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Is Bobby Timmons our all time favorite pianist? Well, if he's not, he's pretty darn near the top of the list! This sweet early side for Riverside finds him in his usual trio format, backed up by an agile rhythm section, Sam Jones and Jimmy Cobb, and serving up the hard swinging, soulful bop we... read more

Fantastic early work from pianist Bobby Timmons album – a set that shows all the brilliant young genius that marked his playing at the time! Although only a trio session, the album grooves with the best sort of vibe that you'd find in Bobby's recordings with Art Blakey or Cannonball Adderley... read more

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TLC's second LP with "Creep", "Diggin On You" & "Sumthin Wicked This Way Comes". Production by Babyface, Dallas Austin & Organized Noize.... read more

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Includes "Whatever You Want", "If I Had No Loot", "Thinking Of You", "Annie May", "Let's Get Down", "Feels Good", "Don't Fall In Love", and "My Ex-Girlfriend". Excellent harmonies, and a warm classic soul sound!... read more

Includes "Holy Smoke & Gee Whiz", "Let Me Know", "Thinking Of You", "Top Notch", "Let's Get Down", "Lovin You", "Don't Fall In Love", and "Still A Man". Excellent harmonies, and a warm classic soul sound!... read more

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A downtempo classic in the post-K&D world – a selection of dubs of the Tosca tune "Chocolate Elvis", done by talents that include Boozoo Bajou, Rodney Hunter, Babby Mammoth, Quant, and others! The package features 11 different takes on the tune – all in very different... read more

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A landmark album from one of the greatest European pianists ever! Stan Tracey first made his mark in the Brit bop scene of the late 50s – breaking out with a fresh style that was infused with modern touches of Monk and Tristano – certainly some of the most striking on his side of the... read more

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One of Stanley Turrentine's few organ-based sessions for Blue Note – recorded in the company of his lovely wife Shirley Scott, who was really a cooker on the Hammond! The album's got a much stronger sound than most of Shirley's own from the time – played by a solid group that includes... read more

A rare non-Blue Note 60s date as a leader from Stanley Turrentine – recorded for Impluse when his (then) wife Shirley Scott was contracted to the label – and featuring the talents of both players on some very groovy tracks! The quartet features both Stan's tenor and Shirley's Hammond... read more

Stanley's soulful horn is set in a slightly larger group, in the style that would dominate his later years for the Blue Note label. Duke Pearson arranged the set, and players include James Spaulding, Blue Mitchell, Grant Green, Pepper Adams, and McCoy Tyner. Tracks are of medium length, with Stan... read more

Former members of Morphine.... read more

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A great album from McCoy Tyner – a set that's steeped in the modal soulfulness of his years with John Coltrane, but also handled in a way that really has him breaking away from the pack a bit! Half the album's played with a trio that features Jimmy Garrison on bass – but the strongest... read more

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One of our favorite Ulmer records, probably because there's a nice groove running underneath most of the numbers, in a sort of post-Prime Time 80s out-funk sort of way. It never drops into a flat out back beat, but there's always some sense of time, while Ulmer's guitar and Charles Burnham's... read more

The long-overdue debut album by The Underwolves – one of London's hippest combos, working in a unique territory that lies somewhere in between the realms of NuSoul, drum n bass, and the jazzy grooving that you'd expect to find on Compost Records. The set's way more than just a batch of dance... read more

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The biggest selling album ever cut by Blue Note – and a festive romp through samples of the label's famous jazz catalog! US3 mix it up on tunes that include "Cantaloop", "I Got It Goin On", "Different Rhythms", "Eleven Long Years", "Lazy Day"... read more

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An excellent album of spare Latin jazz, played by the legendary leader of the Cuban group Irakere! Chucho Valdes is playing here with a small combo that only features bass, drums, and percussion – plus some additional vocal accompaniment by Mayra Caridad Valdes. But the main focus is on... read more

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Bobby Valentin was certainly the king of the bass by the time of this record – and a player who'd helped bring the electric instrument from its strong 60s use in Latin Soul to one of the key components in salsa rhythms of the 70s! The set follows very strongly in bold sound of Valentin's... read more

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Mellow magic from Luther Vandross – a mainstream soul set, but a great one too – and a great illustration of the way that Luther could keep going strong with his sound well into the 90s! There's key elements of the Vandross groove here from a decade before – including production... read more

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One of Sarah's few albums for Columbia – and quite possibly the best, thanks to some great small group backing, heard on 8 of the album's 12 tunes! The group's a really great one – with Miles Davis on trumpet, Benny Green on trombone, Buddy Johnson on tenor, Tony Scott on clarinet,... read more

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A great recent album by Caetano Veloso – a beautiful re-awakening of his genius in the later years of his career! The sound here is as fresh, creative, and personal as on some of Veloso's best post-Tropicalia albums of the 70s – served up in a blend of spare percussion, edgey guitars,... read more

A legendary pairing of two amazing artists – a once-in-a-lifetime performance from Caetano Veloso and David Byrne (and we don't mean that as a Talking Heads pun, either!) The album's got a stripped-down, acoustic feel that really lets both singers open up and dominate the proceedings –... read more

Delicate dissonance, bruised beauty, and hazy noise pop – all in one of the best rock albums ever made – the amazing first album from the Velvet Underground and Nico! The album's the stuff of legend – and for good reason, too – a surprising slab of vinyl that barely set the... read more

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A bevy of beat-oriented abstractions from the man behind the Wagon Christ and Plug monikers, cut at the height of the Mo Wax driven headz era. You can call this downtempo, trip hop, abstract beats or whatever you like, but we know you know what we're talking about here – sampler science for... read more

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One of the more electronica-oriented releases on Mo Wax, but still nice and funky!... read more

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While the rest of the Jamaican music industry was transitioning to the digital sound, Bullwackie Barnes soldiered on, based in NYC, cutting fat slabs of wax with a heavy vintage sound. This side of dubs cut by his studio team that often included Leroy Sibbles, Jackie Mittoo and Junior Delahaye and... read more

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