Now Sound — In Stock — LPs under $6

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Just to get things straight: Ann's the Beauty and Al's the Beard – and they're paired together in this surprisingly tasty set that stands as one of Ann's jazziest albums for RCA! Part of the strength is from arranger Marty Paich, who has Al's trumpet and Ann's voice working with a small... read more

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A real treat for the 2001 generation! Apollo 100 takes Bach's "Jesu, Joy Of Man's Desiring", and gives is a jazzy electric keyboard reading – kind of a perfect bit of fluffy pop for a generation that was already digging the classical/easy experiments of the Swingle Singers and... read more

Groovy pop instrumental versions of Donovan's hits, including "Catch the Wind", "There Is a Mountain", "Sunny Goodge Street", "Jennifer Juniper", and "Hampstead Incident". The sound is very Brit now sound, with a lot of electric bass, and jumpy... read more

A really cool little album – recorded by Detroit vibist Jack Brokensha at the end of the 60s, working with a combo called the Baroqe-Adelics, whose instrumentation includes electric harpsichord and fuzzy guitar! The album's the kind of small label jazz side we treasure – and includes a... read more

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Not the usual jazz outing from trumpeter Pete Candoli, and more an album of pop instrumentals, designed to cash in on the success of the big hit single "Moscow Mule"! (Pete didn't do the original version of that, right?) Tunes are short, jaunty, and use the trumpet in the kind of 60s... read more

Organist and pianist David Chacksfield and his orchestra tackle a collection of some of the best known Hal David and Burt Bacharach tunes such as "The Look of Love," "Alfie," "Paper Mache," and "Wives & Lovers." Arranged by John Keating and produced by... read more

Obscure late 60's pop stuff by this intellectual young man of song. Not exactly Scott Walker, but not too bad. With a nice version of John Barry's "The Knack", plus "Taste of Honey", "I've Just Seen a Face", and the original "When That I Was (A Tiny Little... read more

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An album that signifies its style right from the first track – which echoes Martin Denny's classic "Quiet Village", but which then rolls into a set of sprightly arrangements from Julius Wechter – who almost brings an A&M Records vibe to the album! Tunes are mostly Denny... read more

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We have to admit we find these records to be a lot of fun, but no one could possibly buy the spiel in the liner notes about their "effect on the imagination and subconscious of the listener". Two extended soundscapes here: side one is "The Psychologically Ultimate Seashore",... read more

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One of the nicest albums that Ferrante & Teicher cut for United Artists! The record has bits of prepared piano over exotic backings – perhaps not as crazy as some of their albums for Westminster, but still with some good off-beat touches that make the album one of the few that's really... read more

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Great work from this cool European sextet – a vocal group that features three gals and three guys – or pals, as their name might indicate! Their style's a bit like the Double Six, in that it's rooted in harmony jazz – but given the choice of material here, and the overall... read more

A very groovy vocal set – produced by Teo Macero with a nicely modern edge!... read more

A fantastic album – if only for the cover! The record features a rare cover image that's an obscure painting by Salvador Dali – and the back cover features a photo of Jackie and Dali shaking hands! The music's not as surreal as the image, but it's still got this amazingly baroque... read more

Music for lovers – and some languid lovers at that – thanks to some perfect mellow moods set by Jackie Gleason! The set's one of Jackie's undisputed classics for Capitol Records in the 50s – perfect sounds to woo a winsome lass, made slightly sexier by some great trumpet solos by... read more

One of Jackie Gleason's dreamiest albums – a lush batch of instrumentals, featuring an expanded flute section with a really "wind"-heavy sound! The session's a bit less known than some of Gleason's other albums for Capitol from the 50s, but it's every bit as great – and has a... read more

Long before he became the giant of mainstream fusion, Dave Grusin was one heck of a jazz player – with a light lively touch on the keys that rivalled that of contemporaries like Oscar Peterson and Erroll Garner. Unlike those guys, though, Dave always had a better eye for the bigger picture... read more

A very groovy set of pop-jazz guitar tunes – originally recorded by Metronome Records in Sweden, but issued here by Atlantic. The core of the recording is Gustafsson's guitar trio, but the record also features some larger backing by Georg Riedel that have a nice airy feel to them. While the... read more

Bizarre is right – and incredibly hip too! This was the group's second album – and while it has a lot of similarities with the first, it's also a lot deeper of an expression of their strange blend of harmony vocals, sweet 60s pop, and the nostalgia for the early 20th century that was... read more

Groovier than you might think – but that's what we've come to expect from Jimmie!... read more

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Not as "electro" as you might expect from the title, but a pretty nice little record from Dick! The album has Hyman playing Baldwin electric piano in front of larger orchestrations – running through a suite of tracks that move from jazz to classic to "rock" type rhythms... read more

2 LP set that combines 2 earlier Dick Hyman LPs for Command. The stuff's not his funkiest or grooviest, but there's some nice light keyboard moments, done in Dick's usual groovy style. Titles include "Love For Sale", "England Swings", "Yesterday", "Zorba The... read more

Groovy guitar instrumental tracks by one of the biggest international talents of the 60's. Ingmann's guitar has a unique hard edged sound that's in keeping with American instrumentalists of the same type, but which has a cool overdubbed guitar sound that's a bit like Les Paul. Titles include... read more

Wonderfully groovy work from the team of Jackie Cain & Roy Kral – a set that has the pair moving into much hipper modes for the 60s, and really taking off from the greatness of earlier records! Backing is still by Roy's core trio, with acoustic piano at the lead – but the addition... read more

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A classic from Der Mickle!... read more

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Moody mid-60's set in which Kenton has Pete Rugolo re-arrange some of his classics, then set them to lyrics written by Milt Raskin, which are then sung by a wispy chorus. Mood music, but with an edge, and nice modernist Kenton overtones. Titles inlcude "Flame", "Moonlove",... read more

All you need is love – that, and some great vocals and backings as well! Anita Kerr really gets groovy on this little set – taking the famous sound of her harmony quartet into some great late 60s territory – a range of pop tunes hinted at by the Beatles reference on the cover... read more

Hard to imagine Anita Kerr being turned on – especially given her school marm-ish look on the cover – but the album's a pretty darn groovy set, and one that certainly shows Kerr picking up some of the best easy elements of the 60s! The Burt Kaempfert touch is heard here especially in... read more

Although the Anita Kerr singers were not often the swinginest group in town, this LP has them doing a nice selection of Bacharach material, including "What's New Pussycat?", "Are You There (with Another Girl)", and "Windows of the World".... read more

One of their better LPs together, and a very swingin' batch of tracks from hit movies of the postwar era. Contains a shrieking original entitled "To The Movies We Go", which is a goofy duet in the best Steve & Edyie style, plus a stellar reading of "In The Cool Cool Cool of the... read more

A hip collection of tracks from Peggy Lee – recorded for Capitol during the late 60s, but issued in this special package that was a limited edition one put out by Sylvania in the early 70s. The standout cuts are Peggy's awesome versions of "Spinning Wheel" and "Sitting On The... read more

A wonderful little record from Michel Legrand – one of his best non-soundtrack albums of the time! The album is titled after the theme to the soppy film Brian's Song – but it's got a lot more to offer than that – and has Legrand performing versions of soundtrack numbers from a... read more

Possibly the only Liberace album you'll ever see at Dusty Groove – mostly because it's plenty darn groovy! As you might guess from the date and the title, the record presents a hipper Liberace than on earlier sets – a late 60s approach to his earlier piano stylings, with tunes that are... read more

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One of the grooviest albums we've ever heard from Enoch – a set of lightly jazzy numbers with lots of cool touches! Some tracks are bossa-styled, others are a bit trippy, and a few even have some great percussion riffs that really liven up the sound. The instrumentation is nice and quirky... read more

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One of Arthur Lyman's first LPs –- a brilliant set of percussively grooving tracks, modulated at a low tempo, and recorded in the Henry J. Kaiser aluminum dome in Hawaii with a sound that inspired countless other exotic groups. Art plays vibes, and is augmented by percussion and piano, plus... read more

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A groovy little set – with titles that include "Spinning Wheel", "Malaguena", "Someone New", "Pink Panther", and "This Guy's In Love With You".... read more

A surprisingly nice little record by Henry Mancini – one that's quite different than other albums of Hawaiian tunes! The record is much more a soundtrack than anything else – slightly exotic soundscapes arranged by Hank, and featuring the Baldwin harpsichord on many tunes. That... read more

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Recorded in the years when Dean was fishing around for some style to hang his voice on, and before he settled on Country & Western material, this isn't really an album of Latin tracks, but it does have some nice choppy numbers with a cha cha feel, courtesy of arranger Don Costa. Tracks include... read more

Very cool! This is a nifty new reproduction of one of the classic Vogue picture disc records from the 40s. The record is a 10" single with a cool vintage illustration on each side – and unlike the original single, this one plays at 45rpm – so you can play it on any sort of record... read more

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Hugo Montenegro runs through a set of Dylan compositions with very baroque orchestrations. Recorded slightly before he was doing his moogy work, this one has Montenegro leading a vocal chorus that has a We Five sort of late 60's pop feel. The arrangements are very groovy and jangly, and the track... read more

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Tommy's electric guitar is right out front in these slightly-psychedelic, slightly-Latin pop instrumentals – put together by Enoch Light, and featuring tunes like "Samba De Orfeu", "Call Me", "So Nice", "Noche De Ronda", and Tommy's original "I... read more

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The 101 Strings organization matches up with a groovy percussion ensemble, for a sound that's like some of the good RCA percussion bachelor pad LPs from the 50's. Tracks include "Voodoo Moon", "Ski Run", "Dizzy Fingers", "Roller Coaster", and "Bats In... read more

Orchestral stuff by Riz Ortolani – from, and in the same tradition as his great Italian film scores of the 60's, like Women Of The World, Mondon Cane, Easy Life, and others. Plus, there's a number of tracks by other Italian composers like Nino Rota, Armando Trovaioli, and Carlo Rustichelli. ... read more

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Groovy sounds from the great TV maestro!... read more

A Brit easy gem from the great Les Reed – one of the massive talents working in England's instrumental scene during the 60s, and an arranger who's got a hipper flair for a tune than most! Les does a great job here with a set of sunny groovers – mostly standards, including a few with a... read more

A killer album from Johnny Richards – possibly the best he ever cut! The album sparkles with all the intensity he brought to Stan Kenton's Cuban Fire album – with bits of Latin, jazz, and some of the modernist scoring that Kenton, Richards, and Pete Rugolo were using at the time. ... read more

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Although not nearly as well-remembered as Lenny Bruce, Mort Sahl is really our favorite comedian from the late 50s. He's got this incredible delivery style that is both immediately arresting and surprisingly heartfelt – and instead of doing short canned "bits", he just sort of... read more

Better than you might think – thanks to piano and organ from Jack Wilson!... read more

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Lots of percussion – and loud! Slatkin's normally a bit sleepy, but this record's filled with drums and chimes and vibes and loads of exotic percussion instruments – and swings with a groove that's in the best of the Liberty easy styles from the late 50s. Titles include "Night... read more

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Great set of James Bond covers, produced and directed by John Schroeder, with a sound that's faithful to John Barry's compositions, but which also gives them cool twists with moody flute solos, jazzy piano lines, and other inventive instrumentations. With "Thunderball", "Goldfinger... read more

This is the third movement in the fantastic pop symphony that is Spanky & Our Gang! The record's perhaps their oddest to date – and mixes groovy vocal stylings with some fairly advanced production approaches that work perfectly with the incredible songs written by Stuart Scharf and Bob... read more

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Capitol 12" LP that features work from 2 earlier Yma Sumac 10" LPs – Voice of The Xtabay and Inca Taqui. Voice Of The Xtabay is one of her earliest Capitol albums, with classic arrangements by Les Baxter, of material that was written by Yma's Partner Moises Vivanco. Titles include... read more

A strange little record – instrumental tunes arranged as a "symphony for soul", and mostly comprised of late 60s soul numbers! The whole thing was put together by Mort Garson – known better for his later moog work, but still sounding pretty nice here with some cool twists on... read more

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