Latin — All Formats  

One of our favorite Ray Barretto albums of the 60s – a real gem from the pre-Latin Soul years! The album's a clear attempt to cash in on the cash in on the James Bond craze of the time – issued by United Artists, who were releasing the Bond films, but also had Ray under contract during the period too. But despite that simple gimmick, it's a great little set – with a quality level that goes way beyond Bond soundtracks, or the usual from Barretto at the time! The tracks are all hard and groovy, with an excellent jazz feel – and some killer arranging from Ray that's right up there with the work he did for his legendary Charanga Moderna album! You may recognize the song titles – but their versions here are superb, and the album's filled with many many wonderful moments that step out with mad rhythms and great jazzy touches. Titles include "Mister Kiss Kiss Bang Bang", "OO7", "Search For Vulcan", "Thunderball", and "Goldfinger". Nice "spy" shot of Ray on the cover, too!

An amazing achievement for Ruben Blades – a full suite of tracks conceived and composed by Ruben as a "disco drama" on wax! The work isn't the disco-styled album you might think from this description – and is more of a mini-opera or concept album by Blades, one that features ambitious arrangements from Louie Cruz, Marty Sheller, and Carlos Franzetti – using strings and more standard Latin backings to expand the tunes tremendously, and make the whole album work with the full drama it requires. There's a few spoken bits on the set, which give way to some great songs – and the album also has a few instrumental passages. Willie Colon produced and supervised the whole effort – and tracks on this second part include "Epilogo", "El Velorio", "Manuela Despues", "El Entierro", "Hay Que Viver", and "Maestra Vida".

A rare rare jam from Willie Bobo – a lively little set with a really mod groove! This pre-Verve album has Willie working in a variety of styles – from straight Latin jazz to a mode that's got some groovier 60s touches – emphasized by a bit of electric guitar on a few numbers, and by snapping dancefloor rhythms on a few of the others. Tracks are all short and hard, with a groove that's quite different than the Latin soul styles of Willie's more famous work for Verve. The group's not named in the notes, but there's some pretty nice sax work on a few of the cuts – as well as plenty of that great guitar! Titles include "Twist The Monkey's Tail", "Get Crackin", "The Hip Monkey", "Timbale Groove", "Go Go Go", "Be's The Other Way", and "Ala Bobo".

An obscure little album from Jack "Mr Bongo" Constanzo – his only entry into the Latin Soul genre, and a really nice batch of grooves! Jacko's working here with singer Gerrie Woo – who sings in English on about half of the album's tracks, giving the set a nice pop-styled Latin groove that reminds us a lot of Willie Bobo's work for Verve, and some of the more unusual indie Latin albums of the time. The set's filled with loads of great numbers – including Hector Rivera compositions "Recuerdos", "Que Vengo Acabando", "Don't Squeeze The Peaches", and "Mambo Jack" – plus covers of "Jive Samba", "Words", and "Green Onions".

A Latin classic from the word "bang"! This album was the one that busted Joe Cuba out of the Latin ghetto – into the sound of 60s soul, early funk, and beyond. The record's a stone winner – filled with boogaloo tracks delivered by Joe's firey young sextet, a killer ensemble that was setting the Latin world on its ear at the time. The title track – "Bang Bang" – is one of those tracks that you'll recognize from a million references, but which never sounds as good as it does on this impeccable version from Joe. The whole album follows in a similar suit – blending Latin, jazz, and soul with effortless ease – shifting between English and Spanish lyrics in a genre-busting style that really captures all the freshness of the era. The whole thing's great, and titles include "Asi Soy", "Alafia", "Triste", "Mujer Divina", "Oh Yeah", "Sock It To Me", and the "Bang Bang" follow-up, "Push, Push, Push". Great, hard, and a heck of a lot of fun!

A stellar box set of live Fania All Stars – recorded around the world and spanning the decades – on 4CDs that organize sets recorded Live In NYC, Live From El Barrio To San Juan, Live Around The World and a bonus for 4th disc of Studio Recordings – Three Decades! Includes tracks from some of our favorite live Latin albums of the 60s & 70s, including the classic Live At The Red Garter, Live At The Cheetah and Live At Yankee Stadium sets, plus albums such as Latin-Soul-Rock, San Juan 73 and more – including some unreleased mid 70s live recordings of the group doing their thing with Stevie Wonder and other sweet surprises. 52 tracks on 4CDs and includes a thick booklet of notes! Tracks include "Noche", "Guatacando", "Richie's Bag", "Anacaona", "Quitate Tu", "Estrellas De Fania", "Bemba Colora", "Soul Makossa", "Congo Bongo", "Guantanamera", "Ponte Duro", "Toro Mata", "Quitate Tu/Hang On Sloopy" with Stevie Wonder, "Country Girl-City Man", "Dinamita", "Back To My Roots", "Bamboleo", "Don't You Worry 'Bout A Thing" and many more.

A dozen hard early 60s Latin numbers – performed by Rene Grand and his combo, with some occasional vocals by Frankie Rodriguez – but also a number of great instrumentals with a sweet jazzy finish! The groove is very strong, with lots of mambo jazz in the mix, and a hard New York groove that really keeps the set lively – especially on the numbers that feature some smoking sax work! There's a bit of charanga moderna playing by the group, which creates some cool rhythms on the best cuts – and the album's a very unified session overall. Titles include "Cool", "Go Go Mambo", "Siga La Gente", "Sabroson", "Chacho", "Ahora No Pare", and "Going Cha Cha".

An amazing album that's one of the greatest-ever descarga sessions to come out of the New York scene! The album's supposedly a tribute to pianist Noro Morales – but it's got a fire and energy that goes way beyond even Morales' best work, one that has the group recording in a long-format approach that was very different, and much harder-jamming than any of Morales' recordings from the 50s. The tracks are mostly Morales originals, but you'd hardly recognize them in the way the band takes off from their simple structure – using the room of the full recording to groove hard on the album's best long tracks – "Mi Guajira", "Ponce", and "Vitamina" – all of which are the kind of Latin jammers you buy reissues like this for! Players include Louie Ramirez, Charlie Palmieri, Cachao, and Hector Rivera – and other tracks include "Perfume De Gardenia", "Desvelo De Amor", and "Malditos Celos".

A tribute to the famous romantic singer Felipe Pierela – once known as the Bolero Star Of The Americas! Given Hector LaVoe's warmth and charisma at the time, he was a perfect choice for such a project – and working here with producer Willie Colon, Hector steps into an older mode of Latin music – yet one that also sparkles with some of the more sophisticated contemporary touches that Colon was bringing to his own work of the period. Arrangements are by Louie Cruz, Carlos Franzetti, and Jorge Calandrelli, and titles include "Sombras Nada Mas", "Vieja Carta", "El Infierno", "Pobre Del Pobre", and "Castigo".