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Another one of the great LPs by a band that was probably one of the best to grace the Muse label – and who have not really ever been reissued. Eddie Green, Odean Pope, Tyrone Brown, and Sherman Ferguson form the core of this funky fusion outfit, and they play in a beautiful way that mixes... read more

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Titles include "Gabriela's Song", "Lenda", "Obsession", "Velho Piano", "Guararapes", "Desenredo", "The River", and "Like A Lover".... read more

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A landmark session that gathered together just about every hip British jazz and jazz/rock musician of the time – and brought them together into one super-cool orchestra of sound! Robert Fripp produced the record, and Keith Tippett is the overall music director – but the album's got a... read more

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Organist and pianist David Chacksfield and his orchestra tackle a collection of some of the best known Hal David and Burt Bacharach tunes such as "The Look of Love," "Alfie," "Paper Mache," and "Wives & Lovers." Arranged by John Keating and produced by... read more

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An obscure record with a silly title – but a seminal batch of southern soul instrumentals, recorded at the height of the Muscle Shoals scene! The record's a really odd one in the Chess catalog – because it's got the feel of a record that should have come out on Atlantic or Capitol, or... read more

Heavy soul with a good dose of rock – the trademark sound of The Chambers Brothers, heard here during the height of their Columbia Records years! Although previously more of a folksy sort of combo, the group really took off during their time with Columbia – hitting whole new strides in... read more

We're not normally the biggest fans of The Chambers Brothers, but this album's a cracking winner from the mid 70s. Shouldn't be so, given the date and the label, but there's a really funky track on here that's one of their best – the great break cut "Stealing Watermelons", which... read more

Although the cover of the record includes a picture of Eddie's wife, Dinah Washington, and the "Friend" in the title would seem to imply that she's on the album, the set's really just a bunch of hard jazz cuts that showcase Eddie's screaming tenor sax, and which don't include Dinah's... read more

A wonderful treasure from the early 80s soul scene – the first album from Champaign, and an instant winner right from the start! The group may not have been one of the bigger names of their time, but they really won a lot of favor with soul listeners over the years – and this album's... read more

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The first album from Chapter 8 – a set that's probably best remembered for introducing the world to Anita Baker, but one that's also pretty darn great on its own! Chapter 8 have a sharply soulful focus, one that takes them a bit above some of the other mainstream ensembles of the time –... read more

An obscure later album from west coast soul group Chapter 8 – recorded after Anita Baker had left the group to move out on her own, but done for the mid 80s Beverly Glen indie, where Baker had also gotten her start as a solo act! The set's got a feel that's smooth and sophisticated –... read more

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Some of Ray's biggest tracks for Atlantic, including many remakes of standards like "Just For A Thrill", "Don't Let The Sun Catch You Cryin", "Am I Blue", and "It Had To Be You". You've heard it all a million times, but it's still beautiful stuff – and... read more

Easily one of the best Ray Charles albums on ABC – if not one of the best Ray Charles albums of all-time. Ray's in his C&W mode here, but it's a bit more restrained than on other LPs, and is replaced here by a sophisticated style that works perfectly with his heartbreaking voice. Proof... read more

Fairly decent jazz session, and one in which Ray plays alto sax and electric piano, along with his usual acoustic piano. Milt Jackson is on vibes, of course, and the rest of the group includes Kenny Burrell, Percy Heath, and Art Taylor. Titles include "Soul Meeting", "X Ray... read more

Nice moody set of tracks written by Duke Ellington, and played by a trio that features vibist Teddy Charles, bassist Oscar Pettiford, and pianist Hall Overton. All three men are committed modernists, and they play here without drums, and with a lot of space to lay down some dark edgey arrangements... read more

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With Jeannie Cheatham on vocals and piano, Jimmy on trombone, Dinky Morris on tenor and baritone, Snooky Young on trumpet, and Curtis Peagler on alto and tenor. Titles include "Permanent Solution", "Daddy O", "Goin Down Slow", "Detour Ahead", and "Homewa... read more

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Titles include "Something In This City Changes People", "Rediscovery", "In Terms Of Two", "Hollywood", "Feelin Stronger Every Day", "Jenny", and "Darlin Dear".... read more

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A more obscure late 60s outing – with a bit less of David yelling at Alvin than we'd like – but still a set with some nice numbers, including "Que Sera Sera", "Chim Chim Chere-ee", "The Roses Of Success", and "The Bare Necessities".... read more

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The Chipmunks take on The Beatles – in an early version of fab four fun! Titles are almost all early Lennon/McCartney numbers, sung by Alvin and the gang with a surprisingly nice groove!... read more

One of their nice albums for RCA, with a sound that's a mix of ballads and up-tempo cuts, in the same style as a lot of other East Coast groups from the time. Van McCoy arranged and produced, and the LP includes their single "Hey, What's That Dance You're Doing", plus "Two Different... read more

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The birth of modern jazz guitar – seminal sides recorded by Charlie Christian, working in small group format with Benny Goodman, Lionel Hampton, Fletcher Henderson, and even a bit of Basie. Christian's tone on the instrument is fantastic – and even though the style of the tracks is... read more

The roots of bebop! During the early 40s, sets held in Harlem nightclubs, especially the famous Minton's, were seminal to the development of bebop – and you'll hear exactly what we mean on this album! The set features material recorded by Jerry Newman at Minton's and Monroe's up in Harlem... read more

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Obscure late 60's pop stuff by this intellectual young man of song. Not exactly Scott Walker, but not too bad. With a nice version of John Barry's "The Knack", plus "Taste of Honey", "I've Just Seen a Face", and the original "When That I Was (A Tiny Little... read more

A great one from June – on a par with the Something Cool album, and featuring arrangements by the great Pete Rugolo! Like that one, this one's a pretty dark effort – filled with some great boozed-up late night vocals. Titles include "Saturday's Children", "I Wished On... read more

Includes "Treat 'Em Right", "Just The Two Of Us", "The Chubbster" & "The Five Deadly Venoms". 12 tracks in all.... read more

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An essential 2LP set that's just about the only vinyl release you can find that documents the work of the legendary (and short-lived) Circle group – an important avant jazz combo that featured Anthony Braxton, Chick Corea, Dave Holland, and Barry Altschul. The record captures a Parisian... read more

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A groundbreaking ensemble – akin to the World Saxophone Quartet, and no doubt inspired by their experiments at the same time. The difference, though, is the range of experience of the players – as the group features David Murray, Jimmy Hamilton, Alvin Batiste, and John Carter, all... read more

Titles include "Freddy Blue Eyes", "Party Lights", "Foxy", "Dancin Party", "Disappointed", "Party Time", "What Kind Of Party", and "My Turn To Laugh".... read more

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One of Doug Clark's bawdy frat rock-soul party LPs on the Gross label – with his trademark "blue" material for adult listeners, backed up by raunchy R&B riffing! The general style's a bit dated, but it's also the kind of album that paved the way for Rudy Ray Moore in the 70s. ... read more

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A quartet of lovely ladies, serving up their renditions of classics from the swing era – all done in sweetly scatted versions! Most numbers begin with these great wordless vocal passages that establish the tunes before the main lyrics come in – setting the scene like the horns in a... read more

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Stanley Clarke may be on a journey to love – but that doesn't mean that the album's too sweet or romantic! Many tracks here still have the harder edge and sharper lines you'd expect from Clarke's key 70s fusion reputation – the kind of rock-influenced styles that crossed over big at... read more

A bit more high concept than before for Stanley Clarke – almost a suite of sorts, but one that still has some great standout tunes in the mix! Although Clarke used to bring his higher concepts to bear in the space of a single song, this one's more of a full exploration of the character in... read more

Fully-formed genius from Stanley Clarke – his first album for Columbia Records, and already a radical departure from the spiritual jazz of his previous set for Polydor! This Clarke's the one who'd play on countless sets of headphones in the 70s – the bassist who really revolutionized... read more

Time Exposure has a lot of 80s electro funk in the mix, particularly Clarke's impeccable bass lines, which are heavy throughout. Titles include "Play The Bass '10", "Heaven Sent You", "Speedball", "Future Shock" and the great title track.... read more

US issue of one of the best albums from Clark/Boland's big years on MPS – Sax No End! They got the title right on this one – because with Johnny Griffin, Sahib Shihab, Karl Drewo, and Eddie Lockjaw Davis as main soloists on the record, the sax never ends! The album's easily one of the... read more

Great work by this legendary hard swinging band – an early 60s American album issued on Atlantic Records, in the years before the Clark Boland Band's legendary run on MPS! Despite the early date, the album's got all the core elements of the band's sound in place – soaring rhythms,... read more

Great early genius from the Clarke Boland Big Band – proof that Kenny and Francy were onto something great, right from the start! The album really has the group hitting the heights of their MPS years – stretching out way past earlier big band modes, into the hip mix of rhythms and... read more

One of the greatest records ever by this hip jazz ensemble – and one of their most unique! The record has the band grooving hard through two incredible suites of Latin music – Gary McFarland's "Latin Kaleidoscope" and Francy Boland's "Cuban Fever" – each of... read more

Otis Clay recorded live in Japan – working before a very appreciative audience, and hitting grooves that are right up there with his best 70s work on Hi Records! The sound is a bit looser than Hi – which is a nice change – and Clay's really in command on the set, leading the... read more

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A record with a title that sounds like it should be something of a bachelor pad release from the title, but which is instead a good old fashioned, no holds barred, open-ended jazz session from trumpeter Buck Clayton! All tracks are nice and long – way more than usual for big label jazz at... read more

A heavy classic from trumpeter Buck – two side-long tracks, which was relatively groundbreaking at the time, especially for a studio date! Other players include Joe Newman on trumpet, Urbie Green and Henderson Chambers on trombones, Lem Davis on alto, Julian Dash on tenor, Charlie Fowlkes on... read more

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One of Buck Clayton's famous Vogue Records recordings from the Parisian scene of the postwar years – simple, focused work that offers a great illustration of his unique talents on the trumpet! The group's a French combo – with Jean-Claude Pelletier on piano and organ, Jean Bonal on... read more

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A nice little sleeper – a straight hardbop set in a fierce Young Lions mode, featuring tenorist Jeff Clayton and trumpeter John Clayton, in a quintet with Patrice Rushen on piano and Ron Eschete on guitar. Titles include "Big Foot", "Watergate Blues", "Yo Mama",... read more

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A great self produced album from Jimmy Cliff – very soulful, but with a rootsy political edge you might not expect from a pop reggae star like Cliff. Recorded in Jamaica at Dynamic Sounds, with a great lineup that includes the Heptones on backing vocals, and issued in the US by Warner as... read more

Linda's first effort for Curtom, and a record that's got a bit more soul than some of her later more disco-oriented albums. Unfortunately, it's also got a bit more schmaltz – but if you stay away from the sillier cuts, you'll get some tasty mellow soul that's a good bridge between Linda's... read more

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We kept hoping and hoping throughout the 80s that Clinton would get back into the funk of things, but it seems he never quite hit his stride, with the exception of the "Atomic Dog". And though we can't hold this up anywhere near his best work, it's a reasonably solid effort, given that... read more

While little of Clinton's work under his own name in the 80s compares favorably with the best of the Parliament-Funkadelic years, it's still fairly solid compared to a lot of the other commercial R&B dreck that was being peddled at the time. With the sort of fat bass, loads of synthesized... read more

A sweet mixture of jazz and R&B – with tenor work from Sam The Man Taylor and Haywood Henry.... read more

A rare late date from Arnett Cobb – and one of the few to match the groove of his Prestige Records sessions! Also features Junior Mance on piano, plus guest trumpet from Joe Newman and trombone from Al grey.... read more

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Tight electric fusion from Billy, with some funky drumming, and some tracks that are a bit more subdued. John Scofield is on guitar, Richard Davis plays bass, and Billy drums, plays moog, and handled most of the arrangements. With "Life & Times", "Siesta", "Earthlings&... read more

An 80s fusion smoker from Billy Cobham – a set that's a lot more soulful and subtle than you might guess from the title, or from Billy's image on the cover – filled with warm keyboards, and nice little groove overall! The album's supposedly dedicated to Nelson Mandela – but while... read more

Full throttle fusion from Billy Cobham, the kind of stuff we once winced at because of the really over the top moments of heavy, heavy jamming, but that we find ourselves more sympathetic to these days, probably for the more sublime moments that poke through the onslaught here and there, including... read more

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A landmark LP of guitar-based funk! Dennis Coffey had been playing, arranging, and producing all over the Detroit soul scene by the time this album came out – so it wasn't like he really needed a hit to get paid or anything – but the record forever marked him as a guitar player to be... read more