An overlooked gem from Airto – recorded after his 70s years on bigger labels, but a set that almost tops all of them in the end! There's a wonderful mix going on here – a blend of rootsy and electric, and Latin and Brazilian – the former clearly from the placement of the record on New York's Montuno label – an imprint that did plenty of great sessions filled with Latin jazz! The shift makes for a fresh one for Airto – still plenty of room to show off his famous percussion impulses, yet in a slightly different way – often grooving in a Latin fusion mode that's a nice maturation from the CTI years. The set's filled with all-star players – including Jorge Dalto on electric piano, Raul De Souza on trombone, Joe Farrell on flute, Alphonso Johnson on bass, and Oscar Castro Neves on keyboards, guitar, and cavaquinho – and the lovely Flora's also on board to sing a bit on the set. Titles include the extended jammer "Tombo", plus "Aqui Se Pede", "Jump", "The Return", "Sin Salida", and "Anatelio". LP, Vinyl record album
A fantastic early album from Jorge Ben – and one that's also a bit obscure, given that it was one of the few that he didn't cut for Philips Records during the first decade of his career! The album's one of Jorge's most upbeat, most lively – with the kind of ebullient mix of samba and soul influences that he brought to his first big hits – but recorded here in a way that's maybe even more frenetic, especially when piano lines spin out quickly next to his incredible vocals – with a style that's almost soul jazz at times! The whole thing's wonderful – a record that matches, if not tops any of his other 60s albums – and titles include the killer "A Jovem Samba" – worth the price of the album alone – plus "Nascimento De Um Principe Africando", "Menina Gata Augusta", "Si Wanda", "Rosa Mas Que Nada", "Amor De Carnaval", and "Todo Colorida". LP, Vinyl record album
(Original US pressing – a nice copy! Cover has a small cutout hole.)
3
Joao Gilberto & Antonio Carlos Jobim —
Gilberto & Jobim ... LP Capitol, Early 60s. Very Good ...
Out Of Stock
Given that Capitol had recently linked up with the ever-growing EMI corporation in the early 60s, it was able to take advantage of the global catalog of the music giant, and managed to dip pretty heavily into the Brazilian Odeon catalog of tunes to cash in on the American popularity of bossa nova. This album was one of their bigger imports, and it features material originally recorded in Brazil, with Gilberto up front, backed by arrangements by Jobim. This is the classic material that made Gilberto's fame in the early days – and titles include "Doralice", "O Pato", "Discussao", "Outra Vez", and "Corcovado". LP, Vinyl record album
(Stereo rainbow label pressing. Cover has a small split on the top seam, light ring wear & aging.)
A fantastic early album from Jorge Ben – and one that's also a bit obscure, given that it was one of the few that he didn't cut for Philips Records during the first decade of his career! The album's one of Jorge's most upbeat, most lively – with the kind of ebullient mix of samba and soul influences that he brought to his first big hits – but recorded here in a way that's maybe even more frenetic, especially when piano lines spin out quickly next to his incredible vocals – with a style that's almost soul jazz at times! The whole thing's wonderful – a record that matches, if not tops any of his other 60s albums – and titles include the killer "A Jovem Samba" – worth the price of the album alone – plus "Nascimento De Um Principe Africando", "Menina Gata Augusta", "Si Wanda", "Rosa Mas Que Nada", "Amor De Carnaval", and "Todo Colorida". LP, Vinyl record album
Pedro Santos —
Krishnanda ... LP CBS (Brazil), 1968. Very Good+ ...
Out Of Stock
A totally unique album from the Brazilian scene of the 60s – a set that was recorded right in the middle of the big Tropicalia years, but which has more of the earthier touches that would emerge in the Brazilian scene during the 70s! Yet there's also a sense of tight arrangement here too – a bit like the soulful crackle that came from some of the EMI/Odeon sessions, but served up with a more folklyric sense of instrumentation – lots of percussion, cuica, and other regional elements – sometimes topped with a single horn, or maybe just a string flourish – but never in a way that dampens the earthy energy at the core! The sound is fantastic – mostly instrumental, although with some spare vocals too – and titles include "Agua Viva", "Ritual Negro", "Desengano Da Vista", "Dual", "Arabindu", "Quem Sou Eu", "Advertencia", and "Sem Sombra". LP, Vinyl record album