All Categories — In Stock — All Formats  

Blazing 60s & 70s string-shredding mastery from Japan's great guitar instrumentals guru Takeshi Terauchi – whose playing matches the greatest 50s & 60s rock guitar gurus in both dexterous ability and pulpy mood setting! Takeshi put his own unique spin on the chugging styles of the... read more

... read more

Pete Terrace challenges Pete Rodriguez for the title of "King Of The Boogaloo" in this live set recorded at Chez Jose in New York! The album's got a few tracks that say boogaloo, but which aren't – but that's still ok with us, because the bulk of the set is a hard grooving batch of... read more

One of the most obscure albums ever cut by Latin vibes genius Pete Terrace – and one of the best, too! The album's got a great mix of jazzy and soulful influences – a sound that's a fair bit groovier than some of Pete's other, earlier records – with a hard swinging on most... read more

A fantastic record, and one of our most treasured Latin Soul albums from the late 60s! Ray Terrace leads a totally sharp little Latin combo through a host of originals and soulful covers, and the real highlight of the record is Willie Torres, who sings English vocals in a very deep soulful style... read more

... read more

... read more

A great little solo set from Jean Terrell – a singer who's probably best known for her work as the leader of The Supremes after Diana Ross left the group, but who sounds even better here on her own! The album's still got the strong-voiced sound that Jean brought to her Motown years –... read more

A surprisingly nice set that brings together Clark Terry and Thelonious Monk! Given Terry's bright approach to jazz, it's a bit hard to imagine him and Monk working well together – but at the time of this session, Clark still had a fair bit of an edge – with roots in a number of modern... read more

2 LP set that brings together the best moments from 4 different Clark Terry albums on Riverside – Serenade To A Bus Seat, Duke With A Difference, In Orbit, and Top and Bottom Brass. he's playing in a variety of groups here, but the overall feel is straight hard bop. Players include... read more

A surprisingly great little record from Clark Terry – filled with warmth, humor, and some really great grooves! The core of the album is the track "Mumbles", one that's based around Terry kind of slurring a scat vocal to a jazzy 60s groove. The track was a minor hit at the time,... read more

A surprisingly nice little set from Clark Terry – featuring arrangements by Oliver Nelson, and a pretty nice little group that includes Budd Johnson on tenor and Eddie Costa on vibes and piano. The material appears to be lifted from the musical All American – by the team of Charles... read more

Clark Terry's breezy trumpet is paired with Don Butterfield's tuba for a real "top and bottom" session of brassy jazz. The two of them are backed by a sharp rhythm section that includes Jimmy Jones on piano, Sam Jones on bass, and Art Taylor on drums. The set's got a lot of nice... read more

An obscure session that Clark Terry cut for the mostly-pop Cameo label during the early 60s – and some of the better recording that Terry did during the decade. The group is relatively small – filled with soul jazz players like Buddy Lucas, Seldon Powell, Willie Rodriguez, and Dave... read more

The team of Clark Terry & Bob Brookmeyer shouldn't work so well together – but although Terry's always been an optimist, and Brookmeyer's had a history as a modernist, the pair cut some great records together! This set's one of the best of a short run the Terry/Brookmeyer group cut for... read more

An interesting tribute to the passing of pianist Eddie Costa – mostly because the overall feel is much more in a soulful hardbop mode, quite different than the modern and chamber sides that Costa cut during the 50s! Side one features work by the Clark Terry quartet – with Terry on... read more

... read more

... read more

A great full-length set from Dandy Teru – a producer who's been making a fair bit of waves in the underground in recent years – finally stepping into the limelight here himself! Teru's got a great ear for a crispy beat and cosmic keyboard line – often fusing the two together in a... read more

A great full-length set from Dandy Teru – a producer who's been making a fair bit of waves in the underground in recent years – finally stepping into the limelight here himself! Teru's got a great ear for a crispy beat and cosmic keyboard line – often fusing the two together in a... read more

Mighty nice beats from Dandy Teru – chunky and crispy, and topped with some wonderful vocal work from Ty and Sarah Gessler – trading back and forth between lyrics and rhymes, and really bringing some nice energy to the cut! Quiet Dawn provide remixes on the flipside, and really add a... read more

... read more

Includes the tracks "Wailin Blues", "Barrelhouse Stomp", "I Found A New Baby", "Baby Won't You Please Come Home", and "There'll Be Some Changes Made".... read more

A legendary TV soundtrack – music for a show that only ran for 8 episodes, but which has lived on for decades past the original program! The Hanged Man features some of the funkiest grooves to ever come from the Themes International sound library label – cuts scored by Alan Tew, and... read more

Nice early 70's record by Joe, with a mix of 70's funk tracks and tracks that have more of his classic southern soul sound from the 60's. Joe's raspy voice is as beautiful as always, and he's got some really sweet material on here like "Cat's Got Her Tongue", "All The Heaven A Man... read more

A tasty live set, with a smoking raw groove that you don't always get on Joe's studio albums! The crowd really goes wild for Joe – and with only some small group backing behind him, he's got nothing left to do but go over the top with his vocals! As proof of that, the record includes the... read more

Hard to go wrong with Joe Tex at this point in his career – as the singer's not only at the top of the game of southern soul, but also helping to forge great new changes in the genre as well! The set begins with Joe's classic "Buying A Book" – easily one of his best-remembered... read more

Breaking drums, popping organ, and fuzzy guitar – all exploding at the start of this rare funky nugget – and setting fire to the tune right from the beginning! There's a nervous, jumpy sort of energy to "Uto Nwa" – one that not only sets it apart from other Afro funk... read more

... read more

... read more

Head-nodding, truth-telling soulful hip hop from underground Chi producer/MC Thaione Davis – who we actually hadnt heard much from in the previous couple of years – so it's good to have him back! Even though it's been a minute since he's checked in with us, this is actually Thaione's... read more

Thaione's eighth album – and he's sharp as ever here – with solid beats, atmospheric production touches and tough, honest and personal rhymes. Thaione handles the bulk of the production, but Seventeen includes trio of tracks produced by GEAUX. Includes "Push", "Stolen... read more

Vocal jazz, but with plenty of tripped-out touches – hardly what you'd expect from a Norwegian group with plenty of Christian leanings! That's Why were one of the key groups to reform the sound of church music in Norway at the end of the 60s – and work here with a unique hybrid of jazz... read more

Vocal jazz, but with plenty of tripped-out touches – hardly what you'd expect from a Norwegian group with plenty of Christian leanings! That's Why were one of the key groups to reform the sound of church music in Norway at the end of the 60s – and work here with a unique hybrid of jazz... read more

Mikis Thedorakis might seem an odd choice to score a film set on the mean streets of New York – but he gets some wonderful help here from Bob James, who helps ensure that the funky tracks come off nice and sweet! Thedorakis serves up the main theme with a haunting, slightly "ethnic"... read more

Sweet harmony pop – and from Chicago, no less! Thee Prophets, despite having a name that was pretty trippy-sounding, were actually a punched-up harmony rock group in the manner of The Buckinghams (another Chitown group of the time). They're singing here with some tight backings that feature... read more

Spacey soul from this enigmatic duo – a pair who've got a groove that nicely fits their trippy name – and a cosmic approach overall, one that's somewhere in the territory of Georgia Anne Muldrow, and some of the more adventurous talents in the underground! There's a real edge to some... read more

A cinematic cover, and some cinematic music to match – one of the moodiest projects we've heard from the contemporary underground of artists inspired by older film soundtracks! Keyboards are the dominant instrument here – often used in spare, snakey ways that recall older European... read more

Ok, so Van Morrison's left your group – what do you do? The remaining members of the group split off into two factions, the raunchier of which, the Belfast Gypsies, hooked up with Kim Fowley! This set documents the great work of that post-Morrison Them sidegroup – and most tracks were... read more

... read more

... read more

A great little funky single – produced by Walter Junie Morrison, with a tight P-Funk groove that's got plenty of jazzy riffs. Sounds like the Horny Horns in the best parts, with a soulful approach that's better than most of George Clinton's work from the time!... read more

Hard and heavy funky jazz from west coast tenorist Fats Theus – and one of the rarest albums on CTI! This one differs strongly from the label's smoother electric output – as it's got the rough n ready feel of a classic Prestige jazz funk session. Fats is backed by an all star group... read more

... read more

A well done survey of the career of Thievery Corporation to date – selected by Rob Garza and Eric Hilton – wonderful stuff from the reigning kings of downtempo jazzy grooves! It's made up of the duo's best known tracks as well as their own personal favorites. You couldn't really ask... read more

A solid 12-inch split single from ESL and Ghostly International – pairing up the labels' top shelf talents of Thievery Corporation and Tycho! The A-side features Thievery Corporation's "Fragments", with a steady, hypnotic beat and some sweet keyboard atmosphere floating over. The... read more

... read more

... read more

A mindblowing collaboration – one that brings the soulful vocals of Nenah Cherry into play with the avant jazz sounds of The Thing – but all in a mode that's unlike anything either artist has recorded before! The mix of talents is no surprise – given that Nenah's dad is Don... read more

A mindblowing collaboration – one that brings the soulful vocals of Nenah Cherry into play with the avant jazz sounds of The Thing – but all in a mode that's unlike anything either artist has recorded before! The mix of talents is no surprise – given that Nenah's dad is Don... read more

A remixed version of the collaboration between Neneh Cherry and The Thing – but a set with a sound so different, it may as well be an additional record from project! The remixes here really take a lot of liberties with the original music – so that the resulting tracks aren't just jazzy... read more

A remixed version of the collaboration between Neneh Cherry and The Thing – but a set with a sound so different, it may as well be an additional record from project! The remixes here really take a lot of liberties with the original music – so that the resulting tracks aren't just jazzy... read more

All the hits: "Steppin To The A.M.", "Brooklyn Queens", "The Gas Face", "Product Of The Environment", "Words Of Wisdom" and seven more full-length cuts.... read more

A wicked groove from Third Coast Kings – a cut that has the same title as an old Curtis Mayfield composition, but which comes across with a totally different vibe! The track begins with these sinister dipping horns, then quickly gets into gear and unleashes a badass female soul vocal over... read more

... read more

After leaving Island and moving onto Columbia, Third World got a bit more slick, and continued to work a reggae/pop/soul groove. This record's not a bad one, in fact, it's a pretty respectable crossover effort. Stevie Wonder collaborated with the group on the 2 best tracks, "Try Jah... read more

Top notch instrumentals from the loose collective dubbed Third World All Stars – recorded in the mid 70s at London's Chalk Farm and EFM studios – and featuring both London-based and visiting Jamaican legends in the mix! The production is billed to Count Shelly, and it features some... read more

Top notch instrumentals from the loose collective dubbed Third World All Stars – recorded in the mid 70s at London's Chalk Farm and EFM studios – and featuring both London-based and visiting Jamaican legends in the mix! The production is billed to Count Shelly, and it features some... read more

... read more

The complete series of singles singer BJ Thomas cut for Scepter from the 1966 to 1972 – a pretty great overview that not only serves as a terrific anthology – it also shows the depth of styles managed to cover with resounding creative success, whether the singles charted or not! BJ is... read more

One of the strangest covers we've seen in years – and a perfect fit for this obscure session of unusual grooves! Drummer Bubbha Thomas is working here in a mode that's kind of an electrified 70s take on the Texas showband style of earlier years – a mode that has the core funky combo... read more

One of the sexiest covers ever from Carla Thomas – and one of her most sultry records, too – a set that really has her growing up, stylistically – and coming across with a new sort of boldness in her vocals! The production is prime 60s Stax, with a slightly classy touch for the... read more

The queen of Memphis soul – caught "alone" after a some earlier hit recordings as part of a duo with Otis Redding – but now on her own in the years after Otis untimely early passing! The album has Thomas strongly returning to the sound of her first few albums on Stax –... read more

... read more

Rootsy sounds from Henry Thomas – some great vintage recordings from the late 20s, with a feel that's quite different than more conventional blues from the time! Thomas definitely has a bluesy approach, but his use of the guitar is more strummy, almost folksy – as is his occasional... read more

An overlooked gem from Irma Thomas – and one of her deepest soul albums ever! The set was recorded with Swamp Dogg at the production helm, and he gives Irma this wonderfully rootsy feel throughout the record – the kind of vibe she definitely never got in the 60s, and a sound that seems... read more

Jimmy James has some great bass work going on "I Can't Dance" – a line that dips, turns, and grooves amazingly – all underneath vamping horns that set the stage for Jimmy's excellent vocal – spoken at first, then sung with a raspy, gritty kind of groove! "Waiting... read more

Jazzy club from Joe Thomas – 2 tracks that feature the Ebony Godfather's flute alongside some sweet electric backings! "Funky Fever" has a silly title but is actually a nice little cut – one that has electric keys and warm arrangements from Brad Baker, plus a bit of vocals on... read more

The greatest album ever recorded by Joe Thomas – and a hip batch of funky flute tracks that ranks with the best work of Jeremy Steig or SOUL! Joe's blowing here with arrangements by Chico O'Farrill – strangely off-beat backings that add in more than a touch of Latin to the funk, making... read more

The greatest album ever recorded by Joe Thomas – and a hip batch of funky flute tracks that ranks with the best work of Jeremy Steig or SOUL! Joe's blowing here with arrangements by Chico O'Farrill – strangely off-beat backings that add in more than a touch of Latin to the funk, making... read more

... read more

Although he's best known for his vocal R&B hit "Heartbreak", Jon Thomas was also a darn good organist, and this mid 50s album for Mercury's a nice batch of sides in the same tradition as contemporaneous work by Bill Doggett and Doc Bagby. The tracks are short and lively, and Jon... read more

... read more

A long-overdue compilation dedicated to the work of the great soul jazz vocalist Leon Thomas. If you don't know Thomas' own work, you might recognize him as the vocalist on some of Pharoah Sanders' great recordings, like "The Creator Has A Master Plan" and "Hum Allah Hum Allah".... read more

Wonderful work from Leon Thomas – easily one of his greatest albums ever, and a set that was recorded at the same time he was working with Pharoah Sanders! Thomas really rose to fame on Sanders' classic "The Creator Has A Master Plan" – and this set really takes off from that... read more

... read more

The funkiest version we've ever heard of this great Bruce Lee soundtrack – one that brings together all the sweet instrumental moments by Peter Thomas, with sound that's much better than any other reissue! While previous versions have taken the music along with the dialogue, this gem of a... read more

One of the rarest albums ever from soundtrack maestro Peter Thomas – and one of the funkiest, too! The set's not a film score – like most of Thomas' other material – but a German sound library set, originally issued only in very small quantities – and featuring some of... read more

Rhonda Thomas sounds better than ever – soaring out in that wonderful mix of jazz and soul that's always made her music so great! We've been following Rhonda for years, and the journey's been a delight at every step – but this time around, the rewards are even greater – as... read more

A crowning achievement for Rufus Thomas – a set that bubbles over with funky intensity, and one of the last great albums he ever recorded for Stax! The funky Rufus mode is still in full full swing here – with loads of tunes that have the word "funky" in the title –... read more

2 of the best Rufus Thomas funky albums for Stax – back to back on a single CD! First up is Did You Heard Me – recorded in the early 70s with backing by The Movement and The Bar Kays, and with a good raw Stax sound on most cuts! Rufus is certainly in the "funky ___" mode... read more

One of the best Rufus Thomas albums from the 70s – a key record from his comeback years, and one that has him trading in his older R&B mode for a harder, funkier Memphis groove! Rufus was 52 at the time, but thanks to a never-dying fire, and some great youthful arrangements, the set... read more

A killer live set by Rufus Thomas – recorded right at the height of his funky comeback, before a very right-on crowd at PJ's Nightclub in LA! Rufus was always a great entertainer, and he really opens up in this live setting – doing some nice versions of "Do The Funky Chicken"... read more

Timmy Thomas live, in front of a massive crowd in Johannesburg – really grooving with enthusiasm that's captured beautifully in the recording! The set's a great reminder that Timmy had lots of power away from the studio – that he wasn't just drum machine bits and disco riffs, and could... read more

A massive groover from Timmy Thomas – really hitting here on all burners, and moving with a groove that's much fuller than the drum machine fills of his early years! The sound is Miami club at its best – wickedly uptempo rhythms that are played with razor-sharp intensity – still... read more

Amazing work from Timmy Thomas – a southern soulster with a groove like no other! At some level, Timmy shared the bluesy and sweet soul styles of his Miami contemporaries at the TK label – but at another, he had this wild approach that often used bits of electronic percussion, in a... read more

A Miami soul masterpiece from start to finish – and a lesser-known record from drum machine hit maestro Timmy Thomas! The album's got the feel of Timmy's classic Why Can't We Live Together album – but the overall sound is a bit fuller and richer, with a soulfulness that grabs us right... read more

... read more

... read more

A soulful set from Carroll Thompson – the debut from the sultry UK singer, and a set that went onto become a key classic in the lovers rock genre! Carroll has a great way of mixing Jamaican styles with a bit more of a London vibe – coming up with a criss-cross of modes that really... read more

Heavy Hammond from the mighty Chester Thompson – a smoking soul jazz set that's a real return to the sound of his Powerhouse album from the 70s! Thompson's jazz chops have only gotten better with age – and although he's certainly got a strong resume in funk and soul, we're really... read more

One of the few solo albums ever cut by organist Chester Thompson – a player who's known to most as the keyboardist in Tower Of Power, but one who's also remembered by a select funky few for this killer record for the Black Jazz label! The album's a stripped-down quartet session – with... read more

A wicked little set from British pianist Eddie Thompson – a player who always wasn't as well noticed on this side of the Atlantic, but who will forever be remembered for this classic date for MPS! The set's got a great criss-crossing of styles – a punctuated way of playing the keys... read more

Linval Thompson dubs – unearthed straight from the master tapes! The have the spare crisp drum and bass approach, riding along a chubby, bouncing basslines, with just hints of guitar, keys or voice adding spice to the dub now and again. Includes "Get My Dub Together", "Ethiop... read more

Some of Lucky Thompson's rarest work from the 50s – and some of his best! The American tenorist is working here in two different French groups – one a quintet with Henri Renaud on piano, the other a tentet with the core quartet of Renaud, plus some additional local horn players. ... read more

... read more

... read more

A strange, cool and stylistic boundary busting set from Australian jazz rock guitar player Rob Thomsett! Yaraandoo is a 1975 set inspired by Aboriginal folklore. It has some spare, dryly wispy bits of percussion and bamboo flute that feels that gives it that feel – but Thomsett also brings... read more

... read more

A pretty darn psych/groovy soundtrack – to what looks like a very strange film! The music is by Ken Thorne – and the tracks are a mix of mod rhythms, instrumental groovers, and some very trippy numbers that use echoey percussion and some electrified instrumentation. A few cuts have... read more