A trio of key albums from the Pink Fairies – served up with lots of bonus tracks too! First up is Never Never Land – the fantastic debut of the Pink Fairies – easily one of the shaggiest, headiest bands on the UK scene at the start of the 70s – and a group who rose from the ashes of the equally important Deviants! The record's an unusual mishmash of modes – a set that confidently swaggers between psych, hard rock, and maybe even a bit of proto-punk – very confident in its approach, and coolly compressed in the production, but never in the slick style that would dominate British rock more strongly in the mid 70s. The Fairies aren't afraid to let their freak flag fly, but they're also clearly moving past hippiedom too – on titles that include "War Girl", "Do It", "Say You Love Me", "Tack One Side Two", "Thor", "Uncle Harry's Last Freakout", and "The Dream Is Just Beginning". What A Bunch Of Sweeties is filled with freaky fuzz from the Pink Fairies – a seminal UK group who were maybe trapped in a space between late psych and early glam – and somehow equally important to both! There's lots going on in the set – modes that are as offbeat as styles put forth by The Fugs in the late 60s, but a lot sharper overall from a musical perspective – especially in the way the group uses great guitar work and a few catchy numbers to sew the whole thing together – on titles that include "Portobello Shuffle", "Marilyn", "Pigs Of Uranus", "Walk Don't Run", "X-Ray", "I Went Up I Went Down", and "I Saw Her Standing There". Kings Of Oblivion is maybe the most fully-formed album from the legendary Pink Fairies – and a set that's got some really searing guitar from Larry Wallis – a melodic genius whose sound really holds things together, and gives the group a stronger focus than ever before! The guitar lines seem to bring out and amplify all the ideas the group were going for before – and maybe give the group a sense of darkness that they never fully reached – not hard rock cliche, but this tightness that's also completely individual – maybe like early Thin Lizzy at their best, yet in a completely different way. Titles include "I Wish I Was A Girl", "City Kids", "When's The Fun Begin", "Chromium Plating", "Street Urchin", and "Chamber Maid". Bonus tracks include "Going Down", "Walk Don't Run (first version)", "War Girl (alt mix)", "The Snake", "Do It (single mix)", "Uncle Harry's Last Freakout (alt mix)", "Well Well Well (alt mix)", "City Kids (alt)", and "Hold On (single)". CD

The legendary debut of The Allman Brothers – and a set that maybe set the tone for countless southern rock albums to emerge in the following decade! Yet even at the start, the Allmans are still set apart from the rest – a fiercely jamming band who created the structure for most of the tunes by working together with an almost jazz-like inspiration – blending the guitars of Duane Allman and Dickey Betts with organ and vocals from Gregg Allman, driven by the massive bass of Berry Oakley, and held strong through the percussion efforts of Jai Johanny Johanson and Butch Trucks. Titles include the classic "Whipping Post", plus "Dreams", "Every Hungry Woman", "Don't Want You No More", "Black Hearted Woman", "Trouble No More", and "It's Not My Cross To Bear". LP, Vinyl record album

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A slightly gentler album than the first Captain Beyond outing – but one that really has the group stretching out their wings wonderfully! The set's recorded both in Macon and Sausalito – and really has a vibe that indicates that mix – a core southern rock element, handled with the soulful undercurrents of early 70s Capricorn Records – but given some freer-thinking elements at times from the Bay Area scene! The drums power through nicely at some of the best points – but even the laidback tunes are pretty darn great – and we honestly never can understand why Captain Beyond weren't as big as some of their contemporaries from the southern scene. Titles include "Starglow Energy", "Evil Men", "Drifting In Space", "Bright Blue Tango", "Everything's A Circle", and "Voyages Of Past Travelers". CD

Includes tracks with Cream, Blind Faith, and Derek and the Dominos. CD

... LP, Vinyl record album

(Cassettes, Rock) Cassette

One of Eric Clapton's greatest moments – and a set that also features guitars from Duane Allman and organ from Bobby Whitlock! Recorded in Miami at Criteria Studios – and titles include "Layla", "It's Too Late", "Little Wing", "Have You Ever Loved A Woman", "Tell The Truth", "Anyday", "Key To The Highway", and "Bell Bottom Blues". CD1 includes the original album remastered, CD2 features long jams from the sessions, and CD3 features more jams and alternates! CD

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Elbow's lead singer. CD

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Man, these guys are really opening up their sound a lot with this release – moving into the heavier, harder rock territory that would bring them big fame in the 70s! The whole thing's a lot more tripped-out than before – none of the sweeter, lyrical modes of the group's earliest hits – and instead, a lot more moody numbers that really brood nicely on heavy basslines, fuzzy guitar, and some arch vocals sung in English throughout, despite the Dutch origins of the band. Why this one didn't rock the UK and US scenes bigger at the time is a mystery – but the record's ripe for rediscovery now, and filled with great cuts that include "The Truth About Arthur", "Who Cares", "Mr Fortune's Wife", "Must I Cry", "Magnificent Magistral", "I've Just Lost Somebody", "Sam & Sue", and "Crystal Heaven". LP, Vinyl record album