British turntablist nuttiness featuring Poetic of the Gravediggaz, Shabazz the Disciple, the Arsonists, Shaqueen, Yogi & DJ Noize. 18 tracks plus an intro, including the 10 minute "Attack of the Original Wildstyle Beatfreak" megamix, "B Boys Breakdance Forever" and 3 versions of "the Bomb Drops". CD

An instant party in a single package – a set that brings together a whole host of rare singles from back in the day – all work that's almost an equal blend of old school funk and early hip hop! The work here comes from the Spring label and related Posse imprint – a company who were around on the New York scene to issue plenty of soul and funk during the 70s – then made the move into hip hop at the end of the decade, yet in a way that also brought some of their funky currents forward! Where other labels were maybe using a lean approach and more records as the basis for cuts, Spring already had access to some great groups to back up the MCs – and the result is a batch of funky cuts that are already primed for a party crowd in the South Bronx! As the 80s move in, the cuts use more beats and electro elements – yet that older ear for funk is still nicely in place, and really keeps things moving throughout. Titles include "Money (Dollar Bill Y'All) (long version)" by Jimmy Spicer, "Charley Says (Roller Boogie Baby)" by King Tim III, "The Beach (long vocal)" by Afrika & The Zulu Kings, "Go For What You Know" by The Bally Boys, "Tearin It Up" by D4, "Rockin It" by MC Flex & The Crew, "I'm Hot" by The Rangers, "Magic's Message" by Mr Magic, "To Whoever It May Concern" by DJ Hollywood, "Cars (Zulu club mix)" by Afrika & The Zulu Kings, and "King Tim III (Personality Jock)" by Fatback – a cut that some folks call the first-ever hip hop single! CD

Kanye West finally dropped the full length in early '04 – and it's one of the best hip hop albums of the year. Kanye is probably the hottest beats producer of the year, too, having dug through the greatest soul hooks of the past few decades for his samples, and piled on the chunkiest, catchiest, thickest beats anywhere. And if he doesn't have the greatest vocal delivery in hop hop (if he did, he'd be Superman considering his production pedigree), he makes up for it with some masterful lines, like "I gotta apologize to Mos and Kweli/is it cool to rap about gold if I told the world I copped it from Ghana and Mali?" from "Breath In Breath Out". Hilariously, Kanye also found just about the sharpest theme for a record that we've scene in a while – the tangential connection between gang bangers and frat boys! He ain't granola, he ain't bling bling, he's just a guy from Chicago with a sometimes astoundingly strong production aesthetic, very smart rhymes and a lot of people who owe him great guest spots, and deliver. Were you looking for more than that? It's a triumph, one that Chicago couldn't be more proud of! "We Don't Care", "Graduation Day", "All Falls Down" with Syleena Johnson, "Spaceship" with GLC & Consequence, "Never Let Me Down" with Jay-Z, "Get 'Em High" with Talib Kweli & Common,"New Work Out Plan", the great single "Slow Jamz" with Twista & Jamie Foxx and more. CD

Aggro experimental hip hop and fiercely creative noise from Death Grips – their first for Epic Records – and it's still one of the most surprisingly uncompromising, genre-defying records to get a major platform at the time! The way the group splices scattershot yet momentum-building beats with rawly shouted, yet hip hop-rooted rhymes makes them impossible to categorize, but it's truly gripping stuff. Includes "Get Got", "The Fever", "Lost Boys", "Blackjack", "Hustle Bones", "System Blower", "The Cave", "F*** That", "Punk Weight" and "Hacker". (Rock, Hip Hop) CD

Single track mix with music from De La Soul, Beastie Boys, Special Ed, Super Lover Cee & Casanova Rud, Whodini, DXT, Funk Inc., Treacherous Three, Davy DMX, Herbie Hancock, The Mean Machine, Grandmaster Flash, Pumpkin And The Profile All-Stars, Sugarhill Gang, Hot Day, Z-3 MC's, Mantronix, and more. CD

The massive third album from Run DMC – made at the top of their game – a pivotal effort that brought them to peak popularity and helped break hip hop in a huge way in the pop culture landscape! Part of the album's strength is its guitar-heavy sound on some of the grooves – produced by Rick Rubin and Russell Simmons with a classic early Def Jam vibe, in the same manner that helped the Beastie Boys get their records in the hands of folks who'd never buy hip hop otherwise! That sound comes to culmination on the album's hit collaboration with Aerosmith on a remake of "Walk This Way", resulting in the commercial breakthrough, but the real triumph here is the increased complexity in both the lyricism, and the way Jam Master Jay serves up their beats – which makes for a stone classic all the way through, on tracks that include "Peter Piper", "It's Tricky", "My Adidas", "Proud To Be Black", "You Be Illin'", and more. CD

The massive third album from Run DMC – a set that was done at a time when the duo were totally at the top of their game – and broke out big to a much wider audience than the usual hip hop crowd! Part of the album's strength is its guitar-heavy sound on some of the grooves – produced by Rick Rubin and Russell Simmons with a classic early Def Jam vibe, in the same manner that helped the Beastie Boys get their records in the hands of folks who'd never buy hip hop otherwise! And that sound comes to culmination on the album's hit collaboration with Aerosmith on a remake of "Walk This Way". But apart from that rocker, most of the rest of the set also shows an increased complexity in both the lyricism of the pair, and the way Jam Master Jay serves up their beats – which makes for a stone classic all the way through, on tracks that include "Peter Piper", "It's Tricky", "My Adidas", "Proud To Be Black", "You Be Illin'", and "Walk This Way". Bonus tracks on this expanded edition include "My Adidas (acapella)", "Walk This Way (demo)", "Lord Of Lyrics (demo)", "Raising Hell Radio Tour Spot" and "Live At The Apollo Raw Vocal Commercial". CD

The massive third album from Run DMC – a set that was done at a time when the duo were totally at the top of their game – and broke out big to a much wider audience than the usual hip hop crowd! Part of the album's strength is its guitar-heavy sound on some of the grooves – produced by Rick Rubin and Russell Simmons with a classic early Def Jam vibe, in the same manner that helped the Beastie Boys get their records in the hands of folks who'd never buy hip hop otherwise! And that sound comes to culmination on the album's hit collaboration with Aerosmith on a remake of "Walk This Way". But apart from that rocker, most of the rest of the set also shows an increased complexity in both the lyricism of the pair, and the way Jam Master Jay serves up their beats – which makes for a stone classic all the way through, on tracks that include "Peter Piper", "It's Tricky", "My Adidas", "Proud To Be Black", "You Be Illin'", and "Walk This Way". Bonus tracks on this expanded edition include "My Adidas (acapella)", "Walk This Way (demo)", "Lord Of Lyrics (demo)", "Raising Hell Radio Tour Spot" and "Live At The Apollo Raw Vocal Commercial". CD