PRI Records -- Sound Library — All (LPs, CDs, Vinyl Record Albums) -- Dusty Groove is Chicago's Online Record Store
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Sound Library — All

XSound library funk, grooves, and breaks -- from Italy, France, England, and beyond -- on labels like KPM, DeWolfe, and Bruton!

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CD, LP, Vinyl record album cover art
✨✧ Sandro Brugnolini/Stefano TorossiMusica Per Commenti Sonori (with bonus CD) ... LP
Carosello/Schema (Italy), 1969. New Copy (reissue)... Just Sold Out!
An Italian funk double-header – a sweet little set from the end of the 60s, and one that features killer cuts from both Sandro Brugnolini and Stefano Torossi! We love either artist on their other own records, but there also seems to be something about putting them together here that makes them even better than before – certainly funkier, as the album's full of the kind of sharp, hard-grooving titles that first made us fall in love with sound library records in the first place! The date of the album's 1969, and both musicians make nice use of psych elements in their instrumentation – adding a bit of fuzz, wah-wah, or trippy guitar in just the right spaces – never going over the top, or getting too indulgent – but just moving in a groove that's tightly jazz funky at the bottom, and maybe a bit freaky at the top. Wonderful work throughout – and titles include "Sweet Beat", "Repetition", "Starter", and "Makkaresh" by Stefano Torossi – and "Wawa", "Motuproprio", "Polyphony", and "Flyer" by Sandro Brugnolini. LP, Vinyl record album
(Includes bonus CD with entire album!)

Partial matches2
CD, LP, Vinyl record album cover art
✨✧ Maria Teresa LucianiSounds Of The City (Suoni Di Una Citta) ... LP
Finders Keepers (UK), 1972. New Copy ... $10.99 26.99
An amazing sonic portrait of the modern city – one created on the early 70s Italian scene, but lost to the shifting sands of time, due to its release as a sound library-only album! We've heard Maria Teresa Luciani on a few other records of this nature – but this one may well be her greatest – music that's beyond categorization in the way it presents its subject – not really jazz or soundtrack styles at all, but also not some sort of too-modern compositional idiom either. Instead, the whole thing seems to make some sort of honest, organic sense – as it presents differing aspects of the city, both residential and commercial, public and private – often with a sense of darkness in the immediate approach, but also with a current of hope at times too. Titles include "Public Gardens", "Modern Residential Complex", "Supermarket", "Poor Neighborhoods", "Power Station", "Traffic", and "International Airport". LP, Vinyl record album
 
 
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