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A lost Sonny Stitt session from the 60s – but wonderfully swinging, and with a groove that really works well! The album's a set of Broadway tunes played jazz-wise – but in the hands of Stitt, they come up wonderfully – stretching out with soulful intensity that's mighty nice,... read more

A great little Sonny Stitt album – very different than any of his other sets from the 60s! The album has a number of interesting aspects – from hard-wailing organ by Wilmer Mosby (who we think is Don Patterson under a fake name), to some screaming guest work by Rufus Harley and Robin... read more

Sonny Stitt makes Oscar Peterson sit up and groove! The record's a great one, and uses the Peterson Trio as a perfect rhythm section for Sonny's confidently blown solos of the late 50s – in a way that pushes the combo past their usual safe area, and into more freewheeling territory to keep... read more

2 classic Stitt albums back to back – Turn It On and Black Vibrations, both recorded during his early 70s funk years at Prestige! Turn It On is very firmly the funky Prestige sound of the early 70s – complete with Idris Muhammad on drums, organ by Leon Spencer, guitar by Melvin Sparks,... read more

Magical Stitt work on Roost – an album of marked understatement, from the simple title, standard cover, and lack of session details on the back – all of which might make you think "oh yeah, heard this one before." But one drop of the needle opens the album up immediately... read more

A great later date from the legendary Sonny Stitt – and one recorded with the same soulful depth and laidback feel as his best 50s sessions for Roost or Verve! Sonny blows both alto and tenor sax here – and works in the warm company of Sadik Hakim, whose sharp tones on piano bring in a... read more

Sonny Stitt plus the early genius of Quincy Jones – a really great combination that makes for a standout session on Roost! As you might guess with Quincy handling the arrangements, the gorup here is bigger than usual for Stitt – especially given that the bulk of his Roost sessions were... read more

An oft-overlooked, but very nice record from Sonny Stitt – recorded in Chicago in the early 70s, and with two different types of groups that show off both sides of the city's jazz scene at the time! On the first 4 numbers, the group is a bit on the larger side – giving the material a... read more

Sonny Stitt goes Latin – and the results are tremendous! The set's still got all the soulful feel of the best Stitt sessions for Roost, but it brings in some nice Latin rhythms too – inflecting things with that blend of soul jazz and congas you might find over at Prestige or Blue Note,... read more

A sweetly funky little set from Sonny Stitt – one of his hippest albums ever, and a rare date cut for Ahmad Jamal's short-lived record label! The sound here is a great combination of the late 60s tone that Sonny forged on other east coast indies – and some of the hipper, more open... read more

An amazing collection of experimental sounds from the European scene of the postwar years – key electronic and musique concrete recordings from some of the most important composers of the 20th Century! The package is a great introduction to this important stretch in music – and... read more

Angie Stone's first for Saguaro Road – one that she's calling a more personal project than some of her recent work – and sure enough, it's a strong one! We actually dug Angie's couple of albums for the rebooted Stax label in the late 00s – but you know what, if Angie's happier... read more

The incredibly rare underground funk of Stone Coal White – whose couple of raw, incendiary psych funk 45s have been furiously sought for years – fleshed out here with newly discovered and previously unissued tracks for this most amazing full length on DJ Shadow's Cali Tex label! Stone... read more

A standout early album from singer Gale Storm – and a set that boasts a surprising crossover with R&B of the time! The album steps out with Gale's big hit version of "I Hear You Knocking" – a version of the Fats Domino tune, and one of those unusual 50s moments in which a... read more

A beautiful project from the contemporary underground scene in LA – a record that shares lots of energy and musicians with recordings by Build An Ark and Life Force Trio! Dexter Story's the main force behind the record, but the set's a strongly collaborative effort – and features... read more

A beautiful little record – and one that definitely earns the "suite" distinction in the title – given the thoughtful longform approach of the set! The album's got a more composed feel than other spiritual jazz sessions of the time – not in a stiff way, but in a style... read more

A wonderful tribute to the 100th anniversary of Igor Stravinsky's Le Sacre Du Printemps – a set that features 10 different recordings of the classic composition – each packaged in a different vintage-styled sleeve! The set features two recordings conducted by Stravinsky himself –... read more

Uptempo east coast club soul – not entirely disco, and more like the indie work of the immediate generation before – a time when groups were picking up their groove a bit more than before, creating some lean, soulful tempos for the dancefloor! Arrangements are by Bert DeCoteaux and... read more

A pretty sweet, reggae-steeped full length from Sydney 10-piece The Strides – who bring a real love Jamaican music into the pot, but it's a quite a diverse brew! The Strides glide along here with some jazzy funk, Afrobeat rhythms, some subtle modern flourishes and other boundless bits of... read more

We love Frank Strozier – and think he's one of the greatest talents in jazz – period! This long-overdue CD brings together two of Frank's early 60s sessions for the Jazzland label – both of them gems that have lain under-discovered for years. Long Night is an excellent example... read more

Hardly a prelude – as the album's a fully-formed, fully-stated set right from the start – easily one of the best moments ever for reedman John Stubblefield – and an overlooked spiritual classic from the 70s! There's a vibe here that rivals the Strata East scene at their best... read more

A contemporary group, but one who play with a definite old school vibe – both in the style of their gritty blues, and even in the instruments and studio equipment they use! The vintage gear makes for a nicely raspy approach to the music – one that really helps give the record an edge... read more

Jazzy bossa rhythms and club soul grooves from the Dutch production team Subes! Subes is the trio of Gregor Wilmot, Pieter Ubbels and Aram Wilmot – who color from a broad palatte of global influences and the producers lay the sounds down with accompanying players on sax, flute, melodica,... read more

The return of west coast hip hop veterans Substance Abuse – with appearances by contemporary and legendary figures such as KRS-One, Sadat X, Percee P and others – plus production by Vibes 1, Waes One, Hanif Hobbs, G-Naut, Nebz Supreme and more. Includes "How Many", "Don't... read more

A really great quartet that works together beautifully here – bass from Joelle Leandre, trombone from Sebi Tramontana, violin from Carlos Zingaro, and drums from Paul Lovens – all well-trained players for open improvisations like this – coming together in ways that recall some of... read more

Heavy grooves from Suff Daddy – but augmented with lots of great guest work too – the kind of collaborative effort that always seems to stem from his great inspiration in the studio! Core grooves are nicely diverse – and filled with funky stuff that draws heavily from 60s and 70s... read more

A classic indie cooker from Sugar Billy – a bit funky, a bit clubby – and a really great batch of grooves done in a pre-disco mode! The tracks are all pretty darn upbeat – somewhat warmer than the funk of Fatback or Kool & The Gang, but still with a nicely rough-edged feel... read more

Whomp! It's a stormer! Killer killer killer! No kidding, this album's a monster – and it's one of the heaviest slices of funk we've heard in ages! Pardon the exclamations, but we're telling the truth – and this classic by the Sugarman Three is a must-have for any fan of funky jazz... read more

The return of the great ones – and quite possibly the funkiest album ever from The Sugarman Three – a crowning achievement for this funky combo that we've loved for years! The core trio is still in place – soaring Hammond, tight tenor, and heavy drums – but they've also... read more

Genius work from a singer who makes us proud to live in the Windy City – vocalist Milton Suggs, who emerges here as a hell of a writer and arranger too! Milton's easily one of the best new voices in jazz we've heard in years – filled with a rich sense of imagination on his lyrics and... read more

Beautiful duets between vocalist Milton Suggs and pianist Willie Pickens – two Chicago generations coming together beautifully in a very intimate setting! Unlike some of Sugg's other work, which is all self-penned, this set features some Ellington standards – done in a wonderfully... read more

One of the few sessions ever cut as a leader by soul jazz trumpeter Charles Sullivan – a brilliant talent who shone brightly in the mid 70s, working in hip small groups that were very much in the Strata East mode. This rare, previously Japanese-only release has Sullivan working with Rene... read more

Tremendous work from bassist/percussionist Juma Sultan – a wealth of wonderful tracks from the loft jazz years of the 70s! Sultan's a player who doesn't always get his due on record – especially during this formative generation – so the release is a much-needed look at his mighty... read more

Fantastic! This is Yma Sumac's rock album from the early 70s – and it's got a wild sound that's totally different from any of her work at Capitol! The record includes lots of electric instrumentation, and Yma's voice moves from the exotic to the psychedelic, as she sings along with some... read more

Yma Sumac on ESP Records – a unexpected meeting that's given us a rare concert performance from 1961! The CD features Yma singing live in Romania – working with backings from longtime partner Moises Vivanco, on a set of tracks that mixes older Peruvian roots with some newer, jazzier... read more

Ahh, the dancefloor soul perfection of the beautiful Donna Summer – and classic late 70s production by Giorgio Morodor and Pete Bellotte – songs that are played often, even to this day, but will never be played out! Was this the one that coined the phrase "shipped gold, returned... read more

A double-length, 4 act disco fantasy from Donna Summer and Giorgio Moroder – both very much at the height of their powers here – and able to keep up enough energy to make it through what was originally 2LP set! The work's a unified sort of story – kind of a disco opera of sorts... read more

Masterful funky soul jazz from the mid 70s – and one of the best solo albums recorded by Headhunter Bill Summers – a sunny batch of Bay Area funk that really grooves with the best of Fantasy Records from the time! The set was produced by Skip Scarborough, and has that great bubbling,... read more

One of the greatest records ever cut by Sun – the late 70s funk group who some excellent albums for Capitol Records – a group whose records never made the charts as strongly as their contemporaries, but not for lack of quality! This set's a great batch of heavy ensemble funk with an... read more

A pair of stormers from Sun – back to back on a single CD! Wanna Make Love is one of the greatest records ever cut by Sun – a group whose records never made the charts as strongly as their contemporaries, but not for lack of quality! This set's a great batch of heavy ensemble funk... read more

Not singles as in the world of "hits" – but a really cool collection of rare work from Sun City Girls – mostly tracks issued on 7" singles for the Majora label, plus a few bits from other sources too! Together, the tracks provide a perfect illustration of the wide-ranging... read more

A great batch of lost funky club tracks – heavy moog in the mix, making some great wikki-wikki sounds over the album's smoothly grooving tunes! The group's got Gregg Phillinganes and Roger Smith in the frontline on keyboards – they also play Arp and Fender Rhodes next to moog –... read more

A tremendous bit of psychedelic pop from sunny California at the end of the 60s – one of those records that has a heck of a lot more going on than most of the bigger sets at the time! Sunlight work in territory that's not unfamiliar – harmony vocals, guitar-based grooves, and slightly... read more

Funky and trippy at the same time – a wonderful batch of grooves from Super Borgou De Parakou – an overlooked group from Benin with a very unique sound! The rhythms are tight, and production often has these crispy little edges that make for some nice touches of fuzz where you might not... read more

The Supersax ensemble takes on the classic concept of Charlie Parker with strings – really sticking true to the groundbreaking spirit of the original experiments, while also bringing things forward a bit with their wonderful multi-horn approach! The group features lead alto from Med Flory,... read more

A stone classic from Supersax – a record with plenty of classic bop elements, despite a very 70s-styled group name and cover! The combo's a large one, and features tight horn formation deftly cutting through a host of bop classics – lots of ensemble passages at the start, then breakout... read more

Al Supersonic has a mighty nice vocal approach on this retro-soul set – a style that's a bit looser and maybe more personal than some other singers in recent years – a quality that gives the the whole thing a pretty sweet edge! Al's a bit less "perfect" than some of the deep... read more

Cream Of The Crop may not have been a huge hit for The Supremes, but the record has them handling a variety of interesting work – mostly done in modes that bring the best Motown styles of the 60s into closer contact with the label's more expansive sound to come in the 70s! There's a really... read more

One of the great mid 60s Supremes album – at a time when they could really do no wrong – and featuring a couple of their bigger hits! I Hear A Symphony was produced by the team of Holland & Dozier – and Holland-Dozier-Holland are the credited composers for most of it –... read more

Groovy late 60s work from Diana Ross & The Supremes – a record that has them breaking the Motown mold a bit, and hooking up with a nice variety of modder soul and pop modes! Tracks on the set include a few Motown-penned numbers, but the trio also tackle hits like "Everyday... read more

Really one of the nicer late 60s efforts by the Supremes – now with Cindy Birdsong in the group in place of the departed Florence Ballard – with the now well known title track, and a number of other great pop soul numbers, with the classic Motown sound! The Supremes could arguably... read more

One of the later Supremes albums with Diana Ross as the headliner – and the final Supremes album with Holland-Dozier-Holland pulling the strings – and led of by the incredible title track! "Reflections" is a straight up incredible tune – one of those late 60s Motown... read more

The Supremes take on the classy Copa nightclub – and really bring down the house with a stunning mix of warmth, charm, and soul – especially on this incredible expanded edition from Hip-O Select! The original album is perhaps one of the "livest" of Motown live albums from... read more

A record that might be easy to write this off as a mistake or inessential session – but thanks to some great arrangements by HB Barnum, Paul Riser, and Gene Page, plus great vocals by the groups, the record shines as much as any other Motown set from the time! The vocals are traded back and... read more

Snapping rhythms with plenty of jazz – a great collaboration between musicians who've worked together with Gregory Porter, Jose James, and Ty – stepping out here on a unique project of their own! The core energy of the set comes from the live drums of Richard Spaven and keyboards of... read more

Great waves of sound here from Surface – a set that has the trio sounding even tighter and more fluid than ever – perfectly blending midtempo rhythms with their warm and sweet harmony vocals! The vibe's a bit classier than the usual mellow soul of the time – almost with a jazzy... read more

An essential lost bit of British jazz – and the first record ever released by avant reed player John Surman! The album's an interesting mix of styles, with a split that runs right down the middle. The first 4 tracks on the record reflect a distinct Carribean style, and are a good indication... read more

Beautiful sounds from reedman John Surman – played solo, but on a variety of different instruments – all in tones and textures that aptly demonstrate that Surman's style is as sonic as it is musical! The record does a great job of avoiding some of the colder elements that sometimes... read more

A beautiful lost slice of British jazz, recorded during the crucial period before some of the scene's players went too far off the deep end! John Surman partners here with composer/leader John Warren, for a large group recording that sounds similar to some of the best early Mike Westbrook... read more

Loads of great keyboards here from Hiromasa Suzuki – working in a mode that's somewhere between earlier funky jazz, and the tighter Japanese fusion of the late 70s! The style here is never too smooth, yet Suzuki really manages to blend some great elements together – his own keys, lots... read more

An excellent early album from Japanese drummer Masahiko Togashi, featuring a group that he co-led with trombonist Hiroshi Suzuki! The quintet's got a sound that's kind of a messed-up take on the Blue Note groove of the 60s – particularly the Lee Morgan rolling funky soul jazz sound of the... read more

A really inventive little record from Japanese bassist Isao Suzuki – and a set that, like most of his best 70s work, really defies any sort of easy categorization! Suzuki's got a wonderfully wide range of ideas running through his music – at one level a really close-up and personal... read more

A wicked wicked set of tracks from Japan – one that blends together jazzy riffing and Brazilian rhythms, all played with a surprisingly soulful bent! Suzuki's on bass and piccolo bass, and Yamamoto plays not only electric piano but also a bit of electric harpsichord – which adds a cool... read more

Swamp Dogg's on the cover, riding a giant rat out of the ghetto – an image that definitely hints at some of the politics on the record! The album's one of Swamp's key classics from the early 70s – recorded at a time when he was still super-sharp – and when the character was a... read more

One of the earliest albums ever from Swamp Dogg – and one of the best as well! The set was cut down at Capricorn Studios in Macon, and has a wicked blend of southern funk and deep soul that Swamp never hit this well ever again – a quality that almost makes us think the album was more... read more

24 tracks of heavy deep soul from Bettye Swann – a great female soul singer from the 60s who's rarely ever gotten her due! There have been some cheaply done reissues of Bettye's work over the years, but this is the first time a full set of her best work has been put together with a good set... read more

The beat here is a bit less vintage than you might guess from the title – but Caterina definitely keeps things sweet – and the album's a nice batch of groovers that really keep up the best side of the Irma sound! Vocals are in Italian, and the rhythms are never too clubby – kind... read more

A great back-to-basics set for the Sweet Inspirations – now working here as the trio of Estelle Brown, Myrna Smith, and Sylvia Shamwell – and working with David Porter in a strongly Memphis mode! The arrangements on the set are a bit more ambitious than usual for Stax at the time... read more

The Sweet Sweet Sweet Inspirations get the Gamble Huff treatment – and as it worked with Archie Bell, so it works with these guys – really well! The Philly sound gives the girls the right push that they need to keep from being just another snoozy Atlantic stable band, and it pushes... read more

Wonderful soul by one of the best female groups of the 60s! The Sweet Inspirations work here in a southern-tinged style similar to their classic backing work for Aretha Franklin – a sound that was already great behind Aretha, but which is even better here on its own – warm, spiritual,... read more

Sweet grooves from this hip Spanish combo – one of the hardest-working deep funk combos on the European scene in recent years – and a mighty soulful one as well! Mayka Edjole sings lead vocals in English, but with this cool accent that really makes the music sound different –... read more

We've loved Swing Out Sister for more than a few years – and over that time, the duo's only gotten better! It's records like this that keep us coming back again and again – a brilliant blend of soul currents and hook-heavy arrangements that feel like a blend of late 60s UK and the best... read more

Great work from Swing Out Sister – very different than the 80s work by them you might know, with a much more sophisticated sound, and an expansive approach to the musical backings that really takes the work somewhere new! Singer Corrine Drewrey has really matured in her style, singing with... read more

A sweet sweet groover from Switch – post-Motown, but still sounding great – and if anything, maybe finding a whole new groove in the process! The quintet have all the warm modes of their best previous tunes – a touch of funk at times, but a vibe that's even stronger on tunes that... read more

A seminal bit of seventies soul from Switch, and a record that really helped set the tone for countless others to come in the 80s – no surprise, given that the group's got members from both the DeBarge and Ingram families! There's a warmth here that few others can match – an earnest,... read more

A seminal bit of seventies soul from Switch, and a record that really helped set the tone for countless others to come in the 80s – no surprise, given that the group's got members from both the DeBarge and Ingram families! There's a warmth here that few others can match – an earnest,... read more

Quite possibly the best album ever from Ohio funky soul combo Switch – and certainly proof that the hope of Motown in the 80s was in ensemble group funk! This second album holds up really well, and thanks to some sweet production by Bobby DeBarge and Jermaine Jackson, the record's got a warm... read more

A host of cool cuts from Dwight Sykes – an 80s soul artist, but one who clearly draws lots of inspiration from the laidback vibe of "Summer Madness"! There's a wonderful slow funk feel to these tracks – rhythms that strut around with an easygoing feel, while keyboards space... read more

Two gems from The Sylvers – back to back on a single CD! Showcases is filled with great groovers from The Sylvers – a set cut when the group were firmly in their disco years – a great setting for their playful family-style vocals! In fact, moving to disco may well have been one... read more

A massive double-header – one that features the first two Sylvester albums for Fantasy Records! First up is the self-titled Sylvester – a reworking of his older groove into one that we love more than any other that he ever used – a smooth modern soul style, not really disco, but... read more

Sweet funky fusion from France – a classic set played by an all-star group of players! The groove here is a blend of choppy euro fusion, funky big band grooving, and some soulful touches that remind us of some of the funky jazz coming out of the west coast during the 70s. A few cuts have... read more

One of Syreeta's deepest albums ever – proud, bold, and wonderfully righteous throughout – filled with a sense of message and purpose that was quite rare for Motown at the start of the 80s! Syreeta's really tapped back into that wonderful energy that made her so great when first... read more

2 of Gabor Szabo's classic late 60s albums for the Skye label – back to back on 1 CD, making for a tripped-out guitar-driven batch of groovy tunes! Both records have this mod exotica sound that would hardly ever be matched again – and feature Gabor's own lead guitar next to another... read more

Plenty of Magic here from T-Connection – a clubby set of tracks, yet one that's still put together more like a funk combo record from the mid 70s! The instrumentation is mindblowing – impeccable guitar and basslines, set to snapping rhythms that really capture the best Miami funk mode... read more

T-Connection are definitely on fire with this smoking little set – a killer batch of late 70s club, done with almost equal parts funk, soul, and disco! As with their debut, the group here are right on the money instrumentally – playing with a dexterity that few other large funk groups... read more

Funky club from the always-great T-Connection – all extended numbers, served up in one dancefloor-packing set! T-Connection are easily one of our favorite groups from the late 70s club years – and although they played big in discos, the combo also had a core instrumental sound that was... read more

A soaring stormer from T-Connection – and a set that has them sounding even better than before! There's a perfection here the group didn't have with earlier releases – a quality that goes way past indie funk ensemble, into the realm of some of the best mainstream acts on the bigger... read more

Raucous drag strip rockers and driving R&B-fueled instrumentals by The T-Bones – killer material on Liberty from a group of young session wizards – including Hal Blaine, Glen Campbell, Leon Russell, Dave Pell, Steve Douglas and others! It's wildly fun stuff that goes all in with... read more

Lew Tabackin looks a bit stiff on the cover of this one (who wouldn't, in a tan polyester suit?) – but the record's a surprisingly hip date, and a great chance to hear Lew away from his 70s big band with Toshiko Akioshi! As the title and cover imply, the album features Tabackin's "dual... read more

Ten years in for the Tabou Combo – and the group's sounding funkier than ever! The album's got a groove that's even tighter than some of their earliest records – and there's a definite funky feel to the music at times – not just Haitian styles, but a nice US influence too –... read more

Talib Kweli references has reputation as the concious rap torch carrier – and the perceived restrictions therein on Prisoner Of Concious – and delivers some of his best tracks in years. With a guest appearance by Nelly and featuring appearances by as varied a guest list as Miguel,... read more

One of the best trio sessions we've ever heard from Horace Tapscott – warmer and a bit more soulful than some of his other sides of this nature, and played with a well-rounded style that really hits home! The group features great drum work from Ben Riley, and bass by Fred Hopkins – and... read more

A surprisingly strong trio session from Horace Tapscott – recorded in Santa Barbara in 1981, with a group that features Sonship on percussion and the great Roberto Miranda on bass! Miranda's tone is round and warm, and brings out some of the most soulful sides of Tapscott's playing –... read more

Beautiful solo work from Horace Tapscott – a record that's a bit gentler than some of his other sessions for Nimbus – very stretched out and moody, and with a wonderfully contemplative feel overall! There's a bit of echo in the recording quality here – so that even when Tapscott's... read more

One of the best Horace Tapscott albums on Nimbus – and one that features him playing with the Pan-African Peoples Arkestra, who give the session a much fuller feel than some of Horace's other sparer sets. The group's made up of some strong hip players from the LA underground – and in a... read more

An even fuller sound than before from Taraf De Haidouks – as their string-heavy approach is mixed with lots of bold horns from the Kocani Orkestar! The two great Balkan bands merge together here – working together in an extended set that somehow takes all their best elements to create... read more

Definitely the standards promised in the title, but in the hands of Gregory Tardy, they're also something more – these beautiful little poems in sound, served up mostly by Tardy on tenor sax, but also featuring clarinet on a few sweet numbers too! The album's mostly a quartet outing –... read more

A Def Jam classic from Tashan – and a record that really helped bridge the gap between male soul and hip hop in the 80s! The style's still as warm and soulful as most of Tashan's contemporaries, but the record definitely shows a bit of street soul in the rhythms too – often just a bit... read more

Incredible southern soul from Tommy Tate – work recorded in the 70s for the Koko label, a good deal of which was never issued at the time! Koko never released a full album by Tommy back in the 70s – just a smattering of singles – so although his talents are mighty, he's been... read more

Wicked work from Kaidi Tatham – some of the best we've heard in years, and filled with all the righteous energy we've always loved in his music! The setting is a bit more electric than some of his jazz-based sets – and there's a deep deep London vibe that runs throughout the set –... read more