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A strangely varied LP from Stanley – one that features a mix of electric and acoustic piano tunes, mostly all played solo, but with the complexity and depth of imagination that always makes Cowell's work so great. The real gems are the electric tunes – like "Sienna – Welcome... read more

Amazing lost sounds from Detroit – a previously unissued album from pianist Kenny Cox – best known for his late 60s albums on Blue Note, but working here in a really righteous style, and using a fair bit of Fender Rhodes as well! The album's a lost gem from the Strata label –... read more

An overlooked late 60s treasure on Blue Note – one of the few new groups to work on the label at the time, and an up-and-coming modern combo from Detroit! The album's quite unique for a number of reasons – not just because the group was a little-known new signing to the label, but also... read more

Lol Coxhill in two different settings – both of them great! Half the set features Coxhill working with Simon Emmerson on electronics – processing Lol's work on soprano sax, and creating even more amazing sounds than came from the horn on its own! The processing makes the music feel a... read more

A brilliant testament to the collaborative strengths of reedman Lol Coxhill – an artist who's always been willing to take chances, and frequently does so in the company of other important avant musicians – usually spurring them onto new levels of creativity in the process! This set... read more

A really rich document of the charms and talents of reedman Lol Coxhill – a set that features music from a wide range of scenes and settings in Lol's long career – including bits of hardbop from the 50s, R&B from the 60s, and a wide range of great performances from later years too! ... read more

Enigmatic sounds from UK reedman Lol Coxhill – a really cool collaboration with Morgan Fisher – who adds in his own tape manipulation, guitar, and piano next to Coxhill's work on soprano sax – plus a bit of carillion too! The style's even more spacey and laidback than Lol's 70s... read more

After Hours is the time when Crawford really hits his stride – playing lean and mellow in that easy soulful way that always seemed to work better than any of his other approaches to jazz. This album's got him blowing alto and even playing a bit of piano, in middle-sized groups that include... read more

Warm and laidback soul jazz from the great Hank Crawford – cut in a relaxed mode that makes the set feel like some of the late nite smokers on the Prestige label at the time! Hank's alto work is perfectly placed on the set, and he's working with fellow Ray Charles bandmember David Fathead... read more

One of Hank Crawford's first big records of the 70s – a really great set that helps him shake off some of his stock modes of the 60s and find a very different groove! A big part of the album is arranger Don Sebesky, who gives Hank a backdrop that's sophisticated and smooth, yet still pretty... read more

Mr. Blues is right! Hank's soulful alto is set in some nice little group settings, playing short tracks that are a mix of originals ("Mr. Blues", "Smoky City", and "The Turfer") and soul or pop tunes. Hank also plays a bit of piano on the record, and other players... read more

One of the most highly-regarded albums of Hank Crawford's 60s run on Atlantic Records – a set when everything seems to come together just right – and provide an even better showcase than usual for Hank's soulful lines on alto sax! The set also features tenor from David Newman –... read more

Despite the title of the album, the group's a sharp-edged fusion combo – one that hails from late 70s Japan, and who works here in the best mainstream fusion mode of the time! The tunes are mostly jazz funk with a bit of polish – heavy on guitars from Kazuo Takeda, who also takes off... read more

An excellent bit of spiritual soul jazz on Horace Tapscott's Nimbus label – featuring a group led by pianist Kaeef Rauzadun that includes Henry Franklin on bass, George Bohannon on trombone, Wilbert Hemsley on tenor, and Gary Bias on alto and soprano sax. The album's also got some beautiful... read more

A trio of Anthony Braxton alumni take on some of the master's amazing compositions – played here in free-flowing modes by the group of Marilyn Crispell on piano, Marc Dresser on bass, and Gerry Hemmingway on drums! The compositions are all Braxton numbered formulas – those incredibly... read more

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Fantastic work from one of the most overlooked alto talents of all-time! This beautiful CD features tracks from Sonny's 3 rare albums on Imperial – Jazz USA, Go Man, and Plays Cole Porter. The records were all recorded in 1956 – and they feature some of the strongest bop playing to... read more

Very nice, warmly toned guitar trio with saxophone.... read more

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The Crusaders are really going strong at this point – in near-hit status, almost acting as the Steely Dan of LA jazz. The sound is certainly slicker than before, but in a way that's actually pretty darn nice – as Joe Sample, Wilton Felder, Stix Hooper, and Larry Carlton come together... read more

Great work from one of the funkiest periods in the career of the Jazz Crusaders – that point when they first dropped the "jazz" from their name, and started moving into groovier territory! The set's a bit electric, but never as much so as their later, bigger hits – just... read more

What can we say? When this record came out, everybody we knew thought they'd totally lost it, and stopped being funky. From the vantage point of this generation, though, the record's a jazz funk masterpiece, with a smooth R&B sound that's virtually flawless, and a perfect summation of all of... read more

Ronnie Cuber's an overlooked monster in jazz – a hell of a player, and has been for decades – and one of the last few cats who can really handle a baritone sax! Cuber was late in a legacy of baritonists that included Pepper Adams, Sahib Shihab, Cecil Payne, and Lars Gullin – a... read more

Features Frank on keyboards, and Pat Leone on guitar and vocals.... read more

One of the few albums as a leader from Mighty Mike Cuozzo – a tight tenor player with a great sort of 50s swing! The set's the kind of no-nonsense, well-blown effort you might expect from Sonny Stitt or Seldon Powell at the time – tunes that pack in plenty over a relatively short space... read more

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Tremendous work from trumpeter Ted Curson – and one of the few records that shows up often in his oeuvre, but which is every bit as great as his rare and expensive albums! Side one features killer material from Curson's group with tenorist Bill Barron – three cuts recorded in Paris in... read more

Hard driving work by Ted Curson! Jubilant Power is a pretty apt title for the set – played with a celebratory fire – combining the freer loft-style playing of his late 70s American work, with some of the tighter grooving rhythmic approaches of his early 70s sides in France. Chris... read more

Rare solo material from pianist Leo Cuypers – a really wonderful set that gives us a chance to hear his talents in a completely unfettered setting! We know Cuypers best from some of his efforts in groups, and it's a great change to hear him here on his own – working through some... read more

Samba jazz, but lots more too – a set that's got plenty of dark edges amidst the warmer rhythms – which makes for one of the most compelling albums we've heard so far from drummer Duduka Da Fonseca! The group's a quintet, with some especially nice work on tenor from Anat Cohen –... read more

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Exactly the kind of record to show why we love Japanese piano trio sessions so much – a sweet 80s date from lyrical genius Iwasaki Daisuke! The album's got a relatively understated feel at first, but really grabs us once it gets going – with a mix of complicated solo lines and subtle,... read more

One of Tadd Dameron's last true jazz sides – featuring the bop maestro composing, arranging, and conducting for a large group that includes Bill Evans, Johnny Griffin, Joe Wilder, Clark Terry, and Philly Joe Jones. There's a bit of Ellington in the album – with somber washes of mood... read more

A surprisingly great early set from reedman Eddie Daniels – quiet different than the smooth jazz he cut famously in later years! This tasty session was recorded in Japan with the quartet of trumpeter Terumasa Hino – whose presence here really helps shape the overall sound of the record... read more

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Two 60s gems from Brit leader John Dankworth – both pretty unique! What The Dickens is a record that's way better than you might guess – and a key document of the creative orchestrations of the great John Dankworth! The set features tunes inspired by the writings of Charles Dickens... read more

One of Dankworth's harder outings, with a great group of Brit Jazz players, including Michael Gibbs, Kenny Wheeler, and Tony Coe. It includes tight compositions that still carry Dankworth's easy feel, but which also have a bit of an atonal edge to them! Includes "Hogshead of Hogarth",... read more

Compelling title, but kind of a mellow record overall – featuring vibes by the enigmatic Darji, and backing by players that include John Lewis, Ray Brown, Rodney Jones, and Mickey Roker. Tracks are longish, and moody – almost in the mode of Milt Jackson work with the MJQ, but not as... read more

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New material from this legendary German pianist – recorded as a solo acoustic set, without any of the electronics or gimmicks of some of Dauner's famous 70s recordings – but still done at the legendary MPS Studios! The tracks are an array of shorter themes – and in keeping with... read more

Mad MPS material from Wolfgang Dauner – right up there with some of the wildest records on the label during the 70s! The album's easily one of Dauner's most striking sessions – a set that has him handling a whole host of electric keyboards, and working with a group that also includes... read more

Mod mod 60s jazz – and 20 tight-as-can-be instrumentals from London's Dave Davani combo! Dave's a Hammond player with a great mix of soul jazz and R&B in his grooves – very much the best sort of instrumental work you might expect from London in the swinging 60s – a great... read more

Mod mod 60s jazz – and 12 tight-as-can-be instrumentals from London's Dave Davani combo! Dave's a Hammond player with a great mix of soul jazz and R&B in his grooves – very much the best sort of instrumental work you might expect from London in the swinging 60s – a great... read more

One of the most obscure 60s jazz sessions on ESP – a really free outing from pianist Lowell Davidson, working here in a trio that includes Gary Peacock on bass and Milford Graves on drums! Davidson's approach to the keys is quite far out, especially for the time – very much in the mode... read more

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A soul jazz Latin classic – one that matches the searing tenor work of Eddie Lockjaw Davis with the hard-hitting conga of a young Ray Barretto! The core group of the set is a soul jazz one – with Lockjaw blowing over rhythm by Lloyd Mayers on piano, Larry Gales on bass, and Ben Riley... read more

A pretty rare one – and one of the best albums that Eddie Lockjaw Davis ever recorded! The album takes Eddie's usual trio with Shirley Scott on organ, and adds in some extra bongos and conga – by Luiz Perez and Ray Barretto, respectively – to create a Latinized version of soul... read more

Classic trio work by Davis, recorded here with Shirley Scott on organ and Joe Newman joining in on trumpet! The cover's got a picture of Joe standing next to Basie, but the set's all Joe's –although it's also very much in a Basie bag. The tunes are all organ/tenor drivers – with short... read more

Volume 3 of Lockjaw's classic early Cookbook sessions – cut for Prestige in a key transitional moment, when Lock was trying to break past the R&B roots of earlier years, and emerge as a more sophisticated jazz soloist, capable of carrying an idea way past the short format of singles and... read more

With Horace Parlan on piano, Reggie Johnson on bass, and Alvin Queen on drums.... read more

Eddie Lockjaw Davis swings way out here – working in that cool cooking mode from the 50s, with organist Shirley Scott a very important partner on the date! The group's got a larger sound than usual – thanks to the addition of trombonist Steve Pullman – a player we don't know much... read more

A great quartet date – no-nonsense, and a perfect setting for Davis to hit some very classic modes! Eddie plays tenor with Tommy Flanagan on piano, Keter Betts on bass, and Bobby Durham on drums.... read more

A nice little set that combines some of Eddie's rare work for King from the mid 50s! Eddie's tenor is in wonderful form here, working with a real sense of economy on the album's short tracks – a sense that you don't always get in some of his more stretched-out sets for Prestige. Backing on... read more

Griff and Lock are playing head to head here – right in their classic "tuff tenors" mode, although not recorded Live at Mintons! Rhythm is by Norman Simmons, Vic Sproles, and Ben Riley – and the album's actually a bit gutsier and more freewheeling than some of their earlier... read more

During the early 60s, the team of Eddie Lockjaw Davis and Johnny Griffin was one of the most exciting unions in jazz. The two tenorists came from two different camps – Davis, the gutsy R&B soloist, Griffin, the hardbop powerhouse with a flair for the modern. Their pairing was an... read more

Classic tenors head-to-head – as Griff & Lock lay out one of their excellent 2 tenor classics from the early 60s! The rhythm section's deeply soulful – with Junior Mance on piano, Larry Gales on bass, and Ben Riley on drums – and the album grooves through some long blowers, a... read more

Another one of the famous live sets that Eddie Lockjaw Davis & Johnny Griffin cut together during the early 60s – recorded at Minton's Playhouse in Harlem, with a very lively audience, and a twin tenor frontline that was quite popular while it lasted! Davis & Griffin groove soulfully... read more

Don't pass this one up! Although lots of other albums by Eddie Lockjaw Davis are laidback quartet and quintet sessions, done in a soul jazz organ/tenor mode – this session features Eddie working with stunning bigger band backings, in a searingly soulful sound that's simply incredible! The... read more

Don't pass this one up! Although lots of other albums by Eddie Lockjaw Davis are laidback quartet and quintet sessions, done in a soul jazz organ/tenor mode – this session features Eddie working with stunning bigger band backings, in a searingly soulful sound that's simply incredible! The... read more

The title's terrible, but the album's a great one – a really classic-styled jam session, of the sort that the Prestige label hardly ever recorded! The session features 4 tenor giants of slightly older vintage – Eddie Lockjaw Davis, Coleman Hawkins, Arnett Cobb, and Buddy Tate –... read more

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One of our favorite-ever Miles Davis albums – and a stunning soundtrack that began a rich legacy of jazz scores in France! Miles recorded this material during late-night post-gig sessions with a great group that includes French players Barney Wilen, Rene Urtreger, and Pierre Michelot, plus... read more

Rare lost work by Miles Davis – recordings from 1951 broadcasts from the legendary Birdland nightclub, restored here with surprisingly good fidelity! The recordings are interesting for a number of reasons – first, because the tracks are longer than usual for Miles – certainly... read more

An early full-length album issued under Miles Davis' name – one that brings together some earlier 10" and single recordings for Prestige! The feel here is quite similar to Davis' work of the time for Blue Note – done with tracks that are short and tight, and very boppish –... read more

An early full-length album issued under Miles Davis' name – one that brings together some earlier 10" and single recordings for Prestige! The feel here is quite similar to Davis' work of the time for Blue Note – done with tracks that are short and tight, and very boppish –... read more

A session of "collectors items" that Miles Davis recorded for Prestige in the 50s – both dates that were too short to be issued as albums by themselves, combined here into one full length record! The first batch of material is from 1953 – and features Davis working with Sonny... read more

A session of "collectors items" that Miles Davis recorded for Prestige in the 50s – both dates that were too short to be issued as albums by themselves, combined here into one full length record! The first batch of material is from 1953 – and features Davis working with Sonny... read more

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A seminal session from the team of Miles Davis & John Coltrane – not nearly as "cookin" (at least in a blowing session way) as you might guess from the title, but instead a beautiful example of the lyrically modern explorations the pair created together! Rhythm is by the trio... read more

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Miles Davis' last studio session before a few years of seclusion – and a really monumental effort, probably the baddest of the electric period! The album does a great job of capturing the energy of the frenzied live sets from that time, and matching it with Teo Macero's cut and paste editing... read more

Great set that reissues material from 2 live albums that were never properly issued in the US – Miles In Tokyo, recorded in 1964, with Sam Rivers, Herbie Hancock, Ron Carter, and Tony Williams; and Miles In Berlin, recorded in 64 as well, with the same group, minus Rivers, plus Wayne Shorter... read more

Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling... read more

What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years,... read more

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Late work from Miles Davis – his last-ever appearance at the Montreux Jazz Festival – but a set that still has him sounding great! The performance is a special tribute to Quincy Jones, so instead of playing material from the Doo Bop generation, Miles is going more for a late 50s mode... read more

This stunning live set has been hailed by many as one of the finest moments of Miles' mid 60s career – music played with a frenetic energy that even blows away the famous studio sessions of the time! The group here is a landmark lineup – young modernists Wayne Shorter on tenor, Herbie... read more

A masterful meeting of 2 50s modern jazz talents – the trumpet of Miles Davis balanced with the arrangements of Gil Evans – with results that have made the album one of Miles' greatest ever! The sound here is completely sublime – as Davis gets all chromatic and spooky over Evans'... read more

A masterful meeting of 2 50s modern jazz talents – the trumpet of Miles Davis balanced with the arrangements of Gil Evans – with results that have made the album one of Miles' greatest ever! The sound here is completely sublime – as Davis gets all chromatic and spooky over Evans'... read more

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A strange mix of material – but some great work overall! Most of the record features Miles Davis recording with a quintet that includes Thelonious Monk on piano, Milt Jackson on vibes, Percy Heath on bass, and Kenny Clarke on drums – on longer versions of "The Man I Love" (in... read more

Amazing live documents of Miles Davis and his incredible mid-to-late 60s quintet – Wayne Shorter on tenor, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums – complete concert recordings from Antwerp, Copenhagen and Paris on 3CDs seeing release for the first time... read more

Amazing live documents of Miles Davis and his incredible mid-to-late 60s quintet – Wayne Shorter on tenor, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums – complete concert recordings from Antwerp, Copenhagen and Paris on 3CDs seeing release for the first time... read more

The long-awaited release of some brilliant live sessions from the key Miles Davis group at the end of the 60s – the really freewheeling quintet that featured Chick Corea on electric piano, Wayne Shorter on tenor and soprano sax, Dave Holland on bass, and Jack DeJohnette on drums! Rhythms... read more

Excellent early hardbop work by Miles – recorded in 1952 and 1954, and some of his best early sides as a leader! The CD features remastered versions of the material, sparkling with the talents of Rudy Van Gelder – and the sessions feature JJ Johnson, Gil Coggins, Art Blakey, Kenny... read more

Miles Davis' first-ever performance in Japan – a really unique concert that featured the quintet with Herbie Hancock, Ron Carter, and Tony Williams – augmented by a young Sam Rivers on tenor! The presence of Rivers really gives the set an edge – and although Miles is holding Sam... read more

A rare treat for Miles Davis fans – a special 7" single with edits of "Miles Runs The Voodoo Down" and "In A Silent Way" – all packaged in a cool limited pic sleeve too! The box also comes with a blue/yellow/red Miles t-shirt – XL, printed on a dark black... read more

One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers... read more

A beautiful little record by Miles Davis – oft overlooked next to some of the better-titled Prestige sessions of the 50s, but a great one nonetheless! The session features Miles working with trio backing from Red Garland on piano, Oscar Pettford on bass, and Philly Joe Jones on drums –... read more

A beautiful little record by Miles Davis – oft overlooked next to some of the better-titled Prestige sessions of the 50s, but a great one nonetheless! The session features Miles working with trio backing from Red Garland on piano, Oscar Pettford on bass, and Philly Joe Jones on drums –... read more

With Wayne Shorter, Herbie Hancock, Ron Carter and Tony Williams, recorded in Paris, France, November 6, 1967. 8 tracks: "'Rond About Midnight", "No Blues", "Mascalero", "I Fall In Love Too Easily", 'Riot", "Walkin'", "Green Dolphin... read more

Way more than just a simple version of work from Porgy & Bess – and instead, a key collaboration between Miles Davis and Gil Evans – done with a sound that really transforms the tunes! True, the work here is all based on George Gershwin's original compositions – but through... read more

Moody magic from Miles Davis and Gil Evans – one of the pair's most perfectly poised albums together, and a set with a slight bossa nova undercurrent! Evans' shimmering horn patterns are in fine form here – complicated, but never in cold and too-modern ways – just the right sort... read more

One of the classic early Miles Davis & John Coltrane sessions for Prestige – a well-crafted quintet album that shows Miles finding a stronger voice than ever, and Coltrane beginning to emerge as a key force on his own! Backing is subtle and soulful – handled by the trio of Red... read more