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Quite possibly the best of the solo Phil Manzanera projects – a wonderfully tight album that's surprisingly soulful and funky at times! Phil gets some great studio help from Eno and Godley & Crème – the latter two of who can really be felt on the record's well-penned lyrical... read more

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You know, despite the fact that this one was recorded in the mid 80s, when we felt that Tania's great jazzy vocal style was being buried in excessive arrangements – in retrospect, it's actually got some darn nice moments. These include the great "Tanoca Vignette", a lively number... read more

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Maybe the greatest album that Teena Marie ever cut – and that's saying a lot, given the strength of the lady's work for Motown! The set's got this bright, positive bounce that grabs you right from the start – but also moves into a depth that's way different than other funk albums of... read more

Sublime 60s instrumental sounds from LA – with a groove that's similar to The Ventures, or some of the lesser-known surf instrumental groups. Includes the group's big hit reading of "Out Of Limits", plus "Bell Star", "Saturn", "Re-Entry", "Other... read more

A lost lounge gem from the RCA catalog – with a dreamy exotica feel that's right up there with the best of the bachelor pad era! Gerald Fried arranged and conducted this ersatz studio group, and his overall approach has lots of sweeping woodwinds and percussion, similar to the great Les... read more

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A sweet set of sides cut by the Wailers under Lee Perry's production. Crucial early roots versions of some of Marley's strongest material, like "Mr. Brown", "Soul Rebel", "Duppy Conqueror", and "400 Years" rendered in a raw Kingston soul style! Give us this... read more

Early, early Coxsone Dodd produced sides of groovy rocksteady, voiced by a young Bob Marley with Peter Tosh and Bunny Wailer. While we don't find this material nearly as compelling as his later work produced by Lee Perry and then his huge international hits, it's great Studio One rocksteady and an... read more

Early, early Coxsone Dodd produced sides of groovy rocksteady, voiced by a young Bob Marley with Peter Tosh and Bunny Wailer. While we don't find this material nearly as compelling as his later work produced by Lee Perry and then his huge international hits, it's great Studio One rocksteady and an... read more

Titles include "A Jah Jah", "That's The Way", "Good Morning Jah", "Easy Sailing", and "Play Play".... read more

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Very strange record that's made up of excerpts of Marsh's solos from a live set recorded by Peter Ind at the Half Note. Ind somehow felt that Marsh's solos were the only thing worth saving from a huge set of tapes that he made of the show, so he edited down the tapes to these 2 minute segments,... read more

70s issue of a great little live set – recorded in LA in 1951, one of those private recordings from the time that saw brief release on the Xanadu label. Tracks are long, and Warne's playing in a much more open-ended mode with a quartet that features Hampton Hawes, Joe Mondragon, and Shelly... read more

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Ah, the genius of 70s stardom! This one may not play that well for today's kids, but we're floored by the sheer magnitude of the record's stars – a huge list that includes Don Rickles, Alan King, Rich Little, Suzanne Pleshette, Burt Reynolds, Karen Valentine, McLean Stevenson, Charo, Vincent... read more

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Recorded in the years when Dean was fishing around for some style to hang his voice on, and before he settled on Country & Western material, this isn't really an album of Latin tracks, but it does have some nice choppy numbers with a cha cha feel, courtesy of arranger Don Costa. Tracks include... read more

Steve Martin at the height of his mid 70s stand up popularity, long before he ever thought of making sappy movies. Includes "Ramblin Man", "Vegas", "Let's Get Small", "Smoking", "One Way To Leave Your Lover", "Mad At My Mother", "Excu... read more

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A key album in the shift in Pat Martino's sound at the end of the 60s – with one foot in the soul jazz camp in which he got his start, and the other in the freer, open-minded style he used a lot in the 70s! Pat's playing electric 12 string guitar on the set – really running up and down... read more

Spacey electric work from guitarist Pat Martino – a record that seems to be as concerned with sound overall as it is with the jazz stylings of Martino's guitar! The older modes of Martino's 60s soul jazz work are very far gone by now – but in their place is a new sense of space and... read more

A sweet groover from the Marvelettes – and a record that completely re-casts their sound for the Motown of the 70s! The group's still got the great soprano harmonies that made their early hits so wonderful, but the arrangements on the set are deeper and more sophisticated – taking them... read more

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A lasting classic from the funky female foursome who were one of the biggest acts on Motown in the mid-80s – working here with super tight production and arrangements from Rick James – who also wrote all the songs on the record too! The girls' look is a bit dated, but their sound has... read more

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One of Hugh's more poppy efforts, but still a nice batch of instrumentals with a good Afro soul groove to them, and the jaunty trumpet sound that was Hugh's stock in trade at the time. Tracks include "Actin' Like A Fool", "If I Needed Someone", "Sounds Of Silence",... read more

One of the funkier albums by African trumpeter Hugh Masekela, and a record that's filled with lots of short little groovers that have more of an edge than on previous pop instrumental albums – much more of the hard funky vibe of the Chisa years! The set features loads of great funky 45 cuts... read more

Classic work from Hugh Masekela – and the album that pushed him over the top! The record features his version of "Grazin In The Grass", a runaway instrumental hit when it was issued – and a sly little groover that was based upon some earlier South African pop melodies that... read more

Overall, the sound on this album's very 80s, with lots of electro and synth moments poking through, and a very disco base to the rhythm. The best example of that is the big single, "Don't Go Lose It Baby", an awesome club track, popular with the deep house heads and loft scene here in... read more

A pivotal album for Barbara Mason – one in which she takes the little girl soul sound of earlier albums, and turns it into a sophisticated range of emotions that foreshadows later Philly work by singers like Jean Carn and Phyllis Hyman! Despite the Philly arrangements by Ronnie Baker, Norman... read more

Transition is right, as the cover has Barbara floating above a Curtis Mayfield-ish scene of drugs, war, gambling, and Satan. The music isn't nearly as dope as the cover, but the album does include the odd track with a political message, like "World in a Crisis", "Trigger Happy... read more

Easily the greatest album ever by funky drummer Harvey Mason – and quite possibly the only one to live up to the rhythmic complexity that Mason brought to countless other fusion sessions for other groups in the 70s! The tracks are all spacious and snapping with brilliantly funky touches... read more

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Masta Killa continues to keep the Wu Tang flag flying with pride – with appearances by nearly the whole clique – including Ghostface, Raekwon, RZA, Meth, Deck, U-God and GZA! 16 tracks including "Born Chamber", "Last Drink", "Secret Rivals", "Digi... read more

Very cool! This is a nifty new reproduction of one of the classic Vogue picture disc records from the 40s. The record is a 10" single with a cool vintage illustration on each side – and unlike the original single, this one plays at 45rpm – so you can play it on any sort of record... read more

The last session that The Mastersounds ever cut as a group – and a strangely compelling montage of tracks from the musical Kismet. Brothers Buddy and Monk Montgomery are joined here by brother Wes – then an emerging star on guitar, and a strong addition to the set, one who expands the... read more

One of the only early albums as a leader from pianist Ronnie Mathews – a player who recorded more often in later years, but who really sounds incredible in this rare session for Prestige! Although a lyrical player at heart, Mathews also has a very hard edge here – more of a soul jazz... read more

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A classic from Johnny Mathis' second run at Columbia! Up Up & Away is Mathis' first set back at the label after a brief hiatus – a record that shows a newly mature style that's wonderfully suited for Johnny's amazing voice! Mathis tones are every bit as perfect as before – but he's... read more

With Eirc Gale, John Tropea, and David Spinozza on guitars!... read more

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One of the most earthy, organic offerings of the Herbie Hancock scene of the 70s – a session that's led by Headhunter reedman Bennie Maupin, and which also features Herbie on acoustic and electric piano – all in a sound that's quite different from his own work of the time! The tracks... read more

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An excellent album of hard electric funk, with tight Betty Davis-ish vocals over the top, and lots of heavy guitar-driven funky backings underneath! Maxayn was a real nutter, and never cut many records – but this one's probably the best version of her stoner funk sound from the early 70s. ... read more

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We think this may be his best album ever! Caught live at a small club, with a tight band, Curtis delivers extended, intimate versions of some of his best work, like "We the People Who Are Darker Than Blue" and "Stare and Stare". We can't recommend this highly enough, and there'... read more

A real dancefloor set from Curtis – recorded with some sweet Philly production from the likes of Norman Harris and Bunny Sigler – in the sweeping, soaring, strings-heavy mode of the Philly disco records of the time! And yes, this isn't classic Curtis from the righteous years –... read more

A great album of mellow soul tracks from Curtis Mayfield – laidback, slinky, and almost to his earlier work what Let's Get It On was to the early 70s career of Marvin Gaye! The album's got a warm, soulful vibe that's totally great – not as all-out funky or politically righteous as... read more

Curtis Mayfield's lasting classic – and an album that the world will remember forever! Apart from being his hugely successful entry into the blacksploitation soundtrack field, this album's also a monster set of grooves that includes some of Curtis' funkiest work ever – a record that... read more

A great album by Curtis Mayfield – filled with some excellent lesser-known gems! There's No Place Like America was Curtis' scathing testament to the State Of The Union – and it's got a hip political tone that's right up there with the best of his early 70s songwriting – perhaps... read more

Very groovy stuff – with Joanne Grauer on organ, Victor Feldman on percussion, Plas Johnson on saxes, and Mayorga on piano and harpsichord!... read more

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Classic work from this Brazilian singer – with titles that include "Suas Maos", "Mundo Vazio", "Saudades De Mim", "Bom E Querer Bem", "E Preciso Dizer Adeus", and "Maria Que E Triste".... read more

It's always a sign of how huge Frankie Beverly was during the 80s that Capitol let him cut not one, but two double live albums during the early part of the decade. This one, his first, has the band grooving wonderfully before a crowd going mad in New Orleans. The tracks retain all the charm of... read more

An amazing debut album from Frankie Beverly and Maze – as perfect as the group would ever sound, with an impeccable approach to both funk and ballads that put them at the top of the stack immediately! Of course, Frankie had been knocking around in indie soul obscurity for a number of years... read more

Titles include "Can't Get Over You", "Silky Soul", "Just Us", "Love's On The Run", "Mandela", and "Songs Of Love".... read more

Nice groovy Afro soul, recorded by Letta with some hip arrangements by Hugh Masekela. This record grooves much more nicely than her Capitol sessions, and includes some nice tracks that mix African rhythms with 60's LA pop soul production. Titles include "Qonqoza", "Macongo",... read more

A beautifully spiritual session from the loft jazz years of the NYC mid 70s scene – featuring a strong sextet led by McBee, with Chico Freeman on flute and tenor, Joe Gardner on trumpet, Dennis Moorman on piano, Don Moye on drums, and Steve McCall on percussion. The album has a warm soulful... read more

One of only two albums cut by the Four Souls group of drummer Lenny McBrowne – a really cooking combo that should have gotten greater exposure back in the day! The west coast group were clearly one of the hippest acts working on their scene at the time – as they've got a unique blend... read more

A killer little set from Les McCann – one of his greatest records of the 60s, thanks to a fair bit of Latin Soul influences! The album's got a groove that's much grittier than Les' other work – a solid, soulful emphasis on bottom rhythms – which are mostly in a boogaloo and shing-... read more

Wild electric work from Les – and a real break from his work of the 60s! Side one of the album features a 26 minute fusion jam called "The Lovers" – filled with lots of breaks, grooves, and time changes – and played by a hip ensemble that includes Yusef Lateef, Cornell... read more

An early vocal set from Les McCann – quite unusual, and pretty darn soulful as well! The album's done in a mode that foreshadows Les' move to soul during the 70s, and features him singing to some hip arrangements by Gerald Wilson – in a soulful, jazzy style that was common for LA of... read more

A groovy set of late 60s soul jazz piano tunes – played by Les McCann in a swinging style that pre-dates his 70s funk work – and which also features him playing in a strictly instrumental setting! The core of the material is by Les' trio with Leroy Vinnegar on bass – but most... read more

A really hard-hitting groover from the great 60s trio of Les McCann – a set that adds in some extra guitar from Joe Pass, who definitely sounds his most soulful on the set! Joe grooves perfectly with Les' piano – and has almost a Kenny Burrell-like depth in tone throughout – one... read more

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With Les McCann on piano and vocals, Houston Person on tenor, Bobby Bryant on tenor and soprano sax, Lou Volpe on guitar, and Richard Malcolm on percussion. Produced by Creed Taylor – with cuts that include "The Longer You Wait", "Hold My Hand", "Volkswagen... read more

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An early moment of genius from post-Beatles Paul McCartney – a solo set that's wonderfully diverse throughout – filled with the kinds of cool little twists and turns we loved in his late Beatles records, and in his 70s killers with Wings! There's a newly-emerging sweetness going on... read more

Sugar sweet pop rock from Paul McCartney & Wings – much more adventurously arranged than most of McCartney's post Beatles releases, Wing-ed or not – and to our ears (and many others), it's also his best post-Beatles album! There's plenty of rave up rock & roll leading into to... read more

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This is it! The record that helped put disco over in a huge way, with a sound that would go on to be heavily imitated for years to come. Sweeping disco production from Hugo & Luigi arranged and conducted by Van McCoy, already a studio mainstay by this point, coupled with a set of accessible... read more

An excellent album of smooth soul tracks, and maybe Van's best record of the 70s! The record shows Van sitting at the piano in an intimate setting – ala Barry White – and it's got a similar Love Unlimited Orchestra approach, with much large backing behind Van's voice, and a very full... read more

Slammin party rock from The McCoys – a garagey group with a sound so catchy, they managed to catch on big on both sides of the charts! The group's well-known title hit is in the lead of this set – but the whole thing's plenty darn groovy, with a tight style that mixes together equal... read more

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The record that forever put George McCrae on the map – and a crossover bit of Miami soul from the 70s with all the key elements of the TK sound firmly in place! George's vocals are nicely flanged out in that cool production mode that TK was using with its big acts of the time (an approach... read more

Sexy soul from the great Gwen McCrae – a key follow-up to her massive Rockin Chair, and an album that showed that she could go a lot deeper than just pop soul! Given Gwen's contribution to the early disco years, the record's got a surprisingly laidback feel – classic female southern... read more

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Obscure batch of jazzy pop originals by this obscure singer from Indianapolis. Jimmy's clearly trying for a Lou Rawls Capitol sort of style, but he's also got a voice that's a bit raspier and blusier than Lou. Most of the tracks are originals by Jimmy, and titles include "Searching",... read more

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A really unusual album for Jack McDuff – one that was recorded in Memphis, with a lineup and a feel that's quite different from other Blue Note sessions of the time! There's a lot of electricity bubbling in the record – and although McDuff normally never worked with a bassist on... read more

A killer diller of a live set from Brother Jack McDuff – a cut that burns with energy that almost beats his studio 60s classics for Prestige! The group is one of Jack's best ever – a lineup that includes the twin tenors of Red Holloway and Harold Vick, plus incredibly sharp guitar from... read more

A monster record by Brother Jack McDuff, and one of his best-ever – in our humble opinion! At first glance, the album appears to be just a bunch of jazz covers of standards and pop tracks – like "Tobacco Road", "Shadow Of Your Smile", "This Bitter Earth",... read more

One of Jack McDuff's first albums as a leader – and a really solid cooker that also features vibes and tenor sax! Given that McDuff hardly ever recorded with vibes again, the session's got a real standout sound that deserves to be heard – as Jack's smoking work on the Hammond comes... read more

Great stuff from this famous Philly team – not nearly as well-known as their work on Philly International, but a strong batch of modern soul tunes and 80s groover that stands with the other excellent work coming out on Capitol at the time. McFadden & Whitehead wrote, arranged, and... read more

Great stuff from Gary – one of his more obscure albums, and a record dedicated to the signs of the Zodiac! The tracks are a mixture of Gary's usual easy jazz approach – with vibes, whistling, and bossa-style rhythms showing up a lot – plus a few more driving numbers that are more... read more

Wild stuff – and very different than Gary McFarland's earlier albums! Today was recorded late in Gary's career, and is has him moving a bit away from jazz – into a more sunshine pop feel – one that still retains plenty of the bossa and breezy elements of his Verve work, but which... read more