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A beautiful testament to the T-909 drum machine – and almost more of a book than a drawing! The package comes with two totally cool color flexi-disc, and a 20 page booklet that features exceprts from Joe's larger treatise on the rhythm phenomenon – with some great phtos and drawings... read more

One of the coolest albums ever from the mighty Keith Mansfield – an arranger best known for his sound library work, but one who steps out beautifully here on a rare commercial album for CBS! The set's way more than just the batch of late 60s pop tunes that you might guess from the Beatles'... read more

If Terry Melcher hadn't given Charles Manson the brush off, this album may well have come out on Columbia in the late 60s, and made Manson the rock and roll star he wanted to be! And while we're as disturbed as everyone else by the history of Charlie's violence, we also have to admit that we're... read more

A killer bit of Latin jazz from the 70s – one of the first records issued under the name of percussionist Ray Mantilla, and a really smoking set that features funky flute from Jeremy Steig, bass from Eddie Gomez, and both drums and keyboards from the mighty Joe Chambers! The tunes have a... read more

Probably the best track off the second Mantronix LP. The 12-inch version fills out the trademark Mantronix sound with more syth and effects and the Freestyle dub is the more spare version. And then everything drops out but the bass kick and high hat on the 'bonus beat' version.... read more

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Beautiful work from pianist Guido Manusardi – a player who's best known for his work on the Italian scene, but who's heard here in a rare gem from Romania! The style of the work is quite similar to some of Guido's Italian work, but there's a nicely balanced feeling too – a sense of... read more

A previously unreleased soul track from the legendary Manzel – a great little number that has a bit more of a soul feel than some of his other work! The track's got a nice raspy vocal in the lead, but it also still has plenty of keyboards too – used in a sly, slinky, slow funk way... read more

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Wonderfully groovy! This is the first-ever album by the legendary Marc 4 studio group – a funky Italian combo that featured Armando Trovajoli on keyboards, plus backing by guitar, drums, and bass. The keyboards vary from funky organ to jangly electric harpsichord to sharp-edged piano –... read more

Deep grooves from Marc Mac – a set that's way earthier than any of his 4 Hero projects – and which is almost a tribute to the soulful sounds that have shaped his music over the years! The package is a bit similar to Mac's previous Right To Be Civil collection – and definitely has... read more

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A groovy little Italian soundtrack – straight in some parts, but very nice in others! There's some sweet tunes that features wordless female vocals – in the mode of work by Armando Trovajoli or Ennio Morricone from the time – and there's other tunes that have a dancing groovy... read more

A pretty far reaching set of grooves from Gianni Marchetti for director Joe D'Amato's Le Notti Porno Nel Mondo No 2 – from chiming acoustic guitar, soaring strings and echoing horns that would pair just as well with a Spaghetti Western as an erotic film, to funky bongo flavored disco and well... read more

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A rare album that Rusty Evans cut as Marcus for the Kinetic label – a beautifully produced set of lushly-accent psych folk – in a great package filled with demos, alternate versions and outtakes – in a 2CD set from Lion! Evans may be best remembered for his San Fransisco Sound... read more

A wonderfully mixed-up, messed-up batch of jazzy tracks from the great Steve Marcus – working here at the height of his late 60s powers on Atlantic's ultra-cool Vortex label! As with other Marcus albums of the time, there's kind of a long haired, freewheeling energy to the set – jazz... read more

The first album ever by Steve Marcus – a key player trying to mix rock and jazz at the end of the 60s! Marcus plays some really wild sax on the set – a bit of soprano and tenor, mixed with guitar and electric keys in a wonderfully fuzzy sound! The approach has lots of funk in the mix... read more

A rare Japanese-only album from American reedman Steve Marcus – best known for his fuzzy freaky sets on the Vortex label – but heard here in the company of Tokyo reedman Jiro Inagaki – who also made some pretty freaky albums of his own! The tracks here are nice and long –... read more

Sublime sounds from the great Tania Maria – a killer blend of jazz, bossa nova, and wonderfully soulful vocals – all served up in a style that takes us back to Maria's best European sides of the 70s! The sound is no surprise, given that the album was partially recorded in Paris –... read more

You know, despite the fact that this one was recorded in the mid 80s, when we felt that Tania's great jazzy vocal style was being buried in excessive arrangements – in retrospect, it's actually got some darn nice moments. These include the great "Tanoca Vignette", a lively number... read more

A really special album from Tania Maria – one that features only the bass of Eddie Gomez for accompaniment, which makes for an even more personal sound than usual! Tania's vocals are wonderful – that jazzy, breezy style we first fell in love with back in the 70s – effortlessly... read more

Vital early Prestige work from alto sax great Charlie Mariano – who's fronting a quintet of Boston All Stars! The record includes a couple of his more essential early compositions in "Erosong" and "Barsac" – and Charlie's solos on those are incredible on those. It's... read more

Early 50s greatness from Charlie Mariano for Prestige – sessions that are mostly done in an octet format – wonderful stuff that we'd rank right up there with some of his best work of the decade! This 10-inch LP is subtitled New Sounds From Boston – which is quite appropriate... read more

A seminal electric session from Charlie Mariano – one recorded after his shift from bop-based work into trippier, more psychedelic influences – and one of his few American dates from the time! The record has Charlie working on soprano and alto sax, with a group that includes Pat... read more

Quite an interesting project from reedman Charlie Mariano – a record that shows that his search for new creative settings never ends! As you'd guess from the title, there's a bit of a tango inspiration to the record, but in a format that's very different than most tango jazz – as the... read more

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Wonderful sounds from Teena Marie – the last album she ever recorded before she left us way too soon – and a beautiful set that has us missing her more than ever! The vibe is even tighter than the Congo Square album, but there's also a classic sensibility and depth that takes us back... read more

Teena Marie on Stax Records – something we never thought we'd see, but which we're happy to applaud, given the strength of this set! Teena's arranging and producing herself here – and the record has some of the best tight soul modes of other recent sets in the Stax revival – an... read more

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Maybe the greatest album that Teena Marie ever cut – and that's saying a lot, given the strength of the lady's work for Motown! The set's got this bright, positive bounce that grabs you right from the start – but also moves into a depth that's way different than other funk albums of... read more

Maybe the greatest album that Teena Marie ever cut – and that's saying a lot, given the strength of the lady's work for Motown! The set's got this bright, positive bounce that grabs you right from the start – but also moves into a depth that's way different than other funk albums of... read more

Teena Marie steps out strongly on her own – really knocking it out of the park on this initial album for CBS – entirely written, arranged, and produced by Lady T! The grooves are as funky as before, but possibly have a leaner quality overall – a tighter 80s groove approach to the... read more

A definite breakout from Louisa Mark – a set of smooth-stepping rhythms with plenty of Jamaican elements in the mix – yet served up in a warm London vibe that's plenty soulful too! The mix of modes is great – and makes the record a lovers' rock classic right from the get-go... read more

A groovy set of surfing stomps performed by The Marketts – some of the best Liberty surf rock ever! This record finds these players pairing up rumbling rhythms and raw percussion with nicely grooving piano and some sweet sax – with some tight, punchy guitar grooves to keep it well... read more

Vintage Memphis instrumentals from The Mar-Keys – a record cut at a time when the group were still rising up with the same power as Booker T & The MGs! There's a very similar vibe going on here – tight rhythms and no-nonsense combo instrumentation that's heavy on organ and tenor,... read more

Two great Memphis instrumental groups, back to back on one CD – in a smoking little live set that keeps the Stax Records sound strong – even away from the studio! The set's actually heavier on work by Booker T & The MGs than it is cuts by The Mar-Keys – as Book and crew... read more

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A sweet set of sides cut by the Wailers under Lee Perry's production. Crucial early roots versions of some of Marley's strongest material, like "Mr. Brown", "Soul Rebel", "Duppy Conqueror", and "400 Years" rendered in a raw Kingston soul style! Give us this... read more

Early, early Coxsone Dodd produced sides of groovy rocksteady, voiced by a young Bob Marley with Peter Tosh and Bunny Wailer. While we don't find this material nearly as compelling as his later work produced by Lee Perry and then his huge international hits, it's great Studio One rocksteady and an... read more

Early, early Coxsone Dodd produced sides of groovy rocksteady, voiced by a young Bob Marley with Peter Tosh and Bunny Wailer. While we don't find this material nearly as compelling as his later work produced by Lee Perry and then his huge international hits, it's great Studio One rocksteady and an... read more

Sweet grooves from the great Bob Marley – a set cut at a time when Marley was really riding his international fame – and able to create the kind of music that reached out way more than conventional reggae! The Kingston roots of the sound are still very firmly in place – but there'... read more

A great collection of work from Bob Marley – put together as the soundtrack to the film of the same name, but a set that works equally well as a rich introduction to his music! There's a handful of classics here, but also some nice lesser-remembered tunes too – and the package includes... read more

Titles include "A Jah Jah", "That's The Way", "Good Morning Jah", "Easy Sailing", and "Play Play".... read more

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Rare mid 80s recordings from singer Bunny Marrett – a largely unrheralded hero of the Bristol reggae scene of that decade – and strong work that's gone unreleased until now! Recorded in '86, Marrett plays rhythm guitar and sings, with a band that includes Glen Crooks, Bob Locke, Tim... read more

Rare mid 80s recordings from singer Bunny Marrett – a largely unrheralded hero of the Bristol reggae scene of that decade – and a 6 track set of strong work that's gone unreleased until now! Recorded in '86, Marrett plays rhythm guitar and sings, with a band that includes Glen Crooks,... read more

Very righteous work from Esther Marrow – a soul sister who sings with a hell of a lot of power! The set's an overlooked gem in the Fantasy catalog of the 70s, and it's one of only two secular soul albums cut by Marrow – and quite possibly the best of the bunch, too! Esther's got some... read more

An offshoot of the 4AD rock scene from the UK, this number sampled Rakim from "Paid In Full" to great effect – and it made quite a bit of sense that the track was issued on 4th & Broadway in the US (probably also a legal move, so that the label wouldn't sue 4AD for copping a... read more

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A nice little take on the "city symphony" mode that was big in American music a few decades back – served up by the Wynton Marsalis Septet of the early 90s, with decidedly modern touches! The double-length album's a three-tiered affair – with part one standing out as Wynton's... read more

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The classic debut of a young Wynton Marsalis – cut after a stretch when Wynton was working with Art Blakey, and had really sharpened his chops! The record's a wonderful return to straight jazz tradition for Columbia – but it also has some modern moments too – proof that the... read more

A beautiful set of jazz album cover art from the 50s and 60s – hardcover, in full color, and packed with hundreds of classic images! The title's a reflection of the strong scope of material – work from both the east and west coast scenes, pulled from labels like Prestige, Atlantic,... read more

Very strange record that's made up of excerpts of Marsh's solos from a live set recorded by Peter Ind at the Half Note. Ind somehow felt that Marsh's solos were the only thing worth saving from a huge set of tapes that he made of the show, so he edited down the tapes to these 2 minute segments,... read more

70s issue of a great little live set – recorded in LA in 1951, one of those private recordings from the time that saw brief release on the Xanadu label. Tracks are long, and Warne's playing in a much more open-ended mode with a quartet that features Hampton Hawes, Joe Mondragon, and Shelly... read more

A masterpiece by Warne Marsh – and proof that there was always a committed modernist lurking behind some of his more straightforward playing! The session has sort of a post-Tristano underground west coast feel (if we can make up such a heavy handed term!), and it features a piano-less... read more

Genius, pure genius – and one of the few key sides by Warne Marsh as a leader! The album follows on Marsh's appearance with Lee Konitz on an earlier Atlantic album, but it really breaks free from the Konitz mode – and has an open, laidback sound that is instantly captivating –... read more

One of the greatest 50s showcases for the tenor talents of Warne Marsh – a deceptively understated album that captures Warne at his most fluid and creative point! The setting is a quartet – with Ronnie Ball on piano, Red Mitchell on bass, and Stan Levey on drums – and Marsh is... read more

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Another rough'n'ready Wackie's production, with the Wackie's rhythm section delivering some nice chunky riddims for Clive Field Marshall to ride with a tight sing-jay style of toasting. A dozen chubby 80s reggae numbers, including "State Trooper Style", "Love Is What You Want",... read more

Ah, the genius of 70s stardom! This one may not play that well for today's kids, but we're floored by the sheer magnitude of the record's stars – a huge list that includes Don Rickles, Alan King, Rich Little, Suzanne Pleshette, Burt Reynolds, Karen Valentine, McLean Stevenson, Charo, Vincent... read more

A killer clubby groove from Steve Marshall – the kind that reminds us of the best indie singles from the late 70s disco years! Steve plays alto sax here over a strutting, high-stepping rhythm that's got plenty of warm touches – really glowing with a sense of soul that's great, and... read more

Slinky pop from Marsmobil – tunes that bubble and bristle with a bit of downtempo energy, but which have a stronger focus overall – and some compelling female vocals sung in a breathy, laidback style! The album's a joint release from G-Stone and Compost – and it's got elements... read more

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If you can forgive the title of this one, you'll find it to be a very groovy record! The album's a killer batch of funky instrumentals ("black sound") recorded in Italy in 1972 by Augusto Martelli ("white people") – and it's got the groove and swing of some of the best... read more

If you can forgive the title of this one, you'll find it to be a very groovy record! The album's a killer batch of funky instrumentals ("black sound") recorded in Italy in 1972 by Augusto Martelli ("white people") – and it's got the groove and swing of some of the best... read more

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Recorded in the years when Dean was fishing around for some style to hang his voice on, and before he settled on Country & Western material, this isn't really an album of Latin tracks, but it does have some nice choppy numbers with a cha cha feel, courtesy of arranger Don Costa. Tracks include... read more

Lovely vocals from British singer Millicent Martin – working here in an easygoing mode with lush backdrops from Tony Osborne! Millicent's big fame at the time was her key appearance in The Boy Friend – and she's definitely got a style here that echoes the era of that show – not... read more

A sweetly stepping mid tempo disco groover with a hypnotic, stripped down Euro-disco feel that never veers too heavily into the pulsating sequencer mode or cheesy over-synthesized excess!... read more

Steve Martin at the height of his mid 70s stand up popularity, long before he ever thought of making sappy movies. Includes "Ramblin Man", "Vegas", "Let's Get Small", "Smoking", "One Way To Leave Your Lover", "Mad At My Mother", "Excu... read more

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Solo work from pianist Luigi Martinale – a player we've mostly heard in a trio setting, but one who's equally captivating on his own! In the open space of the set, Martinale's got lots of opportunity to stretch out and spread his wings – yet while doing so, he still comes across with... read more

A sweet mix of Spanish and Cuban styles – as Pedrito Martinez takes on some older flamenco tunes, but in ways that have a really old school Havana sort of sound! Pedrito's vocals are served up with plenty of soul – and backed with tight guitar from Nino Josele, whose dexterity on the... read more

Percussionist Sabu Martinez is one of the all-time greats of Latin music – and this record is probably the rarest he ever cut! The album came out of Sweden, where Sabu was residing during the 70s – enjoying some success as an expatriot jazz player in the European scene. The album... read more

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Martino plays in a 2-guitar quartet – with Bobby Rose backing him up on guitar, plus rhythm accompaniment by Richard Davis and Billy Higgins. The sound's definitely in the trippier, post-hippie style of Martino's work, with a sort of looseness and fluidity that you either love or hate, but a... read more

Pat Martino in one of his greatest settings – live, in front of the kind of an audience where he could really open up! The set's a great marker of the growth that Pat experienced as the 70s approached – taking all the lessons he'd learned from his years gigging it up in the soul jazz... read more

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One of the first great group albums on Motown – and a set that really paved the way for later albums by The Supremes, Martha & The Vandellas, and other Motown girl groups! The Marvelettes were easily one of the most perfectly-formed acts on the label at the start – and this smoking... read more

A sweet groover from the Marvelettes – and a record that completely re-casts their sound for the Motown of the 70s! The group's still got the great soprano harmonies that made their early hits so wonderful, but the arrangements on the set are deeper and more sophisticated – taking them... read more

The old school rap classic from Marvelous Three & The Younger Generation – aka "Rappin All Over" – released here as a 2-part 45 version as mixed by Kenny Dope – who utilizes the original master tapes and genuine love for Brass Records original! The original funky... read more

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The first record in awhile from Patricia Marx – but a set that's definitely worth the wait! Patricia's working here with partner Bruno E – and they've both moved into territory that's quite different than their skittish, clubby work of the Trama years – a warmly gentle groove... read more

The great first album from The Mary Jane Girls – easily their best, and an 80s pop soul delight all the way through! Rick James is firmly at the helm of the quartet for this release – and although the sound has elements of James' own crossover funk of the time, there's also an approach... read more

A lasting classic from the funky female foursome who were one of the biggest acts on Motown in the mid-80s – working here with super tight production and arrangements from Rick James – who also wrote all the songs on the record too! The girls' look is a bit dated, but their sound has... read more

A lasting classic from the funky female foursome who were one of the biggest acts on Motown in the mid-80s – working here with super tight production and arrangements from Rick James – who also wrote all the songs on the record too! The girls' look is a bit dated, but their sound has... read more

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A late 70s dancefloor soul set from Mascara – an album and group that's notable for a number of reasons – most importantly for being a pre-solo star showcase for the great Luther Vandross! Mascara is an interesting international joint effort – with instrumental tracks recorded in... read more