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One of the last groups to get the Norman Whitfield touch in the studio – and a surprisingly nice one too, even if they didn't reach the heights of The Temptations or Undisputed Truth! Mammatapee have kind of a clunky name – possibly the reason for their lack of success – but the... read more

A late Norm Whitfield production from the 80s, with a slick commercial soul groove, that's a bit more lean than a lot of his other work. A bit of an odd sidebar sort of record, but not without a few nice moments. Includes "Dance With Me, Baby", "What You Gonna Do", "Easier... read more

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A surprisingly nice little record by Henry Mancini – one that's quite different than other albums of Hawaiian tunes! The record is much more a soundtrack than anything else – slightly exotic soundscapes arranged by Hank, and featuring the Baldwin harpsichord on many tunes. That... read more

A great Mancini score for one of the goofiest films of the 60s! Peter Sellers stars as the sitar-playing Indian actor Hrundi Bakshi – next to the lovely Claudine Longet, who makes one of her few film appearances – and the whole thing's set to one of the greatest scores ever by Henry... read more

Harvey's certainly got a sound you can feel – super-fuzzy guitar, played with a heavy sound that's similar to some of Dennis Coffey's best work – but a bit more trippy! For this outing, Harvey's backed by the Pure Food & Drug Act on many of the cuts, and they give him a nice tight... read more

A very unusual little soundtrack – almost more of an audio documentary of the film than a record itself! Although Johnny Mandel's score for the movie was plenty darn great, there's very little of it here – because about 80% of the record features jokes and dialogue from the film by... read more

We have to admit we've passed this album up for years and years, as it seems to be rather ubiquitous in these parts, and boy were we mistaken! Side one is mostly instrumental, and sounds like a lost Dexter Wansel album, with sophisticated, spacey post-fusion arrangements and a quasi-futuristic... read more

One is one of their best albums, and has a nice hard funky sound that they didn't always match. The album includes the funky break classic track "Fencewalk", plus other groovers like "Hang Loose", and "Don't Mess with People".... read more

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Much cooler than you'd guess from the classical-sounding title – thanks to the fact that Roy Ayers plays vibes and Sonny Sharrock plays guitar – and the whole thing was arranged by William Fischer!... read more

An excellent album of Latin material from Herbie Mann – and proof that he's equally great in just about any setting! The album's a rare Columbia Records outing from Herbie – but it's easily one of his greatest of the 60s, thanks to some really smoking arrangements from Oliver Nelson... read more

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Although Herbie and Joao are listed together in the artist credits together for the record, they don't really play together on the record – as did Joao and Stan Getz on their album together. Instead, they trade off tracks of bossa nova material, recorded with Jobim in Rio – Joao's by... read more

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Shelly picks up on a very successful format for his trio of the late 50s – begun with the My Fair Lady album, and followed through with this one – a batch of jazz-based readings of tracks from the hit Broadway musical based on the comic strip Lil Abner. Apart from that bit of history,... read more

A 12" LP that brings together 2 different earlier 10" sessions by Manne – groundbreaking work in a freer mode than most of what was going on in LA during the mid 50s! Side one features material from The Three – a 10" session that featured Manne on drums, Shorty Rogers on... read more

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A killer bit of Latin jazz from the 70s – one of the first records issued under the name of percussionist Ray Mantilla, and a really smoking set that features funky flute from Jeremy Steig, bass from Eddie Gomez, and both drums and keyboards from the mighty Joe Chambers! The tunes have a... read more

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You know, despite the fact that this one was recorded in the mid 80s, when we felt that Tania's great jazzy vocal style was being buried in excessive arrangements – in retrospect, it's actually got some darn nice moments. These include the great "Tanoca Vignette", a lively number... read more

One of Tania Maria's sweet early LPs for Concord, with a nice modern Brazilian groove that differs from her earlier bossa LPs from the 70's, but which still has a beautiful melodic fusion feel to it. Tania plays piano and keyboards, and she's joined by a smooth Bay Area ensemble that includes... read more

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A lost lounge gem from the RCA catalog – with a dreamy exotica feel that's right up there with the best of the bachelor pad era! Gerald Fried arranged and conducted this ersatz studio group, and his overall approach has lots of sweeping woodwinds and percussion, similar to the great Les... read more

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A sweet set of sides cut by the Wailers under Lee Perry's production. Crucial early roots versions of some of Marley's strongest material, like "Mr. Brown", "Soul Rebel", "Duppy Conqueror", and "400 Years" rendered in a raw Kingston soul style! Give us this... read more

Early, early Coxsone Dodd produced sides of groovy rocksteady, voiced by a young Bob Marley with Peter Tosh and Bunny Wailer. While we don't find this material nearly as compelling as his later work produced by Lee Perry and then his huge international hits, it's great Studio One rocksteady and an... read more

Early, early Coxsone Dodd produced sides of groovy rocksteady, voiced by a young Bob Marley with Peter Tosh and Bunny Wailer. While we don't find this material nearly as compelling as his later work produced by Lee Perry and then his huge international hits, it's great Studio One rocksteady and an... read more

Titles include "A Jah Jah", "That's The Way", "Good Morning Jah", "Easy Sailing", and "Play Play".... read more

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Very strange record that's made up of excerpts of Marsh's solos from a live set recorded by Peter Ind at the Half Note. Ind somehow felt that Marsh's solos were the only thing worth saving from a huge set of tapes that he made of the show, so he edited down the tapes to these 2 minute segments,... read more

70s issue of a great little live set – recorded in LA in 1951, one of those private recordings from the time that saw brief release on the Xanadu label. Tracks are long, and Warne's playing in a much more open-ended mode with a quartet that features Hampton Hawes, Joe Mondragon, and Shelly... read more

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Ah, the genius of 70s stardom! This one may not play that well for today's kids, but we're floored by the sheer magnitude of the record's stars – a huge list that includes Don Rickles, Alan King, Rich Little, Suzanne Pleshette, Burt Reynolds, Karen Valentine, McLean Stevenson, Charo, Vincent... read more

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Recorded in the years when Dean was fishing around for some style to hang his voice on, and before he settled on Country & Western material, this isn't really an album of Latin tracks, but it does have some nice choppy numbers with a cha cha feel, courtesy of arranger Don Costa. Tracks include... read more

Steve Martin at the height of his mid 70s stand up popularity, long before he ever thought of making sappy movies. Includes "Ramblin Man", "Vegas", "Let's Get Small", "Smoking", "One Way To Leave Your Lover", "Mad At My Mother", "Excu... read more

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A sweet groover from the Marvelettes – and a record that completely re-casts their sound for the Motown of the 70s! The group's still got the great soprano harmonies that made their early hits so wonderful, but the arrangements on the set are deeper and more sophisticated – taking them... read more

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One of Hugh's more poppy efforts, but still a nice batch of instrumentals with a good Afro soul groove to them, and the jaunty trumpet sound that was Hugh's stock in trade at the time. Tracks include "Actin' Like A Fool", "If I Needed Someone", "Sounds Of Silence",... read more

One of the funkier albums by African trumpeter Hugh Masekela, and a record that's filled with lots of short little groovers that have more of an edge than on previous pop instrumental albums – much more of the hard funky vibe of the Chisa years! The set features loads of great funky 45 cuts... read more

Classic work from Hugh Masekela – and the album that pushed him over the top! The record features his version of "Grazin In The Grass", a runaway instrumental hit when it was issued – and a sly little groover that was based upon some earlier South African pop melodies that... read more

Pure 70s genius from Hugh Masekela – a record that's quite different than his earlier Afro-soul styled albums, but somehow even better! The format here is much more straightly soulful – with larger arrangements and a strong vocal groove on a number of tracks – but Masekela's... read more

A pivotal album for Barbara Mason – one in which she takes the little girl soul sound of earlier albums, and turns it into a sophisticated range of emotions that foreshadows later Philly work by singers like Jean Carn and Phyllis Hyman! Despite the Philly arrangements by Ronnie Baker, Norman... read more

Transition is right, as the cover has Barbara floating above a Curtis Mayfield-ish scene of drugs, war, gambling, and Satan. The music isn't nearly as dope as the cover, but the album does include the odd track with a political message, like "World in a Crisis", "Trigger Happy... read more

Smooth soulful jazz from Harvey Mason – one of his strong 70s winners for the Arista album, and a record that really brings a new level of class to his sound! There's less of the grit in the grooves than you might expect from the down-home reference of the title – and in a way, the... read more

Easily the greatest album ever by funky drummer Harvey Mason – and quite possibly the only one to live up to the rhythmic complexity that Mason brought to countless other fusion sessions for other groups in the 70s! The tracks are all spacious and snapping with brilliantly funky touches... read more

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Masta Killa continues to keep the Wu Tang flag flying with pride – with appearances by nearly the whole clique – including Ghostface, Raekwon, RZA, Meth, Deck, U-God and GZA! 16 tracks including "Born Chamber", "Last Drink", "Secret Rivals", "Digi... read more

Very cool! This is a nifty new reproduction of one of the classic Vogue picture disc records from the 40s. The record is a 10" single with a cool vintage illustration on each side – and unlike the original single, this one plays at 45rpm – so you can play it on any sort of record... read more

The last session that The Mastersounds ever cut as a group – and a strangely compelling montage of tracks from the musical Kismet. Brothers Buddy and Monk Montgomery are joined here by brother Wes – then an emerging star on guitar, and a strong addition to the set, one who expands the... read more

One of the only early albums as a leader from pianist Ronnie Mathews – a player who recorded more often in later years, but who really sounds incredible in this rare session for Prestige! Although a lyrical player at heart, Mathews also has a very hard edge here – more of a soul jazz... read more

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A classic from Johnny Mathis' second run at Columbia! Up Up & Away is Mathis' first set back at the label after a brief hiatus – a record that shows a newly mature style that's wonderfully suited for Johnny's amazing voice! Mathis tones are every bit as perfect as before – but he's... read more

With Eirc Gale, John Tropea, and David Spinozza on guitars!... read more

Arranger Onzy Matthews plays piano and leads a nice tight band that includes LA soul jazz players like Curtis Amy, Clifford Scott, Bobby Bryant, Ray Crawford, and Horace Tapscott! The title sums up the sound of the session perfectly, as the tracks are bluesy, but with an elegant sense of... read more

Sounds for the 60s indeed – and a great set of jazzy instrumentals that step out with a lean Capitol groove! Onzy's on piano and at the head of the group – and the record features some nice solo work by Curtis Amy and Clifford Scott, both of whom bring a surprising dose of soul to a... read more

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One of the most earthy, organic offerings of the Herbie Hancock scene of the 70s – a session that's led by Headhunter reedman Bennie Maupin, and which also features Herbie on acoustic and electric piano – all in a sound that's quite different from his own work of the time! The tracks... read more

Bennie Maupin's first LP for Mercury, and a great bit of spiritual funky jazz that recalls a lot of the sound of his work with The Headhunters. The first track, "It Remains to Be Seen", is an excellent groover, with some very dark keyboard work by Patrice Rushen, and the rest of the... read more

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We think this may be his best album ever! Caught live at a small club, with a tight band, Curtis delivers extended, intimate versions of some of his best work, like "We the People Who Are Darker Than Blue" and "Stare and Stare". We can't recommend this highly enough, and there'... read more

A real dancefloor set from Curtis – recorded with some sweet Philly production from the likes of Norman Harris and Bunny Sigler – in the sweeping, soaring, strings-heavy mode of the Philly disco records of the time! And yes, this isn't classic Curtis from the righteous years –... read more

A great album of mellow soul tracks from Curtis Mayfield – laidback, slinky, and almost to his earlier work what Let's Get It On was to the early 70s career of Marvin Gaye! The album's got a warm, soulful vibe that's totally great – not as all-out funky or politically righteous as... read more

Curtis Mayfield's lasting classic – and an album that the world will remember forever! Apart from being his hugely successful entry into the blacksploitation soundtrack field, this album's also a monster set of grooves that includes some of Curtis' funkiest work ever – a record that... read more

Curtis Mayfield's lasting classic – and an album that the world will remember forever! Apart from being his hugely successful entry into the blacksploitation soundtrack field, this album's also a monster set of grooves that includes some of Curtis' funkiest work ever – a record that... read more

A great album by Curtis Mayfield – filled with some excellent lesser-known gems! There's No Place Like America was Curtis' scathing testament to the State Of The Union – and it's got a hip political tone that's right up there with the best of his early 70s songwriting – perhaps... read more

Very groovy stuff – with Joanne Grauer on organ, Victor Feldman on percussion, Plas Johnson on saxes, and Mayorga on piano and harpsichord!... read more

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Classic work from this Brazilian singer – with titles that include "Suas Maos", "Mundo Vazio", "Saudades De Mim", "Bom E Querer Bem", "E Preciso Dizer Adeus", and "Maria Que E Triste".... read more

A short-lived Prince side project from the mid 80s – pretty tinny, and decidedly weaker than his own work, or that of groups like The Family or The Time. Titles include "Strawberry Lover", "Suzy", "Player's Ball", "Lonely Girl On Bourbon Street", and... read more

It's always a sign of how huge Frankie Beverly was during the 80s that Capitol let him cut not one, but two double live albums during the early part of the decade. This one, his first, has the band grooving wonderfully before a crowd going mad in New Orleans. The tracks retain all the charm of... read more

Titles include "Can't Get Over You", "Silky Soul", "Just Us", "Love's On The Run", "Mandela", and "Songs Of Love".... read more

Nice groovy Afro soul, recorded by Letta with some hip arrangements by Hugh Masekela. This record grooves much more nicely than her Capitol sessions, and includes some nice tracks that mix African rhythms with 60's LA pop soul production. Titles include "Qonqoza", "Macongo",... read more

A beautifully spiritual session from the loft jazz years of the NYC mid 70s scene – featuring a strong sextet led by McBee, with Chico Freeman on flute and tenor, Joe Gardner on trumpet, Dennis Moorman on piano, Don Moye on drums, and Steve McCall on percussion. The album has a warm soulful... read more

One of only two albums cut by the Four Souls group of drummer Lenny McBrowne – a really cooking combo that should have gotten greater exposure back in the day! The west coast group were clearly one of the hippest acts working on their scene at the time – as they've got a unique blend... read more

A killer little set from Les McCann – one of his greatest records of the 60s, thanks to a fair bit of Latin Soul influences! The album's got a groove that's much grittier than Les' other work – a solid, soulful emphasis on bottom rhythms – which are mostly in a boogaloo and shing-... read more

An early vocal set from Les McCann – quite unusual, and pretty darn soulful as well! The album's done in a mode that foreshadows Les' move to soul during the 70s, and features him singing to some hip arrangements by Gerald Wilson – in a soulful, jazzy style that was common for LA of... read more

A great Latin groove from the mighty Les McCann – a smoking set that adds in extra percussion from Willie Correa – who gives the record a sound that's quite a change from the usual McCann groove! The percussion is wonderful throughout – and given that the great Paul Humphrey is... read more

A really hard-hitting groover from the great 60s trio of Les McCann – a set that adds in some extra guitar from Joe Pass, who definitely sounds his most soulful on the set! Joe grooves perfectly with Les' piano – and has almost a Kenny Burrell-like depth in tone throughout – one... read more

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With Les McCann on piano and vocals, Houston Person on tenor, Bobby Bryant on tenor and soprano sax, Lou Volpe on guitar, and Richard Malcolm on percussion. Produced by Creed Taylor – with cuts that include "The Longer You Wait", "Hold My Hand", "Volkswagen... read more