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A pretty sweet 70s session from Michal Urbaniak – done in the same heavy funk style as his bigger label recordings of the time, with a solid blend of electric rhythms and some nice trippy solo work! The core of the group is Urbaniak on violin and lyricon, Urszula Dudziak on voice and... read more

Piano and bass, a beautiful combination – handled here in a relatively lively mode at the Village Vanguard! The album's filled with magical interplay between the piano of Bebo Valdes and bass of Javier Colina – ringing out in styles that definitely hearken back to Afro-Cuban roots, yet... read more

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Great early work from Dave Valentin – a record of soulful fusion tracks done shortly after his time in Ricardo Marrero's group – gliding along with a warm production tone, and that great end-of-70s GRP sound! The tunes are nicely laidback, never as overly-slick as in later years –... read more

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The accordion never sounded groovier – thanks to some great playing by Art Van Damme and amazing production by MPS! This 5CD set features a whopping 10 albums that Art recorded for the legendary German label between 1966 and 1972 – all of which are hipper and more swinging than any of... read more

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Fierce funky instrumentals from Motown keyboardist Earl Van Dyke – a set that's overflowing with great original tracks, plus some sweet funky covers too! The style here is quite different than Earl's previous work – and quite different from most of Motown too – with a hard-edged... read more

Sweet and moody flute work from Thijs Van Leer – best known as the flute player with Focus! The album's got Thijs playing over very sweet and spare orchestrations – often in a classical-tinged mode, but with some of the moodier, more atmospheric feel of European flute work of the time.... read more

Early groovy goofy accordion stuff, with a good mix of vibes, guitar, and squeezebox. The tracks are short, as short as on the rest of Art Van D's other Columbia stuff from this period, but the sound is classic Van Damme, if you go for that kind of thing.... read more

One of the loosest, freest recordings we've heard from Ken Vandermark in awhile – a great set of duets with drummer Paal Nilssen-Love, who's really got the right spirit here to match the sensitivity in Vandermark's reeds! Many tunes are in a sparer, gentler exploration of textures and tones... read more

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Vaughan is backed by an orchestra for this collection of standards that she does in a style all her own. Tracks include "Tenderly", "Don't Blame Me", "I'm Thru With Love", "I Cover The Waterfront", "The Man I Love", "I've Got A Crush On... read more

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From bop to swing – and everything in between! The album's an 80s reissue of a classic performance by Charlie Ventura – recorded in Pasadena in 1949, with his septet that included Benny Green on trombone, Boots Mussuli on alto, and vocalese bits by Jackie & Roy! Ventura was a key... read more

A monster! This is one of the rare few albums that tenorist Harold Vick ever cut as a leader – and it's pretty darn great all the way through! Vick is probably best known as the sax player with Jack McDuff during his mid 60s glory years – and this album captures him a similar mode,... read more

The minimalism of Erik Satie, handled by the maximalism of the Vienna Art Orchestra – at first glance a seeming mismatch, but instead a record that really opens up Satie's music strongly – and also makes for one of the Vienna Art Orchestra's most memorable moments! The large group is... read more

Vier is Thomas Freier on sax, Juergen Dahmen on piano, Walfried Boecker on bass and Axel Kroell on drums.... read more

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A great early and slightly obscure album from Argentine pianist Enrique Villegas – recorded in New York in the mid 50s, with bass by Milt Hinton and drums from Cozy Cole! Villegas' approach to the keys is very rhythmic and a little bit pyrotechnic at times – almost inspired a bit by... read more

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A great early slice of Eddie Vinson – material that features him playing alto and singing, in a mode that's almost more jump and jive than later R&B!... read more

A really unusual album from guitarist Al Viola – all solo material, recorded in the mid 50s – and quite a change from some of the more dynamic albums that Al would record in later years! The guitar here has a warmly acoustic feel, yet is still quite jazz-based overall – yet also,... read more

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Allen's on the front cover in a white turtleneck that makes him look like a bit of a square, but the session's a nice jazzy fusion outing, in the best tradition of some of the excellent work from the time on the short-lived Headfirst label! Vizzutti plays trumpet in the lead, often in a... read more

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A killer album of German fusion from the late 70s – a blend of acoustic elements, Brazilian rhythms, and freer jazz moments that's right up there with the best of the Glucklich generation! The group's led by percussionist Heinz Von Moisy – and it features plenty of his own rootsy work... read more

That's "swinging pool", not "swimming pool" – a distinction that's easy to get once you hear the first few notes of the album! The set's an obscure 80s vocal jazz date from East Germany – recorded by female singer Pascal Von Wroblewsky in a style that feels more... read more

A wonderful bit of spiritual jazz from this richly collective ensemble! The album's got a groove that's as promising as its title – and features a large assemblage of percussionists, singers, and instrumentalists – all coming together in longer tracks penned by Wainwright, with a feel... read more

A classic bit of early 80s spiritual jazz from EW Wainright – plus a re-edit/interpretation from contemporary cosmic torch carrier Carlos Nino and friends! The original version of "The Healer Don't Break" is stormer from the African Roots Of Jazz LP – kicking off with a... read more

A beautiful little solo session from the late Mal Waldron – recorded in Paris in 1972, and featuring (as you'd guess from the title) Mal stretching out wonderfully on a well-tuned Steinway! The mood of the set is softer and more introspective than some of Waldron's other work from the time... read more

An excellent 70s European session recorded by Waldron – featuring a quintet with Steve Lacy on soprano sax, Manfred Schoof on trumpet, Jimmy Woode on bass, and Makaya Ntshoko on drums. The tracks are all long – with an approach that's in that later Waldron modal mode on the rhythms,... read more

Arranged by Mal Waldron – and Tyree Glenn plays vibes and trombone, with Seldon Powell on tenor, George Duvivier on bass, and Roy Haynes on drums!... read more

A great idea for a session – and one of our favorite albums from the legendary America free jazz series! Mal Waldron is working here with the legendary Steve Lacy French quintet of the 70s – the ensemble that featured Steve Potts on alto, Kent Carter on bass, Noel McGhee on drums, and... read more

A landmark album of electric piano grooves from Hysear Don Walker – the keyboardist on some of Young-Holt Unlimited's best albums! This album's much more in a jazz vein than some of the Young-Holt titles – with Walker playing electric keys on slower funky numbers that burn along at a... read more

With Bennie Wallace on tenor, Ray Anderson on trombone, Dr John on piano and organ, John Scofield on guitar, and Bernard Purdie on drums.... read more

A killer organ trio record from the south side of Chicago! Lloyd Wallace is a screamin organist in a mode that's right in the style you'd hear in some tiny lounge in the city – and he's playing here with Billy Mitchell, the drummer who cut an album on Calla, and Larry Frazier, Jimmy McGriff's... read more

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"The London Suite" is broken up into six pieces – "Picadilly", "Chelsea", "Soho", "Bond Street", "Limehouse", and "Whitechappel".... read more

Includes "Yellow Dog Blues" takes 2 and 3, "I Would Do Anything For You", "Mean Old Bed Bug Blues" takes 1 and 2, and "Yes Suh!".... read more

A rare US album for this famous Swedish trumpeter – working here with backdrops from the orchestra of Rolf Blomquist!... read more

Two sets of piano solos from Per Henrik Wallin – recorded over two decades apart, yet together showing a tremendous legacy in music! The 1982 tracks are amazingly dynamic – at times bursting forth with almost Cecil Taylor-like runs on the piano, at other times moving with a more... read more

A pair of burning 21st Century recordings by Per Henrik Wallin – easily one of the greatest free jazz pianists working the European scene for the past few decades – as you'll certainly hear on this set! CD 1 features duets between Wallin and drummer Sven Akie Johansson – recorded... read more

Rare Wallington trio material for Verve – with Curly Russell on bass and Art Taylor on drums. Titles include "Before Dawn", "If I Love Again", "Your Laughter", and "Night In Tunisia".... read more

A long-overdue reissue – both of Cedar Walton's fusion albums for Columbia – back to back on a single CD! Animation is one of Cedar Walton's mid 70s funky jazz efforts – acoustic keys often traded for electric piano, grooving with a funky bigger band, almost in a Ramsey Lewis... read more

The second trip into the studio for Cedar Walton's mighty Eastern Rebellion ensemble – and every bit as great as the first! This time around, the lineup's a bit different – with Bob Berg in on tenor, and Curtis Fuller expanding the group on trombone – but the groove is still the... read more

A great little session of soul jazz – and very much in a classic mode, but with touches of the Strata East sound of the 70s. Although Blue Note and Prestige had seemed to abandon straighter soul jazz by the early 70s, Muse was cranking out some nice sides with older players of the 60s scene.... read more

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One of our favorite albums ever from Walter Wanderley – a set that's much more complicated than his earlier trio records for Verve – and which really expands the sound with a host of added elements! Wanderley's core organ bossa groove is amplified wonderfully here with the addition of... read more

An incredible gem from Walter Wanderley's years in Brazil – a Quarteto Bossamba recording that features Wanderley on both piano and organ, often overdubbed at the same time for a very cool sound! The style is quite different from most of Wanderley's better-known records in the US – and... read more

A recent set, but one that captures the David S Ware Quartet in all their glory – almost a pure return to the compelling spiritualism the group first grabbed us with back at the start of the 90s! The performance is very open and expressive – all of Ware's most righteous ideas brought... read more

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Sublime soulful sax from Grover Washington – the man who virtually reinvented the sound of the instrument for a decade! The package here brings together some of the coolest cuts from Grover's years on Kudu Records – a place that really helped him hone his sound after initial recordings... read more

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Sweet Motown grooving from Grover Washington – a set that has him working with slightly larger backings than his Kudu years, but in a way that still lets his soulful horn stand strongly out front! As always, Washington is a killer talent on the soprano sax – able to inflect the... read more

One of the richest albums from the Kudu years of Grover Washington – a double-length set that shows the full range of his soul and imagination! The album was done in collaboration with Bob James – who arranged and conducted all tracks, and also plays keyboards on the date – and... read more

A smooth smooth classic from Grover! Titles include "Winelight", "Let It Flow", "In The Name Of Love", "Take Me There", "Just The Two Of Us", and "Make Me A Memory (Sad Samba)".... read more

A rare and unusual chapter in mid 60s Blue Note – the debut of tenorist Tyrone Washington, an up-and-coming talent from the hip New Jersey scene of the time! Washington's name may not have lasted long in the jazz annals, but at this important point in his career, he's working with a young... read more

A rare and unusual chapter in mid 60s Blue Note – the debut of tenorist Tyrone Washington, an up-and-coming talent from the hip New Jersey scene of the time! Washington's name may not have lasted long in the jazz annals, but at this important point in his career, he's working with a young... read more

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One of the sharpest altos of the east – heard here in a great early album! Sadao Watanabe sounds wonderful on the set – blowing in a quintet setting, with a groove that's a bit like Lou Donaldson on Blue Note at the same time – slightly modern at moments, but also laidback and... read more

Is that barock or baroque? Whatever the case, the album's a pretty darn groovy affair – twin flutes from Sadao Watanabe and Akira Miyazawa – two of Japan's best reedmen at the end of the 60s – working here with some sweet arrangements that mix classical roots with mod... read more

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A funky fusion classic from guitarist Wah Wah Watson – his only album as a leader, despite countless appearances as a sideman on 70s soul, jazz, and pop sessions! The album's got a really wonderful sort of west coast groove – one that takes bits of spacey fusion, bassy funk, and... read more

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A wild set of duets, with a really unique feel – a rare date that brings the drums and percussion of Gunter Sommer into play with these massive musings on pipe organ from Hans Gunthe Wauer! There's only one other record we can think of like this – an FMP set that had Fred Van Hove... read more

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6 classics from Weather Report – presented in cool tiny LP-sleeve covers! First up is the original Weather Report album from 1971 – a massive session that took fusion to a whole new level for the 70s! Most of the players here had been associated with Miles Davis at some point in the... read more

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One of the biggest hits ever for Weather Report – thanks to Joe Zawinul's leadoff track "Birdland" – one of those tunes that entered the canon immediately, and saw countless covers pop up over the years – kind of a rare thing for a jazz tune at this point in time! The... read more

One of the biggest hits ever for Weather Report – thanks to Joe Zawinul's leadoff track "Birdland" – one of those tunes that entered the canon immediately, and saw countless covers pop up over the years – kind of a rare thing for a jazz tune at this point in time! The... read more

Beautiful early work from Weather Report – one of the finest statements ever uttered by group, and a set that's got a bit more soul and warmth than their first album! The lineup's changed slightly at this point – still Wayne Shorter on reeds, Joe Zawinul on keyboards, and Miroslav... read more

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A massive mid 70s live set from Weather Report – a record that has the group stretching out even more than on their classic studio albums! There's an undercurrent of darkness here that we really love – an edge that always makes us feel like things are about to go off the rails, or... read more

A new sense of focus in the Weather Report sound – that building, soaring groove that would become the group's trademark in the mid 70s – offered up here in one of it's first and finest examples! The approach is one to describe accurately on paper – but which is instantly... read more

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A beautiful title for a beautiful little record – one that really does have Weather Report spinning out musical tales in sound – with a free-flowing and soulful sense of energy! The groove's definitely tighter than the earlier years, but it's never slick – and Joe Zawinul handled... read more