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The first album from Thelma Jones – and a real standout set from mid 70s Columbia! The record is a sweet blend of southern and modern soul, with some fantastic arrangements by Bert DeCoteaux, who also produced the set in a wonderful way that lets Jones retain the deeper qualities of her... read more

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One of the great lost ones from Blue Note – hard to find in any pressing, and a killer hardbop session from the days when the label could crank them out with a quality unmatched by other labels! Clifford Jordan's leading an unusual group here – a septet, which is a bit of a change from... read more

A nice bop revival session for Clifford Jordan – recorded with a style that takes us back to his first years on wax! The lineup includes Red Rodney on trumpet and flugelhorn, Jaki Byard on piano, and Vernel Fournier on drums – and the tracks are recorded with all the classic and loving... read more

A really wonderful record – straight ahead, but oh so beautiful! Jordan's playing in a very relaxed setting – blowing openly on long tracks in this Japanese only session, working with a quartet that includes Reggie Workman, Freddie Waits, and a very hip Hank Jones, well worth saying... read more

Excellent work by Jordan – recorded right at the same time as his classic sides for the Strata East label, and with a similar feel! The group on the set is the same as heard on the Glass Bead Games album – Cedar Walton on piano, Sam Jones on bass, and Billy Higgins on drums – and... read more

A brilliant collaboration between Clifford Jordan and Sonny Red! At the time of this recording, Jordan was one of a number of firey young tenor players from Chicago – all of them hard-blowing, with a nice soulful bottom that opened up a bop sound to more moods and emotions – but Jordan... read more

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The third album in Margie Joseph's early 70s run for Atlantic Records – and like the rest, a batch of super-tight tunes arranged and produced by Arif Mardin – done with the same sense of sophisticated soul he was bringing to the work of Aretha Franklin at the time! Margie's nicely a... read more

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The first album by this sweet little Hawaiian band from the 70s – a great mix of jazzy rock and smoother AOR styles, with a soulful finish that made the group one of the best of the islands! Titles include "Going Going Gone", "The Hurt", "Nightbird", "Natura... read more

Nice little soundtrack for this obscure thriller starring Sean Connery. Michael Kamen (ex-New York Rock & Roll Ensemble) lays down some groovy tracks with a good 70's crime/thriller feel. Some tracks are more orchestral, but there's some nice moments with a good bass-y feel. Titles include... read more

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Bluesy soundtrack for this 70s film based on the life of Huddie Ledbetter – aka Leadbelly – featuring guitar by Brownie, harmonica by Sonny, and vocals by Hitide Harris in the place of Leadbelly. Art Evans also sings some vocals as Blind Lemon Jefferson – and the tracks are... read more

A very strange little record – composed for a very strange film directed by Allen "Candid Camera" Funt – in which people are surprised by a nude woman, and have to react accordingly. There's a lot of tunes on here that have an almost Harper's Bizarre feel – that kind of... read more

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A standout classic from Kashif – one of those key 80s albums that brought him to light as a tremendous powerhouse in mainstream soul! Thanks to the wonders of recording science, Kashif was able to write, produce, arrange, and perform everything on the album himself – a great trick that... read more

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A lost chapter in the career of cellist Fred Katz – an album recorded after his small combo work with Chico Hamilton, and sort of a larger group take on the whimsical sound of the classic Hamilton Quintet! The tracks are all older folk tunes, adapted by Katz to fit a chamber jazz mode –... read more

A classic from Der Mickle!... read more

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Great early work from Johnny Keating, not the hokey sound of the "high road" you might expect from the cover, and instead a well-crafted batch of large ensemble tracks that really shows Keating deepening his sound! There's echoes here of some of the best modern work on the west coast... read more

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Keith Murray's finest moment, introducing the word to his mic skills, the most complex of the Def Squad MC's. Erick Sermon provides the bottom heavy east coast funk style on the beat side. Includes the single that got everyone open on Keith "The Most Beautifullest Thing In This World",... read more

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We're always big fans of Bev Kelly's work, but this album is way hipper than the usual vocal album of its type from the time – thanks to a sweet little lineup that features Pony Poindexter on alto sax and Flip Nunez on piano! The presence of Poindexter's horn is always a treat, on the... read more

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Euro disco from Roberta Kelly – a set that looks like an American soul album from the cover, but which features backings from The Munich Machine and long-running arrangements from Giorgio Moroder! The record's got a similar feel to Moroder's work with Donna Summer – except that Roberta'... read more

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Watch what happens – and what happens is very groovy! Ken plays alto sax, Beverly sings – and the rest of the album features small combo backing that includes Vic Feldman on piano and Joe Pass on guitar. The tunes are an assortment of 60s groovy pop tunes, soundtrack gems, and a few... read more

A truly amazing album – unlike anything Eddie Kendricks ever did before, or since – and one of those records that really helped shape the sound of soul in the 70s! The music is as rich and powerful as the image on the cover – with some righteous undercurrents that really mark the... read more

Just the kind of cool high-concept work we love from A&M Records – an all-star project with performances by Jessi Colter, Eric Clapton, Bernie Leadon, Waylon Jennings, and others!... read more

Moody mid-60's set in which Kenton has Pete Rugolo re-arrange some of his classics, then set them to lyrics written by Milt Raskin, which are then sung by a wispy chorus. Mood music, but with an edge, and nice modernist Kenton overtones. Titles inlcude "Flame", "Moonlove",... read more

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One of the hippest Stan Kenton albums of the 60s – a set of original compositions by Dee Barton – Stan's drummer at the time, and a composer to rival the great ones who contributed to the Kenton group of the 40s and 50s! Barton's work here is totally great – modern, but never too... read more

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A great example of the Kenton powerhouse in action – a 90 minute double-live recording that really set a new standard for jazz sets of its type! The album features a side apiece dedicated to each of the three acts – one by Kenton's orchestra, one by Christy on vocals, and one by the... read more

A great blend of older jazz styles and the sweet 70s funk of Robin Kenyatta – served up with a hip sort of sparkle overall! There's a few familiar jazz modes in here that definitely live up to the spirit of the title – but most of the record is more open, laidback, and somewhat... read more

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All you need is love – that, and some great vocals and backings as well! Anita Kerr really gets groovy on this little set – taking the famous sound of her harmony quartet into some great late 60s territory – a range of pop tunes hinted at by the Beatles reference on the cover... read more

Hard to imagine Anita Kerr being turned on – especially given her school marm-ish look on the cover – but the album's a pretty darn groovy set, and one that certainly shows Kerr picking up some of the best easy elements of the 60s! The Burt Kaempfert touch is heard here especially in... read more

Although the Anita Kerr singers were not often the swinginest group in town, this LP has them doing a nice selection of Bacharach material, including "What's New Pussycat?", "Are You There (with Another Girl)", and "Windows of the World".... read more

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Ha! This one really takes us back! The set was a massive breakthrough for August Darnell – one of his biggest hits since his day with Dr Buzzard's Original Savannah Band, with an equally appealing approach to the dancefloor. Tracks mix early 80s New York club styles with Darnell's mad... read more

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One of THE electric blues records of the 60s – a seminal set by Albert King that was probably blasted out of more college dorm rooms than southside juke joints, but which still more than deserves its due! The set was recorded by Stax with a nice raw sound – guitar very much upfront,... read more

BB King soars into the 70s with this smoking little set – a record that still holds onto all the raw energy of his best 60s recordings, but which also gives the whole thing an even more soulful focus too! There's no arranger credited for the core of the record – which is attributed to... read more

An excellent set by BB King – one of his best from the 60s, and a smoking live set recorded at Chicago's legendary Regal Theatre! The enthusiasm at the venue shows that BB's Memphis-honed style is a perfect fit for the electrified Chicago sound of the 60s – and the recording really... read more

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One of the most tightly-produced of BB King's albums for MCA, but a set that's still filled with undeniable charm – and which really shows King more than able to step up to some well-deserved superstardom! There's a bit of an LA finish to the backings, but things are never too smooth –... read more

A mid 70s meeting of two seminal blues talents from the Memphis scene – singer Bobby Blue Bland, and legendary guitarist BB King! The pair were both working for ABC at the time – major label fame after years woodshedding in the indies – and hitting well-deserved fame for their... read more

One of the real standouts in Evelyn King's career – a sharply focused album that's filled with catchy 80s styled tunes – and which benefits from some great help from a young Kashif! Lots of the tracks have that great flair for a catchy hook that mark's Evelyn's best work – an... read more

Very nice record of lost soul from LA, recorded for Hanna-Barbera, who are much better known as purveyors of cartoons, not music! We don't know much about Jean, but she's got a lovely voice, and the setup for the record – which is an intimate live setting – gives her perfect space to... read more

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A playfully swinging little set from Morgana King – given the groovy, latenight lounge Reprise sound by producer Jimmy Bowen! This second album for Reprise is a much more extroverted than the quite strong It's A Quiet Thing LP from a year before – with arranger Torrie Zito grooving out... read more

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Warm wonderful whitebread work from the King Family! A great example of the way the large King ensemble really shone in the space of a concert performance – filling up the space well with all the different voices in the extended family, and shifting into different groupings that keep things... read more

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Wonderful work from one of the maddest talents on the moog – the enigmatic Gershon Kingsley, frequent partner of Jean Jacques Perry! This album's got Kingsley working in his unique First Moog Quartet – a four-moog ensemble that makes some really incredible music! Unlike Kingsley's... read more

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A real standout in the later catalog of the Kinks – a record that gave the group a number of minor hits, and which let them rock out a bit more than usual – in a style that was clearly influenced by the punk of the period, but which also had sort of a Pete Townsend-esque quality to it. ... read more

A major extension of the concept albums first begun by The Kinks with Village Green and Arthur – taken fully to the next level, and conceived as a theatrical work with a strong message-oriented base of songs! The vibe here is kind of an exaggeration of the "preservation" feeling of... read more

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Mindblowing work from Roland Kirk – a record that really pushes the boundaries of his music even farther than some of his earlier, and excellent, albums for the Mercury label! Kirk's really stretching out here – finding a space in jazz that's uniquely his own – modern, yet... read more

A strange and tasty little album that Roland Kirk made with organist Jack McDuff in the early 60s – one of his few outings in such a format, and a smoking little session that almost makes us wish he'd cut more of them! The format is relatively simple – with lots of interplay between... read more

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Loads of classics – including "Calling Dr Love", "Love Gun", "Hotter Than Hell", "God Of Thunder", "Deuce", "Detroit Rock City", "Beth", "Black Diamond", "Rock & Roll All Nite", and "Rock... read more

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It's definitely winning time for Klique – as the trio grooves here with a lean, clean sound that's totally great! Despite the silly jumpsuits on the cover, the group actually have a pretty nice sound in the grooves – one that's kind of a poppy approach to the boogie, filled with plenty... read more

Jimmy Knepper keeps things sharp here in later years – blowing trombone in a group with John Eckert on trumpet, John Clark on French horn, Roland Hanna on piano, George Mraz on bass, and Billy Hart on drums.... read more

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Pretty pop-soul oriented stuff – as Gladys and crew perform live renditions of a number of 60s hits and standards, like "By The Time I Get To Phoenix", "Girl Talk", "Glory Of Love", and "Fever". Also features a remake of the group's classic "Letter... read more

Rock-solid Buddah work from Gladys Knight & The Pips – still pretty righteous on the vocal tip, but often a bit fuller and more polished than before! Knight shows a great talent for a mature ballad here – no big hits, but that's part of the charm of the set – as there's a... read more

A pivotal album for Gladys and group – as the record features their super-huge hit "The Midnight Train To Georgia", a landmark track that not only had a catchy pop hook, but which spoke volumes about African-American migration in the postwar years. The track's one of those you've... read more

One of our favorite albums by Gladys Knight – a set that seems to have a lot more edge than some of her later work, thanks to some rumbling production from the legendary Norman Whitfield! In a way, Norman's almost applying the Temptations sound to Gladys here – using fuller bass at the... read more