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Wild! The Nutty Squirrels were an obvious attempt to cash in on the success of Alvin & The Chipmunks during the late 50s – a studio-trickery session handled with the voices of Don Elliott and Sascha Burland – but to our ears, honestly, the album's a lot better! You see, both... read more

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A brilliant package that brings back two classic grooves from Kenny Dope and Louie Vega! First up is the legendary "Nervous Track" – a tune that's got this wonderfully syncopated snare – snapping along with break-like energy alongside some more house-heavy bass – all... read more

No palaver here – given that the album is tight, focused, and possibly the best so far from this amazing vocalist! Lina Nyberg's a singer like few we can think of today – a creative, compelling artist who really lets her vocals open up in these completely unique styles – with the... read more

One of the biggest moments of the New York club scene of the early 80s! The Peech Boys cut their teeth at the Paradise Garage during the classic Larry Levan years – and this album has them working with Levan to forge a record of crossover club grooves filled with linn drum beats and DMX... read more

A mix of jazz, funk, and more from Marco Severini – an artist we previously knew under his Signor Wolf incarnation, but who's working here in a different mode overall! The music's a lot more organic than you might guess from a name like "nylon" – often heavy on keyboards and... read more

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Laura Nyro's first album ever – originally issued by Verve/Forecast in the mid 60s, but brought back out on the market by Columbia, during the height of Nyro's early 70s fame for the label! Even at this early point, Nyro sounds wonderful – a fair bit more soulful than most other female... read more

A tremendous album from Laura Nyro – a real return to the soulful style of her roots, thanks to help from Labelle on backing vocals, and the team of Gamble & Huff on production! If Nyro only ever gave the world this record, that would more than be enough – because the whole thing's... read more

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A beautiful album of jazzy vocal tracks with a definite bossa feel, recorded by the group O Quarteto – a harmony group whose style is very reminiscent of earlier Brazilian ones – like Os Cariocas and The Tamba Trio! The record's a sparkling batch of bossa tracks, produced with an... read more

A great little album from O Terco – a later album from the group, but one that still has them sounding plenty wonderful! As before, there's a progressive vibe to the music – a mixture of jazz and rock that really comes through well in the mature, fusion-based instrumentation of the... read more

Wonderful early work from O Terco – an early EP, packaged here with enough bonus tracks to make a full album! The groove is great – very upbeat, playful, and less heavy rock-oriented than the group's later famous sets – a nicely organic mix of samba generation beats and some of... read more

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Betty O'Brien belts out beautifully on "She'll Be Gone" – a tune with a bad-stepping groove and lots of R&B overtones – plus these offbeat strings that sneak along the heavier groove, and really give things a sharp edge! Kitty Ford steps in on "Blue Diamond Ring"... read more

An overlooked 60s pop gem from Kenny O'Dell – a great mix of twangy vocals and Sunshine Pop production – all served up with a really unique sort of sparkle! In another world, Kenny might have been a country singer – but here, he's working with some cool Cali backings that push O'D... read more

Mellow O'Jays galore – a great set of some of the group's more mature ballads from later years – served up with a harmony sound that's mighty darn nice! The trio really sparkle here – taking on subjects with the all-adult approach that made them last a lot longer than most of... read more

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A sweet later groover from The O'Jays – warm, mellow, and moving at a great midtempo clip – a groove that lets the harmonies soar out beautifully over the top! The hook is wonderful, with a slight undercurrent of righteousness – and "My Favorite Person" follows with an... read more

Amazing early work from The O'Jays – tracks recorded a decade before their big fame at Philly International – with a heartbreaking harmony feel all the way through! Even at the start, The O'Jays were a cut above – and as you'll hear here, they come across with an especially deep... read more

The start of a legendary run for vocalist Alexander O'Neal – and a set that really helped redefine the sound of male soul in the 80s! O'Neal got his start in an early version of The Time, and he's working here with Jimmy Jam & Terry Lewis – but the sound of the record is way deeper... read more

The start of a legendary run for vocalist Alexander O'Neal – and a set that really helped redefine the sound of male soul in the 80s! O'Neal got his start in an early version of The Time, and he's working here with Jimmy Jam & Terry Lewis – but the sound of the record is way deeper... read more

One of the crowning achievements of Alexander O'Neal – a set that uses cool little intro tracks to help structure the standout songs on the set – giving the whole thing a much more well-conceived approach than other mainstream soul albums of the time! Some of the cuts draw from O'Neal's... read more

The overlooked collaboration between Human League singer Philip Oakey and producer Giorgio Moroder! The duo initially worked together on the outstanding "Together In Electric Dreams" single – a surprise hit from Moroder's soundtrack for a forgettable movie – and given The... read more

The overlooked collaboration between Human League singer Philip Oakey and producer Giorgio Moroder! The duo initially worked together on the outstanding "Together In Electric Dreams" single – a surprise hit from Moroder's soundtrack for a forgettable movie – and given The... read more

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The Mats Oberg Trio, even better than before – thanks to use of some sweet Fender Rhodes, in addition to the usual acoustic piano! Mats can play both soulfully straight, and sonically soaring – moving between inside and outside moments with his really well-matched group – Filip... read more

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Laidback duets between pianist Hod O'Brien and guitarist Wim Overgaauw – both aging players who relaxed nicely here in each other's company! There's a really clean sound to the set – open lines on Wim's hollow-body guitar, and a tinkling piano tone from O'Brien's keyboard – one... read more

Includes the tracks "Charleston Fever", "Switch It Miss Mitchell", "The Joys", and "Everybody Pile".... read more

One of those bright, charismatic Billy Ocean records from a couple years before his massive pop soul crossover – just a sublime 80s club groover that pumps along at a nice mid tempo clip – a real favorite around these parts! This was Billy's debut for Epic and there's plenty of... read more

The breakout album for singer Frank Ocean – the featured voice and name attached to some stellar material by other acts leading up to this career-making set for Interscope! Simply put, Channel ORANGE is the hella rare pop phenomenon that not only lives up to the pre-release hype, it actually... read more

Pan-African rhythms from Ray Stephen Oche – topped with some great jazzy elements as well! The set's one of Ray's classics from the Paris scene – a set that draws heavily from his Nigerian roots, yet also takes full advantage of the wider cultural vibe going on in France at the time... read more

Easily the greatest album ever recorded by the legendary Phil Ochs – a masterpiece of politics and power, filled with themes that still resonate strongly 40 years later! From the very first note of the set, Ochs expresses himself with a confidence, intelligence, and clear-headed vision that... read more

Landmark early recordings by Phil Ochs – the demos that predate his first album, which were recorded live to reel-to-reel, many with spoken intros – and he's clear-toned and strident as ever here! It's remarkable stuff, and a even a bit chilling now, given how relevent so many Phil's... read more

Was there a more tragic figure in the 60s scene than Phil Ochs? Perhaps, but this is still a wonderful piece of his odd and sad career, a great portrait with his unrelenting political stance still in place, though not as raw as some of his other LPs. More arranged than any of his other LPs, but... read more

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An overlooked treasure from Anita O'Day – easily one of her best records of the 70s, and a record that seems to bring together both of the best aspects of her sound! At one level, there's a tightly swinging groove to the set – that great small combo jazz approach that seemed to work... read more

A great little meeting of two of the better talents on Verve Records in the early 60s – one that pairs the warm vocals of Anita O'Day with the cool vibes of Cal Tjader – in a sweet little session that's actually one of O'Day's best from the time! The feel here is lively, and slightly... read more

An excellent bit of funky work from Sweden's Oddjob – a group that are looming large on the international club jazz scene! Oddjob work in the same vein as groups like Hipnosis and Honeymuch – playing real jazz, but with a dancefloor twist – taking bits of classic Blue Note,... read more

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A crossover classic from the late 70s – a record that was born in the clubs, but bred in the mainstream – and the start of a very good relationship between Odyssey and RCA! The album will forever be known for its classic cut "Native New Yorker" – a seminal groover that... read more

That's a striking image of Aimee Mann on the cover – and the magazine's pretty striking too! Director Sam Jones talks to Mann and photographs her as well – presenting the interview in a unique format for a magazine – no other ads or copy at all – just the whole thing... read more

Growing guitar legend Blake Mills – of Simon Dawes fame – gets a great chance in the spotlight here – with photos and well-chosen interview questions by Sam Jones – all presented in a cool little magazine, without any other ads or articles! Lots of interesting twists and... read more

More of a conversation than a magazine – a really well-done, very long interview with John Krasinski – photographed and led by Sam Jones – the guy behind the great Wilco documentary! The magazine has no ads at all – a very novel approach – and really enforces the... read more

The first issue of this great magazine from the director of the Wilco documentary – featuring a long interview with Val McCallum – son of Jill Ireland and David McCallum!... read more

Bassist Linda Oh's really finding her voice here – a fresh, inventive approach to small combo work that bristles with energy right from the start! Oh's got a bold style of handling her instrument – especially the acoustic variant – in a way that means that even the gentler... read more

The latest audio dispensary system from Oh No – who's carved a pretty solid niche as an unpredictable, indefatigable hip hop conceptualist – this one a suite of tracks inspired by snake oil style newspaper, radio and television advertisements from decades past! Oh No is on the beats... read more

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A beautiful lost relic, and a monster batch of long jazzy grooves! The album was recorded in the great tradition of "musicans in prison" albums, like those by The Escorts in the early 70s, and it features an incredibly soulful band made up of jazz musicians in lockdown at the Ohio State... read more

A beautiful lost relic, and a monster batch of long jazzy grooves! The album was recorded in the great tradition of "musicans in prison" albums, like those by The Escorts in the early 70s, and it features an incredibly soulful band made up of jazz musicians in lockdown at the Ohio State... read more

Fuzzy funk from some of the all-time greats – one of the key Westbound Records classics from the mighty Ohio Players! This album's got the Players working at their all-time best – a bit jazzy, with a more sophisticated undercurrent than some of their contemporaries – a righteous... read more

It's the mid 70s, and the Ohio Players were certainly turning out a lot of gold! Their move to Mercury Records from the smaller indie Westbound was a real winning move – as it gave them a smoother soul feel that only expanded their groove, not restricted it! This tasty "best of"... read more

A massive batch of stoned-out funk from the Ohio Players – recorded here during their legendary years at Detroit soul powerhouse Westbound Records! At this point, the band have a style that's a mix of psychedelia, funk, and harmony soul – similar to labelmates Funkadelic, but perhaps... read more

A true pleasure indeed – easily one of the greatest records ever by the Ohio Players, and a perfect summation of all things great in their groove! The album's a landmark effort – even for the heady days of the early 70s – as the Players manage to bring together a fair bit of jazz... read more

Great work from the Ohio Players – and proof that moving to a big label could be a good thing for a funky group! This was the band's first album for Mercury – and although one might have the temptation to say that the label cut down the radical funk sound of the trippy Westbound years,... read more

Long tracks, lots of open energy, and plenty of freewheeling solos too – just the sort of Japanese jazz album from the 70s we treasure so much! The group here is led by drummer George Ohtsuka – sometimes spelled Otsuka – and features Fumio Karashima on piano and Fender Rhodes... read more

A hip Finnish take on soul jazz – headed up by drummer Matti Oiling! The groove here is tight and very straightforward – almost an amped-up European groove based on American soul jazz of the 60s – similar to some of Charly Antolini's excellent work for Saba/MPS! Instrumentation... read more

Great early work by The O'Jays – with a much different sound than their later work on Philly International! The cuts are quite hard-edged, with a mixture of Northern Soul grooves and mellower uptown styles – and the album's got a split set of arrangements, both of which work well for... read more

A pivotal album from The O'Jays – and an undeniable Philly classic! The record was the third the group cut for the Philadelphia International label – but it was really the first one that pushed their strong righteous soul agenda, sort of a mix of message-oriented lyrics and heavy soul... read more

An incredible debut from Okada Taxi – the kind of future soul classic we'll be digging for years! Okada handles the keyboards and programming on the set – next to an assortment of great instrumentation on trumpet, Wurlitzer, and acoustic bass – plus key guest work by artists that... read more

A killer bit of crossover pop from the mid 60s – and the kind of groover that brought the Carolina beach sound to the top 40 charts! Includes the group's classic hit "Girl Watcher", a groover that we always enjoy hearing, plus other nice ones like "The Soul Clap", "Lo... read more

US issue of some of Sonny's African recordings from the early 80s. The groove here is afro-pop, with crisp guitars and a lighter beat than Fela's style of afrobeat, but with similar cascading horn parts. The production's a bit slicker too, with the vocals pushed way forward in the mix. Titles... read more

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Easily one of the greatest albums recorded by Olatunji in the 60s – a set that's even more hard-driving than his classic records for Columbia, with an incredibly percussive groove all the way through! The group features an assortment of percussionists all driving along with Olatunji –... read more

Babatunde Olatunji's two classic percussion ensemble albums for Columbia collected in one set. The first LP was recorded in New York with a mix of drums, chants, and afro grooves. Olatunji's joined by Montego Joe and Baba Hawthorne Bey on percussion, and they're backed by a large group of... read more

A killer album of Afro Funky tracks, and certainly one of Olatunji's best! The record was recorded in the early 70s, and it features Olatunji breaking past his usual heavy blend of African percussion, into a vein that's a lot more tinged with jazz and soul touches. He gets some great help on the... read more

Two wonderful versions of the Gershwin classic "Summertime" – both of them very offbeat! The Old Metropolitan take has lots of horns, and a brooding bassline that really creates a lot of darkness – initiating the track for the first minute or so along with the vocals, before... read more

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Heavy beats, electro funk atmosphere and accessible, hooky dancefloor sounds from Oliver on Fool's Gold label – and on a really cool Killian Eng-designed picture disc, to boot! Includes "MYB", "Night Is On My Mind", "Control" and "Mechanical".... read more

Oliver Cheatham sounds wonderful here – in that best bouncy style that made him a big favorite on the dancefloors in the early 80s – a groove that's still pretty darn great all these years later! The set features key songwriting help from Al Hudson and Kevin McCord, both of whom help... read more

The follow up to the first Mondo Cane film – in case you couldn't tell by the title! Nino did part of the music for the first one, and the style here is very similar – mostly orchestral, but with a few lighter moments that get a little groovy. There's no big hit on this one, as with... read more

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A sparkling debut – and a whole new side of Truth & Soul! The Olympians feature Toby Panzer on keyboards and vibes – and work here with a laidback groove that's totally great – kind of a combination of slow funk and instrumental sweet soul, with mellow beats, El Michels horns... read more

Two funky classics – back to back on a single CD! Put The Music Where Your Mouth Is features some of the funkiest grooves recorded in the UK during the early 70s – the wicked first album by the Olympic Runners, a group who almost got their start by accident! The combo was booked to... read more

A great batch of harmony vocal tracks – nearly all of them with an upbeat, kind of silly approach – similar to The Coasters at their best! The Olympics owed a lot to the late 50s Atco recordings The Coasters did with Lieber & Stoller – and they had a similar tight-lipped... read more

Dubbed out takes of Om's "Addis" from their Advaitic Songs LP – with 2 dubplate versions, courtesy Alpha & Omega! The globally-inspired Om original is ripe for the treatment – and it taking on an adventurous and wholly credible contemporary dub trip – with echoey... read more

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The first we've heard from Chicago's Omega McBride – and a solid little EP with with a unique vibe! McBride has a flow that reminds us a bit of vintage, pre-superstar Kanye West – as does the lyrical odes to real life issues – but beyond that, the sound here isn't exactly like... read more

The second LP by this obscure group from Chicago who never really managed to crack the big time, but who managed to be one of the bigger independent soul acts of the early 80's. Like their first, this one was recorded in Chicago with a sound that's similar to some of the other modern soul stuff... read more

Classic mid 80s house music from one of the architects of the style, Marshall Jefferson, and mixed by the late, great Ron Hardy!... read more

On the spot, and in the pocket – a tight trio with a wickedly funky feel – one that serves up plenty of Hammond organ over heavy drumlines! "Suction" doesn't suck at all – as it's a great groover with a really upbeat feel – and "Critically Acclaimed" is... read more

Colombian music, both classic and contemporary – as a group of older all-star players comes into contact with Will "Quantic" Holland! The set's easily one of the most smoking Latin-styled projects we've heard from Quantic so far – recorded in Colombia with work from Fruko,... read more

Colombian music, both classic and contemporary – as a group of older all-star players comes into contact with Will "Quantic" Holland! The set's easily one of the most smoking Latin-styled projects we've heard from Quantic so far – recorded in Colombia with work from Fruko,... read more

Colombian music, both classic and contemporary – as a group of older all-star players comes into contact with Will "Quantic" Holland! The set's easily one of the most smoking Latin-styled projects we've heard from Quantic so far – recorded in Colombia with work from Fruko,... read more

Smoking soul from the Ones & Nines – recorded in Jersey, and topped off in Memphis – making for an intra-state pedigree that's mighty nice! The group have a feel that's different quality than most other funky soul combos out there – with a nicely garagey quality on "Tell... read more

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The 101 Strings organization matches up with a groovy percussion ensemble, for a sound that's like some of the good RCA percussion bachelor pad LPs from the 50's. Tracks include "Voodoo Moon", "Ski Run", "Dizzy Fingers", "Roller Coaster", and "Bats In... read more