All Categories — In Stock — CDs  

... read more

A stunner! Moolah's Woe Ye Demons Possessed is a spacious, sometimes spooky experimental rock record from the mid 70s –with a loose, post psychedelic blend of drums, keyboards, electronics and all around loosely hypnotic atmoshere that's in some ways reminiscent of what was happening on the... read more

... read more

A wonderfully moody vocal outing from Joe Mooney – a lesser-remembered singer from the 50s, but one of our favorite talents from that generation! Joe's got a style of singing that's in the more fragile mode of male vocalizing – similar to Matt Dennis, but a bit more boozy overall... read more

One of Jackie Moore's best albums ever – and a tight batch of deep soul tunes produced by 70s maestro Brad Shapiro! Jackie's vocals are wonderful – full of feeling, and delivered with an honest, upfront quality that really ranks with some of the best southern soul singers of the time! ... read more

A classic set of 70s crossover deep soul – recorded in the mode of similar work by Betty Wright or Laura Lee, and done with a similar mix of raw southern vocals and tighter production! About half the work was handled by the team of Dave Crawford and Brad Shapiro – working in the... read more

An amazingly soulful set of folk tunes from the late 60s – the only album we've ever seen from singer Jerry Moore, and a real rarity from the ESP label! Moore's got a style that's somewhere between Terry Callier and Tim Buckley – earthy and acoustic one minute, but stepping out with... read more

An amazingly soulful set of folk tunes from the late 60s – the only album we've ever seen from singer Jerry Moore, and a real rarity from the ESP label! Moore's got a style that's somewhere between Terry Callier and Tim Buckley – earthy and acoustic one minute, but stepping out with... read more

An overlooked set from Melba Moore – an Epic session from the start of the 80s, and one that's served up with a nicely understated groove! There's a bit of disco in the mix, but the sound's never too far over the top – and in a way, Melba's working in the same sophisticated territory... read more

A album of club tracks, as you might guess from the title, but every bit as strong as Melba More's other work from the late 70s! The album's got some top-shelf club help throughout – including production from Van McCoy and McFadden & Whitehead, the latter of whom also contributed a few... read more

Melba Moore's still very much in command of her stage presence here – working with the kind of positive, powerful energy that first got her noticed many years back! The setting is a relatively professional one – with a full band on stage providing accompaniment, and even taking over a... read more

Soaring soul from Melba Moore – a singer who really came into her own with this sweet 70s album! Melba always had a great voice, right from the start – but here, she's working with arrangements and production by Van McCoy – updating her sound with a bit of a clubby groove, in a... read more

A peach of a record from Melba Moore – one that's produced by Eugene McDaniels, who helps find a tight funky sound that unlocks some of the most righteous elements in Moore's vocals! Like some of McDaniels' best productions of the time, there's a good sense of balance here – a way of... read more

The vocals of Melba Moore, and some great Philly soul rhythms – put together with tight arrangements from McFadden & Whitehead, who give Moore a similar approach to some of the best Philadelphia International records of the time! There's a really nice sense of balance to the record... read more

... read more

Quite possibly THE mother of all funky soundtracks – the legendary score to Rudy Ray Moore's classic first Dolemite film! The record's been referenced for years, and all the hype is totally right – because the whole thing's overflowing with funky tracks both vocal and instrumental... read more

A (completely) terrific and (totally) powerful jazz funk trio set from Galactic drummer Stanton Moore – even if we don't know why all the tunes have parenthesis! There's no question that the set is emphatic – with Moore just killing it on the kit – backed just as dexterously... read more

Nice and stripped-down work from drummer Stanton Moore – a set that really does more with less, and allows plenty of focus on Stanton's grooves, and the album's sweet Hammond B3 and piano lines from Robert Walter! Will Bernard completes the trio on guitar, and although you'll still get a... read more

A buzzing, hard-hitting batch of pychedelic rock from Japan's The Mops – featuring some groovy, echoey tunes penned by the group and sung in their native language – plus a nice choice of passionate covers! The sound is a little bit like Love in their early rawness – and the Mops... read more

Great stuff – and one of the purest examples we can find of the Latin piano style of the great Noro Morales! Noro plays here without any of the trappings of some of his other records – just working with a small rhythm combo on an all-instrumental set – with tremendous solo work... read more

Beautiful spare sounds from Noro Morales – and an album that really lets you hear his amazing work on the piano! Most of the album simply features Noro's playing, backed by bass and percussion, and no other orchestration – a really stripped-down setting that's even more spare than the... read more

... read more

... read more

Nothing too slow and easy about this 50s set from Jaye P Morgan – as the album's got a gentle groove on most of the numbers – just the right amount of jazzy swing to open up Jaye's vocals just right! Ray Ellis handles the backings – and during this best stretch in his career, he's... read more

A very appropriate title for a very cooking little album – one of Lee Morgan's first efforts as a leader, cut back during his first years of late 50s fame! The style here is a bit less Morgan-esque than some of Lee's later 60s classics – but the record is rock-solid throughout, and... read more

Lee Morgan on the hippest side of his 60s talents – working here in a style that's really stretching out, and in the same territory as similar unreleased gems from the time – like Tom Cat or Sonic Boom! The group here is very inventive – Jackie McLean on alto, Larry Willis on... read more

Unreleased genius from Lee Morgan – a key session from the later years of his too-short life, but one that wasn't issued until nearly a decade after his death! The sound here is completely sublime – a mix of the best later Morgan modes – soulful, lyrical, and modal – played... read more

Hardly just The Birdland Story – and instead, some incredible work from three key players of the hardbop years – often lost to time because of its appearance in this underwhelming package! The first half features incredible material from both John Coltrane and Lee Morgan – some... read more

A Capitol classic from Meli'sa Morgan – filled with sweet 80s grooves, and delivered with a style that's nicely lighter than some of her contemporaries! Morgan can still manage a nice hook when she wants, but the album's also got her working as a richer soul artist overall – eschewing... read more

Meli'sa Morgan doing what she does best – pushing the envelope for mainstream soul, but often in really subtle ways! There's a majestic sweep to these tunes that's a real surprise – a class and care that takes Morgan's music past some of her poppier contemporaries, and which always... read more

A lost spiritual soul jazz classic – recorded in the early 80s, but with the feel of 70s independent work on labels like Strata East or Black Jazz! Pianist Nate Morgan's got a widely expansive vision – working here in a style that incorporates lots of blocky chords and modal grooves,... read more

... read more

... read more

A lost treasure from the legendary Ennio Morricone – a soundtrack written for a crime film starring Charles Bronson & Telly Savalas, and handled with all the spare subtlety of his best work! Bruno Nicolai's directing the orchestra on this one – and isolated instruments include... read more

A sweet early western soundtrack from Ennio Morricone – scored with a bit more drama in later years, but already showing a magical sense of space and sound! The record begins with the excellent "A Gringo Like Me" – a totally catchy English language vocal number sung by Peter... read more

A killer soundtrack from Ennio Morricone – just the sort of work for which he's remembered so strongly today! Some of the best non-western Morricone elements are in place here – spacious scorings, wordless vocals, and odd twists and turns on instruments that are often hard to determine!... read more

A score that's arguably much better than the movie it was written for – a great Ennio Morricone moment for a 70s thriller that starred Rock Hudson! Morricone's a bit restrained, but in a way that's pretty nice – making for some lighter orchestral numbers that offset the darker mood of... read more

A spooky early score from Ennio Morricone – recorded in the mid 60s, but with some of the best dark touches of his 70s work! I Pugni In Tasca has a very spare sound – weird wordless vocals on the main title track, then really moody music that almost lies beyond the frontiers of hearing... read more

A cool change from the usual from Ennio Morricone – a later soundtrack, and one that features some surprisingly jazzy tracks! Part of the set features the more standard Morricone orchestrations you might expect – some really great tracks that have offbeat larger arrangements that are... read more

A great Morricone soundtrack for a Jean-Paul Belmondo thriller – a score that starts out spare and brooding, then builds nicely as things move on – with lots of cool bottom-end sounds that make the whole thing really move up from the depths! Some tunes echo the sweeter side of... read more

A heavenly soundtrack from Ennio Morricone – written for a film set in a convent, and scored with some really unique touches! Given the spiritual nature of the film, Morricone uses this spooky chorus – singing in a staccato style at first, but then opening up in a mode that's almost a... read more

One of Ennio Morricone's first groundbreaking scores for the western – a brilliant batch of tunes composed for The Big Gundown, handled in a way that mixed the typical western guitar-based themes with some of the maestro's other compulsions – like wordless vocals and isolated... read more

A groovy giallo score from Ennio Morricone – done for director Paolo Cavera's La Tarantola Dal Ventre Nero, aka Black Belly Of The Tarantula – full of spare, dissonant tension and hauntingly effective moodiness! The tunes Morricone did for the film are a perfect example of his haunting... read more

Sublime bossa tunes by the legendary Ennio Morricone – packaged in a hardcover book with beautiful color images from the films! The set was put together by the folks at Cinedelic Records, and goes for only the best of the best of the groovy side of Morricone's genius – those gently... read more

One of the coolest collections of work by Ennio Morricone we've ever seen – a whopping 25 tracks pulled from some of his lesser-known soundtracks, all awash in inventive arrangements, odd instrumentation, and super-trippy production touches! The overall vibe here is slow, mellow, and... read more

A very dark little score by Ennio Morricone – written for an obscure 1969 period film that starred Marlon Brando (and a very disheveled Brando at that!) – filled with cool tunes that mix the Morricone western mode with some haunting elements that almost have a spiritual approach! Many... read more

A lost western score from Ennio Morricone – directed with some nice musical flourishes by the great Bruno Nicolai! The work's got the feel of some of Morricone's more famous spaghetti western scores – with some great moody passages that hint at the offbeat instrumentation of his horror... read more

Quite different than the usual soundtrack reissue of work from Ennio Morricone – in that the album actually features two long compositions – each from a different movie! The set begins with the beautiful "Requiem Per Un Destino" – a large suite for orchestra and chorus... read more

Think that Ennio Morricone only made music for soundtracks? Guess again – because this groovy little set features a whole host of tracks that the maestro recorded with singers in the early 60s – great postwar pop numbers that already show his creative touch on the charts! Most of the... read more

Classic songs from Ennio Morricone – reworked in a lush orchestral format – and accompanied by great vocals from Romina Arena! Romina's a younger singer, but has the range that made Morricone's music with Edda Dell'Orso so wonderful back in the day – and unlike other re-recordings... read more

A dark and extremely avant garde soundtrack from Morricone! The score is performed by the Gruppo Improvvisazione Nuova Consonanza – and it's a mix of free improve-type playing with other styles that are a bit more straight ahead jazz – a really compelling mix that's plenty darn... read more

Modern blue-eyed soul from Kendra Morris on Wax Poetics Records – and it delivers in full on the promising couple of Wax Po singles leading up to this solid full length! If the title Banshee brings to mind a shrill spooky cry, fear not – because Kendra is a natural, truly soulful... read more

... read more

... read more

... read more

Mos Def's first for Downtown after a weird few years on Geffen that saw many a bumped street date, the hit & miss New Danger, and finally, the semi aborted release of the controversial True Magic – back with a top shelf, excellent album in 2009's The Ecstatic! It may not be Black Star or... read more

The self-titled debut of Mostly Other People Do The Killing – an exciting NYC quartet that manages to both celebrate and skewer jazz traditions, blending the past with modern experimentalism – and also making simply exciting records that are a joyful blast! These guys have chops,... read more

Music that really made the career of drummer Paul Motian – work that firmly established his power as a leader in the 70s, and showed the world that he had a huge range of music to offer beyond his initial fame with Bill Evans! Motian works here both on percussion and a standard drum kit... read more

Tremendous work from Ed Motta – a record that not only lives up to all the promise we've found in his music over the years – but which also goes way way beyond, and really knocks it out of the park! The title here is no lie, as Ed's a huge fan of AOR modes from the 70s –... read more

The heaviest album so far from Mountain Mocha Kilimanjaro – and proof that this Japanese funk combo is really headed in the right direction! These guys have always been great, but this time around everything is razor sharp, and right on the money – played with a deftness the group didn'... read more

... read more

A heavy heavy set from the legendary Alphonse Mouzon – one of his drum-heavy funk records for Blue Note! Alphonse has a style that's a bit different than some of his other work here – very direct, with plenty of soul undercurrents – although definitely some of the rockish... read more

A really unique album from funky drummer Alphonse Mouzon – a set that has him putting away some of the guitars used heavily on other Blue Note records, in exchange for a keyboard-heavy groove that almost sounds a bit like Gene Harris a the time! In addition to drums, Alphonse solos a fair... read more

A monstrous bit of jazz funk from drummer Alphonse Mouzon – spacey tracks in a choppy style that reminds us a bit of some of the best European fusion albums from the period, but with a harder groove overall! Mini Moog and ARP trip out the sound throughout, but the underlying rhythms are nice... read more

A monstrous bit of jazz funk from drummer Alphonse Mouzon – spacey tracks in a choppy style that reminds us a bit of some of the best European fusion albums from the period, but with a harder groove overall! Mini Moog and ARP trip out the sound throughout, but the underlying rhythms are nice... read more

... read more

... read more

... read more

... read more

Includes Mozart's "Piano Sonata No 8 In A Minor K310", Beethoven's "Piano Sonata No 21 In C Major Op 53", and Schubert's "6 Moments Musicaux D780", "Piano Sonata No 20 In A D959", and "Piano Sonata No 21 In B Flat D959".... read more

... read more

... read more

... read more

An amazing return to form for this legendary Brazilian vocal group – quite possibly the best record we've heard from them in decades, and one of the few later sets to really capture the moody brilliance of their late 60s/early 70s work! The quartet work in a harmony mode, but one that's... read more

Switched On funk from Mr Chop! Here's an homage to the innovative Moog-based LPs of the late 60s and early 70s – though the the great UK analog studio wiz Mr Chop is also doing it hard and heavy – it's not a light, airy and bubbly keyboard groove experience – this is spacey,... read more

Mr Drum, you're one heck of a funky player – a mysterious Japanese musician from the early 70s, and one who really knows how to kick into a groove! The drums are definitely at the forefront here – breaking hard right at the start of the record, and mixing with raw guitar and freaky big... read more

... read more

... read more

... read more

... read more

Proof that the move to soul was actually a great thing for James Mtume – because although the set's miles from his spiritual jazz work of the 70s, it more than makes up for that shift with a sophisticated approach to 80s soul! The group's a small one, with lots of keyboards from Mtume, and a... read more

Smooth and jazzy soul from the team of James Mtume and Reggie Lucas – two of the finest producers and arrangers in their field! The set brings together tracks recorded by the pair with a host of different artists across a host of different labels – offering for the first time a true... read more

Two classics from the legendary Idris Muhammad! Black Rhythm Revolution is one of the first records ever as a leader from funky drummer Idris Muhammad – a set that was cut right at the same time Idris was burning up the kit on his classic jazz funk sessions with other Prestige label players!... read more

... read more

... read more

Two great examples of Gerry Mulligan's Concert Jazz Band – back to back on a single CD! First up is Concert Jazz Band 63 – the sound of Gerry Mulligan in the early 60s – and one of the best records by his larger than usual Concert Jazz Band! Given Gerry's piano-less experiments... read more

One of those great overlooked dates from Gerry Mulligan's sometimes-ignored stretch of the mid 70s – a time when he was really trying out some excellent new musical experiments! This cooking set features his baritone in a group that really cooks nicely – and in ways that are quite... read more

Mulligan always sounds great next to a tenor – especially in the Verve series that has him teamed up with players like Johnny Hodges, Paul Desmond, or Stan Getz. This release, cut with Ben Webster upfront, is one of the best of that series – and features the pair blowing easily and... read more

... read more

... read more

60s jazz meets Japanese bamboo flute – all in a session with a great mix of groovy and exotic touches! The record's a unique meeting of jazz and folkloric elements – done in a style that's a bit like some of the late 60s sessions of this nature on MPS, but a fair bit groovier overall... read more

Electric funk, with some mighty nice horns – a mix of saxes from Takeru Muraoka – plus trumpet and flugelhorn from Susumo Kazuhara too! We're not sure, but it almost feels as if Takeru's a bit overdubbed – using alto, tenor, and soprano together at various points to give the... read more

Funky, fuzzy, and outta site – a really wonderful set of extended psychedelic jazz numbers from twin tenorists Takeru Muraoka and Takao Uematsu! The set's billed as a live tenor "battle" on the cover – but it's hardly the sort of record that you'd hear from American players... read more

... read more

... read more

... read more

... read more

An odd title, but a really wonderful album from Mark Murphy – an 80s session for Muse that easily matches some of his most creative moments for the label in the 70s! There's some wonderful versions of soulful jazz tracks here – takes on "Effendi" by McCoy Tyner, "Beauty... read more

Mellow ballad material from Mark Murphy – as you might expect from the title – a sad-tinged session that almost hints at the style of his recent work in Verve – showing a real maturity for Murphy's music at the time! There's a bit of electricity in the instrumentation –... read more

A rare British session from vocalist Mark Murphy – and one of his grooviest albums of the 60s! Mark's working here with great backings from the orchestras of Tubby Hayes, John Dankworth, and Les Reed – all of whom give Murphy some of his hippest grooves to date, very much in the mode... read more