Wonderfully fuzzy work from Amanaz – one of the trippiest, headiest groups of the Zamrock scene of the 70s! The guitars here are very full and present – not at a hit you over the head jamming label, but with this rich sonic element that has lots of bassy undercurrents – at a level that makes the album a head-nodding gem all the way through – poised perfectly between some of the more psyche styles of the African scene of the time, and some of the more thoughtful singer-songwriter material. The group have a quality that's surprisingly deep – very soulful, and with a subtle power that comes through strongly – thanks to a mostly-English batch of lyrics (although a few tunes here are in their native Bemba.) No cuts are all-out funky, but all have this great slow-funk sort of charm – and titles include "I Am Very Far", "Sunday Morning", "Khala My Friend", "Green Apple", "Africa", "Making The Scene", "Easy Street", "Big Enough" and "Kale". LP, Vinyl record album

Some of the heaviest work to come from the African scene of the 70s – the initial offering of the Ngozi Family – a group who clearly take strong inspiration from the Cream years of the UK scene, but who also come across with a grittier, punkier vibe overall – thanks to lean, stripped-down instrumentation and some very sharp drums! The drums rattle out underneath the magnificent fuzzy guitar lines in the lead – almost with this compressed quality that recalls Thin Lizzy at their funkier moments – but much more raw, stripped-down, and unpolished – so that the English language lyrics burst out with a really biting sound! The record's one of the first in the Zamrock tradition, and is still one of the best – a set that deserves to be in any collection of hard rock, proto-punk, and even funk rock from the 70s. Titles include "I Wanna Know", "Day Of Judgement", "We Wonna Give It To Her", "Tikondane", and "Let Me Know". LP, Vinyl record album

Tripped-out and wonderful sounds from Witch – served up in this excellent early record from the Zamrock kings of the 70s! Lyrics are in English, and have these dark tones that work perfectly with the group's offbeat guitar and organ lines – sometimes mixed here with acoustic guitar that changes things up from the fuzzier sound of their debut a bit – yet which still maintains a definitely trippy feel! The style isn't really psyche, but isn't Afro Funk either – and almost has some of the unique criss-crossing of modes you'd find in the hippest South American groups of the time. Titles include "Mushed Potatoe", "It's Alright", "Chance", "Young Lady", "Living In The Past", and "She Is Mine". LP, Vinyl record album

Global psychedelic grooves from Zambia – the tripped out sounds of Witch! Witch works in a killer rock groove on Lazy Bones, with furious rhythms, heavy drums and fuzzed out guitars. It's all nice and raw and done with a really heady and fierce sense of groove – but there's some more delicate moments with acoustic guitars, and a focus on melody, too – but most tunes bring the a raw, echoing fuzz groove. The lyrics are in English and many of their influences are western, but the African rock groove is in full effect, particularly in the insistent rhythms. Titles include "Black Tears", "Motherless Child", "Strange Dream", "Havoc", "October Night", "Off Ma Boots", "Lazy Bones", "Little Clown", and more. LP, Vinyl record album

Zambian funk legends Witch really knock it out of the park with this smoking little set – using really amazing basslines on most tracks, in a way that sets up a rumbling groove for all the other instruments to follow – a heady blend of psychedelic currents with more soulful styles, in a way that might make the album the group's funkiest in their legendary early run! The vocals are great too – nicely trippy, thanks to the offbeat production style – and titles include "Devil's Flight", "Blood Donor", "Thou Shall Not Cry", "Nasauka", "Kanglaitoito", "Evening Of My Life", "Bleeding Thunder", and "Fool's Ride". LP, Vinyl record album

Melodic psychedelia from 70s Iran – an incredible full scale anthology of recordings by guitarist and vocalist Kourosh Yaghmaei from the pre-revolution years – and an absolute treasure! Kouroush often recorded with his brothers – Kourosh singing lead and playing guitars or bass – with Kamran Yaghmaei on guitars and backing vocals and Kambiz Yaghmaei on keys and backing vocals. Other players contribute drums, bass and occasional additional elements – harmonica or horns on few tracks. The sound is a really wonderful amalgam of western garage, psych and strains of funk with native Iranian modes and tempos. The songs here sink in on an emotional level without us knowing a word of the language – the passionate vocals work wonderfully in that regard – but musically, it's innovative stuff that's nicely tripped out and heavily rhythmic, without compromising the melodic sensibility. The heavy duty 3LP set features 21 tracks in all – in a sweet 6 panel gatefold with a 24 page booklet – featuring extensive notes and photos, with Kourosh's story told in autobiographical detail. Like other recent Now Again packages, it's really beautifully done! Titles include "Gol E Yakh", "Dar Enteha", "Paiz", "Leila", "Del Dareh Pir Misheh", "Shirin Joon", "Ghazal", "Mosafere Shahre Baran", "Saghe", "Niyayesh", "Saraabe Toe", "Baroona", "Khaar", Bachehaye Khoobe Koocheh" and more. LP, Vinyl record album

Fantastic sounds for fans of funk and rock alike – music from the freaky, fuzzy 70s scene in Zambia – a place where styles effortlessly criss-crossed to really produce something new and unique! The work here is often heavy on fuzz guitars, but also has some wickedly soulful basslines and drums – so that although the tunes can be psych-styled, they're also pretty darn funky too – often at a level that's a bit like the Nigerian Afro Funk of the time, but much grittier and more righteous! The quality of the music and scene is explored in depth in the package – which includes a very detailed booklet of notes and photos – all to support the selection of music, which may well be the hippest so far from the Now Again label – and that's really saying a lot, if you know their other titles! Titles on volume 2 include "Really" by Crossbones, "History Of Man" by Amanaz, "Poor Man" by Five Revolutions, "Hold On" by Ngozi Family, "Katonga" by Musi-O-Tunya, "Request To God" by Oscillations, "Mpundu" by Tinkles, "Otenta" by Dr Footswitch, "Mad Man" by Born Free, "SM" by Mike Nyoni, "Hot Do" by Jesper Siliya Lungu, "I'm Not Made Of Iron" by Chrissy Zebby Tembo, "Umbwalwa Ne Chamba" by Peace, "Umwana Wakusanga Mung'Anda" by Fire Balls, and "See The Storm" by Salty Dog. LP, Vinyl record album

Possibly the greatest album ever from the enigmatic Lloyd Miller – his legendary Oriental Jazz album from the late 60s, and a really wonderful blend of musical modes! Some of the tracks here really stretch out in the Eastern promise of the title – mixing jazz rhythms with santur, oud, zarb, and other unusual instrumentation – all in ways that are modal one minute, meditative the next, and which even echo gamelan styles on one tune! Other tracks are a bit straighter in the instrumentation, but still sparkle with a globe's worth of influence – Lloyd on piano, carving out sounds in a very unusual way! Some tracks are by Miller's trio, other by a quartet that features him, but which is led by pianist/trombonist Press Keys. Titles include "Hue Wail", "Pentalogic", "Tanya", "Natanie", "Guzel Gozler", "Prelude In The Iranian Mode Shur", "Impression Of Bhairava Raga", and "Njonja Mirah & Yona". Some of these tracks have appeared on Millers Oriental Jazz CD compilation – but others haven't – and this is his reissue of the full original album! (Jazz, Global Grooves) LP, Vinyl record album

Rare singles and unreleased tracks from one of the funkiest artists on the 70s scene in Ethiopia – the amazing Ayalew Mesfin – a fantastic talent with a groove that's dying to be heard! Mesfin's music has maybe even more of James Brown groove than some of his funky contemporaries – really sharp rhythms with the guitars, basslines, and everything else coming down on the groove – peppered with horn parts and eerie organ lines, while Ayalew sings in this style that's soulful, but completely unlike any sort of American singer! Instead, the vocals are all inflected and snakey over the top – almost set free from the rhythms, in a way that makes the funky elements sound even funkier as they really ground the whole proceedings next to the otherworldly quality of the lyrics. Titles include "Teregew Nebere", "Wegene", "Ambassel", "Tizitash Zewetir", "Sew Malet Esunew", "Che Belew", "Yetembelel Loga", "Ho Bilo Hedeo", and "Wubalem". LP, Vinyl record album

The first-ever full length global collection of material by one of the funkiest cats working the Ethiopian scene in the early 70s – an artist who works here in a mode that's even more hard-hitting and funk based than contemporaries like Mulatu or Mahmoud Ahmed! The band on most tracks is the Black Lion Band, who've clearly learned the best modes of the James Brown Band of the late 60s – with riffing guitars and horn blasts that are right on the rhythms – moving, grooving, doing it to the max – while Ayalew Mesfin sings in these wonderfully-inflected vocals that are pure Ethio soul all the way through, and also provides some great lines on organs and keyboards! The set brings together cuts from a host of rare funky 45s – most lost to the sands of time after Ayalew had to go underground after the Ethiopian governmental change in 1974. Titles include "Hasabe", "Wubeet", "Yewefe Ber Abeba", "Sak Sak Beyelegni", "Gubeleye", "Endet Liyesh", "Tezetash Rekik", and "Ewedish Neber". LP, Vinyl record album

The last album in a crucial cycle of releases that bring together work from one of the most compelling singers on the Ethiopian scene of the 70s – a set whose title translates as "you can't cheat death" – and which has a vibe that's also echoed a bit in the music as well! The songs are maybe a bit less funky and a bit more moody – more long and drawn out, with the mix of jazzy instrumentation and complicated grooves that you'd find in early 70s Ethio recordings from Mulatu – although Ayalew Mesfin's bold, highly-inflected vocals always keep the singer at center stage – alongside unusual keyboard lines, strange horn tunings, and some very cool rhythms. Titles include "Yedilu Shema", "Erikew Sihedu", "Turi Turi Nafa", "Weyolachew", and "Megen Anchi Hoye". LP, Vinyl record album

Mindblowing work from a revolutionary artist – one of the coolest cats on the Ethiopian scene of the 70s – and a singer who could effortlessly blend together American funk with East African elements! The music here definitely echoes some of the Ethio modes of some of Ayalew Mesfin's contemporaries – and his own vocal style has plenty of the rich inflections that make the language so unique, and so rhythmic, but in a very unusual way – qualities you might have discovered in the music of Mulatu or Mahmoud Ahmed! The rhythms are often bold – sometimes heavier funk, sometimes more fluid – and as with other volumes in this excellent series, this is the first time that Mesfin's music is getting the exposure it deserves on the wider global scene. Titles include "Shuferu", "Anchi Yefikir", "Ayish Ayishina", "Gora Weshebaye", "Libe Dil Temeta", and "Tewedije Limit". LP, Vinyl record album

A really raw set from 70s Africa – one that's more rock than Afro Funk, but which has a pretty hypnotic groove overall! The group's heavy on guitars, which are often played in a fuzzy, jamming sort of way – but with different tones and phrasing than American or Anglo psyche groups – even though they're clearly an inspiration to the sound! Most tunes are strongly rhythmic – guitars grooving away over muddy drums and a bit of rumbling bass – all produced in very basic, stripped-down ways – but that makes for a big part of the charm of the set. Vocals are mostly in English, and often more chanted than sung – and titles include "I Need Mercy", "I Don't Know", "Peaceful Man", "Get On The Way", "This Is The Time Now", and "Black Power". LP, Vinyl record album

The Nigerian scene might be best-remembered as a hotbed of Afro Funk in the 70s – but during the same key stretch, the nation also gave rise to a heady rock underground, too – one that often mix psychedelic inspirations with some of the soul and funk that were coming from the bigger names on their scene at the time! In other words, there's plenty of guitars here – but also plenty of groove – basslines that really get the tunes going, and a mix of funky drums and rootsy percussion that make the music way more than just standard rock of the time – and even a lot groovier than some of the Zamrock or South African sounds that got a bit more exposure. The package is as great as the sound within – a big book that's filled with detailed notes on the music, the scene, and the tumultuous Nigerian politics of the period – plus lots of photos and images as well! The collection features 18 tracks in all – titles that include "Mother" by Waves, "Never Never Let Me Down" by Formulars Dance Band, "Keep On Moving" by The Hygrades, "Everybody Likes Something Good" by Ify Jerry Krusade, "Onye Ije" by The Strangers, "Stone The Flower" by The Hykers, "Never Too Late" by The Apostles, "Tell Me" by PRO, "Float" by Tirogo, "I Can't Be Satisfied" by Founders 15, and "Ballad Of A Sad Young Woman" by Wrinkar Experience. LP, Vinyl record album

One of the most righteous albums to come out of the Kingston scene in the early 70s – a set that's driven by the new spirit of the Rastafarian generation, but which also pushes the music much more than some of the commercial efforts of the time! The style of the music here is almost to mainstream reggae what spiritual jazz was to 70s funk – richer, deeper, more thoughtful, driven by message, and carried forth through instrumentation and production – a heady brew cooked up by Lloyd Charmers in the studio, with work from Willie London on guitar, Lloyd Parks on bass, and Charmers himself on organ, piano, and lots of earthy percussion. Of course, the vocals of Ras Michael are the real driving forces of the record – again very different than any mainstream singers, as he stretches out on these long, hypnotic tracks that include "Run Come Rally", "Seventy Two Nations", "Zion Land", and "Know How You Stand". (Reggae, Global Grooves) LP, Vinyl record album