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Mid 70's album of funky soul tracks cut by ex-Gator Willie Tee, with a number of other members of the Gators, for United Artists. Don't go thinking that it's raw New Orleans soul, though, because the sound is a lot more polished, with more of a 70's modern groove to it. Willie's still got some... read more

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One of the later Norman Whitfield efforts for The Temptations – a masterpiece of baroque harmony soul, touched with bits of the righteous sound that Whitfield brought to the group a few years before. The album's very coherent, with some wonderful tracks that really build the groove nicely... read more

Sublime work from the Temptations – still recording here with Norman Whitfield, who's really opening up his bag on most of the record – and taking the group into expansive territory that was barely hinted at in their early work! The album's got some incredible tracks in the Whitfield... read more

The debut album from 70s tunefully tongue-in-cheek pop rockers 10 CC – and the intro to their unique blend of masterful pop songcraft and satirical, often vaguely cynical lyricism! As was the case with much of their ouvre, the jokiness rarely treads on the strong songwriting and catchy... read more

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Titles include "Gonna Run", "The Band With No Name", "I'm Coming On", and "Think About The Times".... read more

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A surprisingly nice little set from Clark Terry – featuring arrangements by Oliver Nelson, and a pretty nice little group that includes Budd Johnson on tenor and Eddie Costa on vibes and piano. The material appears to be lifted from the musical All American – by the team of Charles... read more

Clark Terry's breezy trumpet is paired with Don Butterfield's tuba for a real "top and bottom" session of brassy jazz. The two of them are backed by a sharp rhythm section that includes Jimmy Jones on piano, Sam Jones on bass, and Art Taylor on drums. The set's got a lot of nice... read more

An obscure session that Clark Terry cut for the mostly-pop Cameo label during the early 60s – and some of the better recording that Terry did during the decade. The group is relatively small – filled with soul jazz players like Buddy Lucas, Seldon Powell, Willie Rodriguez, and Dave... read more

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All the hits: "Steppin To The A.M.", "Brooklyn Queens", "The Gas Face", "Product Of The Environment", "Words Of Wisdom" and seven more full-length cuts.... read more

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It may be pop reggae or whatever you want to call it – but the strength of the group's version of "Now That We Found Love" really pushed them over the top! That track's the real winner here – a smooth modern soul number with just a slight hint of Kingston, grooving away in a... read more

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After leaving Island and moving onto Columbia, Third World got a bit more slick, and continued to work a reggae/pop/soul groove. This record's not a bad one, in fact, it's a pretty respectable crossover effort. Stevie Wonder collaborated with the group on the 2 best tracks, "Try Jah... read more

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One of Joe's sweeter and smoother sessions of the 70s – a record that takes the core horn sound of his Ebony Godfather years, and fuses it with some larger backings directed by Brad Baker (of B Baker Chocolate Company fame!) The sound actually works well for Joe – and has him playing... read more

The greatest album ever recorded by Joe Thomas – and a hip batch of funky flute tracks that ranks with the best work of Jeremy Steig or SOUL! Joe's blowing here with arrangements by Chico O'Farrill – strangely off-beat backings that add in more than a touch of Latin to the funk, making... read more

Sweet clubby grooving from Joe Thomas – a set that has the Ebony Godfather smoothing his groove a bit for the disco years of the late 70s, but still keeping things plenty soulful throughout! Brad Baker (of B Baker Chocolate Company fame) arranged and conducted the album, and he brings in... read more

Although he's best known for his vocal R&B hit "Heartbreak", Jon Thomas was also a darn good organist, and this mid 50s album for Mercury's a nice batch of sides in the same tradition as contemporaneous work by Bill Doggett and Doc Bagby. The tracks are short and lively, and Jon... read more

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Really standout material from Lucky – an excellent set collecting small group sessions recorded for Paramount in the mid 50s, featuring Oscar Pettiford on bass! The format's a bit like the small combo mode that Americans from larger touring ensembles were recording in Europe – a bit... read more

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Not sure how many new dimensions these guys actually hit in their music – but the record is a rare early David Axelrod production!... read more

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The second album by Three Dog Night – issued hot on the heels of the first, and with a similar heavy-rock trippy-pop kind of approach! The album's surprisingly nice – and with soulful overtones that you wouldn't expect, sounding a bit like parts of early work by Chicago or Blood Sweat... read more

Major label debut from the Memphis innovators. Waaay before winning an Oscar, these guys were watching too many late night horror flicks, and it shows. Classic M-Town buck that influenced the entire Southern Rap genre. Contains "Prophet Posse", "Spill My Blood", "Tear Da... read more

"Moods" is right – as the album's got a wonderfully dark undercurrent, one that makes it one of the most captivating early Three Sounds albums for Blue Note! Pianist Gene Harris leads a trio that includes Andrew Simpkins on bass and Bill Dowdy on drums – and even though the... read more

Their second album, and though not quite as nice as Original Stylin', still an essential piece of Philly hip hop history. The group's no longer associated with the Hilltop Hustlers, and have adopted a slightly more slick approach to their sound, producing themselves on this effort. Includes "... read more

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One of the fantastic electric Cal Tjader sessions from the 70s – with that mixture of vibes and electric piano that made his work of the time take on an even funkier sound than before! Lonnie Hewitt's at the keyboards here – and he's got a sly, slinky groove that's totally great –... read more

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Very cool later work from The Tokens – a set that has them pushing their earlier vocal group sound into some very hip territory! There's definitely some of the longer-haired modes of the group's Buddah label contemporaries going on here – but there's also a core older vocal style too... read more

Incredible first album from a player who would go onto become one of the major soul jazz talents of the 70's – and one of the owners of the Strata East label. Tolliver plays here with the original incarnation of his Music Inc group – which includes Stanley Cowell, Steve Novosel, and... read more

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Titles include "Planta Baixa", "Escravo Da Alegria", "Verra Il Giorno", "Boca De Noite", "Tua Imagem", and "Signorina".... read more

One of the most striking of the Toquinho/Vinicius pairings of the 70s – thanks to the presence of some added "amigos" who really help push the sound of the set! The album's still done in the bossa mode that the pair crafted on other 70s records, but there's a feel here that's a bit... read more

An incredible album from Mel Torme – easily his best set ever, and a record that helped raise the bar for all other singers back in the 50s! A key part of the success of the set is the presence of Marty Paich as an arranger – as Marty swings the whole thing with a fluid groove that's... read more

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One of the best-ever Mel Torme jazz vocal albums – right up there with his best Bethlehem recordings! The set was recorded with Marty Paich's Dek-tette, who set the tone perfectly for the warmly perfect style of The Velvet Fog – and who, like Mel, manage to be totally polished, yet... read more

An incredible album from Mel Torme – easily his best set ever, and a record that helped raise the bar for all other singers back in the 50s! A key part of the success of the set is the presence of Marty Paich as an arranger – as Marty swings the whole thing with a fluid groove that's... read more

One of our favorite recordings ever of George Gershwin's Porgy & Bess – done by Bethlehem Records in the mid 50s, and featuring nearly every one of the label's great talents at the time! The choice of the lead characters is a bit odd – as Mel Torme plays Porgy and Francis Faye... read more

Produced by Tosh himself, band includes Keith Sterling, Santa Davison, Fully Fullwood, Sticky thompson, Skully Sims and others. 8 tracks in all, including "No Nuclear War", "Nah Goa Jail", "Fight Apartheid", "Vampire", "In My Song", "Lesson In... read more

A strange little record – instrumental tunes arranged as a "symphony for soul", and mostly comprised of late 60s soul numbers! The whole thing was put together by Mort Garson – known better for his later moog work, but still sounding pretty nice here with some cool twists on... read more

A beautiful set of Sahel Folk from guitarist Sidi Toure & friends – certainly as beautiful sounding as anything we've heard from Sidi! Toure is on guitar and lead vocal swith varying guitar and vocal accompaniment from song-to-song – with guests including Dourra Cisse, Douma Maiga,... read more

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No stopping Tower Of Power in the 70s – as the set's a cool Columbia session from the group, and one that features a well-crafted groove throughout! The overall approach is a bit warmer and less jamming than before – but in ways that really show the group hitting some strong notes on... read more

One of the best of the early Tower Of Power albums – a session recorded in Memphis, with a slightly harder sound than some of their other records! Legendary guitarist Steve Cropper helps the group out a bit on the session – and the album's got a sweet southern funky groove that sits... read more

One of the best early albums from Tower Of Power – with kind of a funky choppy groove that feels like a San Francisco version of the Watts 103rd Street Rhythm Band, riffing away in a stoner funk mode that always sounds like it might go off slightly, but which always wobbles back on course. ... read more

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A surprisingly nice solo set – with the classic "Rough Boys", plus "Cat's In The Cupboard", "Let My Love Open The Door", "Jools & Jim", "A Little Is Enough", and "I Am An Animal".... read more

Titles include "Glad", "Freedom Rider", "Tragic Magic", "Shoot Out At The Fantasy Factor", "Low Spark Of High Heeled Boys", and "Light Up Or Leave Me Alone".... read more

One of the most dancefloor-oriented efforts from the Trammps – and that's saying a lot, given the sound of their other records! This set brings the beats up a bit more than before – almost a boogie groove, or an 80s-styled sound at points – but still with strong roots in the... read more

The Trammps are still burning strong at the end of the 70s – never losing their Philly groove despite a run on the charts and much bigger fame than most of their contemporaries – and in a way, the album's almost a back-to-basics affair that's pure Philly all the way! Arrangements here... read more

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A great bit of funk from this obscure 70s combo – the first of their many good albums, and with a sound that's rougher and rawer than the others. The band's grooving in a pretty slow mode here – without the uptempo club tracks of later years – and they've got a style that's a mix... read more

Tracks include "Check The Rhime", "Bonita Applebum", "Award Tour", "Can I Kick It?", "Scenario", "Buggin' Out", "If The Papes Come", "Electric Relaxation", "Jazz (We've Got)", "I Left My Wallet In El... read more

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The first album from guitarist John Tropea – ace 70s session guitarist, but a surprisingly great leader and arranger in his own right too! Tropea's working here in a vibe that's clearly influence by the CTI sound – smooth but funky fusion – laid down in prime studio conditions,... read more

Very hip work from one of the coolest cats of the 50s – the amazing Bobby Troup, heard here at the height of his powers in a very sweet setting! The group's actually a quartet – given that Bobby's on piano, alongside Howard Roberts on guitar, Bob Enevoldsen on bass, and Don Heath on... read more

A bit less groovy than some of the other Armando Trovajoli scores of the late 60s – but a soundtrack that's still got some wonderful musical moments! The film's a period piece, and the instrumentation is somewhat more traditional than some of Trovajoli's modder or bossa moments – but... read more

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