A lost album from 70s funk diva Betty Davis – and one that's every bit as essential as her music released back in the day! The set was recorded hot on the heels of Betty's classic Nasty Gal album – but it's got a groove that's almost more in the territory of her first two records on the Just Sunshine label – very hard, heavy, freaky, and fuzzy – with lots of sharp-edged guitar licks wrapped up around Davis' badass vocals – which have just as much attitude as ever! It's not clear why the album never saw the light of day back in the 70s, but it's an essential follow-up to Davis key classics – undeniably funky music by one of the most unique figures ever in soul – the kind of set that would have been a bomb, had it dropped in the 70s – and which will have an even greater impact when let loose in the 21st Century. Titles include "Stars Starve You Know", "Bottom Of The Barrel", "Crashin From Passion", "Whorey Angel", "It's So Good", "Is It Love Or Desire", "Bar Hoppin", and "Let's Get Personal". CD

An incredible snapshot of the funky soul genius of Sly Stone in an early transitional period – featuring all the known recordings of his short-lived Stone Flower label and production house from 1969-1970! Sly was a rising star at this point, and while the Stone Flower Productions name had been established already for Sly & The Family Stone's work-to-date, there was a brief period when he and manager David Kapralik set out make Stone Flower an official management and production house – and recorded some great tunes with female vocal trio Little Sister, funky soul singer and harmonica player Joe Hicks and funk rock sextet 6ix – as well as some gems sung by Sly himself. Sly & The Family Stone were soon to take off in a really huge way, his business relationship with Kapalik was becoming strained, and other factors behind-the-scenes made it impossible for Stone Flower Productions to really take root, but this brief period is fantastic. We're so glad it's been dug up and collected here! The cuts are primarily written and produced by Sly Stone – with Sly out front on "Just Like A Baby", "Africa", "Spirit" and "Scared" – and other great tracks include "You're The One" and "Somebody's Watching You" by Little Sister, "Home Sweet Home (Part 2)" and "I'm Going Home (Part 1)" by Joe Hicks, "Trying To Make You Feel Good", "You Can, We Can" by 6ix and more. 18 tracks in all – with a nice booklet of notes by Alec Palao, and an interview with the elusive Sly Stone himself! CD

An amazing second set from Sixto Rodriguez – recorded in the legendary Landsdowne Studios in London, with a groove that's a great extension from his debut! All of Rodriguez's best elements are in place here – his folksy guitar, personal lyrical style, and surprisingly biting approach to a variety of topics – and the London setting provides him with an even more sophisticated backdrop than before, one that creates a rich palette of sounds that takes the music in some really wonderful directions! There's a bit of strings at times, but most instrumentation is by a small combo – which includes Chris Spedding on guitar and Tony Carr on percussion – so that Rodriguez's vocals and guitar are really right up front in the mix, recorded with a brilliant balance between sharpness and compassion. Titles include "Climb Up On My Music", "Silver Words", "Heikki's Suburbia Bus Tour", "I Think Of You", "To Whom It May Concern", "Halfway Up The Stairs", and "Cause". CD

Betty Davis was one of the nastiest ladies in 70s soul – and this is one of her greatest albums – a killer batch of funky tracks all the way through! Betty has a sound like nobody else – and she takes heavy drums, throbbing bass, and ripping guitars – all as a hard and funky backing for raunchy, raspy vocals that are belted out with a slinky, sexy sort of sound! Davis' vocals are unlike anyone else we can think of – easily some of the most badass work you'll ever find on record – and the tracks are a mix of hip themes about sex, gal power, and struttin your stuff – all delivered by a righteous woman who can definitely do just that! The album features the classic break tracks "If I'm In Luck I Might Get Picked Up" and "Steppin in Her I Miller Shoes", but every cut is a funky monster – including "Ooh Yea", "In The Meantime", "Your Man My Man", and "Anti Love Song". A great one if you dig hard female soul, heavy funky guitars, or both at the same time! This beautiful reissue features top-shelf sound, extensive notes and photos, and previously unissued bonus tracks that include "Come Take Me", "I Will Take That Ride", and "You Won't See Me In The Morning". CD

A really funked-up batch of dancefloor tunes – produced with a uniquely cross-cultural approach! Ze Records diva Lizzy Mercier Descloux works here with influential post-disco, post-punk producer Steve Stanely – on a set of tunes cut in Nassau, with some great backing by a combo that includes Wally Badarou on keyboards. The resulting groove takes the skittish pan-club sound of the early 80s Ze Records scene, and infuses it with the hippest take on Jamaican rhythms of the time – resulting in a groundbreaking batch of tunes that were years ahead of their time! Titles include "Room Mate", "Sports Spootnicks", "Payola", "Funky Stuff", "Slipped Disc", "Lady O K'Pete", and "Bim Bam Boum". CD features bonus tracks "Maita", "Mister Soweto", "Sun Is Shining", "Don't You Try To Stop Me", and "Corpo Molli Pau Duro". CD

The first ever compilation of the best music made for MoWest – the eclectic, but still soulful cuts made when Berry Gordy Jr. relocated from Motown to the west coast in the early 70s – releasing cool and sometimes strange music with a soul background, yet toasted by LA sunshine! The MoWest subsidiary lasted just a few years, and gets overlooked in the canonization of Motown at it's most classic and revolutionary – but the legacy is pretty incredible. Funk, sunshine rock and soul fused adventurously by a stunningly diverse roster – late period Frankie Vallie & The Four Seasons (who's comp-opening track is a slept on sunshine pop-soul classic), breezy-jazzy-soul from Odyssey, the sister funk of Sisters Love, a stunning solo left turn from Spinners singer GC Cameron and more great stuff from Syreeta, The Commodores, Suzee Ikeda, Thelma Houston and others. We've been dying for a well selected MoWest comp like this for years, and Light In The Attic stepped to the plate and knock it right out of the park. The songs choices are great, the notes are great. . .everything about it is a win. Essential! Includes "You're A Song (That I Can't Sing)" and "The Night" by Frankie Valli & The Four Seasons, "Our Lives Are Shaped By What We Love" and "Broken Road" by Odyssey, "Don't You Be Worried" by The Commodores, "A Heart Is A House" Nu Page, "I Ain't Going Nowhere" by Thelma Houston, "I Can't Give Back The Love I Feel For You" by Suzee Ikeda, "You've Got To Make The Choice" and "Give Me Your Love" by The Sisters Love and more. (Funky Compilations, Soul) CD

Betty Davis was one of the nastiest ladies in 70s soul – and this is one of her greatest albums – a killer batch of funky tracks all the way through! Betty has a sound like nobody else – and she takes heavy drums, throbbing bass, and ripping guitars – all as a hard and funky backing for raunchy, raspy vocals that are belted out with a slinky, sexy sort of sound! Davis' vocals are unlike anyone else we can think of – easily some of the most badass work you'll ever find on record – and the tracks are a mix of hip themes about sex, gal power, and struttin your stuff – all delivered by a righteous woman who can definitely do just that! The album features the classic break tracks "If I'm In Luck I Might Get Picked Up" and "Steppin in Her I Miller Shoes", but every cut is a funky monster – including "Ooh Yea", "In The Meantime", "Your Man My Man", and "Anti Love Song". A great one if you dig hard female soul, heavy funky guitars, or both at the same time! This beautiful reissue features top-shelf sound, extensive notes and photos, and previously unissued bonus tracks that include "Come Take Me", "I Will Take That Ride", and "You Won't See Me In The Morning". CD

The final album from Betty Davis – and a killer cap to her stunning run of female funk classics in the 70s! The album was recorded at the end of the decade, but has a sharpness that's every bit as great as her earlier work for the Island and Just Sunshine labels – grooves that are more than sharp enough to match that raspy edge in Betty's vocals – given support with instrumentation that's a lot more mid 70s funk than some of the more disco-oriented productions in mainstream soul at the time! There's a fullness to the record that sometimes recalls Labelle at their best, or maybe even solo work from Nona Hendryx – but as always, Betty is very much her own woman, and opens up some new doors on a few mellow cuts or jazzier moments that come as a nice surprise, and which balance out the album in a great way. The set features work from Herbie Hancock on keyboards and Alphonse Mouzon on drums – and titles include "Quintessence Of Hip", "She's A Woman", "I've Danced Before", "I Need A Whole Lot Of Love", "Hangin Out In Hollywood", "Crashin From Passion", "You Take Me For Granted", and "No Good At Falling In Love". CD

A lost album from 70s funk diva Betty Davis – and one that's every bit as essential as her music released back in the day! The set was recorded hot on the heels of Betty's classic Nasty Gal album – but it's got a groove that's almost more in the territory of her first two records on the Just Sunshine label – very hard, heavy, freaky, and fuzzy – with lots of sharp-edged guitar licks wrapped up around Davis' badass vocals – which have just as much attitude as ever! It's not clear why the album never saw the light of day back in the 70s, but it's an essential follow-up to Davis key classics – undeniably funky music by one of the most unique figures ever in soul – the kind of set that would have been a bomb, had it dropped in the 70s – and which will have an even greater impact when let loose in the 21st Century. Titles include "Stars Starve You Know", "Bottom Of The Barrel", "Crashin From Passion", "Whorey Angel", "It's So Good", "Is It Love Or Desire", "Bar Hoppin", and "Let's Get Personal". CD

The biggest-label release ever cut by 70s funk legend Betty Davis – but a set that's every bit as hard and heavy as the indie dates that preceded it! Davis is at the top of her form here – bad-stepping amidst the heavy drums and freaked-out guitars that easily made her one of the funkiest folks working in the 70s – an artist who was definitely very much into her own bag, and who's only finally getting her due all these many years later! In a way, the groove is even leaner than before – especially the drums, which are turbocharged with energy, and set a badass vibe for the record throughout – mixing up equal parts of rock, funk, and soul – almost with the genre-busting modes that wouldn't really show up on the New York scene until a number of years later. The whole thing kicks ass – and titles include "Nasty Gal", "Talkin' Trash", "Dedicated To The Press", "FUNK", "Getting Kicked Off Havin Fun", "Shut Off The Light", "This Is It", "The Lone Ranger", and "Feelins". Great new pressing of the classic – with a 32 page booklet that includes liner notes, lyrics, and lots of cool photos! CD

Killer work from Betty Davis – one of the most impressive female funk talents ever! If you ever needed a definition of funk, this record may well be it – snapping drums, sharp-edged guitars, and sex-filled basslines that slink and slide all over the bottom of the grooves – a perfect setting for Betty's incredible vocals – which themselves have a smokey, raspy quality that's completely unique! At times, Davis is almost speaking, but at others she's practically screaming – belting out the lyrics in a way that makes you feel like you're sharing some space with her at the end of the bar as she gets more and more wound up about issues and people who are on her mind. And as if the vocals weren't enough, the backings are incredible too – filled with drum breaks and basslines that few other albums can match – all wrapped around badass tunes that include "Shoo-B-Doop & Cop Him", "He Was A Big Freak", "70's Blues", "Git In There", "Special People", "Don't Call Her No Tramp", and "Your Mama Wants Ya Back". Expanded CD features new remastering, a deluxe 32 page booklet, and 4 previously unreleased bonus tracks that include Record Plant rough mixes of "70s Blues", "Git In There", "He Was A Big Freak", and "Don't Call Her No Tramp". CD

Killer work from Betty Davis – one of the most impressive female funk talents ever! If you ever needed a definition of funk, this record may well be it – snapping drums, sharp-edged guitars, and sex-filled basslines that slink and slide all over the bottom of the grooves – a perfect setting for Betty's incredible vocals – which themselves have a smokey, raspy quality that's completely unique! At times, Davis is almost speaking, but at others she's practically screaming – belting out the lyrics in a way that makes you feel like you're sharing some space with her at the end of the bar as she gets more and more wound up about issues and people who are on her mind. And as if the vocals weren't enough, the backings are incredible too – filled with drum breaks and basslines that few other albums can match – all wrapped around badass tunes that include "Shoo-B-Doop & Cop Him", "He Was A Big Freak", "70's Blues", "Git In There", "Special People", "Don't Call Her No Tramp", and "Your Mama Wants Ya Back". Expanded CD features new remastering, a deluxe booklet, and 4 previously unreleased bonus tracks that include Record Plant rough mixes of "70s Blues", "Git In There", "He Was A Big Freak", and "Don't Call Her No Tramp". CD

A lost porno soundtrack from Bernard "Pretty" Purdie – and one of his greatest records ever! The album's amazing – a sweet batch of soulful funk, almost better put together than any of Purdie's more famous albums for Flying Dutchman or Prestige – with a mix of tight drums, sweet electric piano, and even some occasional lead vocals from Sandi Hewitt – who really adds a lot to the record! The album's got some monster funky cuts – the most noteworthy of which is "Hap'nin", a mad break track that really has Bernard going crazy on the drums! Other cuts include "Pass Me Not", "Lialeh", "Touch Me Again", "Conscious", and "Easy". (Jazz, Soul) CD