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Rare work from obscure Chicago tenor player Vito Price – recorded back in the days when there actually used to be a jazz scene in the city's center – also known as The Loop! Price was a New Yorker by birth, but worked in Chicago clubs, TV, and radio in the 50s – and was most... read more

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A fantastic full length set from Quasimode – the Japanese club jazz combo who first blew our minds with their single for Raw Fusion! Hearing them here in a full LP, the sound is even better than before – a range of jazzy changes and tight instrumental work that reminds us of Blue Note... read more

The "flipside" of Ike Quebec's legendary run of albums for Blue Note – a huge set of material recorded only as 45 singles during his same stretch at the label! Although Quebec's work as a soulful tenorist has been well documented and reissued over the years on albums like Blue &... read more

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Pretty nice work from Joe Quijano – a Latin musician who never hit the bigger fame of some of his 60s and 70s contemporaries, but who always comes out sounding pretty great! The record's a nice back-to-basics session from the mid 80s – recorded in an older pachanga groove, but with a... read more

A legendary concert – recorded at Massey Hall in Toronto, with a previously-unmatched quintet of superstar bop players – Charlie Parker on alto, Dizzy Gillespie on trumpet, Bud Powell on piano, Charles Mingus on bass, and Max Roach on drums – all coming together in a performance... read more

A legendary concert – recorded at Massey Hall in Toronto, with a previously-unmatched quintet of superstar bop players – Charlie Parker on alto, Dizzy Gillespie on trumpet, Bud Powell on piano, Charles Mingus on bass, and Max Roach on drums – all coming together in a performance... read more

Sun Ra's really moving forward with this classic set – refining the sound of his Chicago-based Arkestra, and reaching for new territory that moves him way past familiar jazz modes! The cover bills the group as playing "music from tomorrow's world" – and you can definitely... read more

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One of the recent comeback albums cut by Ranglin – the famous Jamaican guitarist who worked heavily early reggae sides, on Monty Alexander's 70s releases for MPS, and who's been getting quite a bit of well deserved recognition these days. The album's got a number of different grooves –... read more

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One of the coolest club projects of the 70s – a set of tracks based around the keyboards of Don Ray, but handled with lots of electronic disco touches from Cerrone! The pair are great arrangers on their own, but together they really make some magic – kind of a leaner take on the... read more

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Not Raymond Scott himself, but an assemblage of current players, inspired by the work of composer Raymond Scott – coming together to perform new versions of some of Scott's madder compositions! The set is extremely well put-together – produced by Irwin Chusid, curator of the Scott... read more

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A surprisingly great album from Joshua Redman – and a follow-up to the Yaya set issued with the same group. Like the excellent Yaya album, the group on this one is a trio of Redman, keyboardist Sam Yahel, and drummer Brian Blade – grooving together in a slightly groovy, slightly... read more

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The lovely Dianne Reeves pays tribute to jazz legend Sarah Vaughn, in a set that's one of her straightest jazz outings to date! The album features arrangements by Billy Childs, who plays on the album, along with Mulgrew Miller, Clark Terry, Reginald Veal, and Steve Wilson. Tracks include the... read more

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LJ Reynolds' sounding great on his own here – stepping strongly away from his work with The Dramatics, and emerging as one of the best male soul acts of the early 80s! The groove here is a nice extension of his earlier group work – still produced by Don Davis in a mode that's... read more

Although Buddy's always been a bit laughable, he was always trying to keep his bag moving, and his band of the late 60s included some pretty darn nice players. The group on this session includes Ernie Watts and Bobby Shew, and the band wails hard and fast in a live setting with lots of tight... read more

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After Minnie Riperton's heavenly first LP on Cadet – the sublime Come To My Garden – this one's got to be her most perfectly realized full LP. The album's sparkling work of jazzy soul, with touches of the heavenly production that Minnie got in years past, and lots of smooth mellow... read more

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One of the greatest Sonny Rollins records ever! The set is a legendary batch of trio tracks that feature Sonny working in a format that is incredibly free for the time, and which show him as more of a modernist than a bopper – although his solos are still pretty darn fantastic from a bop... read more

A sweet electric set from Sonny Rollins – and maybe the closest he ever came to cutting a funk record! The set's got that mellow electric funk approach that Prestige was using often in the mid 70s – Sonny's tenor lines getting some great Bay Area studio support from George Duke on... read more

An overlooked Sonny Rollins set from the early 80s – one that has him recording with a fair bit of guitar, but still staying very much in his best form as an improviser! The group here features both Bobby Broom on electric guitar, and Yoshiaki Masuo on acoustic and electric – both... read more

Quite possibly THE greatest Sonny Rollins album of the early years – or at least the one that has received the most accolades over the years! The record is a brilliant batch of quartet tracks that reinvents bop through Sonny's complicated, yet seemingly automatic solos – an excellent... read more

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One of Sonny's brilliant west coast sessions for Contemporary – records that shouldn't sparkle as much as they do, but which actually stand with his best work of the 50s! Sonny's blowing in front of a session of "leaders" that includes Hampton Hawes, Barney Kessel, Leroy Vinnegar,... read more

The rarest of all the Sonny Rollins Blue Note sessions – and possibly the best! The record captures Rollins at a key turning point – emerging from his firey bop years, moving into a much more complicated, introspective tenor style that was a perfect showcase for his developing genius... read more

As classic as it comes for late 50s Blue Note – and a key meeting between Sonny Rollins and Thelonious Monk! The group on the set features Rollins and Monk with JJ Johnson, Paul Chambers, and Art Blakey – all of whom push things more in the direction of Blue Note's sound of the time,... read more