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Percussionist Kahil El'Zabar leads the Ritual Trio, and the group's one of the truest extensions of the AACM spirit to still exist in Chicago. No wonder, though, as it's got Malachi Favors of the Art Ensemble on bass, as well as multi-faceted reedman Ari Brown on saxes. El'Zabar's the real core... read more

A triple-trumpet session with a really wonderful sound – the kind of all-star date that only a label like Verve could have done so well! As you'll guess from the title, the record's a showcase for the three trumpeters in the lead – and the tracks are long, with plenty of space for each... read more

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Modern rock/funk, with sort of a New York downtown sound, and touches of the 80's days at Celluloid. The group has electric funky basslines, and some guest keyboards on tracks by Bernie Worrell, but the sound is mostly avant rock funk, instead of straight-on funky stuff. Tracks include "Flash... read more

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Includes historical mono recordings of Elgar's "Symphony No 1 In A Flat (Falstaff)", "Symphony No 2 In E Flat" with rehersal sequence and both versions of the Rondo, "The Dream Of Gerontius (excerpts)", "Civic Fanfare & National Anthem", and "The... read more

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Also included are Elgar transcriptions of Bach's "Fantasia & Fugue In C Minor" and Handel's "Overture In D Minor".... read more

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Bill Laswell on bass.... read more

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Hard to believe it took a few decades in the careers of both players for them to record together – but that's exactly what you've got here – a landmark meeting of Count Basie and Duke Ellington from the early 60s, near the tail end of Duke's classic stretch on Columbia! Teo Macero... read more

Duke Ellington makes a rare Verve appearance on this classic album – and works strongly in the mode of earlier sides recorded for the label by Johnny Hodges! There's a relaxed, small group feel going on here – one that's a bit different than some of the tighter Ellington work on... read more

A nice collection of early work by The Emotions – pulled from their 2 early albums for Volt, as well as a few singles for the label. The set came out in 1979, and is clearly designed to catch the eye of late 70s customers hopped up on the group's disco hits – but the tracks were all... read more

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One of a handful of great recordings by this second generation AACM group. The group's a trio featuring Kahil El'Zabar, Ed Wilkerson and Joseph Bowie, with a sound that rolls along nicely with a firm, afro-centric rhythm at its core. The compositions are beautiful and spare, with light melodies... read more

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Top shelf hip hop from Kenny Keys & ADaD for All Natural, Inc– fresh, unpredictable production from KK and rhymes ranging from playful to sharp from Adad – with guests including Cap D & Proh Mic. Wholly excellent Chicago hip hop is consistently delivered by team All Natural,... read more

A very hip set from Bill Evans' second trio – the legendary lineup that featured Chuck Israels on bass and Paul Motian on drums! Both players bring Evans' sound to an even greater level of spaciousness – allowing for lyrical interplay that's completely amazing, and even furthers the... read more

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The Ex smacked the end of the 80s away with this sprawling double album – feature more than 30 tracks worth of pummeling, pounding, thumping and stumping – an assemblage of straight-up, full throttle group numbers and much-varried errata from individual members and collaborators! The... read more

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Pure genius from The Ex, whose revolutionary style of noise punk (in the aural sense and in agenda) is firing masterfully on this early 90s set – making aggressive, tuneful, caustic and consistently riveting magic with the accompaniment of cellist Tom Cora! At a time when the so-called... read more

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A nice collection of Fatback's later work – featuring 14 tunes the group cut for the Event label, once they smoothed out some of the sharper edges of their earlier funky stuff for Perception. The tracks aren't the hardest the group ever cut – save for the breakbeat classic "Let's... read more

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A soulful 70s set from Cheo Feliciano – cut-above salsa done in close collaboration with songwriter C Curet Alonso, who wrote most of the songs on the set! Bobby Valentin handles arrangements – and the groove here has that joyous, upbeat style of his own work at the time – pushed... read more

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A great little score from that time when Italian westerns were able to mix in equal parts humor and action – served up here in a buddy film that's got a bit of a Butch & Sundance vibe! The music is maybe more 60s playful than you'd expect – still often sweeping in a western style,... read more

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Nice mid 80s UK pop soul from Five Star – sweet family act that's kind of in the mode that's a bit of an unofficial British answer to the cheery family pop soul vibe of groups like DeBarge and New Edition at the time – and a sweet one! Lean, lightly thumping synth soul backdrops and... read more

A smoking little set from Flaming Ember – a rock group at the core, but one who has plenty of blue-eyed soul in the mix – thanks to great production from Greg Perry, and strong arrangements from HB Barnum and McKinley Jackson – all of whom give the record a vibe that's right up... read more

Jazzy electronica – with a true jazz edge, not that fake "jazz" reference that you so often find producers making to sound hip, but never actually coming up with in their own music! Flanger features Atom Heart (aka Senor Coconut) on Fender Rhodes, vibes, guitars, and more –... read more

Excellent jazzy electronica – a dancing blend of heady basslines, skittish drums, and electric piano, almost in the mode of the Xaver Fischer Trio, but with a bit more abstraction on the grooves. Titles include "Music To Begin With", "Options In The Fire", "Endless... read more

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16 tracks of Eddie's classic Stax sides, with a range of material that runs from 60s through 70s. A handful of big hits, and a big batch of lesser known, but still great Memphis soul from Floyd. Includes "I've Never Found A Girl (To Love Me Like You Do)", "Bring It Home To Me"... read more

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