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We're not entirely sure about the "incident" mentioned in the title – clearly front page news back in the day – but we can say that the album's a sweet little groover with a nice mod bounce – a set that features lots of great organ and piano from the mighty Marty Paich, working here with a snappy, syncopated groove that's right in line with Jimmy Bowen's mid 60s Reprise Records production style! The album's a sweet standout from Reprise at the time – mighty nice, and put together with a very solid feel – way more than just your typical 60s easy instrumental record – with some slight use of guitar to justify the "rock" in the title! Tunes include "The Cat", "Gotta Go", "The Proud Camel", "The Thing", "Promise Her Anything", and "Watermelon Man".

Incredible music from a very groovy Italian cartoon – the early 70s La Linea, based around a simple line figure with a very talkative approach to life! The CD brings together music and sound effects from the La Linea cartoons – including some prattling from the main character himself, set alongside groovy tunes that have lots of jazzy flourishes! Much of the work on the set was done by Franco Godi, who also handled the great Signor Rossi cartoon music – and the style here is a similar frenetic blend of jazz, scat vocals, bossa rhythms, and just about anything else that appealed to the cooler side of Italian listening at the end of the 60s! Titles include "Linea Cinque Ipaziente", "Linea Cinque Originale", "Sonatore Di Wild West", "Linea Cinque Bossa", "Baiubadu Breve", "Linea Cinque Chitarra", and "Trazom AW Edit". This pressing of the CD features 7 bonus tracks too – material that wasn't on the previous version!

We're not entirely sure about the "incident" mentioned in the title – clearly front page news back in the day – but we can say that the album's a sweet little groover with a nice mod bounce – a set that features lots of great organ and piano from the mighty Marty Paich, working here with a snappy, syncopated groove that's right in line with Jimmy Bowen's mid 60s Reprise Records production style! The album's a sweet standout from Reprise at the time – mighty nice, and put together with a very solid feel – way more than just your typical 60s easy instrumental record – with some slight use of guitar to justify the "rock" in the title! Tunes include "The Cat", "Gotta Go", "The Proud Camel", "The Thing", "Promise Her Anything", and "Watermelon Man".

Moog – with a twang! This excellent set is by the enigmatic Gil Trythall – a moog musician who turned his talents towards the sound of 60s Nashville, with some incredible results! The format is simple – take country hits, strip them down, and fill them with cool electronics and moogy bits – so that they come out sounding as if they were recorded by Perry & Kingsley after getting drunk at a line dancing party. Tracks are a good mix of originals and covers, and titles include "King Of The Road", "Poke Salad Annie", "I Can't Stop Loving You", "Nashville Moog", "Wichita Lineman", "Kansas City", "Martha White Theme", and "Tennessee Waltz".

Insanely wonderful work by Bacharach – in a way that we can hardly begin to describe (but we'll certainly try!) By the time this one was recorded – 1971 – Burt's reputation as a songwriter and arranger were so firmly established that he had an incredible amount of freedom in the studio. Here, working with tunes that were mostly well-worn, plus a new one or two – Burt comes up with an amazingly complex set of arrangements, opening up his tunes like little flowers, focusing on a particular instrumental tendril, and drawing it out into incredible lines of melody and color. Proof of this is the album's extended version of "Wives & Lovers", or its suite for orchestra, entitled "And The People Were With Her". All tracks are great – from Burt's intimate vocal on "Hasbrook Heights", to the jangly instrumentation of "Freefall", to the completely recast versions of hits like "One Less Bell To Answer", "April Fools", and "Mexican Divorce". CD features a bonus track – a rare mono version of "All Kinds Of People".

Way more than just a James Bond cash-in record – and instead an ultra-hip jazz session from the west coast scene of the 60s! The James Bond at the helm of the record is actually Jimmy Bond – the great bassist who worked on some key sessions of the late 50s and early 60s as a sideman, and who turns out to be a surprisingly great leader on this rare mid 60s date! The record is more jazz than anything else – played with a crime/spy bent, to be sure – but also flowing with really great solos and a fair bit of a bossa influence in the rhythms! The group here is more than hip enough to make the record work – with Harold Land on tenor sax, Bobby Bryant on trumpet, and Buddy Colette on flute and tenor – all working in a sextet led by Bond, with plenty of round, warm, almost modal lines on his bass – punctuated nicely by piano from Joe Parnello and drums by Joh Guarin. Arrangements are by Dick Groove – who keeps things very groovy – and many of the tracks here are actually original numbers written by Bond and Warren Baker, titled after Ian Fleming books that had not yet been made into movies at the time of this album! Titles include "Casino Royale", "Moonraker", "For Your Eyes Only", "007 Theme From Dr No", "Man With The Golden Gun", "Diamonds Are Forever", and "Live & Let Die".

Two 60s gems from Brit leader John Dankworth – both pretty unique! What The Dickens is a record that's way better than you might guess – and a key document of the creative orchestrations of the great John Dankworth! The set features tunes inspired by the writings of Charles Dickens – but the writing and interpretation is 60s modern all the way through – thanks to a crack lineup that includes Tubby Hayes and Dick Morriseey on tenors, Ronnie Ross on baritone, Tony Coe on clarinet, Kenny Wheeler and Jimmy Deuchar on trumpets, and Dankworth himself on some mighty nice alto! The session swings strongly – and surprisingly nice solos dart out amidst the otherwise goofy concept of the record – thanks to Dankworth's hand for a good arrangement and a nice sense of swing! Titles include "Weller Never Did", "The Prologue", "Ghosts", "The Artful Dodger", and "Dodson & Fogg". "Off Duty" has Dankworth's classic jazz charts getting a new sort of zing – thanks to electric bass from Herbie Flowers and Brian Odgers, which really helps give most of the tracks a great little groove! The record's got a soulful undercurrent we're not used to hearing from Dankworth – and the production is nice and tight, with a sound library sense of compression that really works wonders with the playful instrumentation. Titles include "African Waltz", "To Emma", "Off Duty", "Little Brown Jig", "Don't Get Around Much Anymore", and "Song Of India".

A great illustration of the way that Martin Denny expanded his groove in the 60s – on some sweetly inventive records like this! On Latin Village, Martin Denny changes the rhythms from tropical to Latin – but the overall groove is still highly in his best exotica mode, and nicely augmented by some additional instrumentation! There's some traces here of the shift in production for instrumental music from the time – a bit of electric bass echoing out at the bottom of some cuts, more echo than usual on the piano lines, and a floating quality that's almost even more sublime than the original Liberty sessions. But the core Denny elements are also still in place – tinkling piano, island percussion, and a playful approach to familiar rhythms that never fails to please. The Latin is more of a nod to harder Latin modes than anything else, but it does make for a nice, if subtle change – one that works especially well when Denny's piano is out front, but compressed a bit in the mix. Titles include "Flying Down To Rio", "Ho Ba La La", "Something Latin", "Girl From Ipanema", and "Latin Village". The Versatile Martin Denny definitely lives up to the versatile in the title – working through a whole host of different 50s and 60s easy tunes – played in ways that are much wider-ranging than usual! Some are percussive and slightly exotic, some have more strings and tinkling piano, and some get slightly playful instrumentation – in a very nice way. Titles include "Little Bird", "Theme From Mondo Cane", "Exotique Bossa Nova", "Quiet Village Bossa Nova", and "Strawberry Tree".

A very groovy take on the work of Jimmy Webb – a sweet instrumental set from German maestro Kurt Edelhagen – featuring a host of hip jazz players from around the European scene, and some great arrangements by Quincy Jones! The tunes are all hits by Jimmy – but they're redone wonderfully by Quincy – who brings in a slightly more soulful approach overall – one that finds all the best spaces between the notes in Webb's originals, and uses them to create a wonderfully subtle sense of groove. Instrumentation includes trumpets from Jimmy Deuchar and Shake Keane, trombone from Jiggs Whigham, saxes from Karl Drewo and Wilton Gaynair, organ and celeste from Bora Rokovic, and bass from Peter Trunk – plus some added strings – and Quincy gets some help on the arrangements from Tom Scott and JJ Johnson, in ways that aren't entirely clear from the notes. Titles include "Sunshower", "Galveston", "Didn't We", "Up Up & Away", "Where's The Playground Susie", "Wichita Lineman", and "Honey Come Back".

We have to admit we find these records to be a lot of fun, but no one could possibly buy the spiel in the liner notes about their "effect on the imagination and subconscious of the listener". Two extended soundscapes here: side one is "The Psychologically Ultimate Seashore", side two is the "Optimum Aviary". As the notes say, play at any speed, for different psychological effects.

Rare work from British easy maestro Ron Goodwin – one of England's most important orchestral talents of the 50s and 60s! Disc one of the set features Goodwin's instrumental singles of the 50s – many of which were done in a style that's similar to some of Les Baxter's pre-exotica work for Capitol. Like Baxter, Goodwin came from a more traditional style of mood music, but was also willing to work in farther-reaching modes – and would pick up traces of some of the more ambitious easy styles of his time. The second disc features Goodwin's soundtrack work of later years – much of which was done in highly dramatic styles that often supported historical narratives, war stories, and other films of an epic nature. Together, the 2CD set makes for a great look at Goodwin's oft-neglected work – and is packaged with a great set of notes and a huge amount of tracks! Titles include "Concetta", "Red Cloak", "The Melba Waltz", "Messenger Boy", "Jet Journey", "Tropical Mirage", "Josita", "Wagon Train", "Aces High", "Departure", "Frenzy", "Decline & Fall", "Cafe Royal Waltz", "Return My Love", and "When Eagles Dare". 53 tracks in all!

A very groovy set of pop-jazz guitar tunes – originally recorded by Metronome Records in Sweden, but issued here by Atlantic. The core of the recording is Gustafsson's guitar trio, but the record also features some larger backing by Georg Riedel that have a nice airy feel to them. While the record isn't totally funky, it's got a nice slightly funky easy sound that's very nice. Includes a good version of "California Soul", plus "Waltz A Nova", "The Look Of Love", "Witchita Lineman", and "Me On The See Saw".

A classic session of music from the mighty Raymond Scott – performed here by a small combo led by Scott's old tenor player Dave Harris! All of the tunes here were written by Scott, and many are of the vintage that stretches back to his cool cartoon work – those jaunty, jagged little songs that have been revived heavily in the past decade or so, thanks to renewal of interest in Scott's music. This album's sort of its own "revival" – one that features excellent lat 50s studio sound, which really updates the tracks wonderfully, and offers them up in even sharper-edged versions than some of the originals. Harris plays a host of reeds, and although this album's the only one he ever did as a leader, it more than lives up to the memory of his old mentor – and to the wacky image on the cover! Titles include "Dinner Music For A Pack Of Hungry Cannibals", "Siberian Sleighride", "Reckless Night On Board An Ocean Liner", "Twilight In Turkey", "Minuet In Jazz", "Powerhouse", and "The Toy Trumpet".