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Exact matches: 15
Exact matches1
CD, LP, Vinyl record album cover art
Esther PhillipsAlone Again, Naturally ... LP
Kudu, 1972. Very Good+ ... $14.99
One of the deepest soul sets from Esther Phillips' 70s years on Kudu Records – a set with some nicely gritty grooves and a surprisingly earthy feel at times – especially when compared to some of her other albums of the time! Backings are by James Brown's old reedman, Pee Wee Ellis – and although there's some of the usual Kudu electric funk in the mix, there's also some deeper soul elements too – a vibe that's often a bit laidback and open, almost more Atlantic Records at points – which is a mighty good fit for Esther's wonderful voice! As usual for Kudu, the players are an all-star lineup – one that includes Richard Tee on keyboards, George Benson on guitar, Maceo Parker on tenor, and Bernard Purdie and Billy Cobham on drums – and Don Sebesky's also on deck a bit, to sweeten a few tracks up with light strings. The album's got a great version of Bill Withers' "Use Me" that features a tasty break in the intro – and other titles include a great version of "Alone Again (Naturally)", plus the cuts "Let's Move & Groove", "Cherry Red", "Let Me In Your Life", and "You & Me Together". (Soul, Vocalists) LP, Vinyl record album
(Original pressing with Van Gelder stamp. Cover has a touch of edge wear.)

Exact matches2
CD, LP, Vinyl record album cover art
Esther PhillipsBlack-Eyed Blues ... LP
Kudu, 1973. Near Mint- ... $9.99
One of Esther's strong winners for Kudu – a record that takes her soulful style of earlier years, and wraps it around some sly 70s funky arrangements! Ex-James Brown hornman Pee Wee Ellis arranged the album, and gave Esther a nice little dose of funk that really helped her groove – getting out of the sad bag of her Atlantic recordings, and sounding hipper than anyone would have expected! The record features the great slow funk groover "Black Eyed Blues" – and other tracks include "I've Only Known A Stranger", "You Could Have Had Me, Baby", and "Too Many Roads". (Soul, Vocalists) LP, Vinyl record album
(Cover has some edge wear.)

Exact matches3
CD, LP, Vinyl record album cover art
Esther PhillipsCapricorn Princess ... LP
Kudu, 1976. Near Mint- ... $7.99
A pretty amazing set from Esther Phillips – her final album for Kudu – and a beautiful mix of soaring soul sounds from one the most unique, emotionally-inflected soul vocalists of her era! Esther's in prime Kudu mode here – working with jazzy arrangements by David Matthews and Pee Wee Ellis, adding her unique, grit-inflected soul chanteuse vocals to a smoother mix of instrumentation that creates a perfect counterpoint that took her way past her earlier work! There's also a couple of really sweet disco skewed numbers that work incredibly well – with spacier bits of synth and a dancefloor soul bed of percussion and rhythms – and in general, the arrangements are pretty great from track-to-track! Players include Randy Brecker and Mike Brecker on trumpet and tenor sax, Bray Miles on synthesizer, Bobby Lyle on clavinet, Eric Gale on guitar, Joe Farrell on tenor sax and alto flute, percussionist Ralph MacDonald and other excellent name musicians and others bring a grand sweep and sweeter intimacy when the mood requires. Titles include "Magic's In The Air", "A Beautiful Friendship", "Boy I Really Tied One On", "Higher & Higher", and "All The Way Down". (Soul, Vocalists) LP, Vinyl record album
(Includes the Kudu inner sleeve.)

Exact matches4
CD, LP, Vinyl record album cover art
Esther PhillipsConfessin' The Blues ... LP
Atlantic, 1976. Near Mint- ... $6.99
A 70s album, issued at a time when Esther Phillips was really riding high with her records on the Kudo label – but a set that brings together unissued sides recorded for Atlantic in the 60s! The style is a great mix of rootsy soul and hipper jazz – arranged by Onzy Matthews on side one, with a care and quality that almost rivals Capitol jazz vocal sessions of the time – and performed live at Freddie Jett's Piper Club on side two – in the same mode as her classic Burnin album from the time locale! Philips is wonderful in both settings – with that distinct approach that's unlike any other singer we know – quite versatile, and at a critical point between her R&B work of the 50s, and her smoother Kudu jazz of the 70s. Titles include include "Cherry Red", "In The Evenin", "I Wonder", "Romance In The Dark", "I Love Paris", and "I'm Gettin' Long Alright". (Soul, Vocalists) LP, Vinyl record album
(Cover has a cutout notch and a scrape across the front.)

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Esther PhillipsCountry Side Of Esther Phillips ... LP
Atlantic, 1966. Very Good ... $24.99
A landmark album – not only for Esther Phillips, who's emerging here as a gifted young lady, very different from her R&B years, but also for the genre of country soul, which was emerging to be one of the most important strands in the new music during the 60s. Esther's not fooling around here – as she's working with Nashville arranger Cliff Parman, and getting backup from the Anita Kerr singers for that true Music City sound. Sounds hokey, sounds like it shouldn't work – but the setting is perfect for Esther's raspy rich tone, and in a way, it forces her to break out even more vocally than she does on other 60s recordings. Titles include "Release me", "I'd Fight The World", "Am I That Easy To Forget", "I Really Don't Want To Know", "Just Out Of Reach", and "Be Honest With Me". A wonderful album – one that sits perfectly next to work by Solomon Burke, Ray Charles, and Brook Benton. (Soul, Vocalists) LP, Vinyl record album
(Stereo blue & green label pressing. Cover has surface & edge wear, clear tape on all seams, hype sticker, cutout notch.)

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Esther PhillipsEsther ... LP
Atlantic, 1966. Very Good ... $14.99
Given her start as a rough-hewn child junkie R&B singer, it's hard to believe that Esther's the one singing these beautiful ballads and soul tracks! The album's fantastic, though – and it shows Esther maturing into one of the more fantastic vocalists of her generation. Oliver Nelson, Ray Ellis, and Jimmy Wisner handle the arrangements – and they all have a very nice blend of fragile orchestrations that are just right for Esther's raw pain-filled voice. Titles include "Taste Of Honey", "Crazy He Calls Me", "He Touched Me", "Just Say Goodbye", and "As Tears Go By". (Soul, Vocalists) LP, Vinyl record album
(Mono red & purple label pressing. Cover has some light wear, tiny cutout hole.)

Exact matches7
CD, LP, Vinyl record album cover art
Esther PhillipsFor All We Know ... LP
Kudu, 1975. Very Good+ ... $2.99
Smooth and sophisticated grooving from Esther Phillips – a record that really has her shaking off the rag-tag and rootsy modes of earlier years, and gliding sweetly into the mainstream! Phillips' vocals are still as soulful and compelling as ever, but the backings are quite full – penned by Joe Beck, who also plays a fair bit of guitar on the record too – and done with a sound that's in the same mode as David Matthews' backings for other Kudu sides of the time. There's a definite soul-heavy focus going on here – with some clubby touches too – and titles include "Caravan", "Fever", "Pure Natural Love", "Unforgettable", "For All We Know", "Fools Rush In", and "Going Out Of My Head". (Soul, Vocalists) LP, Vinyl record album
(Cover has a cutout hole and light wear.)

Exact matches8
CD, LP, Vinyl record album cover art
Esther PhillipsPerformance ... LP
Kudu, 1974. Near Mint- ... $9.99
Not a live album – as you might think from the title – but a tight batch of tunes that shows the full funk and soul talents of the legendary Esther Phillips! The album's got a nicely dark undercurrent at times – a sound that's not as smooth as some of Esther's other Kudu albums from the 70s, with bits of R&B bubbling underneath the more contemporary arrangements. Backings are penned by Pee Wee Ellis and Gary King – and players include Bob James and Richard Tee on keyboards, Hubert Laws on flute, and Bernard Purdie and Steve Gadd on drums – the latter of whom provides a sublime beat on the album's standout funky number "Disposable Society" – one of those great little groovers that never did anything for Esther at the time of its release, but which has really gotten rediscovered in recent years! Other tracks include "Doing Our Thing", "Living Alone", "Can't Trust Your Neighbor With Your Baby", and "I Feel The Same". (Soul, Vocalists) LP, Vinyl record album
(Cover is bent a bit at the top left corner.)

Exact matches9
CD, LP, Vinyl record album cover art
Esther PhillipsYou've Come A Long Way Baby ... LP
Mercury, 1977. Near Mint- ... $2.99 4.99
The cover might be a bit "on the nose" – but the album itself has some really nice tracks, thanks in part to production and arrangements by Pee Wee Ellis, who always managed to get the best out of Esther during the 70s! The groove's got a lot top shelf clubby soul and easygoing funky swagger – and Esther sounds great out front! Tracks include "Into The Mystic", "Love Addict", "If I Loved You", "In A Soft & Subtle Way", "My Prayer", and "Somewhere Along The Line". (Soul, Vocalists) LP, Vinyl record album
(Includes the insert and Mercury inner sleeve. Cover has a cut corner and is bent a bit at the edges and bottom left corner.)

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Esther PhillipsEsther Phillips w/Beck (aka What A Difference A Day Makes) ... LP
Kudu, 1975. Very Good+ ... Temporarily Out Of Stock
One of Esther Phillips' biggest comeback albums from the 70s – a classic set that takes her deeply soulful vocal approach, and sets it to some sweet jazz funk backings – served up by guitarist Joe Beck, who almost gets equal credit on the album cover! The rest of the lineup is equally great – with alto from David Sanborn, more horns from The Brecker Brothers, and even a bit of work from Steve Khan – all fusion superstars in their own right, but who never eclipse Esther's lead. Titles include a good version of Grover Washington's "Mr Magic" – with the same funky undercurrent as the original – plus the tracks "One Night Affair", "I Can Stand A Little Rain", "Hurtin House", "Turn Around Look At Me", and a semi-hit version of "What A Diff'rence A Day Makes". (Soul, Vocalists) LP, Vinyl record album
(Original pressing with Van Gelder stamp. Includes Kudu inner sleeve. Cover has a cutout notch.)

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Esther PhillipsFrom A Whisper To A Scream ... LP
Kudu, 1971. Near Mint- ... Out Of Stock
One of our favorite-ever albums from Esther Phillips – an album that really helped her transform her sound for the 70s! The approach here is a lot more jazzy than before – served up with a good dose of funk, thanks to arrangements from Pee Wee Ellis – fresh from his work with James Brown, but even more electrically-oriented here! The groove is great – and the album's one of the best Kudu sides from the early 70s – a perfect blend of soul, jazz, and funk – all wrapped up with a new level of sophistication that benefits all parties involved. Other players include Richard Tee on keyboards, Eric Gale on guitar, Bernard Purdie on drums, Airto on percussion, and Hank Crawford on alto sax. Titles include an incredible cover of Gil Scott Heron's "Home Is Where The Hatred Is", plus "From A Whisper To A Scream", "Till My Back Ain't Got No Bone", "Your Love Is So Doggone Good", Scarred Knees", and "Baby, I'm For Real". (Soul, Vocalists) LP, Vinyl record album
(Original pressing. Cover has minimal wear, lightly bumped corners, and a light sticker spot.)

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Esther PhillipsAlone Again, Naturally ... CD
Kudu/Reel Music, 1972. New Copy ... Out Of Stock
One of the deepest soul sets from Esther Phillips' 70s years on Kudu Records – a set with some nicely gritty grooves and a surprisingly earthy feel at times – especially when compared to some of her other albums of the time! Backings are by James Brown's old reedman, Pee Wee Ellis – and although there's some of the usual Kudu electric funk in the mix, there's also some deeper soul elements too – a vibe that's often a bit laidback and open, almost more Atlantic Records at points – which is a mighty good fit for Esther's wonderful voice! As usual for Kudu, the players are an all-star lineup – one that includes Richard Tee on keyboards, George Benson on guitar, Maceo Parker on tenor, and Bernard Purdie and Billy Cobham on drums – and Don Sebesky's also on deck a bit, to sweeten a few tracks up with light strings. The album's got a great version of Bill Withers' "Use Me" that features a tasty break in the intro – and other titles include a great version of "Alone Again (Naturally)", plus the cuts "Let's Move & Groove", "Cherry Red", "Let Me In Your Life", and "You & Me Together". (Soul, Vocalists) CD
Also available Alone Again, Naturally ... LP 14.99

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Esther PhillipsEsther Phillips Anthology ... CD
Soul Brother (UK), 1970s. Used ... Out Of Stock
Some of our favorite work ever by Esther Phillips – served up on a compilation that does a great job of sorting through her classic 70s sides for Kudu, CTI, and Mercury! Back in the 60s, Esther sung in a sad and bluesy sort of soul style – but in the 70s, at the time of these recordings, Esther picked up a sweet electric vibe, really hipping up her sound with lots of funky guitar, bass, and keyboards. The result is tremendous – as you'll hear on this set – as Esther works with arrangers that include Pee Wee Ellis, Bob James, Benny Golson and Harvey Mason to cut some wickedly soulful tunes! The set includes 18 tracks in all, with titles that include "Use Me", "Home Is Where The Hatred Is", "That's All Right With Me", "I've Never Found A Man", "Brother Brother", "From A Whisper To A Scream", "All The Way Down", "Black Eyed Blues", "Native New Yorker", "Changing", "SOS", "We've Got A Good Thing Going", "You Think Of Him", "Bedtime Stories", and "I Hope You'll Be Very Unhappy About Me". (Soul, Vocalists) CD

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Esther PhillipsSet Me Free ... CD
Atlantic, Early 60s. Used ... Out Of Stock
A collection of tracks that Esther recorded for Atlantic between the years 1964 and 1970, many of which continue the feeling of the Country Side album. Titles include "Hello Walls", "Double Crossing Blues", "I'm In Love", "Catch Me I'm Fallin", "All God Has Is Us", "Woman Will Do No Wrong", and "Crazy Love". (Soul, Vocalists) CD

Exact matches15
CD, LP, Vinyl record album cover art
✨✧ Esther PhillipsBurnin/Confessin The Blues ... CD
Atlantic/Collectables, Early 70s. Used ... Out Of Stock
2 albums recorded by Esther in the years before she broke into big fame on the Kudu label. Burnin is a stunning live set that marked Esther's move from being a loud young R&B singer into an older, more mature interpreter of material in a more jazzy style. She's backed here by a good group that includes Jack Wilson on piano, Richard Tee on organ, Chuck Rainey on bass, and Cornell Dupree on guitar – and she moves through a heartbreaking set of material that heralds her later 70's recordings for Kudu. Tracks include "Don't Let Me Lose This Dream", "And I Love Him", "Shangri-La", and "Please Send Me Someone To Love". Confessin points back at Esther's earlier career in R&B, but has a nice jazzy finish – thanks to players like Sonny Criss, Teddy Edwards, and Herb Ellis – and the record also features a few more sides from the Burnin sessions at Freddie Jett's Nightclub in LA. Titles include "Romance In The Dark", "I Wonder", "I'm Getting Long Alright", "In The Evenin", and "I Love Paris". Due to time limit restrictions, the CD excludes the cuts "I'm Getting Long Alright" and "It Could Happen To You" from the LPs. (Soul, Vocalists) CD
 
Possible matches: 5
Possible matches16
CD, LP, Vinyl record album cover art
Betty CarterRound Midnight (Atco) ... LP
Atco, Early 60s. Very Good+ ... $9.99 14.99
An interesting early album from Betty Carter – less jazz than some of her later work, but with a bit more of an edge than some of her ABC recordings. The album's got sort of an arranged sophisticated jazz style – in the mode of 60s work by Esther Phillips or Dinah Washington – and Betty handles some wonderful material with a dark edge, like "Two Cigarettes In The Dark", "Nothing More To Look Forward To", "Round Midnight", "I Wonder", "Who What Why Where When", and "The Good Life", all done in a sorrow-drenched style that's incredibly compelling, and a very different side to Betty's career. LP, Vinyl record album
(Original white label promo. Cover has surface wear, aging, and minor seam splits. Labels have notes in pen.)

Possible matches17
CD, LP, Vinyl record album cover art
✨✧ Nina SimoneBaltimore (180 gram red vinyl pressing) ... LP
CTI/Music On Vinyl (Netherlands), 1978. New Copy Gatefold (reissue)... Out Of Stock
A real standout 70s set from Nina Simone – a one-off date for CTI Records, done with a sound that's different than her earlier work for RCA, Philips, and Colpix! The groove here is often as soul-based as it is vocal jazz – thanks to arrangements from David Matthews, who brings a similar sound here to his other work with Esther Phillips in the decade – another older singer who'd hit some very hip territory at the time. The groove here is very much like Phillips' best for Kudu – smooth and soulful, but in ways that still retain all the rasp and character of the lead vocals. Titles include a sublime reading of Randy Newman's excellent "Baltimore", plus "The Family", "My Father", "Music For Lovers", "Rich Girl", and "Balm In Gilead". LP, Vinyl record album

Possible matches18
CD, LP, Vinyl record album cover art
✨✧ Betty CarterRound Midnight (Atco) ... CD
Atco, Early 60s. Used ... Out Of Stock
An interesting early album from Betty Carter – less jazz than some of her later work, but with a bit more of an edge than some of her ABC recordings. The album's got sort of an arranged sophisticated jazz style – in the mode of 60s work by Esther Phillips or Dinah Washington – and Betty handles some wonderful material with a dark edge, like "Two Cigarettes In The Dark", "Nothing More To Look Forward To", "Round Midnight", "I Wonder", "Who What Why Where When", and "The Good Life", all done in a sorrow-drenched style that's incredibly compelling, and a very different side to Betty's career. An album you'll be hard-pressed to find on vinyl – and nicely repacked for CD with 2 bonus cuts: "One Note Samba" and "Shine On Harvest Moon". CD
Also available Round Midnight (Atco) ... LP 9.99

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Penny GoodwinPenny Goodwin Live ... LP
P-Vine (Japan), 1974. New Copy ... Out Of Stock
A rare session from indie soul legend Penny Goodwin – a previously unissued live performance from 1974, featuring small combo backing in a sweet and jazzy mode! Penny's got a voice that's instantly recognizable – a bit raspy, in the mode of Esther Phillips – but cooler and more sophisticated, with a Marlena Shaw-like hipness that really fits the tracks on the set. Most of the numbers are traditional jazz standards, swung by Penny and a small piano trio – in a mode that's a lot more intimate than, but equally soulful to, the fuller backings used on her classic Portrait Of A Gemini album. Titles include "What's Going On", "Inner City Blues", "Midnight Sun", "Little Girl Lost", "On A Clear Day", "Day Dreaming", and "Where Is The Love". (Soul, Vocalists) LP, Vinyl record album

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ VariousAtlantic Blues – Vocalists ... CD
Atlantic, Late 40s/1950s/1960s/1970s/Early 80s. Used ... Out Of Stock
Music from Sippie Wallace, Jimmy Witherspoon, LaVern Baker, Mama Yancey, Joe Turner, Lil Green, Ruth Baker, Percy Mayfield, Ted Taylor, Esther Phillips, Otis Clay, Rufus Thomas, and more. (Blues, Vocalists) CD
Also available Atlantic Blues – Vocalists ... LP 14.99
 
 
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