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A sweetly funky set from Johnny Hammond Smith – a date done right at the start of the jazz funk era on Prestige – and one that marks a nicely heavy change in Johnny's sound! The format here is quite different than the style of Smith's early 60s work – with Hammond that's much... read more

A great little groover from Johnny Hammond Smith – and one of his rarest albums! The record may be rare because it's got a strange cover that features a comic character that looks like the Green Lantern, and Prestige might have gotten nervous about copyright infringement – but more... read more

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Smooth jazzy soul from Lonnie's mid 80s years – recorded when Lonnie was heavily under the sway of Guru Sri Chinmoy! If you've ever heard Chinmoy as a musician, you know that he's not very good – and fortunately, Lonnie keeps him away from the instruments on the record, and only lets... read more

A stone killer from organist Lonnie Smith – one of his completely cooking early albums for Blue Note, and a hard-burner all the way through! Smith's working here with a really great group that includes Idris Muhammad on drums and Melvin Sparks on guitar – both of whom give the album a... read more

A wonderful record – one you might pass up easily, but not to be missed – as it's one of our straight jazz treasures of the 80s! The album's mostly straight ahead hardbop – recorded with a largeish group that includes Robin Eubanks on trombone, Steve Coleman on saxes, Mulgrew... read more

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Soaring piano work from the great Paul Smith – a player who's working here with a much more vibrant sound than on some of his Capitol sides of the 50s! Smith's got a much harder approach to the keys than during his "liquid sounds" years – one that's possibly a bit influenced... read more

A rare set from pianist Paul Smith – recorded after his classic 50s work on Capitol, and with a much more open-ended feel! The set features work written for the musical Saratoga – but Smith and his trio perform the tunes with a really fluid (liquid?) sort of approach – one that... read more

A rare European set from one of the greatest violinists in jazz – recorded at Café Montmartre in 1965, with a nicely swinging group that includes Kenny Drew on piano, Niels Henning Orsted-Pederson on bass, and Alex Riel on drums. Tracks have a similar groove to Stuff's 50s work on Verve... read more

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A 70s classic from Phoebe Snow – one of those records that it seemed like everybody had to own back in the day – and for good reason! Phoebe's vocals are wonderful – laidback, but inflected with plenty of personality – at times kind of hovering in a 70s space between Minnie... read more

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The first pairing of Elza Soares and Miltinho is a delight throughout – a set that follows on the Brazilian duet style of the time, but seems to handle things with even more charm and flair throughout – never just forcing the two singers together in the company of a tune, but really... read more

Fairly mainstream disco influenced grooves from poducer/session musician Gino Soccio. This album's got his big hit "Try It Out", plus five other stretched out grooves, in the same vein: "Street Talk", "(It's Been) Too Long", "Hold Tight", "Love Is"... read more

An almost all-jazz release by Soft Machine – and a tasty bit of proggish tunes with a spare electric modal groove. Robert Wyatt's still on drums, and the rest of the group features Hugh Hopper on bass, Mike Ratledge on organ and piano, and Elton Dean on saxes. Titles include "Teeth"... read more

Sweet east coast harmony group soul, in a classic 70s style, and with nice backing by Van McCoy. The vibe's the same as some of the best Stylistics records from the time, and this one's an essential complement to any collection of records in that style. The Softones later made stuff with more of... read more

Late 70s dancefloor soul from Soiree – a rare disco set featuring clubby revisions of huge hits of the day and earlier, with massive talent in the group! The sound is bright and grooving, and heck of a lot more endearing than so many of the disco era remake projects, and most impressively,... read more

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Group soul album with male vocals and a sound that's a bit like some of the stuff on Buddah or Philly International. The album's a mix of midtempo cuts and ballads, with the tracks "I'm The Real Thing", "Just Another Song", "Woman In My Life", and "Magic In My... read more

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One of those "studio groups play instrumental versions of soul hits" albums that were so popular at the time. Most of the stuff's fairly standard soul instrumental material – like "Soul Man", "Sidewinder", "Pata Pata", and "Cold Sweat" –... read more

A surprisingly nice record by the group who scored big in the late 60s with "Expressway to Your Heart" – and who continued to be one of the best blue eyed soul acts working on the east coast! This album's the group's second, done for Gamble & Huff at Philly International –... read more

Hip hip stuff from Richard Evans and the gang at Cadet Records! The record is the second outing by The Soulful Strings – a group that kind of started as a studio side project, but who became a surprisingly popular act during the late 60s. The album includes some excellent original tunes by... read more

Seminal instrumental groovers from the Chicago Chi-soul scene! This great group was led by Chess/Cadet soul arranger Richard Evans, and it featured many of the instrumentalists who made Chess records so great – like Cleveland Eaton, Charles Stepney, Morris Jennings, and Phil Upchurch. The... read more

Given that the Soulful Strings were really just a studio side project of the Chi soul arranger Richard Evans, it seems sort of strange to have them cut a live LP, but the session, recorded at Chicago's London House, works quite well, and has a bit more lively feel than some of their classic studio... read more

One of the grooviest albums ever cut by Richard Evans' Soulful Strings, and a tasty batch of tracks written by Gamble & Huff, years before they started the Philly International label. The tracks are great, with the kind of arrangements that made Evans a legend in the Chi soul scene – and... read more

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This is the third movement in the fantastic pop symphony that is Spanky & Our Gang! The record's perhaps their oddest to date – and mixes groovy vocal stylings with some fairly advanced production approaches that work perfectly with the incredible songs written by Stuart Scharf and Bob... read more

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The third and last album from Special Ed, not as much of a stand out as his first two, but still a great slice of mid 90s hip hop. Guest spots from Bounty Killer and Nine, beats by Special Ed, Akshun, Mark Sparks and Howie Tee. 14 tracks in all, including "Lyrics", "Neva Go... read more

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Forget the preview, because Leon Spencer is already the main attraction on this key early album for Prestige! The date may well be one of the organist's greatest – and is a lean, mean session cut with that stretched out funky style that Prestige was really laying down at the time –... read more

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An album in the kind of "between the hits" years for The Spinners featuring lead vocalist Phillipe Wynne. The sound here isn't as right-on or soaringly confident as in earlier years – but there are some nice moments. Titles include "You're All I Need In Life", "Toni... read more

The crowning achievement of Spirit – and a record that you probably could have found in any college dorm room in the early 70s! The record's really a cut above for their generation – an expansive effort that hangs together with a bit of a concept, and which interweaves strands of rock,... read more

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A weird little group led by Polish saxophonist Jan Ptasyn Wroblewski – easily one of his strangest projects of the time! The style here has some of the groovier traces of Jan's other 70s albums – but it's also oddly nostalgic too – kind of an ironic take on jazz modes of the 20s,... read more

All the great ones – "Stay Awhile", "You Don't Have To Say You Love Me", "Wishin & Hopin", "All Cried Out", "I Only Want To Be With You", and "In The Middle Of Nowhere".... read more

Some of the earliest work from Dusty Springfield!... read more

Groovy groovy stuff from Dusty – and some of her best work! Forget the Memphis sessions, we think this early British material is her best stuff – and the album's got Dusty grooving along in perfectly soulful format, on lots of nice tunes like "24 Hours From Tulsa", "Wishi... read more

One of the greatest of all Dusty Springfield albums – a gem of a record that mixes British pop, soul, and some very groovy orchestrations! The whole session has that kind of strident bounce that Dusty had on her best records – but which was possibly never done nearly as well as on this... read more

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Although this set was issued by Buddah in 1970, it's a great set featuring some of the earliest work that the Five Stairsteps recorded for Curtis Mayfield's Windy C label during the late 60s, under his production talents as well! We love all of the Burke brothers albums, both as a group and solo,... read more

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Big bouncing soul from Lisa Stansfield – a record that almost rivaled the first effort from Soul II Soul for UK impact on the American mainstream! Despite a pasty-white cover, the record's got a hell of a lot of color – some rich rhythms that reintroduced a syncopated funky sound to... read more

About as classic as you can get with the Staple Singers! The record was cut at that perfect moment when the group was forging an electric soul sound that would bring them high in the charts in the 70s – filled with all the righteousness of their gospel years, but also touched with elements... read more

The Staple Singers are cooking on all burners at this point – and it's hard to stop them with that much power – a soaring, searing sort of energy that definitely earns them a place in the sky! The set's a totally strong batch of gospelly soul tracks – produced by Al Bell with... read more

Probably the best record the Staple Singers ever cut during the 70s – as it makes a genius move by taking their rich vocal style and laying it over some excellent tracks written by Curtis Mayfield! The record's quite different than their usual Stax numbers, and has a Curtom groove that's hip... read more

One of the last great 70s soundtracks on Curtom Records – a smoking little set that pairs the music of Curtis Mayfield with the vocals of Mavis Staples! Curtis is very much in charge of the record from the start, and works in a hard-stepping and righteous mode that recalls his earlier work... read more

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Pure pop magic from Ringo – with cuts that include "You're Sixteen", "I'm The Greatest", and "Photograph" – all recorded with help from John Lennon, George Harrison, Steve Cropper, Tom Scott, Billy Preston, Nicky Hopkins, and Harry Nilsson!... read more

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A lost bit of mid 70s soul from Candi – an album that's often eclipsed by the Young Hearts hit before it, but which actually comes across stronger than that one! The groove is funky southern soul on the best cuts – tight and full, but still with a harder edge on the bottom, and rhythms... read more

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Rougher and rawer than we're used to hearing Dakota Staton – and a tasty little session done with Groove Holmes on organ! The tunes are mostly standards, taken at a slower bluesier pace than on some of Dakota's earlier sides – and Groove gets in plenty of licks on Hammond, sneaking... read more

Bluesy vocals from Dakota – recorded for the Groove Merchant label, but with a stripped down and mellow sound that's more like her older recordings. Norman Simmons is on piano, leading a quartet that includes saxophonist Peter Loeb – and Simmons' piano really brings a wonderful aspect... read more

Steady B's second major label album, but still in the mid 80s Pop Art style, proving you don't need much more than two turntables, a drum machine and a mic to make good hip hop. Okay, maybe some fly Cazals and Fila track suit. 12 tracks in all, including "The Hilltop", "Don't... read more

Groovy steel band cuts – sweet takes on "Aquarius", "Everybody's Talkin", "Popi", and "Oh Calcutta"!... read more

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The last album in the classic run of Steely Dan – the final taste we'd have of the group until their surprising revival in the 90s! Gaucho picks up beautifully where Aja left off – warmly produced with a deep undercurrent of jazz, but perhaps a bit more down to earth feel at times too... read more

My god, what a record! This one's genius through and through – a set that sometimes gets eclipsed in the brilliance to come, but which is easily one of our favorites ever by Steely Dan! There's a beautifully focused feel here – thanks to Donald Fagan's incredible lead vocals, and a... read more

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Also insludes selections from the films – A Stolen Life, Four Wives, The Searchers, and Charge Of The Light Brigade.... read more

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Titles include "Sooki Sooki", "Don't Step On The Grass Sam", "The Pusher", "Magic Carpet Ride", and "Tighten Up Your Wig".... read more

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Trumpeter Rex Stewart heads a great lineup of players from the Fletcher Henderson band – including Joe Thomas and Taft Jordan on trumpets, Benny Morton and Dicky Wells on tormbones, Buddy Tate and Hilton Jefferson on saxes, and Red Richards on piano!... read more

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Solo Stephen Stills on Columbia – with titles that include "The Loner", "Soldier", "Different Tongues", "Stateline Blues", "No Me Niegas", and "Ring Of Love".... read more

Plenty of style here – a great later date from Sonny Stitt – one of those near-perfect gems from the years when he had fallen far from the mainstream of jazz, but could still blow with some of the best! There's a simple, almost understated quality to the date that's really wonderful... read more

A seminal set of Sonny Stitt recordings for Prestige – material that was originally issued on singles and 10" LPs, pulled together to make one classic album! The material here was recorded in 1951 and 1952, and shows Stitt at all of his prime youthful power – blowing beautifully... read more

A mellow late-night set of jazz tracks, cut with Don Patterson and his trio that included Paul Weeden and Billy James. The record has a great soulful sound that's a lot more like some of Patterson's work on Prestige than the usual stuff on Jazzland – and we almost wonder if the session wasn't... read more

A record with a simple, elegant title – and a similar cover image too – but if you know Sonny Stitt, you know there's often plenty beneath the surface, and this classic Chess Records has plenty to offer, once you start listening! The album's right up there with Sonny's work for Roost... read more

A classic from Stitt – cut during the underground days of the early 60s, when both he and Gene Ammons seemed to be recording for just about every jazz label around, and when they both seemed to be doing an awful lot of work in Chicago. This album was done in a flurry that Jug and Stitt cut... read more

By this point in his career, Sonny hardly needed a tune up in his style – but the album's a great one from his post-Prestige years, and a real back-to-basics effort that recalls the genius of his work on Roost! The format is straight and simple – Stitt's tenor and alto fronting a... read more

Head to head blowing from Sonny Sitt and Paul Gonsalves – just the kind of twin-horn performance that Stitt was famous for in his live battle days, and one that also reminds us that Gonsalves can be a very loose swinger when he wants to be! The tracks are all long, and played with the sort... read more

Cool duets between Czech reedman Jiri Stivin and guitarist Rudolf Dasek – a set with a lot fuller feel than you might expect! The work is straight, and never too outside – and although there's no drums or bass in the performance, there's an inherently rhythmic sensibility to most... read more

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Limited 180 gram UK pressing from 2002!... read more

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