboard lines – and some soulful vocals too!... read more

Pretty soulful stuff – and a unique one-off group that features Cedar Walton, Clifford Jordan, Sam Jones, Billy Higgins, and Ray Mantilla – the first four of whom had played together often at the time, and who receive some nice added percussive support from Mantilla for the set! Tunes... read more

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A lesser-known set by Art Pepper from his late 70s years – recorded among a quartet of "friends" who include Russ Freeman on piano, Bob Magnussen on bass, and Frank Butler on drums! The tracks are longish, and mostly older standards – and overall, Pepper's a bit more inside... read more

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A unique large group session from Art Pepper – one of his few this way as a leader, despite constant 50s presence as a sideman in big ensembles! Arrangements are by Marty Paich, who more than makes things swing – and there's a nice rhythm section dancing underneath a larger group... read more

One of our favorite albums ever by Art Pepper – even if it isn't a proper album! The set features material recorded in the late 50s, pulled together to form an album in the early 70s – and overall, it's some of the best Art Pepper work on record we can think of. Pepper plays... read more

A seminal album from the American underground of the late 70s – the unexpected debut of Pere Ubu, bursting forth from the Cleveland scene with a sound to challenge the greatness of anything coming from New York or LA at the time! The album's not exactly punk, not exactly art rock, but has... read more

A lovely lost gem! The tenor sax of Bill Perkins graced a rare few jazz sides of the 50s, and it sounds equally great on this mid 60s bossa session – one that features Bill soloing over the top of arrangements by Bob Florence that mix together small combo grooving and some larger string... read more

One of the few albums as a leader cut by legendary LA pianist Carl Perkins – an amazing talent on his instrument, and one who had an unusual "sideways" approach to the keys! Perkins kind of leaned alongside the piano – so that his body was parallel to the instrument, and his... read more

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A great little album of smooth soul cuts from Greg Perry – an extremely talented arranger, producer, and songwriter whose credits includes work in soul, pop, and country – appearing here in one of the few sessions he ever cut under his own name! There's a bit of a southern soul feel... read more

A stunner! High Plains Drifter collects material from the mighty Lee Perry during the crucially creative and fertile period between 1968 & 1973 – in which he founded the Upsetter imprint and had some chart success. It was such a productive period, resulting in hundreds of singles and a... read more

Sweet electric grooving from Houston Person – an album that features his soulful tenor set in larger arrangements than on his earlier small combo Prestige sessions, in a mode that's a bit like some of the larger jazz sets coming out on CTI and Kudu at the time! Like Stanley Turrentine, who... read more

A fantastic session that's also one of Houston Person's rarest! The set is a bit more complicated than some of his earlier work – moving away from the hard and funky organ lineup, into a more lyrically swinging quintet mode, with Cedar Walton on piano, Alan Dawson on vibes, Bob Cranshaw on... read more

Funky Houston Person on Mercury – an album with some nice surprising touches! Person's blowing in a large group on this one – in a style that seemed to be an increasing refuge for some of the soul jazz players of the 60s during the time – but despite that setting, Houston keeps... read more

With Melvin Sparks on guitar, Jon Logan on orban, Bad Bascomb on bass, and Bernard Purdie on drums!... read more

One of the best things to ever happen to The Persuaders – a wonderfully rich album that has the group still sparkling strongly, long after their early hits! The harmonies are wonderful – very much on par with the bigger names at Philly International at the time – and recorded... read more

Unlike a lot of the group's other records from the early 70s – most of which are all-acapella – this one features the group's rich harmony vocals backed by some heavier funk arrangements. Far from wrecking their sound, this approach actually makes them sound a lot better – and... read more

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One of the boldest, most righteous 70s statements from trumpeter Hannibal Marvin Peterson – and that's saying a heck of a lot, given his previous body of work! The set's cast in the same large ensemble mode as Hannibal's Children Of The Fire album – and like that one, it features an... read more

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Includes material from two early Jazz At The Philharmonic 10" LPs – Volumes 9 and 10 – with cuts that include "Nuages", "Avalon", "Come To The Mardi Gras", "Pompton Turnpike", and "Swingin On A Star".... read more

Mellow magic from Oscar Peterson – recorded for MPS during the mid 60s, but "secret sessions" that didn't get issued until later! The album features Oscar working some incredible wonders on the piano – working with either Sam Jones or Ray Brown on bass and Bob Durham or Louis... read more

Cole Porter's tunes are great enough on their own, but Oscar really opens them up on this set – picking up the inherent rhythms in the numbers and really working them over – in a way that makes the outing one of the most lively in Peterson's songbook series for Verve! Oscar's fluid... read more

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One of the classic Verve series of recordings from the 1957 Newport Jazz Festival, and an album that features one side of the Oscar Peterson trio with Ray Brown and Herb Ellis, plus a side of the trio joined by Jo Jones, Sonny Stitt and Roy Eldridge. 8 tracks in all, including "Will You Still... read more

The West Side Story score – but handled here by the great Oscar Peterson Trio – in ways that really push the tunes past their Broadway roots! The approach is tight, soulful, and filled with strong lines from Peterson on piano – plus bass by Ray Brown and drums from Ed Thigpen... read more

Two of the few, and nobody else – a set of duets between pianist Oscar Peterson and vibist Milt Jackson – recorded here in a really stripped-down setting, especially for the date! Both players bring a really classic feel to their style here – almost making the date feel like some... read more

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Excellent work from Oscar Pettiford – his last sessions, in case you couldn't tell by the title, recorded in Copenhagen in 1959 and 1960, with players that include Allan Botchinsky on trumpet, Jan Johansson on piano, Erik Nordstrom on tenor, and Luis Hjulmand on vibes. Despite the... read more

Rare work from the German years of bassist Oscar Pettiford – a late 50s stretch when Pettiford got even more freedom to explore his musical vision than in the US! The material here often features Pettiford's bass or cello in the company of some of the best European soloists of the time... read more

Pettiford's second album of big band tracks for ABC during the 50s – a more open-ended set than the previous one, with modernist touches that really make the set sparkle nicely. Part of these are due to Gigi Gryce, who plays alto on the record, and probably had a bit of a hand in... read more

A legendary album from Chicago – recorded by a group with ties to Sun Ra, Phil Cohran, and Earth Wind & Fire! The set's got a sound that more than lives up to all those references – a vibe that's jazzy and soulful, yet often quite righteous too – imbued with the sort of... read more

The great Luv N' Haight album of unreleased material by legendary Chicago soul jazz group Pharaohs – live tracks that serve as a vital document of the group outside the studio! There's 5 long tracks here, 4 of them recorded live, plus an unreleased gem from the Awakening sessions. Standouts... read more

The early 90s classic by The Pharcyde – the group's high water mark – and one of the greatest hip hop albums of the era! Along with Del and the Souls Of Mischief, Pharcyde were one of the few West Coast units to achieve any kind of widespread popularity using the uniquely loopy,... read more

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One of the deepest soul sets from Esther Phillips' 70s years on Kudu Records – a set with some nicely gritty grooves and a surprisingly earthy feel at times – especially when compared to some of her other albums of the time! Backings are by James Brown's old reedman, Pee Wee Ellis... read more

One of the deepest soul sets from Esther Phillips' 70s years on Kudu Records – a set with some nicely gritty grooves and a surprisingly earthy feel at times – especially when compared to some of her other albums of the time! Backings are by James Brown's old reedman, Pee Wee Ellis... read more

One of Esther Phillips' biggest comeback albums from the 70s – a tight batch of jazzy soul, with backing by funky fusion players like Steve Khan, David Sanborn, and The Brecker Brothers – plus guitarist Joe Beck, who almost gets equal billing on the original album cover! Titles include... read more

Smooth and sophisticated grooving from Esther Phillips – a record that really has her shaking off the rag-tag and rootsy modes of earlier years, and gliding sweetly into the mainstream! Phillips' vocals are still as soulful and compelling as ever, but the backings are quite full –... read more

One of our favorite-ever albums from Esther Phillips – an album that really helped her transform her sound for the 70s! The approach here is a lot more jazzy than before – served up with a good dose of funk, thanks to arrangements from Pee Wee Ellis – fresh from his work with... read more