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An interesting little session from ABC – recorded as sort of an educational record about jazz, directed by Creed Taylor – but also a session that comes off well in the jam session mode of some of the Savoy sets of the same time! Players are a varied lot – and include Donald Byrd,... read more

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A gracious and soulful gospel jazz effort from Don Byron – a set inspired by Thomas Dorsey and Sister Rosetta Tharpe – and he serves both proudly! The set includes a number of Dorsey compositions, plus some nice takes on traditional "Didn't It Rain", Eddie Harris's "Sham... read more

An incredible set of funky piano tunes from 70s Italy – featuring the sweet electric keyboards of Johnny Cabildo, grooving like work from a lost funky blacksploitation soundtrack! The album's got a dozen totally hot funk instrumentals, with a cool Italian Fender Rhodes feel, and nice Latin... read more

Very very very cool stuff from Italy in the 70's. This tight little combo featuring Fender Rhodes, electric bass, and congas lays down some super tight grooves with a very deep, very funky, very laid back feel. Originally intended for soundtrack use in TV and commercials, this disc has finally... read more

Stellar sounds from pianist George Cables – the kind of fluid, soulful set he's been serving up for years – but one with a bittersweet undercurrent too! The "muse" in the title is Cables' late partner – for whom he wrote a few key tracks on the set, showing us that his... read more

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Sweet and funky organ work from the great Henry Cain – a little known player who recorded on some excellent sides for Capitol in the 60s, including some of the albums by Howard Roberts! This set is Cain's one full album for the label – and it's a tight and jumpy set of instrumentals,... read more

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Beautiful bass work from 50s LA player Red Callender – heard here on this classic side recorded for the Modern imprint. Swingin Suite is easily one of Red's tightest sessions – a date that has Callender's basslines strongly leading a nonet of players that includes Harry Jones on... read more

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Candido cut sooo many great Latin records over the years, spanning a wide range of styles, we have a hard time deciding which we love the best. We like to think this may be his best album from the early part of his career, specifically because it features the master conga player amidst a tight... read more

Stone lost Latin funk! This is Candido's rarest – and it's a killer batch of conga-heavy grooves, recorded in the late 60s for Solid State, and featuring a very groovy set of mod Latin arrangements by Joe Cain. The band features organ, guitar, bass, horns, and some upfront conga solos from... read more

One of the harder to find 50s sessions from LA jazz brothers Pete & Conte Candoli – a twin-trumpet album with rhythm from Jimmy Rowles, Howard Roberts, Max Bennett, and Frank Capp. The tracks are a clean extension of mid 50s LA cool jazz – blown with a bit more edge, and perhaps a... read more

A lost west coast gem from the 50s – a unique quintet session for Atlantic Records, cut by a group co-led by trumpeter Conte Candoli and pianist Lou Levy! There's a bit more fire here than in some of the other sides from the time by the players – especially Levy – and in a way,... read more

Not the usual jazz outing from trumpeter Pete Candoli, and more an album of pop instrumentals, designed to cash in on the success of the big hit single "Moscow Mule"! (Pete didn't do the original version of that, right?) Tunes are short, jaunty, and use the trumpet in the kind of 60s... read more

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The last album in a legendary run of music from keyboardist Doug Carn – his final album for the Black Jazz label, and a set that pushes even farther than his previous efforts! Jean Carn isn't in the group this time around, but the set does feature a totally great twin-vocal approach –... read more

The last album in a legendary run of music from keyboardist Doug Carn – his final album for the Black Jazz label, and a set that pushes even farther than his previous efforts! Jean Carn isn't in the group this time around, but the set does feature a totally great twin-vocal approach –... read more

The last album in a legendary run of music from keyboardist Doug Carn – his final album for the Black Jazz label, and a set that pushes even farther than his previous efforts! Jean Carn isn't in the group this time around, but the set does feature a totally great twin-vocal approach –... read more

An undisputed 70s soul jazz classic – and arguably the best album that Doug Carn ever cut for the Black Jazz label! The set is a masterpiece of spiritual jazz – with Carn on keyboards setting up the groove, and wife Jean singing some incredible vocals – very different than her... read more

An undisputed 70s soul jazz classic – and arguably the best album that Doug Carn ever cut for the Black Jazz label! The set is a masterpiece of spiritual jazz – with Carn on keyboards setting up the groove, and wife Jean singing some incredible vocals – very different than her... read more

The Black Jazz recordings of Doug Carn are always a revelation – some of the most powerful, progressive work on the American underground of the early 70s – music that got Carn into way more record collections than you might expect! The sound here is a perfect summation of Doug's early... read more

The Black Jazz recordings of Doug Carn are always a revelation – some of the most powerful, progressive work on the American underground of the early 70s – music that got Carn into way more record collections than you might expect! The sound here is a perfect summation of Doug's early... read more

Two rare albums from these Duke Ellington sidemen – both recorded in New York with production from Stanley Dance! Rock Me Gently offers up some rare work as a leader from baritone saxophonist Harry Carney – working here in a swinging smaller group of players from the larger Ellington... read more

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A cool little set from pianist Barbara Carroll – a player who got her start in the New York scene of the 50s, and served up some excellent work in later years – but who also comes across surprisingly well in this overlooked 70s session for Blue Note! The album's not nearly as electric... read more

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Features material with Carter's Chocolate Dandies group – with Ben Webster on tenor, Buck Clayton on trumpet, and Al Grey on trombone!... read more

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Excellent work from Betty Carter – much more sophisticated than some of her 60s work! Betty's captured here in her hip trio format that she developed to fantastic heights during the 70s. Betty sings standards and originals with a warmth an imagination that we can hardly describe accurately... read more

An amazing collection of music – some of the hippest jazz to ever come out of the west coast scene, and a legendary pairing of trumpeter Bobby Bradford and saxophonist John Carter! Both players have really gone onto leave their mark in later years – but honestly, they almost reached... read more

Previously unreleased material from the duo of Bobby Bradford and John Carter – two players who created ferocious energy together in their famous LA quartet of the late 60s and early 70s, but who here get at a completely different sound of their talents! In a way, the record really... read more

An amazing debut from the John Carter/Bobby Bradford New Art Jazz Ensemble – one of the most powerful voices in jazz on the west coast at the end of the 60s! In a way, the quartet's sound is a culmination of the underground changes that had been bubbling under during most of the 60s on the... read more

A great step in the evolution of Ron Carter from brilliant bassist to even more brilliant leader! The album's cut at a time when Carter was really moving his instrument from the back to the front – playing piccolo bass more than usual, and plucking with a pronounced groove, even in the... read more

A beautiful album by Ron Carter – and quite rare, too! The record features a group that's got a nice 70s modal soul jazz sound – with players that include Herbie Hancock on acoustic and electric piano, Hubert Laws on flute, Sam Brown on guitar, and both Billy Cobham and Grady Tate on... read more

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Great work from Ron Carter's Golden Striker trio – a group with a really unique sound that comes from the careful balance of Carter's bass, Mulgrew Miller's piano, and Russell Malone's guitar! All three players have just the right amount of individuality and maturity to work together... read more

Michael Carvin's one of those players who always makes us sit up and take notice – not just for his own dynamic work on drums, but also for the way that he manages to lead a group with such soulful fire! This album's a great example of that skill, as Carvin brings together a mix of players... read more

A soulful smoker from the west coast scene – and some of the only work as a leader we've ever seen from pianist Joe Castro – a player with just the right sense of rhythm and soul to live up to the title! In addition to this rare appearance by Joe, the set's also noteworthy for some... read more

One of the hippest funky jazz combos of the 70s – stepping out here in their amazing debut for Cobblestone records! Catalyst had a groove that was unlike most of their contemporaries – a sound that was often jazzier than some of the tighter funk artists on labels like Kudu or Prestige,... read more

Another one of the great LPs by a band that was probably one of the best to grace the Muse label – and who have not really ever been reissued. Eddie Green, Odean Pope, Tyrone Brown, and Sherman Ferguson form the core of this funky fusion outfit, and they play in a beautiful way that mixes... read more

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A legendary early set from percussionist Francisco Mora Catlett – and a really sublime blend of spiritual jazz and Latin rhythms! Mora's percussion is definitely at the core – but the set also features wonderful contributions from Vincent Bowens on tenor and soprano sax, Jerome LeDuff... read more

One of the few albums ever from percussionist Francisco Mora Catlett – a player with a decades-long legacy of performances with jazz legends Max Roach and Sun Ra, as well as Detroit electro genius Carl Craig! The album's got a wonderful sound that links together these 2 sides of Catlett's... read more

Brilliant work from Francisco Mora Catlett – a really timeless record that encompasses a world's worth of elements in jazz! Catlett's at the height of his powers here – leading the group with a sense of righteous majesty that takes us back to some of the most ambitious heirs of the... read more

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A really amazing little record – way more than usual for this sort of live recording – given that it features some very unique performances together by artists we've never heard on the same stage otherwise! The premise is simple, but wonderfully effective – in that the album... read more

A wonderful follow-up to the first Montreux Summit album – and like that classic, a groundbreaking assemblage of some of the best jazz musicians of the 70s! The format here is slightly different – with more of a focus on smaller groupings of musicians, but still with a really fresh ear... read more

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A landmark session that gathered together just about every hip British jazz and jazz/rock musician of the time – and brought them together into one super-cool orchestra of sound! Robert Fripp produced the record, and Keith Tippett is the overall music director – but the album's got a... read more

A landmark session that gathered together just about every hip British jazz and jazz/rock musician of the time – and brought them together into one super-cool orchestra of sound! Robert Fripp produced the record, and Keith Tippett is the overall music director – but the album's got a... read more

An overstuffed package that feature 2 albums from Italian guitarist Franco Cerri! First up is Metti Una Sera Cerri, from 1973 – an unusual album that has Cerri working with larger backings, in a style that's almost a bit like soundtrack work of the time! Franco's guitar lines are clean and... read more

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An obscure record with a silly title – but a seminal batch of southern soul instrumentals, recorded at the height of the Muscle Shoals scene! The record's a really odd one in the Chess catalog – because it's got the feel of a record that should have come out on Atlantic or Capitol, or... read more

Although the cover of the record includes a picture of Eddie's wife, Dinah Washington, and the "Friend" in the title would seem to imply that she's on the album, the set's really just a bunch of hard jazz cuts that showcase Eddie's screaming tenor sax, and which don't include Dinah's... read more

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Fairly decent jazz session, and one in which Ray plays alto sax and electric piano, along with his usual acoustic piano. Milt Jackson is on vibes, of course, and the rest of the group includes Kenny Burrell, Percy Heath, and Art Taylor. Titles include "Soul Meeting", "X Ray... read more

Sublime modern jazz from Teddy – right up there with the best mid 50s work of other groundbreakers like Charles Mingus or George Russell, to whom Charles acknowledges more than a bit of inspiration! Charles plays vibes like no one else – especially at this point in his career, when he's... read more

Nice moody set of tracks written by Duke Ellington, and played by a trio that features vibist Teddy Charles, bassist Oscar Pettiford, and pianist Hall Overton. All three men are committed modernists, and they play here without drums, and with a lot of space to lay down some dark edgey arrangements... read more

A richly complex album from vibist Teddy Charles – easily one of his greatest albums ever, and certainly one with the boldest sound! The groups here are filled with hip players – all working under Charles' direction in a set of tracks that shimmers with dark sounds and moody colors... read more

With Jeannie Cheatham on vocals and piano, Jimmy on trombone, Dinky Morris on tenor and baritone, Snooky Young on trumpet, and Curtis Peagler on alto and tenor. Titles include "Permanent Solution", "Daddy O", "Goin Down Slow", "Detour Ahead", and "Homewa... read more

Arguably the best of Cherry's albums for Blue Note – and a real masterpiece of soulful avant playing! The group features Cherry on cornet, Gato Barbieri on tenor (and he's incredible, by the way!), Henry Grimes on bass, and Ed Blackwell on drums. Grimes and Blackwell are more than just... read more

A rare slice of work from trumpeter Don Cherry – music that's every bit as forward-thinking as his three classic 60s albums on Blue Note! The session is a live one, but the sound is quite strong – recorded up-close, and with great focus on Cherry's incredible horn work – as well... read more

Incredible work from Don Cherry – a previously unreleased live date from the 60s, but every bit as great as any of his better-known records from the decade! The sound here is really amazing – a hip blend of Cherry's trumpet with tenor from Gato Barbieri and vibes from Karl Berger... read more

Early 70s greatness from Don Cherry – a double album's worth of profoundly spiritual soundscapes paired with lots of weird effects – and a very laidback groove overall! Tracks are written by Cherry, Terry Riley, Pharoah Sanders, and Nana Vasconcelos – and include performances... read more

A sweet little session from guitarist Ed Cherry – recorded with great Hammond accompaniment from Pat Bianchi – in that soulful, stripped-down sound we love so much from the Posi-Tone label! There's a quality here that takes us back to the sound of Prestige Records back in the 60s... read more

A great performance by the Chicago trio of Ernest Dawkins on reeds, Harrison Bankhead on bass, and Hamid Drake on drums and percussion – dedicated to their late scene-mate Fred Anderson, and played with an open, exploratory sound that Anderson would have loved! At times, there's a very... read more

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The birth of modern jazz guitar – seminal sides recorded by Charlie Christian, working in small group format with Benny Goodman, Lionel Hampton, Fletcher Henderson, and even a bit of Basie. Christian's tone on the instrument is fantastic – and even though the style of the tracks is... read more

The birth of modern jazz guitar – seminal sides recorded by Charlie Christian, working in small group format with Benny Goodman in the '40's. Christian's tone on the instrument is fantastic – and even though the style of the tracks is more in the swing era mode, there's a direct line... read more

Amazing work from guitarist Charlie Christian – an artist who only recorded for a few short years before an untimely early death – but a player whose work went onto have a huge impact on both the guitar and jazz music in general for years to come! Charlie's playing has a sharp edge... read more

The roots of bebop! During the early 40s, sets held in Harlem nightclubs, especially the famous Minton's, were seminal to the development of bebop – and you'll hear exactly what we mean on this album! The set features material recorded by Jerry Newman at Minton's and Monroe's up in Harlem... read more

With Roscoe Mitchell on reeds, Art Porter on alto, and Paul McKee on trombone.... read more

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Beautiful music from Pietro Ciancaglini – the bassist of the excellent High Five Quintet, stepping out here as a leader on his own, in a very hip tribute to the late, great Charles Mingus! The music here is hardly the standard Mingus mode – even though many tracks were penned by... read more

An essential 2LP set that's just about the only vinyl release you can find that documents the work of the legendary (and short-lived) Circle group – an important avant jazz combo that featured Anthony Braxton, Chick Corea, Dave Holland, and Barry Altschul. The record captures a Parisian... read more

A groundbreaking ensemble – akin to the World Saxophone Quartet, and no doubt inspired by their experiments at the same time. The difference, though, is the range of experience of the players – as the group features David Murray, Jimmy Hamilton, Alvin Batiste, and John Carter, all... read more

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Sublime trio material from Sonny – recorded with Paul Chambers on bass and Philly Joe Jones on drums, and a crackling full-on approach that makes the album one of the best straight trio sessions ever cut for Blue Note! Tracks are longish, with a very hardbop groove – complicated in... read more

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Stanley Clarke may be on a journey to love – but that doesn't mean that the album's too sweet or romantic! Many tracks here still have the harder edge and sharper lines you'd expect from Clarke's key 70s fusion reputation – the kind of rock-influenced styles that crossed over big at... read more

A bit more high concept than before for Stanley Clarke – almost a suite of sorts, but one that still has some great standout tunes in the mix! Although Clarke used to bring his higher concepts to bear in the space of a single song, this one's more of a full exploration of the character in... read more

Fully-formed genius from Stanley Clarke – his first album for Columbia Records, and already a radical departure from the spiritual jazz of his previous set for Polydor! This Clarke's the one who'd play on countless sets of headphones in the 70s – the bassist who really revolutionized... read more

Time Exposure has a lot of 80s electro funk in the mix, particularly Clarke's impeccable bass lines, which are heavy throughout. Titles include "Play The Bass '10", "Heaven Sent You", "Speedball", "Future Shock" and the great title track.... read more

A trio of funky electric albums from Stanley Clarke's mid 80s R&B years – 1984's Time Exposure, ''85's Find Out and '86's Hideaway – in a 2CD set! Time Exposure has a lot of 80s electro funk in the mix, particularly Clarke's impeccable bass lines, which are heavy throughout. ... read more

One of the hippest albums ever from the team of Kenny Clarke and Francy Boland – a unique small combo session that's even groovier than their famous big band work! The setting is wonderful – Clarke on drums, Boland on piano, and a sextet lineup that includes Sahib Shihab on flute, Fats... read more