One of the coolest collections of Latin music we've ever seen – and one of the first to really demonstrate the importance of the Jewish mark
et during the postwar years! The New York scene wasn't just fed by a hotbed of Cuban and Puerto Rican customers – and Jewish listeners were a key part of its success in the 40s, 50s, and 60s – especially as a rising middle class found new time to enjoy itself both at clubs in the city and resorts up in the Catskills! The Jewish/
Latin connection has been a big part of recording from the start – no real secret to anyone who's been buying Latin records for years – but this package goes out of its way to bring it all into sharp focus, with a really big booklet of notes, and a revolutionary selection of tracks that traces different elements through a variety of different Latin styles, plus a few other genres as well. Easily one of the most playful, powerful packages so far from the excellent Idelsohn Society – with 41 tracks that include "Exodus" by Ray Barretto, "Hava Nageela" by Celia Cruz, "El Molestoso" by Eddie Palmieri, "Cheek To Cheek" by Candido, "Arriba (part 1)" by The Barton Brothers, "Miami Beach Rhumba" by Xavier Cugat, "Matzoh Ball Merengue" by Jonny Conquet, "Pan Amor Y Cha Cha Cha" by Abbe Lane & Tito Puente, "My Yiddishe Mambo" by Mickey Katz, "Cucaraca Macara" by Harvey Averne, "Just Another Guajira" by Mark
Weinstein, "America" by La Lupe, "Twist Of Hava Nageela" by Perez Prado, "Loco" by Don Tosii with Raul Diaz, and "Raleigh Riff" by La Plata Sextet.