(Rock, Folk/Country) LP, Vinyl record album

... CD

A stunning tribute to the wonderful Bobbie Gentry – and maybe the first package to really show the world how much she has to offer past her one classic crossover hit! Bobbie started out like a rocket with the country gem "Ode To Billie Joe" – a tune she wrote herself, and followed with lots of other great music on the original debut album here – which then set the scene for a great expansion into other modes, as Capitol Records really opened up their resources for Gentry to record in the late 60s! This huge package features everything that Bobbie ever recorded for the label – not just some great full albums, but also some rare singles, demos, and alternate takes – plus 75 unreleased tracks (!) – and then a full incredible album Live At The BBC – which features 26 tracks of Gentry really knocking it out of the park. The BBC material has these really dark, brooding orchestrations – almost like Bobbie's getting some Scott Walker late 60s backings – and the whole box set might be worth it alone for that double-length album! The package is a very cool 10" slipcover – with a huge booklet of notes, postcards, lyric inserts, and more – 177 tracks in all, with albums that include Ode To Billie Joe, The Delta Sweete, Local Gentry, Bobbie Gentry & Glen Campbell, Touch Em With Love, Fancy, Patchwork, and Live At The BBC. CD

Not vocals, but a very cool instrumental set from guitarist Glen Campbell – done along the lines of some of his uncredited session work of the time! Includes drums from Hal Blaine and Earl Palmer, too! (Rock, Folk/Country) LP, Vinyl record album

Glen Campbell cut plenty of fantastic songs for Capitol Records – but year after year, some of the best were written by the young Jimmy Webb – an important 60s songwriter who brought magic to a number of different singers, but maybe clicked most strongly with Glen! You'll know the key tracks here, as they represent some of Campbells biggest early hits – but his association with Webb goes way past those few tracks, through a legacy of great 70s recordings that are presented here – in a package that features every single Glen Campbell recording of a Jimmy Webb tune through the start of the 80s – including live material, and even a more obscure track done for Atlantic Records too. The sensitivity of Webb's material is really on full display here – and the whole thing is a great contrast to some of the thinner greatest hits packages of Campbell's material – presented with very detailed notes, lots of great vintage images, and a set list of 23 tracks that include "You Might As Well Smile", "Just This One Time", "I Keep It Hid", "The Moon's A Harsh Mistress", "Galveston", "Didn't We (live)", "In Cars", "Highwayman", "Early Morning Song", "Christian No", "It's A Sin When You Love Somebody", "Adoration", "Wichita Lineman", "Where's The Playground Susie", "I Was Too Busy Loving You", "Just Another Piece Of Paper", and "Ocean In His Eyes". (Rock, Folk/Country) CD

Glen Campbell takes on the music of Hank Williams – but in a way that often has the sort of dreamy haze that goes with the "I Remember" in the title! The songs are all Hank's, but the presentation isn't gritty honky tonk – and instead uses fuller backings with Glen's lead vocals, almost as if the whole thing were done in the mid 60s by Chet Atkins at RCA! Jimmy Bowen's at the helm, but there's backup singers and fuller strings than before – which really changes up the Campbell takes on tunes that include "Cold Cold Heart", "Half As Much", "Your Cheatin Heart", "I'm So Lonesome I Could Cry", and "You Win Again". (Rock, Folk/Country) LP, Vinyl record album

An amazing legacy in music from Mike Cooper – a British musician who started out in the world of folk blues, but never ended up moving towards some of the rockish modes of his contemporaries – instead finding his very own sort of special space in the freedom allowed by the Dawn Records label! The set begins with the very spare Oh Really – a set that has Mike Cooper mostly on guitar and vocals, in a style that's part Piedmont, part Delta blues – but also given a more folksy spin, and graced with Cooper's unusual vocals – almost making the whole thing feel like a spare acoustic version of Canned Heat territory – with titles that include "Maggie Campbell", "Saturday Blues", "Electric Chair", "Crow Jane", and "You're Gonna Be Sorry". Do I Know you is a record that follows up with a sound that's maybe a bit fuller than Mike Cooper's debut, but still relatively spare – with Mike on acoustic guitar and slide guitar, Harry Miller on bass (really great bass, by the way!), and Poor Little Anne on a bit of vocals. Miller brings these deep tones to the record that really transform things – and titles include "Do I Know You", "Start Of A Journey", "First Song", "Theme In C", and "The Link". Trout Steel is a beautiful set from the British scene at the start of the 70s – a record that's got a fairly folksy tone, but lots of jazzy currents as well! The set was issued on the seminal Dawn Records label – and really shows that imprint's commitment to the left side of the spectrum – as Mike Cooper's vocals and acoustic guitar come into play with more guitar from Stefan Grossman – plus alto sax from Mike Osborne, tenor and soprano from Alan Skidmore, piano from John Taylor, and bass from the late Harry Miller – all key players on the UK avant jazz scene of the time! The mix of these players with Cooper's core inspiration is not unlike some of the most progressive material coming from Island Records – or, even better, the special jazzy moments on records by Tim Buckley or Tim Hardin – company that Cooper could very easily keep, given the strength of his songwriting. Titles include "Don't Talk Too Fast", "On My Way", "Hope You See", "Weeping Rose", "Trout Steel", "I've Got Mine", "That's How", and "Pharoah's March". Places I Know blends Cooper's acoustic guitar and rootsy vocals with some very compelling arrangements from Mike Gibbs – the British jazz talent who was already known for his larger ensemble creations at the time, but who works here in these really subtle ways – to inflect Cooper's core inspirations with just some slight instrumental colors, tones, and phrases on most numbers – while Cooper brings in the core Machine Gun Co group on a few more. The result is a record that's way more than familiar folk – and arguably a lot hipper than most of the British acid folk of the time, too – on titles that include "Night Journey", "Paper & Smoke", "Country Water", "Time To Time", "Goodbye Blues Goodbye", and "Places I Know". The Machine Gun Co album is a partner record to Places I Know – recorded in the same sessions, but with tracks that are longer, and even more openly expressive – all with backings from the sweet Machine Gun Co quartet, a group with some especially nice electric piano from Alan Cook! Heavy use of that instrument really works against some of the folksier elements in Cooper's music – with these blocks of warm sound and color that really illuminate the tunes, and almost unlock a new level in the vocals. Cooper plays a bit of electric guitar at times – and titles include "So Glad That I Found You", "Lady Anne", "Midnight Words", and "Song For Abigail". CD also features songs from singles – "Your Lovely Ways (parts 1 & 2)", "Time In Hand", and "Schaabisch Hall". (Rock, Folk/Country) CD

A massive folkloric project – one that really shows how much the form has evolved since the early days of recording! This huge book-length collection looks at the rich legacy of Appalachian music as it moved north towards the Mason-Dixon line – from roots in Virginia and Tennessee, to northern spots in Maryland and Pennsylvania as those older communities languished. The first half of the collection focuses on important 60s recordings of Ola Belle Reed and the New River Boys – done by folklorist Henry Glassie, and very well recorded – and the second half looks at the long legacy of music that's continued in that area, sometimes after the sounds have faded from the source of their original roots. CD one features all recordings of Ola and her contemporaries – while CD two features recent material with a surprisingly vibrant feel – and artists include TJ Lundy, Ryan Paisley, Hugh Campbell, Zane Campell, Dave Reed, and John Miller – as well as the Debusk-Weaver Family. The book itself is worth the price of admission – hardcover, full of photos and writings – and over 250 pages long! CD

With guests Glen Campbell, Crystal Gayle, Loretta Lynn, and Tanya Tucker. (Children's, Folk/Country) LP, Vinyl record album

With selections by Johnny Cash, Roy Clark, Anne Murray, Glen Campbell, Patsy Cline, Wanda Jackson, Loretta Lynn, and others. LP, Vinyl record album

Beautiful, simply beautiful! The set features 23 tracks from a range of western-themed movies and TV shows – not really spaghetti westerns, but the sort of popular American work of the 50s and 60s, which often starred bigger names in show business, and which features popular vocal themes interpreted by chart stars of the time. The approach is quite different than most of our other soundtrack selections – a wealth of groovy pop vocal tunes united through western themes, and compiled together in a fantastic package with images from the films. Titles include "Fury" by The Prarie Chiefs, "The Man From Laramie" by Al Martino, "The Ballad Of Cat Ballou" by Nat King Cole & Stubby Kaye, "The Lonely Man" by Tennesse Ernie Ford, "Man With True Grit" by Glen Campbell, "Buttons & Bows" by Bob Hope, "The Wind The Wind" by Dean Martin, "Old Turkey Buzzard" by Jose Feliciano, "Marmalade Molasses & Honey" by Andy Williams, "The Legend Of Wyatt Earp" by Shorty Long, "Stagecoach To Cheyenne" by Wayne Newton, and "Bronco" by Johnny Gregory. (Soundtracks, Folk/Country) CD

The darker side of the hillbilly sound of the postwar years – a whole host of tracks that deal with inner fears, worldly temptations, and external terrors – served up in a mix of tracks that resonates strongly with the long running Hillbillies In Hell series! The approach here is a bit wider-ranging, and maybe a bit more rough around the edges – but we also appreciate that, and the way the package lets the CD format really open up the amount of tracks that are included – 28 numbers that include "Let Me Go Devil" by Wade Ray, "Spellbound" by Jimmie Holt, "Haunted Blues" by Jimmy Littlejohn, "Haunted House Boogie" by Happy Wilson, "Satan's Daughter" by Gene Davis, "Shudders & Screams" by Ben Colder, "Tennessee Hillbilly Ghost" by Red Folkie, "Spookie Boogie" by Cecil Campbell, "Satan's Chauffeur" by Jimmy Minor, and "Marijuana The Devil's Flower" by Mr Sunshine. CD

Very early work from Odetta – much more bluesy than some of her later work – both in the setting, and in the way that she inflects her lyrics! In a way, there's more of a folk/blues link here than you'll find in some of Odetta's music of the 60s – a combination of modes that almost puts her in the Josh White camp. The instrumentation is quite spare – mostly just guitar and vocals from Odetta, with extra vocals and banjo from Larry Mohr – on titles that include "Water Boy", "Old Cotton Fields", "The Frozen Logger", "The Car Car Song", and "Pay Day At Coal Creek". CD features 6 more bonus tracks, too – all previously unissued recordings! (Soul, Folk/Country) CD

Music from Sweet Honey In The Rock, Bob Dylan, John Mellencamp, Bruce Springsteen, U2, Little Richard With Fishbone, Arlo Guthrie, Willie Nelson, Emmylou Harris, Taj Mahal, Brian Wilson, and more. CD

Two LP set featuring Wanda Jackson, Buck Owens, Rose Maddox, Ferlin Husky, Glen Campbell, Faron Young, and lots more! LP, Vinyl record album

An obscure album by a group from Milwaukee – recorded at a time when that city didn't have much of a scene at all – which left these guys to perform in a coffee house for all the songs on the album! The set's got a vibe that's up-close, and more tightly produced than just a local live record – really great acoustics that bring out the personal, folksy qualities of the songs – which get strong direction from group leader Bill Camplin on vocals and guitar. The overall vibe is maybe more Marin County or Woodstock than any Midwestern music of the period – and titles include "Jesse's Mountain Range", "The Harvest", "Old Man", "Hold On", "Save The Life Of A Simple Child", "Red Velvet", and "Can A Star Disappear". (Rock, Folk/Country) LP, Vinyl record album

Cash's fourth volume of stark, sparely-arranged studio recordings for producer/set list provider Rick Rubin. As Johnny gets on in the years his always haunting voice, like Bob Dylan's, is weighted by age, but the heavily-breathed delivery only adds to the ghostly quality of the increasingly dark tunes. With this fourth set in the series we're far past being surprised by the choices of material – this time Cash conjures up spiritual takes on Depeche Mode's "Personal Jesus", Trent Reznor's "Hurt", Lennon/McCartney's "In My Life", and more traditional material like Hank Williams' "I'm So Lonesome I Could Cry" and the eternally underrated Marty Robbins' "Big Iron". You can't forget that Cash's pen is still pretty sharp, too, as the really spooky imagery in the title track and others testify. The accompaniment includes the great Randy Scruggs, Beck/Tom Waits guitarist Smokey Hormel, Marty Stuart, Glen Campell, and backing vocals by Nick Cave and Fiona Apple. Another great one from the greatest! LP, Vinyl record album