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A selection of beats from four contemporary forces working on the Norwegian scene – J-Ramm, Kolon Productions, Clark F, and The Nutsons! The last are the only ones here we've heard before – from a great single we used to stock many years ago – and each artist has a different... read more

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An all-star soundtrack to this comedy film from the 70s – starring Raquel Welch, Bill Cosby, and a very young Harvey Keitel! Most of the tracks on the set are from other A&M albums, but there's a few tunes that are original to the set – including the vocal track "No Love... read more

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Two killers from Jabula – overlooked Afro soul albums from the 70s! The set mixes up the track list a bit, but still comprises both full albums from the group – the first of which is the self-titled Jabula. Jabula is South African soul, but recorded in the UK – coming across... read more

A pretty compelling little quartet – a jazz combo from Zimbabwe, and one who play with a lot of spiritual jazz overtones – yet also throw in some occasional vocals in English! Instrumentation is pretty unique – like some of the hipper experiments on Strata East in the 70s –... read more

A pretty compelling little quartet – a jazz combo from Zimbabwe, and one who play with a lot of spiritual jazz overtones – yet also throw in some occasional vocals in English! Instrumentation is pretty unique – like some of the hipper experiments on Strata East in the 70s –... read more

One of the most obscure Jackie & Roy sessions ever – a split LP that features one side of tracks from the musical By Jupiter, and another from the show Girl Crazy! The style of the set is in a similar mode to Jackie & Roy's best work for ABC – with small combo jazz group... read more

A sweet 70s set from Jackie & Roy – just the kind of record that shows that their genius kept on growing and growing as the years went on! The album's a nice change from the fuller, freer sound of the pair's earlier 70s sides on CTI – but it's also not the straighter jazz of the... read more

A sweet 70s set from Jackie & Roy – just the kind of record that shows that their genius kept on growing and growing as the years went on! The album's a nice change from the fuller, freer sound of the pair's earlier 70s sides on CTI – but it's also not the straighter jazz of the... read more

It's late in the career of Jackie & Roy, but the pair haven't faltered a bit! This set's a tight little straight ahead session with a larger group that includes Conte Candoli, Bill Watrous, Bill Perkins, and Bob Cooper, all of whom give the best tracks a swinging west coast groove. Titles... read more

One of the first albums ever from the team of Jackie Caine and Roy Kral – and one of the best, too! The album's got a relaxed, open-ended approach to jazz vocals that already carries all the hallmarks of the Jackie & Roy style – wordless scatting on some tunes, playful lyrical... read more

Wonderfully groovy work from the team of Jackie Cain & Roy Kral – a set that has the pair moving into much hipper modes for the 60s, and really taking off from the greatness of earlier records! Backing is still by Roy's core trio, with acoustic piano at the lead – but the addition... read more

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Jackie & Roy are definitely getting bit wilder here – hitting an electric early 70s CTI mode, and really growing a lot in the process! The session has the vocal pair working with CTI players who include Hubert Laws on flute, Joe Farrell on saxes, Roy Pennington on vibes, and Steve Gadd... read more

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Sublime stuff from Chuck – a mix of iceman soul and New York uptown production, crafted in a heartbreaking mode that was hardly ever matched by other singers of his day! This is a perfect one to bookshelf next to your Jerry Butler and Walter Jackson albums – and it includes Chuck's... read more

Lost bit of soul by Chuck Jackson, recorded in LA in the early 70s, between his Wand hit years, and his later stuff on All Platinum. The sound is sort of a rootsy studio soul sound, if that makes any sense – but some of the tracks are also a bit funky. There's a great sample on the cut... read more

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Great stuff from one of our favorite soul vocalists of the 60s! We love Deon Jackson – we love his sweetly honest vocal style, we love his songs, and we love the great production he gets from the legendary Ollie McLaughlin! This album is the only one he ever cut – and it's a... read more

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One of the greatest new male soul voices of the 80s – served up here in a beautiful batch of ballads, love songs, and mellow cuts! Freddie Jackson could number plenty of groovers amongst his hits, but he also always seemed most at home with a ballad – where the complexities of his... read more

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What the what?!? Soul sides so great they'll blow your mind – even though none of them have ever been issued before! George Jackson is one of the great lost talents of southern soul – an artist who often stayed in the background, lending his talents to others in the studio, or as a... read more

What the what?!? Soul sides so great they'll blow your mind – even though none of them have ever been issued before! George Jackson is one of the great lost talents of southern soul – an artist who often stayed in the background, lending his talents to others in the studio, or as a... read more

Damn! The first volume in this series of rarities cut by George Jackson for Fame Studios really blew our minds around here – and Kent has gone and somehow topped it with Volume 2! Let The Best Man Win features 2 dozen songs, most of which are originals by Fame staff writer Jackson –... read more

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A breakout album for Janet, with prime New Jack, or should we say New Jill, Swing production from the then unstoppable Jimmy Jam & Terry Lewis Flyte Tyme production team. Includes "Control", "Nasty", "What Have You Done For Me Lately", "The Pleasure... read more

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Off the Rhythm Nation LP.... read more

Bold 80s soul from Jermaine Jackson – a set that's heavy on beats and keyboards, but which still leaves enough space for his gentler-toned vocals! The upbeat tracks here sometimes get a bit dramatic, which makes us like the ballads more – sweeter-styled numbers that are much better... read more

Bold 80s soul from Jermaine Jackson – a set that's heavy on beats and keyboards, but which still leaves enough space for his gentler-toned vocals! The upbeat tracks here sometimes get a bit dramatic, which makes us like the ballads more – sweeter-styled numbers that are much better... read more

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One of our favorite albums of all times – and a legendary testament to the greatness of the Chicago music scene in the late 60s! Melvin Jackson was the bassist in Eddie Harris' very successful group of the time – and his playing on Eddie's trippy and funky records for Atlantic is one... read more

An overlooked early session from multi-instrumentalist Michael Gregory Jackson, recording here with a trio of great horn players in a wonderfully sensitive sound! The record's approach is a perfect illustration of the maturity on the New York avant scene in the late 70s – a real change from... read more

The third great album in the trilogy that includes Off The Wall and Thriller – and a set that still has Michael Jackson running strong at the height of his solo powers! Quincy Jones is still at the helm, and Michael more than proves that he can still come up with a pop tune without going too... read more

The third great album in the trilogy that includes Off The Wall and Thriller – and a set that still has Michael Jackson running strong at the height of his solo powers! Quincy Jones is still at the helm, and Michael more than proves that he can still come up with a pop tune without going too... read more

The third great album in the trilogy that includes Off The Wall and Thriller – and a set that still has Michael Jackson running strong at the height of his solo powers! Quincy Jones is still at the helm, and Michael more than proves that he can still come up with a pop tune without going too... read more

The third great album in the trilogy that includes Off The Wall and Thriller – and a set that still has Michael Jackson running strong at the height of his solo powers! Quincy Jones is still at the helm, and Michael more than proves that he can still come up with a pop tune without going too... read more

The third great album in the trilogy that includes Off The Wall and Thriller – and a set that still has Michael Jackson running strong at the height of his solo powers! Quincy Jones is still at the helm, and Michael more than proves that he can still come up with a pop tune without going too... read more

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Early Michael Jackson at his best – a brilliant solo album that sparkles with honest warmth and sweet soul energy! There's a gentleness to the tunes that's quite striking, but never childish – a simple and effective approach to the material that's sung in a manner that's years beyond... read more

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A great lost performance from Michael Jackson – finally brought to light! The concert features Jackson before a stunningly large crowd at London's Wembley Stadium in 1988 – part of his world tour for the Bad album, and a perfect document of Michael's impressive magic on the stage... read more

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Arguably the last true moment of genius in Michael Jackson's career – a record that sold a bazillion copies around the world – and for plenty good reason! Michael's still working here with Quincy Jones – in territory that steps nicely from the Off The Wall groove, into territory... read more

Seminal 70s southern soul from Millie Jackson – a record that's head and shoulders above most of what she recorded in later years! Before she got all naughty and raunchy, Millie Jackson was one of the best female soul singers to come out of the south – and this album's a work of... read more

Millie Jackson's feelin bitchy – and letting a whole new side of her talents show! After the sweet southern soul sound of her early recordings, the Jackson style takes a sharp shift here – letting a bitchier side show up more strongly, and really setting the tone for the next great... read more

An excellent early album from Millie Jackson – recorded in a southern soul style in New York and Muscle Shoals, but a lot hipper than most of the rest of the female soul that was coming out of the south at the time. For one thing, Millie was a bad mamma singer – rapping hard and... read more

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Ahhh . . . Great stuff! This Millie Jackson's tremendous debut album – and the work here is completely different from later records that have her more in a bitchy mode! Here, Millie's a heartbroken southern diva – right in the vein of Ann Sexton, Doris Duke, or Shirley Brown –... read more

A side of Millie Jackson that we really really love – her ballads and mellow tracks – a style that Millie did unlike anyone else back in the day! Jackson's sometimes best remembered for her sassier side, but we love it when she kicks back and moves slowly into a groove – drawing... read more

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Excellent late 50s work by Milt Jackson for Atlantic! Bags & Flutes is very much in the style of Milt's classic Savoy sides from the preceding couple of years – mixing together his jazzy vibes with light lilting solos on flute, either by Bobby Jaspar or Frank Wess, Milt's old compatriot... read more

A sweet larger group session from vibist Milt Jackson – proof that he was really trying to stretch his wings, and get into new things during the 60s! The set's got Milt working with some great help from Tadd Dameron and Ernie Wilkins on larger group arrangements – nicely swinging... read more

A rare Italian session from vibes genius Milt Jackson – and a set that features Milt on vocals instead of his usual instrument! The format here is really wonderful – and quite a change from what you might expect – as Milt's got this warm, raspy style of singing that's completely... read more

A set that definitely moves along the Soul Route promised in the title – thanks to great vibes from Milt Jackson, and a mix of electric and acoustic piano from Gene Harris! Harris here has none of the hoke of some of his Concord sides – and instead, slides in alongside Jackson to give... read more

A great statement from vibist Milt Jackson – one of his key solo sessions in a great 60s run of recordings away from the Modern Jazz Quartet! Like the classics that followed this one, the vibe is much more soulful than any of Milt's records with the MJQ – kind of an extension of the... read more

Milt Jackson and JJ Johnson – working here together on 1954 session cut in New York – but some of which features contributions from the famous French pianist Henri Renaud! At this point in their career, Jackson and Johnson had a very similar modern swing – and the record makes... read more

A wonderful little record – a real standout in both the careers of Milt Jackson and Coleman Hawkins! The album captures Hawk during his great later years – that time when his sound was even more soulful and inventive than ever – with lots of odd modern undercurrents that really... read more

A wonderful little record – a real standout in both the careers of Milt Jackson and Coleman Hawkins! The album captures Hawk during his great later years – that time when his sound was even more soulful and inventive than ever – with lots of odd modern undercurrents that really... read more

One of the great jazz sessions that Ray Charles cut towards the end of his years at Atlantic Records – a surprisingly great little album with vibist Milt Jackson! The set really shows a side of Milt that didn't always surface in the Modern Jazz Quartet – and Charles is surprisingly... read more

One of the great jazz sessions that Ray Charles cut towards the end of his years at Atlantic Records – a surprisingly great little album with vibist Milt Jackson! The set really shows a side of Milt that didn't always surface in the Modern Jazz Quartet – and Charles is surprisingly... read more

A beautiful combination we'd like to hear more of – one that comes from the meeting of Milt Jackson's vibes and the guitar of Wes Montgomery – both recorded here in easygoing brilliance! The session's a nice break from the usual sound of both players at the time – and although... read more

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A bit of a mystery session – clearly recorded in the late 40s, but without as many session details as we might like! Still, the work's great – early Milt Jackson with a nice boppish edge, recording here with Sonny Stitt on alto, Sir Charles Thompson on piano, and Russell Jacquet on... read more

The return of a legend – or maybe more accurately, the first time this legend's ever really gotten his due! Ralph Jackson's been working in the Alabama soul underground for decades – yet this smoking album may well be the first time he's ever really gotten out front, and able to do his... read more

The return of a legend – or maybe more accurately, the first time this legend's ever really gotten his due! Ralph Jackson's been working in the Alabama soul underground for decades – yet this smoking album may well be the first time he's ever really gotten out front, and able to do his... read more

A smoking second album from Rebbie Jackson – a set that has Rebbie working with strong production help from two of the bigger aspects of the Columbia Records soul family in the 80s – Tito Jackson and Reggie Lucas, who each handle a handful of songs along with David Conley and Howie Rice.... read more

A smoking second album from Rebbie Jackson – a set that has Rebbie working with strong production help from two of the bigger aspects of the Columbia Records soul family in the 80s – Tito Jackson and Reggie Lucas, who each handle a handful of songs along with David Conley and Howie Rice.... read more

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One of the loosest, most open albums from Ronald Shannon Jackson & The Decoding Society – and a set that's a great antidote to some of the later records for bigger labels! Jackson's still got a very inspiring sound at this point – a polyrhythmic groove that's virtually the... read more

With Zane Massey on saxes, Vernon Reid on guitars, Melvin Gibbs on bass, and Henry Scott on trumpet.... read more

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A crowning moment of the Chicago soul scene of the 60s! Nobody was better than Walter Jackson at Iceman soul – and no cut of his carried this off better than the sublime "It's All Over" – one of those incredible tunes that we never tire of hearing!... read more

60s Chicago soul doesn't get any better than this – a sublime debut from the legendary Walter Jackson – done in a smoothly sophisticated style that set a whole new standard for the genre! The record steps off nicely from some of the earliest work by Jerry Butler and The Impressions... read more

Pivotal singles from the amazing Wanda Jackson – one of the greatest female rock and country voices from the 50s onward – who mixes a cutesy coo and a feral growl for a sound that was pretty much unprecedented at the time! The material bridges proto rock and country music in a way that... read more

One of the best rock and/or country LPs of the late 50s and early 60s! Capitol signed the rockabilly rebel princess several years prior to the release of this collection of her jumpy, frenetic singles, and had Wanda record more crossover material, which she succeeded at in incredible fashion. ... read more

The cover says this is "an album if great rockin songs by Wanda Jackson" and they are indeed pretty rockin! Rather than rock, these tunes are more rockabilly, of course – and Wanda's amazing, raspy yet pretty voice is definitely rooted in classic honky tonk, too. It's a really... read more

A great album from Willis Jackson – a real sleeper, and with a very groovy feel! Willis smokes with an organ combo that has Butch Cornell at the keys, and which also features Vince Corrao on guitar and Franklyn Robinson on trumpet. The tracks are a mix of originals and Beatles covers... read more

A classic set of soul jazz tracks from Gator Tail and Brother Jack McDuff – recorded in a raw grooving style, very similar to that used on some of their live recordings from the same time. The core of the group features Bill Jennings on guitar and Wendell Marshall on bass, but some of the... read more

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The historical first release ever from The Jackson Five!... read more

Pure genius – like just about every other early Motown album by the Jackson 5! The vocals are sublime – almost even more perfect than on the first few records – and the group have some great help in the studio from arrangers like The Corporation, Willie Hutch, Johnny Bristol, and... read more

Pure genius – like just about every other early Motown album by the Jackson 5! The vocals are sublime – almost even more perfect than on the first few records – and the group have some great help in the studio from arrangers like The Corporation, Willie Hutch, Johnny Bristol, and... read more

The cover's a bit gimmicky, but the album's a stone classic – a wicked later Motown moment from the Jackson 5 – and one that has them working with the super-grooving team of Holland-Dozier-Holland! Brian Holland handles production work for the team, and although his touches only appear... read more

An amazing bit of soul – and one of the rarest funk records of the 70s! This masterpiece was recorded by The Jackson Sisters, a semi-gospelly soul group that has a sound that's a bit like The Voices of East Harlem, but that's a lot harder, and that has a deeper soul sound overall! At times,... read more

An amazing bit of soul – and one of the rarest funk records of the 70s! This masterpiece was recorded by The Jackson Sisters, a semi-gospelly soul group that has a sound that's a bit like The Voices of East Harlem, but that's a lot harder, and that has a deeper soul sound overall! At times,... read more

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Obscure synth boogie EP out of California. Includes vocal and instrumental mixes of the title track, "I'm Ready For You", "Together At Last", "Pleasures In Me", and "Good Woman".... read more