Dark sounds from three very well-matched players – recording here at Barry Guy's Maya Recordings Festival – which makes for a very comfortable setting! The tracks are all quite long, and feature some of the most abstract sounds we've heard from the players in years – almost more ... read moreCD
An amazing collection of music from legendary bassist William Parker – 6 CDs' worth of performances, all of them unreleased, packaged together in a limited edition box set with a detailed booklet as well! The scope of the sounds is amazing – almost like finding the full career of a ... read moreCD
Early genius from William Parker – a set of work inspired by the poems of Kenneth Patchen, and performed with a really vivid sound overall! The players here differ from track to track – and the album comes together almost like a sonic suite – echoing some themes very slightly, ... read moreCD
A really unusual project from bassist William Parker – a great tribute to the legendary Godard film Alphaville, done with music that's a surprisingly great fit! There's almost a jazz soundtrack feel to the record at points – a bit straighter than usual for Parker, but still with plenty ... read moreCD
Some of the earliest work ever from Jaco Pastorius – rare demo recordings, issued in this format for the first time ever – filled to the brim with the kind of groundbreaking basswork that Jaco helped pioneer! Many tracks are relatively spare, and really give you a great chance to hear ... read moreCD
Jaco Pastorius at the height of his powers – working here on a set of smoking live recordings that feature both the Word Of Mouth Sextet, and a larger big band! The core combo features Pastorius on some really incredible bass – that re-worked approach to the electric instrument in jazz ... read moreCD
Jaco Pastorius at the height of his powers – working here on a set of smoking live recordings that feature both the Word Of Mouth Sextet, and a larger big band! The core combo features Pastorius on some really incredible bass – that re-worked approach to the electric instrument in jazz ... read moreCD
Kim Paterson —
Duende ... CD Sarang Bang (New Zealand), 2012. New Copy Gatefold ...
Spiritual sounds from New Zealand trumpeter Kim Paterson – a player best known for work in the Mike Nock group – stepping out here with a widely expansive vision as a leader! Paterson's got plenty of help here – a large, shifting lineup that really makes for a well-crafted batch ... read moreCD
Rare work by Hammond organ giant Big John Patton – recorded in 1968, but never issued until 1995, and even then, only briefly! The record features Patton at his finest – stretching out from his basic soul jazz roots, into a more searching use of the organ that's undoubtedly influenced ... read moreCD
A great lost album by John Patton – recorded in 1970, but not ever issued until 1995! The record was most likely held back because it's one of the funky organist's most far-reaching – a stunning batch of modal tracks that moves way past the usual organ sound, and much more into Larry ... read moreCD
A brilliantly bubbling session from Hammond genius John Patton – and a set that serves as a real link between the gutbucket soul of his early years, and some of the fresher phrasing he was beginning to explore at Blue Note! Patton's lines on the keys are a wonderful thing to behold (and ... read moreCD
One of the coolest, hippest albums on Blue Note from organist John Patton – a set that really shows the Hammond giant taking on a new sense of direction – especially in his rhythms! The album's one of a few of John's to feature great drums from the massively overlooked Hugh Walker ... read moreCD
Pivotal work from Duke Pearson – a brilliant set that perfectly sums up all the criss-crossing of styles he was working on in the late 60s – and comes up with a wonderful blend of electric jazz, Brazilian rhythms, and just a touch of 70s soul! Pearson plays some sweet Fender Rhodes on ... read moreCD
Duke Pearson knocks it out of the park with this one – perfectly summing up all the new ideas in jazz arranging and large ensemble work he'd been exploring at Blue Note – and pushing things way way past his previous small group material as well! The album's quite different than most ... read moreCD
Dark genius from Duke Pearson – quite possibly one of his hippest records ever, and an album that's filled with surprising twists and turns! At one level, the set seems to be a simple batch of soul jazz tunes – in the mode of Pearson's mid-60s classics on Blue Note – but at ... read moreCD
Tremendous work from Jeremy Pelt – a set that continues the bold move forward that he's made with his music in recent years – a great time that seems to have Pelt finding a whole new voice of his own, while also embracing some key inspiration from 70s electric giants like Miles Davis or ... read moreCD
One of Art Pepper's classic recordings, in which he plays with a spare quartet backing by Miles Davis' rhythm section at the time – Paul Chambers, Red Garland, and Philly Joe Jones. An essential East meets West jazz recording, with Art at the top of his game, playing in a unique setting for ... read moreCD
A lost treasure! This set features 9 unreleased tracks recorded by Houston Person during the height of his jazz funk years for Prestige – one track with a group that includes Billy Butler on guitar, Ernie Hayes on organ, Bernard Purdie on drums, and Cecil Bridgewater on trumpet – the ... read moreCD
Hannibal made some mighty wonderful music in the 70s – and he really carries that tradition strongly forward on this overlooked gem from the early 90s! The album's not as boldly righteous as some of Peterson's dates for MPS, but it's still got a hell of a lot of soul – a well-blown ... read moreCD
Michel Petrucciani/Jim Hall/Wayne Shorter —
Power Of Three ... CD Blue Note (Japan), 1986. New Copy ...
A key moment in the career of pianist Michel Petrucciani – and a set that features an amazing collaboration with guitarist Jim Hall, and a fair bit of great tenor and soprano sax from Wayne Shorter too! Hall's guitar is heard on every track on the set – ringing out in those wonderfully ... read moreCD
One of the rare key albums cut by bassist Oscar Pettiford as a leader – an excellent 10" session for the Bethlehem label from the 50s! Although best known as a bassist, Pettiford was also a heck of a great player on the cello – which he uses here alongside bass! Pettiford's ... read moreCD
The cover's a bit cheesy, but the sound is right on the money – very much in the best spirit of Pieces Of A Dream that we've loved all these years – and not far at all from the group's great roots! The jazz is smooth and soulful – with loads of great keyboards from Curtis Harmon, ... read moreCD
Hard to imagine any silence here, as the piano of Enrico Pieranunzi is wonderfully free-flowing and sonically powerful – even in a solo setting like this! Enrico's command of the keyboard has always been great, but is especially compelling in this early session from the 70s – a record ... read moreCD
Pipeline ... CD Corbett vs. Dempsey, 2000. New Copy ...
The long-overdue issue of the only recording by this lost Chicago/Swedish project – a massive lineup of young avant players from the start of the millenium – similar in construction to the Peter Brotzman Tentet, but working here with a very different sound! The group came together over ... read moreCD
A really great tribute to Sun Ra – played by Detroit's Planet D Nonet, with a sound that's quite faithful to the original! The tunes here do a great job of mixing the initial Arkestra style – slightly offbeat and angular – with the later, freer modes the group embraced in the 60s ... read moreCD
We first learned to dig the Planet D Nonet from their Sun Ra tribute album of a few years back – and this time around they've got Arkestra legend Michael Ray on trumpet with the group, on a whole lineup of famous tunes from the Sun Ra songbook! The approach here echoes the older modes of Ra's ... read moreCD
A stone classic from New Orleans reedman Pony Poindexter – a set that's steeped in tradition, but also has a groovy feel too – and a date that features Pony on both alto and soprano sax! The latter instrument is especially nice, played with echoes of earlier Crescent City modes, but ... read moreCD
One of the few female pianists in 50s jazz – the great Terry Pollard, a player who's usually associated with the Detroit scene, but who works here in a hip west coast setting for Bethlehem Records! The date's got Terry's strong piano in a quintet – with Don Fagerquist on trumpet and ... read moreCD
A crazy bit of funk from drummer Roy Porter – a player who first rose to fame during the LA bop years of the late 40s, but who sounds even hipper here in the 70s! The album's got a madly skittish approach to funk – one that's highly rhythmic, but often in unconventional ways – ... read moreCD
A pair of guitars, working here together – all with the kind of evocative sounds you might expect from the title! The album features duets from guitarist Hasse Poulsen and Richard Bonnet – with no other instrumentation at all – and both players find ways of shaping deeply ... read moreCD
Great early work from Bud Powell – and a set that's got one of the coolest covers we've ever seen! Bud's working here in a trio with Max Roach on drums and Ray Brown on bass – and the late 40s material is a quintessential summation of the fresh approach that Powell brought to jazz ... read moreCD
One of the few Bud Powell sessions cut for RCA, but a brilliantly swinging date that has the pianist working at the height of his powers! There's an edge here that comes through right from the start – an off kilter vibe in both Bud's tone, and even in the way he's vocalizing joyously in the ... read moreCD
The title and cover are a bit gimmicky, but the album's a wonderfully solid effort from Italian pianist Andrea Pozza – easily one of the most lyrical players we've heard in years! Pozza's got this way of mixing depth with lightness – a quality that sometimes evokes that special ... read moreCD
Marcus Printup —
Desire ... CD Steeplechase (Denmark), 2013. New Copy ...
A really lyrical set from trumpeter Marcus Printup – done in close collaboration with harpist (and wife) Riza Printup – a player who gives the record a really unique sort of sound! Riza doesn't pluck her instrument as much as other jazz harpists – such as Dorothy Ashby – ... read moreCD
2 funky classics from the legendary Pretty Purdie! Purdie Good is Bernard Purdie's first album as a leader for Prestige – cut right after he'd hipped up plenty of other sessions for the label with his famous funky drums! The groove here is very much in the best Prestige jazz funk mode of ... read moreCD
A bracingly fresh combination of vibes, piano, bass, and drums – and a real standout set of modern jazz from the Italian postwar years! At first glance, the lineup of the group is relatively conventional – forged with the same instrumentation as the Modern Jazz Quartet or George ... read moreCD
Paul Quinichette, Buck Clayton, Nat Pierce, et al —
Basie Reunion ... CD Prestige/OJC, 1958. New Copy ...
The title tells the tale on this one – as the session's a studio meeting of players all associated with Count Basie over the years – captured here in a style that's much more laidback and relaxed than the usual Basie set! The album's got the feel of some of Prestige's best work in the ... read moreCD
A wonderful illustration of the way that each Sun Ra concert could be a completely unique experience – as you'll hear in this amazing performance from 1970! The set was recorded at the Red Garter, and has the group coming together wonderfully on these long tracks that showcase both the ... read moreCD
A wonderful late live set from Sun Ra – recorded less than a year before Ra himself left this planet – but featuring a wonderfully soulful version of the Arkestra! Ra's piano isn't as prominent here as in earlier recordings – but the younger members of the group have really set ... read moreCD
Jimmy Raney —
A ... CD Prestige (Japan), 1954. New Copy ...
Just Sold Out!
A simple title, but a great little record – one that offers up Jimmy Raney's guitar in all its best early tone – a sound on the instrument that few other players could match at the time! Raney's guitar was always a bit earthier than some of his 50s contemporaries like Johnny Smith and ... read moreCD
A real corker from Freddie Redd – and never issued at the time! Despite the fact that Freddie was part of one of the greatest sessions ever on Blue Note – the soundtrack to The Connection, done with Jackie McLean – he rarely got the chance to record more for the label, which is ... read moreCD
Pianist Eric Reed is no stranger to the music of Thelonious Monk, but this set seems to have a special crackle that really makes it live up to its "adventurous" title! The tunes are all Monk numbers, but all seem to have some even sharper edges than usual – thanks in part to ... read moreCD
Eric Reed's no stranger to the music of Thelonious Monk, but this time around he's got a great approach – a fresh take on these modern classics, served up in soulful ways that definitely fit the "baddest" spirit of the title! There's even more of a rhythmic focus here than in the ... read moreCD
An amazing showcase for the reed talents of musician Dave Rempis – working here on alto, tenor, and baritone sax – alongside some powerful drum work from Tim Daisy! The duets are great – unbridled, but still with a sense of structure that really shows Rempis' careful execution of ... read moreCD
Dave Rempis Percussion Quartet —
Phalanx ... CD Aerophonic, 2013. New Copy 2CD ...
Two different slices of this powerful group from reedman Dave Rempis – one live performance from Milwaukee, the other from Antwerp – each taking up a CD each! The group gets their percussive name from the dual drums of Tim Daisy and Frank Rosaly – players who bring a real ... read moreCD
A really sweet set from the UK – recorded by a contemporary combo, but with a feel that's right up there with our favorite funky fusion from the 70s! The keyboards really dominate here, but they're nicely balanced against some excellent work on tenor sax – which rounds out the sound ... read moreCD
Lots of musical magic here – a further extension of the Return To Forever vibe that helped Chick Corea find some of his best energy of the 70s! The style is still as tightly focused as before, but also opens up with a bit more soul, too – trading some slight moments of jamming for a ... read moreCD
Wonderful stuff – a rare one from the early 60s that has master reedman Jerome Richardson running through hip versions of hip tracks from hip (and not-so-hip) movies! Includes nice long versions of "Delilah" and "No Problem" (from Les Liasons Dangereuses), plus "Never ... read moreCD
Eve Risser, Benjamin Duboc, & Edward Perraud —
En Corps ... CD Dark Tree (France), 2012. New Copy Gatefold ...
Very heady sounds from this hip French trio – one who go further than even the usual avant piano combo, by using a prepared version of the instrument for part of the set! Eve Risser handles the keys – and the piano is both standard, although played with very unusual inflections, and ... read moreCD
A masterful fusion set from guitarist Lee Ritenour – one that expands his sound a bit more than usual by adding in vocals on a number of tracks – but in a way that really gets at the mainstream soul influences that bubble through his jazz work! The set features key vocal appearances ... read moreCD
A freewheeling trio set from reedman Sam Rivers – the kind of hard-burning, open-ended record he does so well! Rivers' energy here is amazing – a fire that hasn't dimmed since the start of the 70s, when he first started letting loose like this – and throughout the course of the ... read moreCD
A beautifully avant session from ECM – and a great late 70s showcase for the reed talents of the great Sam Rivers! The album's got a mixture of focus and freedom that makes it one of Sam's best from this period – a group outing that features Rivers on tenor, soprano, and flute – ... read moreCD
A mindblowing moment from the young Sam Rivers – and definitely a set that warrants the "new conception" of the title! Unlike some of Rivers' other material of the time, which often featured original inventive compositions, this set's based around classic standards – but all ... read moreCD
The drums are certainly unlimited here – and the album's a really unique one, in that it shows Max Roach in 2 different settings – one with a group, and one that's simply solo! One batch of tracks has Max in the company of a tight group of soul jazz players like Freddie Hubbard, Roland ... read moreCD
Bold work from Max Roach – great material from the piano-less quartet that features Odean Pope on tenor and Cecil Bridgewater on trumpet! The style here follows strongly from Roach's Horo and Japanese recordings of the late 70s – as the album features one long track, with plenty of ... read moreCD
(Official pressing of the CD, with full artwork – not the CDr pressing found at other online retailers.)
Saxophonist Justin Robinson serves up a tribute to bassist Dwayne Burno – in a set that wasn't originally intended that way, but which turned out to be Burno's last time in the studio! Dwayne passed away from kidney disease after the album was recorded – and hearing his wonderful work ... read moreCD
A really unique little chapter in the career of Shorty Rogers – and a near-lost record that's one of his best from the 60s! As you might guess from the title, the set was recorded as a sort of "stereo dynamics" album – post-bachelor pad, but in a mode that was very concerned ... read moreCD
The continuing exploration of the greatness of Sonny Rollins in a live setting – a format that's really made these Road Shows records more interesting than most of his studio work in recent years! The set features key live performances by Rollins from the past decade or so – all long ... read moreCD
Aldo Romano & Paolo Fresu —
Canzoni ... CD Enja (Germany), 1992. New Copy ...
A warm little set from drummer Aldo Romano and trumpeter Paolo Fresu – working here in spare, spacious ways that groove along gently! The group here's a quartet – with piano from Franco D'Andrea and bass from Furio Di Castri – and the session features a fair bit of Italian ... read moreCD
A great early moment for pianist Renee Rosnes – and a set that has her really bursting out with help from a top-shelf lineup of musicians! The core trio features Ron Carter on bass and Lewis Nash on drums – although Renee also plays without them on two numbers – and the tunes ... read moreCD
One of the best albums ever cut by trombonist Frank Rosolino – an open-ended quartet session that really lets him do his thing! The tracks are long, with plenty of room for solo space, and Frank's working with a really great quartet that includes the legendary Sonny Clark on piano – a ... read moreCD
A tribute to Ray Charles, but played by a hard-swinging, and mighty soulful ensemble – one that features Eric Alexander on tenor and Mike LeDonne on Hammond B-3! Both players really give the album a nice bite – and hearing Alexander next to LeDonnne's organ, we're reminded of Eric's ... read moreCD
A fantastic group of well-matched players – one we've heard together often on albums for other labels, but who really find a new sort of energy here in the Smalls Live series! Trumpeter Jim Rotondi's joined here by equal frontmen Eric Alexander on tenor, David Hazeltine on piano and Fender ... read moreCD
Charlie Rouse —
Yeah! ... CD Epic (Japan), 1960. New Copy ...
Thelonious Monk's legendary tenorist steps out on his own in this fantastic (and rare) hardbop session from the early 60s! The album's quite different than some of the work Charlie Rouse cut with Monk's classic quartet at the time – more in a hardbop mode that takes us back to his late 50s ... read moreCD
A really great little album – featuring some of the best small combo work by tenorists Charlie Rouse and Seldon Powell! The album is split into two parts – one part featuring work by Rouse with a trio that features Gildo Mahones on piano, Reggie Workman on bass, and Art Taylor on drums. ... read moreCD
Jimmy Rowles has always been one hell of a musician, but he really seemed to hit a special stretch in his work during the 70s – a time when he was able to balance his traditional roots with plenty of fresh ideas – all expressed perfectly here in a trio with Buster Williams on bass and ... read moreCD
Gonzalo Rubalcaba Trio —
Diz ... CD Blue Note (Japan), 1993. New Copy ...
A wonderful tribute to Dizzy Gillespie – featuring songs penned by Diz, or played by him famously – presented by the fluid fingers of Gonzalo Rubalcaba, who takes Gillespie's inspiration into a whole new realm with his trio! Rubalcaba's got lots of sharp notes on hand – able to ... read moreCD
One of the hippest records we've ever heard from percussionist Adam Rudolph, and one of the most spiritual too – an extended set that draws on some really rich global elements, yet brings them all together with the focus of a more ambitious jazz composition! Rudolph uses the Sonica Mandala ... read moreCD
Jorge Lopez Ruiz —
Cuarteto ... CD Acoua (Argentina), 2011. New Copy ...
Beautiful recent work from this legendary Argentine bassist – heard here in the company of a quartet of young players who really know how to follow his lead! Half the tracks are originals, and half are jazz standards – but all are given a very fresh spin by the bass of Lopez – ... read moreCD
Mario Rusca —
Reaction ... CD Dynia World/Sonorama (Germany), 1974. New Copy ...
One of the greatest records we've ever heard from pianist Mario Rusca – a really open, fluid sort of set – and one that features electric bass in the trio, which really gives things a different sort of vibe! Mario plays acoustic piano throughout, but the use of electric bass (played by ... read moreCD
A pivotal record for Patrice Rushen – a set that has her really tightening up the groove from previous albums on Prestige – heading much more towards the focused soul-drenched grooves of her Elektra Records years! The set's a stunner – still very much with the hip, west coast ... read moreCD
Two beautiful albums of spacey jazz funk! Eddie Russ was a 70s keyboard genius – right up there with Lonnie Liston Smith and Herbie Hancock in our book, although he never reached the fame of either of those players. See The Light is one of Eddie's best albums – and it's got a smoothly ... read moreCD
Sweet funky jazz from pianist Gene Russell – one of the hippest albums he ever recorded! Russell's a pianist with a wonderfully fluid touch – used here to near perfection in a small combo date that really stands out from most of his other albums – just the kind of effort we'd ... read moreCD
(Remastered with updated artwork and new liner notes.)
Some of the hippest sounds we've ever heard from pianist Gene Russell – an album that features heavy use of Fender Rhodes – and a soulful, solid, rhythmic core that comes from the basslines of Henry Franklin, guitar of Calvin Keys, and drums of Ndugu Chancler! The set's one of the ... read moreCD
Two previously-unissued performance from this seminal trio of British improvisers – Paul Rutherford on trombone, Barry Guy on bass, and Philipp Wachsmann on violin – working here on sessions that also feature a bit of electronics from both Guy and Wachsmann as well! All material is ... read moreCD
Aaron Sachs is best known as a clarinet player, but he also serves up some mighty mean tenor sax on this rare date for Bethlehem – work on the horn that really makes the record a standout! Sachs plays tenor on about half the tracks, and uses the instrument in these cool clipped phrases that ... read moreCD
Sublime work from Dino Saluzzi – one of the most unique musicians to ever record for ECM, and an artist with a sound that's perfect for the approach of the label! Saluzzi's records always grab our attention – for the way he uses bandoneon in this airy, evocative style – a mode ... read moreCD
Guitarist Sal Salvador made few albums as a leader during his day – but all of them are a treat, especially this one! The set's a mid 50s outing that features Sal's guitar in a quartet with Eddie Costa on piano and vibes – and grooving in a lightly swinging style that has some traces ... read moreCD
Wonderful 50s work from guitarist Sal Salvador – a record that features some great work by Phil Woods on alto sax! Given that Sal often recorded in a small combo mode that usually highlighted his guitar in the lead, the presence of Woods is really a nice surprise here – especially ... read moreCD
Warm mellow soul from David Sanborn – a surprisingly nice early album, recorded without all the schmaltz of his later work! The style is still quite full and professional, but there's also somehow a more earnest feel to the work – as Sanborn plays with a core group that includes Victor ... read moreCD
David Sanborn —
Sanborn ... CD Warner (Japan), 1976. New Copy ...
A damn great early moment from David Sanborn – a record that really shows the reedman at his best – working some tight solos over soulful backings in the same 70s manner as Tom Scott or Wilton Felder! Like both of those players, David's got the chops to step out in front of the ... read moreCD
Pretty darn hard-jamming fusion from multi-instrumentalist David Sancious – who amicably left his gig in Bruce Springsteen's E Street Band to follow his ffreewheeling fusion muse – and he's working here with producer Billy Cobham! Sancious riffs way on Hammond organ and Moog, as well ... read moreCD
Cosmic fusion from David Sancious – one of his headphone-popping albums for Columbia from the 70s! The record has a really outerspace kind of approach – long tracks that build and layer sound, mostly electric instrumentation, with lots of keyboards, guitars, and percussion. He's again ... read moreCD
Sten Sandell & Paal Nilsson Love —
Jacana ... CD Rune Grammafon (Germany), 2014. New Copy ...
A fierce combination of piano and percussion – the former by Sten Sandell, the latter by Paal Nilsson Love – two very well-matched improvisers! The tracks here are mostly long and dynamic – very freewheeling performances by both musicians, but at a level that really holds strong ... read moreCD
A tremendously joyous album from Pharoah Sanders – his last record for Impulse, and a rare thing of beauty! The album only features 2 long tracks, both of them great, and both of them showing Pharoah as more expressive, more imaginative, and more openly soulful than heard on his earlier ... read moreCD
That's not Santa, as in Santa Claus – but a nickname for Santiago Salas, who works here in a very cool, jazzy mode! The album's got plenty of Latin roots, mixed with hipper 70s touches that include some key electric elements as well – all served up in a sparkling groove that's mighty ... read moreCD
The first album we've ever heard from alto saxophonist Paolo Sapia – a very fresh-voiced talent with a great sense of soul! Most numbers here are quartet titles that really let Sapia shape his notes with a soulful swing on the instrument that we haven't heard from a new altoist like this in ... read moreCD
A great little combo with a mighty sharp sound – one that's already topped by very soulful tenor and soprano sax from leader Alessandro Scala – but which also features some great guest trumpet from Fabrizio Bosso as well! The group's got all the sharp changes and strong sense of rhythm ... read moreCD
Pretty groovy work from Jonathan Scales – a steel drum player by trade, but one who works here in a mode that's light years from any basic use of the instrument! The core approach is jazz, but the music is also inflected by lots of little twists and turns – a pastiche of styles and ... read moreCD
Electric 70s work from Lalo Schifrin – with a tight uptempo funky sound that's similar to his strong "cop show" soundtrack themes of the time! This album's a pretty great testament to Lalo's durability as one of the great composer arrangers – sublime stuff from the late 70s, ... read moreCD
A brilliant set from tenorist David Schnitter – maybe the best we've heard from him in years – and that's saying a lot, given the strength of his work! The album's got that special spark and crackle we love in the Live At Smalls series – a magic way of really letting the leader ... read moreCD
A compelling combination of Haitian Racine music with jazz instrumentation – served up here in an album with a richly expressive feel all the way through! Jacques Schwarz-Bart takes melodies first forged in the hills of Haiti, often with roots in voodoo – and blends them with ... read moreCD
Wonderful work from two very like-minded players – pianist Irene Schweizer and percussionist Pierre Favre – both musicians who've got years of improvisation under their belt, and a very well-matched, non-liner style! Schweizer's piano has always had this way of cascading forward in ... read moreCD
Guitarist John Scofield is a player who always needs an electric outlet for his instrument – but this time around, he seems to have an even sharper fusion groove than ever – a rhythmic pulse to his instrument that really seems to move along with the keyboards from Peter Levin and drums ... read moreCD
John Scofield's still plenty warm on the tones of his guitar – even though the record's got some sharp electric action in an 80s fusion mode – thanks to both acoustic drums and beats from Omar Hakim! The lineup has John's guitar dancing nicely with that airy sense of space he first ... read moreCD
A rare early trio session from Bobby Scott – much looser and less arranged than most of his later albums, with a very strong focus on his talents as a piano soloist! The group features Whitey Mitchell on bass and Bill Bradley on drums – and although we love Bobby on other records, we're ... read moreCD
A groovy groovy electric set from Hammond giant Shirley Scott – a set that really kicks things up in the rhythm department, in a way ties the album as much to Atlantic Records soul of the 60s as it does to some of Scott's earlier work for Prestige! There's a great pulse at the bottom of the ... read moreCD
A trio of classics from reedman Tom Scott – all packaged together in a single set! Blow It Out has Tom Scott really hitting the right sort of smooth jazzy vibe to make the album one of his classics from the 70s! As on all Tom's work, the reed sound is still nice and sharp – that edge ... read moreCD
A trio of classics from the mighty Tom Scott! First up is the landmark Tom Scott & The LA Express – a real breakout moment for reedman Scott – the first truly big album for the saxophonist who'd been blowing some great records on his own, and lending his horn to a host of classic ... read moreCD
A beautiful set of 70s soul jazz flute tracks – featuring work by flautist Adele Sebastian, with backing by a hip group that includes Billy Higgins, Ricky Kelly, and Roberto Miranda. The tracks have a nice mellow Strata East/Black Jazz kind of sound to them – and the production is ... read moreCD