The start of an amazing legacy in Brazilian music – and a record that really lives up to its title! Jorge Ben completely reinvents the samba here – and comes up with his own new groove in the process – by blending sharp acoustic guitar lines with rootsy percussion – all at a level that's far more rhythmic than the used of the instrument in bossa nova. There's definitely a bossa element – but Joao's singing is a lot more soulful, as is the overall performance – and the styles started here not only launched Ben's career, but also had a huge influence on generations of musicians to come! Titles include the sublime original version of "Mas Que Nada" - plus "Tim Dom Dom", "Chove Chuva", "A Tamba", "Balanca Pema", and "Rosa Menina Rosa". Great stuff, and essential all the way through – we promise! LP, Vinyl record album

A very cool vocal group from the Brazilian scene of the 90s – a quintet who issued this album initially only on CD, but with a sound that's got a much more classic vibe than you'd expect from the date! The harmonies are great – and follow in a legacy that includes older groups like Trio Esperanca or Quarteto Em Cy – but the setting is a bit different, and borrows as much from Latin music at times as it does from Brazilian rhythms – often served up with some really bold, jazzy currents in the instrumentation that really send the whole thing over the top! Titles include "Pe No Chao", "Cristalina", "Horas", "Meu Lugar", "Rio Seco", "Ave No Ninho", "Sertao Mar", "Esse Amor", and "Pai Do Criacao". LP, Vinyl record album

Bebel Gilberto's really grown a lot over the years – and here, she emerges strongly as a fully-formed artist with a voice that's all her own – and a style that doesn't need to rest on the laurels of her famous family legacy! The album's easily one of the most interesting we've ever heard from Bebel – and it's got this slight spiritual undercurrent that's a real change from just bossa modes – a richer, deeper sound that almost shows echoes of some of the more compelling jazz talents in recent years, yet while still balancing out just the right sort of lovely sound for the vocals! Bass is more pronounced than before – often acoustic, but with a rollingly deep quality – on performances by both Kassin and Liminha – and Miguel Atwood-Ferguson brings in some sweet strings at points, but in a very gentle, subtle way. Seu Jorge joins Bebel on the track "Novas Ideais" – and other titles include "Tout Est Bleu", "Tom De Voz", "Nada Nao", "Somwhere Else", "Lonely In My Heart", "Areia", and "Saudade Vem Correndo". LP, Vinyl record album

Two younger Brazilian music serve up a tribute to the music of older Brazilian giants – the guitarist Guinga, and sublime composer/multi-instrumentalist Hermeto Pascoal! Yet the setting here is quite different than you might expect – at least for the music of Pascoal – as the duo work with just the harmonica of Gabriel Grossi, and seven string guitar of Felix Junior – but in a pairing that still manages to open up with all the complexities of the songs! Grossi's an especially great discovery – blowing with all the vivid tonal depth of some of our few favorite Brazilian harmonicists from the past – and in a legacy that might well put him up there alongside Toots Thielemans and Mauricio Einhorn, for his ability to create sounds with the richness of a reed instrument. The set includes a few Pascoal compositions – "Balaio", "O Farol Que Nos Guia", "Suite Norte Sul Leste Oeste", and "Fatima" – plus Guinga tunes "Exasperada", "Baiao De Lacan", and "De Menor" – and originals by the duo, very much in the right spirit for the setting – with titles that include "Senhorinha", "Domingo Pascoal", and "Selva De Pedra". CD

The very obscure third volume in the legendary Racional series from Brazilian soul legend Tim Maia – and like the other two, a record that really furthers the rich legacy of music he'd begun at the start of the 70s! There's a very righteous vibe going on here – music that soars for the skies in concept and execution – song mostly in Portuguese, but with a global sense of soul throughout – from the richness of the backings, to the majesty of Tim's vocals – which are some of the greatest on the Brazilian scene of the time. Even the mellower numbers are great – the kind of slinky soul numbers that you'd find balancing out the funky nuggets on a rare groove gem from the US – titles that include "Que Legal", "Nacao Cosmica", "I Am Rational", "E Prciso Ler E Reler", "Lendo O Livro", and "O Supermundo Racional". LP, Vinyl record album

Fantastic futuristic fusion from Alex Malheiros – best known as the bassist in Azymuth, but equally great here on his own – and in a completely different sort of way! The set's got heavy contributions from keyboardist Daniel Maunick, of Incognito fame – but the record's definitely got that well-crafted blend of jazz funk and Brazilian rhythms you'd know from Alex's legacy, but maybe tuned a bit more towards a 21st Century sort of groove – the right London touches in all the right places, in the best tradition of the Far Out label! Sabrina Malheiros sings on a few cuts, but most numbers are instrumental – and titles include "Retrato", "The Razor's Edge", "Telegramas Para Arp", "O Temporal", "Kuarup", "Alto Verao", and "Requiem For A Storm". CD

A wonderful record – one that takes off from the spare sound of earlier albums by guitarist Fabiano Do Nascimento, and adds in some smaller group instrumentation that really sends things over the top! Fabiano's still got all the amazing touches on his instrument – played at a level that's in a legacy of Brazilian acoustic right up there with Baden Powell or Luiz Bonfa – mixed this time around with a shifting palette of instrumentation that includes percussion, flutes, violin, cello, and tenor – all elements used in ways that are still spare, yet shade the music in wonderfully! While we've loved Fabiano's airy explorations in the past, we love him even more here – as the album's as full of color and scope as you'd guess from the image on the cover, or its evocative reference to Rio Bonito – on titles that include "Strings For My Guitar", "Coletivo Universal", "Kaleidoscope", "Retratos", "Theme In C", and "Emotivo". CD

That's Antonio Neves wielding a trombone on the cover – but the set's got elements that move way past his great work on that horn – drawn from very collaborative contributions from different members of the contemporary scene in Rio! The record's got a jazz basis at the core, but quickly explodes into a real style-shifting approach – that legacy of easily mixing modes that has been the hallmark of some of the most creative work from Brazil in recent decades – guided perfectly here by Neves on drums as well as trombone! Antonio sings on one track, and the record also features vocals at points from Leda, Alice Caymmi, Ana Frango Eletrico, and Marcos Esgulera – amidst a whole host of guest musicians too, including Edu Neves on flute, Leo Gandelman on alto, and Hamilton De Holanda on mandolin. Titles include "Lamento De Um Perplexo", "Forte Apache", "Simba", "A Pegada Agora E Essa", "Noite De Temporal", and "Jongo No Feudo". CD

A beautiful debut from Pedro Ricardo – an artist with a name that sounds like a contemporary of the MPB scene in 70s Brazil – and one who works here with a rock-solid sound that might easily place him in that legacy! Pedro's music is definitely contemporary, and he's Portuguese, not Brazilian – but shares the same language, and the same sort of temporal spanning of some of our current favorites from the Brazilian underground – effortlessly blending elements of jazz and more rootsy expressions, sometimes with modern inflections, sometimes a lot more earthy overall! There's plenty of wonderfulness happening here – a truly individual statement from an artist we'll be keeping our ears on for years to come – on titles that include "Soprem Bons Ventos", "Entre O Vale E O Eco", "Tema 2", "Deheba", "Ode Ao Gato", "A Marcha Que O Monte Parou", and "Cantar Das Kandakinhas". (Global Grooves, Brazil) LP, Vinyl record album

A tremendous debut from Tunico – a record that seems certain to begin an amazing legacy in Brazilian music – at a level that has this young musician easily rivaling some of our favorites from the past! The set's got this way of mixing earthy roots with very modern arrangements – all set to warmly jazzy instrumentation, at a level that recalls some of our favorite early 70s experiments by artists like Edu Lobo, Hermeto Pascoal, or Airto – especially the latter two right after they'd left the group Quarteto Novo! Tunico himself plays guitar, and both alto and soprano sax – and the tunes have this way of soaring and gliding wonderfully – rhythms that are very organic, but inflected with all sorts of other unusual phrasing on instruments by the leader and other members of the group – more guitar, plus keyboards, flute, bass, and plenty of percussion. The whole thing's extremely beautiful, with a quality that's hard to put into words – and titles include "Decolagem", "Sambola", "Solar Das Hortencias", "Saudade Do Sucupira", "Galope", and "O Que Vira". CD

A tremendous debut from Tunico – a record that seems certain to begin an amazing legacy in Brazilian music – at a level that has this young musician easily rivaling some of our favorites from the past! The set's got this way of mixing earthy roots with very modern arrangements – all set to warmly jazzy instrumentation, at a level that recalls some of our favorite early 70s experiments by artists like Edu Lobo, Hermeto Pascoal, or Airto – especially the latter two right after they'd left the group Quarteto Novo! Tunico himself plays guitar, and both alto and soprano sax – and the tunes have this way of soaring and gliding wonderfully – rhythms that are very organic, but inflected with all sorts of other unusual phrasing on instruments by the leader and other members of the group – more guitar, plus keyboards, flute, bass, and plenty of percussion. The whole thing's extremely beautiful, with a quality that's hard to put into words – and titles include "Decolagem", "Sambola", "Solar Das Hortencias", "Saudade Do Sucupira", "Galope", and "O Que Vira". LP, Vinyl record album

One of the key records that helped cement the Tom Ze legacy back in the day – a set that's unlike any other work of the period from other Brazilian artists – including some of Ze's earlier contemporaries in the Tropicalia scene! There's a great mix of styles going on ranging from some spare percussive tracks, to others that have a smoother production style – and throughout it all, Ze's got that crazy approach to lyricism that marks his vocally striking work from this time. Arrangements are directed by Otavio Basso, with lots of work on both acoustic and electric instruments – keyboards mixed with cavaquinho, guitar mixed with percussion and cuica – on titles that include "Amor De Estrada", "Carta", "Morena", "Menina Jesus", "Na Parada De Sucesso", and "Pecado Rifa E Revista". LP, Vinyl record album

The first-ever record in the Luaka Bop legacy – a massive collection of Brazilian grooves that still serves as one of the best introductions to the music we can think of! Most of the artists here are the bigger names of the MPB generation of the 70s – but many are still very under-represented in the US market – which makes the collection of work here completely essential. The styles range from samba soul of Jorge Ben to the lyrical poetry of Caetano Veloso to the soulful drama of Milton Nascimento – and titles include "Ponta De Lanca Africano" and "Fio Varavilha" by Jorge Ben, "Cacada" by Chico Buarque, "Quilombo O El Dorado Negro" and "So Quero Um Xodo" by Gilberto Gil, "Quiexa" and "O Leaozinho" by Caetano Veloso, "Sonho Meu" by Maria Bethania & Gal Costa, "Caixa De Sol" by Nazare Pereira, and "Anima" by Milton Nascimento. LP, Vinyl record album

It's no secret that the city of Rio De Janeiro has an amazing musical legacy – one that began in the years before bossa nova became their calling card in the 60s, through so many musical revolutions in the 70s – on up to the current day, when the city is still abuzz with all sorts of amazing and fresh musical styles! Not long ago, we were very plugged into the sound of Rio through countless great records issued on the Brazilian scene – but more recently, things have gone digital and a bit more underground – which makes a collection like this such an essential way of keeping in touch with the music – a really well-done collection that shows just how much has been happing in Brazil in recent years! There's definitely echoes of older styles in the music, but they resonate with a freshness that's amazing – with qualities that make each new tune on the set a real delight – in a lineup that features titles that include "Sigo Num Site/Marmore" by Rosabege, "Vento De Bierada" by Dora Morelenbaum, "Bandeide" by Troa, "Gigolo" by Jonas Sa, "Soar Estranho" by Tiago Nassif, "Cliche" by Pedro Fonte, "Saudade"b y Ana Frango Electrico, "Avos De Experienca" by Exercito De Bebes, "Briga De Familia" by Vovo Bebe, "Apreco Antigo" by Le Ameida, "Sambolero" by Os Ritmistas, and "Dois Litorais" by Joana Quieroz. CD

It's no secret that the city of Rio De Janeiro has an amazing musical legacy – one that began in the years before bossa nova became their calling card in the 60s, through so many musical revolutions in the 70s – on up to the current day, when the city is still abuzz with all sorts of amazing and fresh musical styles! Not long ago, we were very plugged into the sound of Rio through countless great records issued on the Brazilian scene – but more recently, things have gone digital and a bit more underground – which makes a collection like this such an essential way of keeping in touch with the music – a really well-done collection that shows just how much has been happing in Brazil in recent years! There's definitely echoes of older styles in the music, but they resonate with a freshness that's amazing – with qualities that make each new tune on the set a real delight – in a lineup that features titles that include "Sigo Num Site/Marmore" by Rosabege, "Vento De Bierada" by Dora Morelenbaum, "Bandeide" by Troa, "Gigolo" by Jonas Sa, "Soar Estranho" by Tiago Nassif, "Cliche" by Pedro Fonte, "Saudade"b y Ana Frango Electrico, "Avos De Experienca" by Exercito De Bebes, "Briga De Familia" by Vovo Bebe, "Apreco Antigo" by Le Ameida, "Sambolero" by Os Ritmistas, and "Dois Litorais" by Joana Quieroz. LP, Vinyl record album

Mr Bongo really goes back to its roots here – and returns to the kind of rare global gems that first made us fall in love with the label in the first place! Over 20 years ago, Mr Bongo were one of the key global forces in opening up people's ears to the sounds of funk and soul from around the globe – digging up rare nuggets from out of the way places that might have echoed American styles, but turned them on their ear – or the kinds of cuts that were completely unique, but which could stand next to the kind of funky 45s that were being sampled for hip hop! This collection brings together some of the best cuts that continue that legacy – some rare singles, some obscure European tracks, and lots of others you never would have discovered otherwise – with titles that include "Deixa A Tristeza", "Piranha" by Alipio Martins, "Seara De Oxala" by Barbosa, "Mathar" by Dave Pike Set, "Freak" by Tappa Zukie, "Mama Hot Daddy Cool" by Big Youth, "Fish & Funjee" by Lantei Lamptey, "Karam Bani" by Buari, "Handsome Boy (parts 1 & 2)" by The Rwenzoris, "He's Forever" by King James Version, "Chanson D'Un Jour D'Hiver" by Cortez, and "Can't Live Without You" by Connie Laverne. (Funky Compilations, Brazil) LP, Vinyl record album

An amazing introduction to one of the most significant cultural movements in the latter half of the 20th Century – the groundbreaking years of Tropicalia in late 60s Brazil! The music and legacy of Tropicalia are referenced often, but hardly ever presented this well – and this package is everything we could have hoped for as an introduction to the movement – filled not just with great music, but also an overwhelming amount of notes that trace the history of Brazilian music and art through their changes in relation to Tropicalia! In fact, the notes are almost worth the price of the compilation alone – very densely written over 48 pages in the CD booklet, with more information in one place than we've ever seen before. But as you might imagine, it's the music that really makes the set special – and Soul Jazz have done an excellent job of pulling together key late 60s works from the most important musicians associated with Tropicalia – an great starting point for the movement that's filled with most essential tracks! Titles include "Bat Macumba" by Gilberto Gil, "Tuareg" and "Sebastiana" by Gal Costa, "A Minha Menina" and "Panis Et Circenses" by Os Mutantes, "Alfo Mega" and "Tropicalia" by Caetano Veloso, "Gloria" and "Jimmy Renda-Se" by Tom Ze, "Procissao" by Gilberto Gil, "Ave Genghis Khan" by Os Mutantes, "Take It Easy My Brother Charles" by Jorge Ben, "Quero Sambal Meu Bem" by Tom Ze, "Lost In The Paradise" by Caetano Veloso, "Bat Macumba" by Os Mutantes, "Domingo No Parque" by Gilberto Gil & Os Mutantes, and "Irene" by Caetano Veloso. CD

The start of an amazing legacy in Brazilian music – and a record that really lives up to its title! Jorge Ben completely reinvents the samba here – and comes up with his own new groove in the process – by blending sharp acoustic guitar lines with rootsy percussion – all at a level that's far more rhythmic than the used of the instrument in bossa nova. There's definitely a bossa element – but Joao's singing is a lot more soulful, as is the overall performance – and the styles started here not only launched Ben's career, but also had a huge influence on generations of musicians to come! Titles include the sublime original version of "Mas Que Nada" - plus "Tim Dom Dom", "Chove Chuva", "A Tamba", "Balanca Pema", and "Rosa Menina Rosa". Great stuff, and essential all the way through – we promise! CD

Upbeat soul from Sergio Mendes – but a record that's still got a Brazilian heart beating underneath! The sound of the set is very much in the best mainstream soul modes of the time – never too electric overall, but put together with a nicely warm groove that continues the legacy of R&B-influenced music that Sergio first started in the 70s. Vocals are by a variety of singers – including Gracinha Leporace, Carol Rogers, Leza Miller, Geoff Lieb, and others – and just when you think the whole thing's more LA than Rio, Sergio has a nice way of throwing in a slight Brazilian touch to remind you of his roots. Titles include "My Summer Love", "Carnaval", "Never Let You Go", "Voodoo", "Si Senor", and "Life In The Movies". LP, Vinyl record album

Ed Motta knocks it out of the park with this one – taking things in an even more soulfully classic direction than on his killer AOR album – and giving us key proof that he's one of the most important soul singers of the 21st Century so far! Ed's got a way of opening doors wherever he goes – as part of a huge global legacy he's left in the past decade or soul – and this time around, he's opening the doors to a classic style of studio production from the LA scene – the kind of warm soul that works perfect for Motta's incredible voice, and which makes the album one of the best he's ever given us! Ed plays Fender Rhodes in the small combo backing here – and is working with a key group of jazz musicians that includes Patrice Rushen and Greg Phillingaines on keyboards, Hubert Laws on flute, Rickey Woodard and Charles Owens on tenor, and Marvin Smitty Smith on drums – a stunning lineup that makes for amazing sounds throughout. All lyrics are in English, and Ed effortlessly blends jazz and soul on original titles that include "Captain's Refusal", "Forgotten Nickname", "The Owner", "A Town In Flames", "Good Intentions", "Hypochondriac's Fun", "Heritage Deja Vu", "Overblown Overweight", and "Reader's Choice". (Neo Soul, Brazil) CD