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If the story is stripped down avant funk instrumentals with subtle stylistic twists and turns, it's a story worth telling – and that's what Clutchy Hopkins puts down on The Story Teller – an album that manages to be among his most raw and direct and his most adventurous at the same time!... read more

If the story is stripped down avant funk instrumentals with subtle stylistic twists and turns, it's a story worth telling – and that's what Clutchy Hopkins puts down on The Story Teller – an album that manages to be among his most raw and direct and his most adventurous at the same time!... read more

A seminal recording from this duo who were a key part of the Northeastern improv scene in the 80s – bassist Fred Hopkins and cellist Deirdre Murray, who between the two of them manage to cover a hell of a lot of space with their instruments! Both players work together with an energy on the... read more

Lost jazzy score to this obscure 60s film – featuring nice nice work by Kenyon Hopkins, very much in the style of his other famous work from the time. Some tracks ahve a nice organy groove, others have nice spare jazz elements – and although the players aren't credited, we're sure the... read more

Back to back jazz soundtracks – the cream of the crop of the early 60s! First up is The Hustler – a killer jazz score from Kenyon Hopkins – a composer we can almost always trust to turn around a killer jass score! The work is mostly in a jazz ensemble mode – and moves... read more

Quite an amazing little record – and one that definitely lives up to its title! The set's one of the most intimate ever recorded by Lightning Hopkins – done in a style that's equally folk as it is blues – with Hopkins playing guitar and singing, but in a very relaxed, laidback... read more

A really nice later set from legendary Texas blues titan Sam "Lightnin'" Hopkins – done up for the Jewel label with a bit of the spark that was missing from the hit & miss work he did earlier in the decade for Bluesville! Blue Lightnin' also has a down and dirty style in spots,... read more

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A Belgian take on the Congotronics vibe – not done in the same musical style necessarily, but definitely grabbing that great spirit for homemade instruments and unique stylistic hybrids! There's a punky, funky sort of vibe going on here – but one that also has more laidback qualities... read more

An overlooked gem from 70s soul singer Eddie Horan – an artist we only know from this great little record – which is a sweet mellow soul classic! There's a mix of tightness and easygoing soul here that's mighty nice – as Eddie sings in this confident, yet laidback style that's... read more

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One of the most starkly beautiful recordings in Paul Horn's career – with spiritually resonant, almost spine tingling solo flute and some chants, all recorded in the Taj Majal one day in April of 1968! It's really all about the atmosphere, as it would have to be given the location –... read more

Fantastic stuff – and a beautiful album of modal grooves that really deserves wider recognition! Horn plays alto and flute in a groovy west coast quintet with Emil Richards on vibes and Paul Moer on piano – and the overall feel is very similar to his stellar Something Blue album on the... read more

Two excellent early albums from Shirley Horn – back to back on a single CD! Travelin Light is one of the greatest jazz vocal albums of the 60s, and probably the greatest album ever by Shirley Horn! The session's got a beautiful lively sound, with extremely interesting arrangements by Johnny... read more

Stunning Miami grooves from the legendary Jimmy Bo Horne – one of the key figures in the southern club scene of the 70s! Jimmy's got a groove that's very much his own on the set – a snapping, almost clapping sort of rhythm picked up from the George McCrae and KC camps at TK Records... read more

Titles include "Lady Is A Tramp", "Love Of My Life", "Deed I Do", "Where Or When", and "Can't Help Lovin That Man".... read more

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One of the more obscure stars in the TK Records constellation – a one-off club project, featuring the writing and production talents of Oscar Llord, and the vocals of Bobby Bushe – hence the title! The set's got a rough take on the Miami disco style of the time – a bit less... read more

A killer set from one of the most unique acts of the 70s – the legendary Hot Chocolate, a group with a sound unlike anyone else at the time! Hot Chocolate's groove was a bit soul, a bit rock, and often nicely funky underneath – and the British group really won lots of new ears on this... read more

A brilliant return from the Hot 8 Brass Band – a New Orleans combo who take tradition into some great funky new territory! As you'd guess from their name, the instrumentation is heavy on brass – played with a gritty, soulful edge – in the way you'd find during some street... read more

An inventive project from Hot Peas & Butta and Big Pimp Jones – one that's similar to some of the soundtrack-styled funk we've heard before from the latter act – but with a vibe that's definitely deeper, too! The music here is written for an imaginary thriller – based around... read more

A lost album from the legendary Stax Records – a full set of tracks from the deep soul group Hot Sauce – planned as a record of its own in the final years of the label, but never issued at the time! Hot Sauce were one of the funkiest groups on Stax in the early 70s – a wickedly... read more

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The complete early 70s sessions of Hotlegs – the group that hit the charts for brief moment thanks to the unforgettable, sparely drum-heavy, kinda Kinks-ian "Neanderthal Man" single – and later went on to shuffle the line-up a bit and reintroduce themselves as 10CC! We've... read more

A much-needed tribute to one of the greatest groups on Creation Records – one of the few to really get the label's aesthetic perfectly right – and a vastly overlooked group that's finally getting its due! House Of Love had a near-perfect revision of psychedelia going on in the mid 80s... read more

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A cool collection of rare recordings from trumpeter Allen Houser – mostly recorded around the DC scene of the 70s, all with hip small group players and a pretty soulful feel overall! Houser's trumpet is set up in quartet, quintet, and sextet formations – often with a groove that draws... read more

Thelma's one of those singers who must have been waiting years for disco to come around and help her find a reason to sing! Her career was slightly ill-timed in the beginning, coming along with a baroque soul beginning that was great, yet somewhat out of place in the early 70s. But enter a record... read more

A pretty darn amazing album from Thelma Houston – recorded during the zenith of Jimmy Webb's career, when Jimmy was not only one of the hippest songwriters in pop, but also kind of a mini-Burt Bacharach, writing, arranging, and conducting albums for a variety of stars. This little gem... read more

Thelma Houston's first album for Motown – and the start of a tremendous run of music in the 70s! The set's a great mix of modes – with vocals from Thelma that definitely show her roots in gospel – and rich, mature backings that give Houston the same sort of star treatment that... read more

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The associates here are very hip – Leroy Vinnegar on bass and Shelly Manne on drums – a nice combo with Hovde's organ! Titles include "What Now My Love", "The Snake", "That's Where It's At", "Wednesday Mornin", and "Pressure Cooker".... read more

Sweet English vocals from this overlooked Dutch singer – a jazzy session recorded in the early 70s, but issued here for the very first time! The tracks have a great blend of jazz and groovy – in ways that recall some of the cooler singers on the Scandinavian scene of the time –... read more

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A killer album of funky blues – recorded by Howlin Wolf during the period when Chess/Cadet was backing its older artists up with some of the newer funk musicians it had working in its studios! The overall sound works quite well – and although purists at the time moaned at the way... read more

Funky blues work from Howlin Wolf – his key entry into the funked-up genre that Chess Records was cutting at the end of the 60s with other blues artists like Etta James, Bo Diddley, and Muddy Waters! As on records with those artists, Wolf's older modes are updated here for a hipper, younger... read more

Funky blues work from Howlin Wolf – his key entry into the funked-up genre that Chess Records was cutting at the end of the 60s with other blues artists like Etta James, Bo Diddley, and Muddy Waters! As on records with those artists, Wolf's older modes are updated here for a hipper, younger... read more

Funky blues work from Howlin Wolf – his key entry into the funked-up genre that Chess Records was cutting at the end of the 60s with other blues artists like Etta James, Bo Diddley, and Muddy Waters! As on records with those artists, Wolf's older modes are updated here for a hipper, younger... read more

Hu Vibrational brings a pounding instrumental mix of percussion, electronic beats, and African-inspired jazz! The loose group feature multi-instrumentalist Adam Rudolph (who has played with Pharoah Sanders, Herbie Hancock and Don Cherry to name a few) on all types of acoustic drums, shakers,... read more

A totally fantastic set from the turn of the 70s, and one of Freddie Hubbard's most soulful, spiritual albums ever – a seminal chapter in the evolution of soul jazz – and a record that was a keen inspiration for changes to come on labels like Strata East and Black Jazz! The group here... read more

A real standout in the early career of trumpeter Freddie Hubbard – a very unique session that has him working with some larger arrangements in the background – blowing these magical solos over the top, while still hitting a great edge with the rest of the musicians as well! There's a... read more

Pivotal work from Freddie Hubbard – a tight, edgey quintet side with a sound that approaches the Blue Note "new thing" sound, but which stays just this side of the fence to keep in line with Freddie's other soulful work of the 60s! The group features some great work by James... read more

A bundle of soul from Freddie Hubbard – one that has him blowing beautifully over full arrangements from Bert DeCoteux – the 70s super-soul maestro who really brings a new sound to Hubbard's music! The style's a bit smoother than other Freddie albums of the time, but still really great... read more

Sweet early CTI work from trumpeter Freddie Hubbard – the kind of groundbreaking electric jazz that really helped him find a new space in the 70s! The album follows strongly from Freddie's classic Red Clay set for CTI – and like that one, it features extended tracks that build... read more

Jazz funk genius from Freddie Hubbard in the mid 70s! Gleam was a Japanese-only double album from the jazz giant in its original release – mighty funky at times, too – right up there with some of the best Miles Davis and Herbie Hancock Japanese sets from the 70s! It's a live set... read more

A classic European date from Freddie Hubbard – recorded right around the vintage of his Red Clay years, but with a sound that hearkens back more towards his Blue Note sessions of the mid 60s! There's a nicely angular feel to this set – that bold, modern quality that really set Hubbard... read more

An overlooked gem from Freddie Hubbard – a late fusion outing, done for the Japanese market at a time when most of his American work was returning to more acoustic modes! Freddie's trumpet sparkles brilliantly in the lead – hitting the same sort of soulful, stretching vibe as his best... read more

One of Freddie Hubbard's wildest records ever – a really unique experiment with electronics, and a set that sounds way different than his other albums for Atlantic, Blue Note, or CTI! The key factor here is experimentalist Ilhan Mimaroglu – who adds lots of electronics and processed... read more

The title reads like a typo, but the album's a great set of smooth fusion from Freddie Hubbard – self-produced, and almost a summation of all the styles he'd mastered in the 70s! The session's never too over the top or too ambitious – just features Freddie working with a hip group in a... read more

A wonderful session of hip soul jazz tracks from Freddie Hubbard – mostly short tight and groovy, but played with a sophisticated style that points the way towards the soul jazz sound of the 70s. Soul Experiment is a fitting title – as Freddie works hard with hip players like Billy... read more

An amazing second CTI set from Freddie Hubbard – one that takes off nicely from Red Clay territory, and starts to hit an even funkier mode! The tracks here are all relatively long, with a huge amount of solo space for Freddie on trumpet, Joe Henderson on tenor, George Benson on guitar, and... read more

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An obscure date from trumpeter Freddie Hubbard and tenorist Benny Golson – but some really great work from both players! The format here is relaxed and very open – long tunes that allow both players to really stretch out on their solos with tremendous grace and imagination. And... read more

Mid 80s effort from 2 of the greatest modern trumpeters to have put a horn to their lips. Woody & Freddie run through a set of tunes, all written by trumpeters, like Clifford Brown, Fats Navarro & Kenny Dorham, as well as their own, with a group of the then-young players on Blue Note, like... read more

Classic work from Al Hudson – pre One Way, but in the same uptempo soul vein. Al's working here with arrangements by Kevin McCord, Rudy Robinson, and Dave Roberson – in a mix of club-heavy tunes that are augmented by a few welcome mellower numbers. Titles include "I Don't Want... read more

Rare Memphis soul from David Hudson – work recorded at the Royal Studios with producer Willie Mitchell – issued here for the first time ever! The material is great, and really augments David's too-small catalog of recorded works – with a style that's kind of a modern evolution of... read more

An amazing debut from Keith Hudson – a record with undeniably soulful power all the way through – a strong testament to the lasting talents of this memorable singer from the 70s! The production's mighty nice too – often dubby at points, yet in really unconventional ways –... read more

One of the most compelling later albums on Philly International – a killer mix of jazzy numbers that have a very different style than most of the other Philly work at the time! Even though Leon Huff had been banging around in soul music for about 15 years – most famously as half of the... read more

Fantastic! This is the kind of soul that we still collect vinyl for and are all the more thrilled to see officially reissued by careful curators such as those at Kent UK! Freddie Hughes is one of the great lost voices of the 60s, and this sparkling album of soulful tunes is a real gem – ... read more

A great and rare solo guitar record by Lena Hughes – issued here by Tompkins Square – a label that's put out some of the best fingerstyle guitar folk releases in recent memory – in both the contemporary and archival realms! Queen Of The Flat Top Guitar is an archival release in... read more

A great and rare solo guitar record by Lena Hughes – issued here by Tompkins Square – a label that's put out some of the best fingerstyle guitar folk releases in recent memory – in both the contemporary and archival realms! Queen Of The Flat Top Guitar is an archival release in... read more

Nice one! This is the obscure first album by Rhetta Hughes – who's probably better known to the world for her later album on Tetragrammon. The tracks are a mix of pop and soul titles, but they're given some nice arrangements by Chicago soul great Tennyson Stephens, who also sings on the... read more

The title's a great way to sum up the unique mood of this session from drummer Daniel Humair – a really wonderful blend of his own percussion with saxes, accordion, and bass – a mix of sounds that's definitely got plenty of French jazz touches! The sweet moments are those warm passages... read more

A great early album by this oft-overlooked spiritual avant group that included Lester Bowie, Oliver Lake, JD Parran, and Charles Bobo Shaw. Side one features the extended "Lover's Desire", a nice slightly-funky number that has a groove that's sort of modal. Side two of the album... read more

Suburban LA psychedelia from the dawn of the 70s – the rare self-titled album from The Human Zoo! The Human Zoo started out as The Circus, eventually cutting this underappreciated album for Accent Records. Even in a freewheeling, anything goes era of Cali rock, The Human Zoo have a pretty... read more

Titles include "Marriage License", "Young Wings Can Fly", "Actions Speak Louder Than Words", "There's No Fool Like A Young Fool", "Make Him Feel Like A Man", and "Bring It To Me".... read more

A monster – and one of our jazz funk favorites of all-time! This is the best record ever cut by the great flute player Bobbi Humphrey – and the record features some stellar production work by the great Larry Mizell, very much in the same vein as that which he used on classic sessions... read more

A monster – and one of our jazz funk favorites of all-time! This is the best record ever cut by the great flute player Bobbi Humphrey – and the record features some stellar production work by the great Larry Mizell, very much in the same vein as that which he used on classic sessions... read more

A monster – and one of our jazz funk favorites of all-time! This is the best record ever cut by the great flute player Bobbi Humphrey – and the record features some stellar production work by the great Larry Mizell, very much in the same vein as that which he used on classic sessions... read more

Sublime genius from funky flute player Bobbi Humphrey – a record we'd rank right up there with her classic Blacks & Blues set – and like that one, another fantastic collaboration with producer Larry Mizell! The groove here is tremendous throughout – a heady mix of Bobbi's... read more

Early Blue Note work from the legendary Bobbi Humphrey – a session cut before she hooked up with producer Larry Mizell, but one that's still got a righteously soulful vibe! The arrangements here are by Wade Marcus, but he still has the great idea of giving Bobbi a bit more expanded sound in... read more

Some of Bobbi Humphrey's greatest work of the post-Blue Note years – an album that's filled with soulful fusion tunes throughout, all with a great focus on her funky flute! Bobbi also sings a bit on the set, but in a way that's pretty darn great – wonderfully sweet at times, with a bit... read more

A gritty groove from Pat Hunt – deep down and earthy, with a bad-stepping, slow-moving vamp that's almost like some of the Andre Williams grooves from the 50s! Pat's vocals are a bit sweeter, but still pretty bluesy overall – and the cut's got a nice sax line that moves along with the... read more

An obscure little funky group from Detroit, one with a tight ensemble sound that's very much in the Earth Wind & Fire mode – complete with a really great horn section, plenty of bass-heavy grooves a the bottom, and a relatively spiritual feel that comes through strongly on the best tracks!... read more

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A great setting for the 7 string guitar of Charlie Hunter – served up here in a spare set of duets with drummer Scott Amendola! The sound is nice and wide – way fuller than you might expect from two instruments, thanks to some lush phrasing from Charlie, as he moves nicely along with... read more

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James Hunter at the Daptone Studios – working here with Bosco Mann production, and a sound that's much rawer than before! James has always had one hell of a voice, but this time around he also gets a bit more bite in his music too – a funky undercurrent that's more late 60s soul than... read more

Probably the best-ever album by this obscure bluesy singer from Chicago! Jimmy Giuffre handled the arrangements, and the record has a bit more polish than some of her other albums. The tracks feature some very nice jazzy arrangements – with Jim Hall on guitar, Jimmy Jones on piano, and... read more

One of 3 albums that vocalist Lurlean Hunter cut for RCA during the 50s – all of them very nice, in a sophisticated jazz club style that's not as well remembered these days. This album has her singing with Phil Moore's orchestra – a perfect backdrop for her dusky style. Titles include... read more

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A split LP by 2 of the better psyche folk bands in modern rock – Hush Arbors and Arbouretum – a team effort that makes sense stylistically on top of the conveniently alliterate band names! Hush Arbors' 5 songs kick it off in timeless, insistently melodic fashion. Arbouretum deliver 3... read more