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Too Short's third LP on Jive, the last one before he started becoming a parody of himself. A few tracks have the same humor as his first two Jive LPs, and it includes the hit "The Ghetto" using the classic Donny Hathaway melody, and "Ain't Nuthin But A Word To Me" with Ice Cube... read more

Titles include "Planta Baixa", "Escravo Da Alegria", "Verra Il Giorno", "Boca De Noite", "Tua Imagem", and "Signorina".... read more

Rare Italian work from Toquinho – a sweet trio session with electric bass and drums!... read more

One of the most beautiful albums ever from the great Mel Torme – and a set that's a bit different than his other work for the Bethlehem label too! The set features Mel singing to lush backings from arranger Al Pellegrini – who brings in a mode that definitely lives up to the blue tones... read more

An incredible album from Mel Torme – easily his best set ever, and a record that helped raise the bar for all other singers back in the 50s! A key part of the success of the set is the presence of Marty Paich as an arranger – as Marty swings the whole thing with a fluid groove that's... read more

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One of the best-ever Mel Torme jazz vocal albums – right up there with his best Bethlehem recordings! The set was recorded with Marty Paich's Dek-tette, who set the tone perfectly for the warmly perfect style of The Velvet Fog – and who, like Mel, manage to be totally polished, yet... read more

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A wonderful little album by Mel Torme – easily one of his best albums of the 50s, despite the tighter focus implied in the title! Although the set's a tribute to Fred Astaire. the album's got a very similar feel to Mel's classic album with Marty Paich's Dek-Tette for Bethlehem –... read more

An incredible album from Mel Torme – easily his best set ever, and a record that helped raise the bar for all other singers back in the 50s! A key part of the success of the set is the presence of Marty Paich as an arranger – as Marty swings the whole thing with a fluid groove that's... read more

One of our favorite recordings ever of George Gershwin's Porgy & Bess – done by Bethlehem Records in the mid 50s, and featuring nearly every one of the label's great talents at the time! The choice of the lead characters is a bit odd – as Mel Torme plays Porgy and Francis Faye... read more

One of the better late solo efforts from the former Wailer, with him toning down the politics a bit and falling back into a mellow groove. There's some nice backing vocals courtesy the Tamlins, and some nice rhythms courtesy Santa Davis, Gibby Morrison and Sly and Robbie. Includes "Mama... read more

A strange little record – instrumental tunes arranged as a "symphony for soul", and mostly comprised of late 60s soul numbers! The whole thing was put together by Mort Garson – known better for his later moog work, but still sounding pretty nice here with some cool twists on... read more

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The groove's getting a bit smoother than on some of the group's early funk classics, but T of P still come across quite well on the set – working in their trademark blend of jazz, funk, and soul. Arrangements are by funky keyboardist Charles Thompson and trumpeter Greg Adams – and... read more

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Towner on 12 string and classical guitar – completely solo!... read more

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Titles include "Glad", "Freedom Rider", "Empty Pages", "Stranger To Himself", and "Every Mother's Son".... read more

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50's sound effects record that features some pretty basic stuff – like a ping pong game, foghorn, trains, planes, sirens, subway train, roller coaster, thunder, and, of all things, "Laura" (?).... read more

A great batch of uptempo east coast soul from the Trammps – one of the tightest units working in the late 70s – a group that's marked from eternity by the enormity of their huge hit "Disco Inferno" – with a wonderful overall sound that's runs much deeper! This album is... read more

A landmark album from The Trammps – and a record that broke the group firmly out of the Philly ghetto, yet still carried all the best touches of the Sigma scene! Sure, the title track was a super-huge hit – thanks to a plug in Saturday Night Fever – but the record itself is... read more

One of the most dancefloor-oriented efforts from the Trammps – and that's saying a lot, given the sound of their other records! This set brings the beats up a bit more than before – almost a boogie groove, or an 80s-styled sound at points – but still with strong roots in the... read more

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A great bit of funk from this obscure 70s combo – the first of their many good albums, and with a sound that's rougher and rawer than the others. The band's grooving in a pretty slow mode here – without the uptempo club tracks of later years – and they've got a style that's a mix... read more

Excellent double LP set that brings together all of the material from Lennie's classic Atlantic LPs – Lennie Tristano and The New Tristano. The recordings are stellar stuff – of the sort that rewrote the book for modern jazz piano. The first LP has Lennie playing with Lee Konitz on... read more

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The first album from guitarist John Tropea – ace 70s session guitarist, but a surprisingly great leader and arranger in his own right too! Tropea's working here in a vibe that's clearly influence by the CTI sound – smooth but funky fusion – laid down in prime studio conditions,... read more

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Very hip work from one of the coolest cats of the 50s – the amazing Bobby Troup, heard here at the height of his powers in a very sweet setting! The group's actually a quartet – given that Bobby's on piano, alongside Howard Roberts on guitar, Bob Enevoldsen on bass, and Don Heath on... read more

A bit less groovy than some of the other Armando Trovajoli scores of the late 60s – but a soundtrack that's still got some wonderful musical moments! The film's a period piece, and the instrumentation is somewhat more traditional than some of Trovajoli's modder or bossa moments – but... read more

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The porn star who became a chart act – and thanks to some very skillful help from Gregg Diamond, who wrote, produced, and arranged the whole record, the title cut "More, More, More" went onto become a huge dancefloor classic. The album features a 6 minute version of the cut –... read more

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They may be one-album wonders – but Trussel were a strong group who cut this enduring soul classic at a fortunate time when Elektra was really trying to break into the modern soul market. The record's got a nice midtempo jazzy groove, augmented by production by Fred Wesley, and a sound that... read more

Sweet vocals, great grooves, and a wonderful overlooked album, a real heavy hitter that stands with some of the best major label soul of the time! Truth are the duo of Leo Green and Larry Hancock – both singers with a talent for hitting notes that are sometimes sweet, sometimes jazzy, and... read more

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Another nice breaks record from Stones Throw. Ten tracks, all heavy on the drums. Most of the tracks are straight beat tracks, some original, and some from Gang Starr, MC Lyte, T La Rock, etc. A couple tracks have added vocal samples.... read more

A great album – with a really swinging groove! Stanley's soulful horn is set in a slightly larger group, in the style that would dominate his later years for the Blue Note label. Duke Pearson arranged the set, and players include James Spaulding, Blue Mitchell, Grant Green, Pepper Adams,... read more

During the early 60s, Blue Note wisely cut a number of sessions that took advantage of their soulful in-house rhythm trio The Three Sounds. The group recorded more than a few successful albums under their own name – but they also did a few great records that feature them backing up a more... read more

She's back, with another dose of ear candy for those of you who didn't get enough first time around. Timbaland's absent in the producer's seat, but the ghost of his sound is there as Missy Elliott lends a hand on most tracks, with a spare, heavily hip hop influenced vibe. We're not going to... read more

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A really mindblowing session from McCoy Tyner – perfectly titled "Expansions" to showcase the change in his style at the time! The record is one of Tyner's first larger group efforts – and is a brilliant example of the expansion of his talents in the post-Coltrane years... read more

A beautifully full session from McCoy Tyner – one recorded with added horns and voices, and very much in the mode of some of Horce Silver's best 70s experiments for Blue Note! The sound is as bold, dynamic, and soulful as other Tyner albums from the time – and the added elements really... read more

Darkly-tinged piano work from McCoy Tyner – recorded live, in extended takes, with long-spiralling lines that soar in his best post-Coltrane approach to the piano! The album's got a depth and passion that's missing from some of Tyner's other trio sessions of the time – and features... read more

Brilliant work by McCoy Tyner – an album that has him firmly stepping out of the shadow of Coltrane with a sound influenced by the rising Afro-centric style of soul jazz to emerge in the 70s! The group on the set is a quartet with Bobby Hutcherson on vibes – and the mixture of... read more

Titles include "The Seal Of Seasons", "Stones For Avalon", "She Was Born To Be My Unicorn", "Evenings Of Damask", and "Iscariot".... read more

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A killer side project from Roy Ayers – recorded right around the same time as the Ramp album, but with a different feel over all – proof that the Ayers empire was really exploding at the end of the 70s! The vibe here is quite similar to some of Roy's own albums over at Polydor –... read more

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10 clean edited tracks from UGK's third LP: "One Day", "Murder", "Pinky Ring", "You Don't Know Me Fool", "Diamonds & Wood", "3 In The Mornin'", "Touched", "Ride My Car", "Good Stuff" and "Ridin'... read more

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A perfect example groove that got The Undisputed Truth big hit fame in the early 70s – sort of a rumbling funk, full-on approach, using male/female vocals in kind of a "wall of soul" approach. Includes the huge hit "Smiling Faces Sometimes", plus lots of covers of cool... read more

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Plenty of darkness here from Phil Upchurch – those great tones and notes he worked so well back in the 70s – all with that near-perfect quality that made him one of the most in-demand players of his day! The style here is a bit different than some of Phil's previous work in Chicago... read more

An incredible album from one of the greatest talents on the Chicago soul scene of the late 60s – guitarist Phil Upchurch, a player with an amazing sound! Phil could work in worlds that were equal parts soul and psychedelia – making his guitar a perfect accompaniment for the best... read more

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Features some great jazzy arrangements from Johnny Keating!... read more

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Great early work from Dave Valentin – a record of soulful fusion tracks done shortly after his time in Ricardo Marrero's group – gliding along with a warm production tone, and that great end-of-70s GRP sound! The tunes are nicely laidback, never as overly-slick as in later years –... read more

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Excellent work from The Valentine Brothers – and a pretty big album for the group on A&M. The best tracks have a smooth modern soul sound – stepping along nicely at a catchy groove, with the Brothers' sweet harmonies interacting wonderfully, kind of in a late O'Jays mode, with a... read more

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Sweet and moody flute work from Thijs Van Leer – best known as the flute player with Focus! The album's got Thijs playing over very sweet and spare orchestrations – often in a classical-tinged mode, but with some of the moodier, more atmospheric feel of European flute work of the time.... read more

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Early groovy goofy accordion stuff, with a good mix of vibes, guitar, and squeezebox. The tracks are short, as short as on the rest of Art Van D's other Columbia stuff from this period, but the sound is classic Van Damme, if you go for that kind of thing.... read more

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Titles include "Illusions Of My Childhood", "Eleanor Rigby", "Ticket To Ride", "Bang Bang", "She's Not There", and "You Keep Me Hanging On".... read more

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