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Growing brilliance from the young Archie Shepp – a record that's not just about Archie's own amazing work on the tenor, but also his keen modern vision as a leader! The combo here is an ensemble that features some of the hippest modernists of the 60s – Roswell Rudd and Grachan Moncur... read more

Growing brilliance from the young Archie Shepp – a record that's not just about Archie's own amazing work on the tenor, but also his keen modern vision as a leader! The combo here is an ensemble that features some of the hippest modernists of the 60s – Roswell Rudd and Grachan Moncur... read more

A brilliant second volume to this classic series of live recordings from Archie Shepp – and a record that shows both ways he could really shine in the 70s! The record's got a wonderful 28 minute take on Archie's classic "Blues For Brother George Jackson" – an Attica Blues-era... read more

A fierce and full-on session from Archie Shepp – a real return to avant jamming, in a style that recalls his best French work of the late 60s, but which also has some of the soulful touches of his late 70s years! The group features Sigfried Kessler on piano, Clifford Jarvis on drums, and... read more

A seminal live set from tenorist Archie Shepp – and some of his freest, least-structured material ever! Shepp's still a righteous force here on his horn, but there also seems to be equal emphasis on the contributions of all members of the group – woven together in a really rich... read more

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One of the first European recordings from Sahib Shihab – a classic set that's the start of an amazing 60s run on the continent! Shihab here is quite different than his American dates of the 50s – bolder, and blowing with a really open, fluid sort of groove that marks a great... read more

A legendary album from saxophonist Sahib Shihab – a record that's gone onto become the birth of all things modal and club jazz in the current scene! Shihab always sounded great, no matter what the setting, but there was definitely something magical going on with this session – a one-of-... read more

A fantastic early record by Sahib Shihab – a motherlode of modal jazz grooves, cut during the early days of the Clarke-Boland Big Band! The record features a core group of players from that ensemble – including Shihab on alto, baritone, and flute, plus Francy Boland on piano, Jimmy... read more

Duets between alto saxophonist Rob Brown and pianist Matthew Shipp, recorded at a time when Shipp was first bursting into public consciousness as one of the stronger figures of the east coast avant garde of the past 25 years. Most tracks are numbered versions of "Sonic Exploration"... read more

A late 50s stormer from Japanese drummer Hideo Shiraki – caught here at a great point in his early career! The album's got a bit more of a swing-based feel than some of Shiraki's later sides – a bit more Verve-like energy than Blue Note style – which is a-ok with us, because the... read more

Bossa jazz from 60s Japan – a set recorded right around the same time that Verve first started hitting bossa grooves in the US! The sound here is sharper than a Verve bossa album, though – with some of the same hardbop inflections you'd hear on other Hideo Shiraki albums from the time... read more

The music of Horace Silver is magically presented here by drummer Hideo Shiraki – grooving nicely in the same exotic approach to soul jazz you'd find on Silver's best Blue Note sides of the late 50s! Shiraki's always had a bit of a Jazz Messengers approach in his music – at least at... read more

Not sure what they mean by "Ameriachi" in the title – but from the sound of the music, there's definitely a great A&M Records-styled mix of jazz, Latin, and South American modes! The set begins with a set of cookers from drummer Hideo Shiraki – working with an excellent... read more

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An incredible album – one of our favorite Blue Notes ever! Despite the fact that the album's a spare quartet session, the record is one of Wayne Shorter's richest – and features his gutsy young tenor soloing insanely with a rhythmically intense combo that includes Herbie Hancock,... read more

An excellent set of some fairly out material – performed by Shorter with a group that includes Freddie Hubbard, Grachan Moncur, James Spaulding, Herbie Hancock, and a rare appearance by his brother Alan on flugelhorn! At times, the record builds into a sound that's freer and more... read more

A perfect illustration of the rich new directions Wayne Shorter was taking at the start of the 70s – an amazing flurry of sounds and styles that's light years ahead of where he began in the 60s! Shorter's one of those players who was already great at the start – an amazing tenorist,... read more

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A really classic-styled set – as you might guess from the Art Blakey homage image on the front cover – a cracker of a session that features some great players from the contemporary Italian scene! There's a bold hardbop vibe to the whole thing – a mode that hangs right up there in... read more

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Fanstastic LP! Produced by Nathan Davis, and released on the same label as his first two U.S. albums (after his return from Europe), this is a mad mix of breezy jazz and breakbeats. Break fans will looooove the cuts "Lunar Invasion" and "Fonky First", which both have a tight... read more

Sweet guitar and smooth grooves – a remastered version of this mellow jam from Ricardo Silveira from the mid 90s – brought out with rich new fidelity here in an Adventure Music pressing! There seems to be less of the slickness of the previous issue, and a lot more warmth – that... read more

Classic Blue Note work by Horace Silver – the stuff that soul jazz legends are made of, and an album that showed he was destined to be a huge force away from the Jazz Messengers! Blue Mitchell and Junior Cook hold down the frontline with Horace – playing in a mellifluous style that... read more

Classic Blue Note work by Horace Silver – the stuff that soul jazz legends are made of, and an album that showed he was destined to be a huge force away from the Jazz Messengers! Blue Mitchell and Junior Cook hold down the frontline with Horace – playing in a mellifluous style that... read more

A surprisingly great later album from Horace – with Steve Turre on trombone, Ronnie Cuber on baritone, Claudio Roditi on trumpet, and Michael Brecker on tenor.... read more

Early 60s magic from Horace Silver – working here at the height of his youthful powers! The album's a perfect example of the sound that Silver created while at Blue Note – a lyrically melodic approach to soul jazz, but one that was able to open up the rhythms past stock riffs and... read more

A real watershed album from Horace Silver – a record that has him stepping strongly into the 70s – but with a rich new groove that's different both from his 60s work, and from the heavy politics of his United States series too! The album has Horace picking up a slightly electric sound,... read more

The quintessential sound of late 60s Horace Silver – on one hand still very much in the Blue Note soul jazz groove that earned him plenty of jukebox single play, but on the other hand really stretching out with a style that's a bit more righteous than before! Horace shows that he can still... read more

A beautifully soulful set from Horace Silver – hardly the "with brass" session you might guess from the title, and instead a well-integrated album that really showcases a new level of arranging genius from Horace! The set is heavy on hip horns – with work from Oscar Brashear,... read more

A beautiful, beautiful record from Horace Silver – one of his great 70s experiments for Blue Note – and a set that has him working in the same "jazz with voices" mode explored by Max Roach and Donald Byrd in earlier years! The core of the set is focused around the great work... read more

An excellent 70s album from Horace Silver – one that's often overlooked, but which yields of listening joy, once you open it up! The set's got some wonderful modal/spiritual numbers – in a mode that would make the record highly prized if it were issued on Strata East, and which is... read more

Horace Silver's last record for Blue Note – and an amazing end to his decades of work for the legendary label! The set's a perfect summation of all the new directions that Horace took in the 70s – new territory that's deeply spiritual, and undeniably righteous – yet which also... read more

Wonderful work from Horace Silver – part of a great run of late 70s sides for Blue Note that unlock a whole new side of his soulful talents! The vibe here is different than the previous United States trilogy – still very righteous, with an overt message too – but served up in... read more

Wonderful work from Horace Silver – part of a great run of late 70s sides for Blue Note that unlock a whole new side of his soulful talents! The vibe here is different than the previous United States trilogy – still very righteous, with an overt message too – but served up in... read more

An incredible record – the kind of album that only Blue Note could put out, and an instant classic that will sound wonderful forever! The album's truly one of the great ones – one of those Blue Notes that still makes you stop and pause when you hear it, even though you've heard it a... read more

An incredible record – the kind of album that only Blue Note could put out, and an instant classic that will sound wonderful forever! The album's truly one of the great ones – one of those Blue Notes that still makes you stop and pause when you hear it, even though you've heard it a... read more

One of the most righteous Horace Silver albums for Blue Note – and a far-reaching, politically-bent batch of tracks that feature vocals by Andy Bey, in a similar style to the work he did on the Gary Bartz records from the time – very hip, and quite different than other jazz vocal work... read more

One of the most righteous Horace Silver albums for Blue Note – and a far-reaching, politically-bent batch of tracks that feature vocals by Andy Bey, in a similar style to the work he did on the Gary Bartz records from the time – very hip, and quite different than other jazz vocal work... read more

One of Horace Silver's greatest records ever – and the album that always makes us remember how many of his tunes are now etched in the memory of modern jazz! The album's got a slightly exotic bent that you might guess from the title – a furthering of the sound that Silver first started... read more

Horace Silver at his most righteous – stepping out here in the amazing Phase 2 of his United States Of The Mind series – with some heavy vocals from the great Andy Bey! The grooves are more complicated than Silver was laying down a few years before – yet still equally soulful... read more

Horace Silver at his most righteous – stepping out here in the amazing Phase 2 of his United States Of The Mind series – with some heavy vocals from the great Andy Bey! The grooves are more complicated than Silver was laying down a few years before – yet still equally soulful... read more

A great late 60s gem from pianist Horace Silver – and a great bridge between his earlier soul jazz for Blue Note, and some of his more righteous work to come in the 70s! At one level, the sound here steps off from classics like Serenade To A Soul Sister or The Jody Grind – but at... read more

An amazing document of righteous soul jazz – the full recordings for Horace Silver's United States Of Mind trilogy – done in collaboration with singers Andy and Salome Bey! The sound is completely different from Silver's work of the 60s – very righteous and message-oriented, with... read more

No blues here, but a hell of a great soul jazz set from Norman Simmons – the pianist who was a big part of the early 60s scene in Chicago, and who never really recorded that many albums as a leader! The record's got a super-hip lineup – with Clifford Jordan on tenor, Jimmy Owens on... read more

Brilliant work – and one of the rare few albums to feature the genius alto of Sonny Simmons from the 60s! The session has the fierceness of other ESP sessions from the time, but it's also tempered with a bit of spiritualism, too – somewhat more introspective in the heavy moments than... read more

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A really great little set from Zoot Sims – earthy, and almost a bit more fragile than much of his other work! There's a real "down home" feel to the whole record – as Zoot blows comfortably and easily in a quartet with Dave McKenna on piano, George Tucker on bass, and Dannie... read more

The very last performance at the legendary Keystone Korner in San Francisco – a well-blown session from Zoot Sims' overlooked years on Pablo Records! Like other Pablo dates, this one's got a very easygoing groove – a relaxed format that allows Sims to really stretch out on his horn... read more

A motherlode of great music from Zoot Sims – mid 70s recordings done for the Groove Merchant label, presented here in a late 70s package! Although Groove Merchant was mostly known for its funkier sounds, the work here is nicely back to basics for Sims – small group sessions that give... read more

A swinging east coast set featuring the reeds of Zoot Sims, Al Cohn, and Tony Scott. Trigger Alpert is actually the leader on these sides, in spite of the way the album is billed, and he plays bass in a piano-less rhythm section alongside Ed Shaughnessy on drums. The front line also includes Joe... read more

One of Sinatra's greatest records ever – pure genius all the way through! Frank's backed here by the orchestra of Count Basie, with some incredible arrangements by Quincy Jones that really have a jazzy, syncopated kick to them. The move seems to be an unintentional way of covering for Frank'... read more

An amazing funky record cut by the American tenor player Hal Singer while he was living in exile in Paris! Although the bulk of Singer's other work is more traditional R&B sax material, this LP has a very good raw funky feel, with some nice tight guitar and organ grooves that spur Singer on to... read more

Loose, soulful and swaggering tenor sax from a pair of legends – Hal Singer and David Murray – fellows who busted boundaries for decades! On Challenge, recorded in Paris in Spring, 2010, they play great, mostly original material with passionate conviction and a a boundless sense of... read more

Gypsy swing from Germany – a great little combo that features four different acoustic guitars, plus violin – all in a mode that's a cool variation on the style of the Hot Club! The tracks are relatively short, and most are the sorts of numbers you'd hear in a Paris club in the pre-war... read more

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The Total Improvisation unit of Siwula, Stowe, and Sage is augmented by the guitar of Dom Minasi – a player we know best from his mellow 70s album on Blue Note – but who steps out here as a bold improviser with talents to match the rest of the group! As on their previous session, the... read more

Spiralling, soaring work from the Alan Skidmore Quintet – a group led by one of the greatest British tenor talents at the end of the 60s! Skidmore's name turns up often in some of the larger ensemble sessions from the period, but this album's one of his few smaller group outings – and... read more

Groundbreaking work from one of the most unsung heroes of British jazz – tenorist Alan Skidmore, a player with a tone and a talent that took him through many settings in his day! This 1970 album is one of Skidmore's greatest moments in the studio – a blend of jazz styles that includes... read more

A treasure trove of rare work from the obscure German Ego label – four different albums, all of them great – packaged here in tiny LP-styled covers too! The set's especially noteworthy for the work of British saxophonist Alan Skidmore – working here on some of his best material... read more

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A partner album of sorts to Jimmy Smith's classic Midnight Special album – recorded during the same sessions as that one, and also featuring Stanley Turrentine on tenor and Kenny Burrell on guitar! The sound here is almost even more open and stretched out – with only 4 long tracks on... read more

A partner album of sorts to Jimmy Smith's classic Midnight Special album – recorded during the same sessions as that one, and also featuring Stanley Turrentine on tenor and Kenny Burrell on guitar! The sound here is almost even more open and stretched out – with only 4 long tracks on... read more

One of Jimmy Smith's biggest albums of the 60s – and a classic Verve pairing of his lean Hammond organ solos with the fuller, hard-swinging arrangements of Oliver Nelson! Nelson is working here at the height of his powers – backing Smith with a large group, but in a way that only seems... read more

A record that's way way different than the sound of Jimmy Smith Blue Note work – and a much-loved set by fans of 70s funk! Jimmy's organ is still very strongly out front of the arrangements – but it's soaring over the top of grooves done by Jerry Peters and Michael "Incredible... read more

Prime Jimmy Smith material from his earliest years at Blue Note – hidden here under some more modern 70s cover art! The work here is very much in the best long-blown, open-ended style of Smith's jam session sides for the label – and the album features Jimmy's Hammond in the company of... read more

Rare work from Jimmy Smith! These recordings are early pre-Blue Note sides by Jimmy – originally recorded for the Bruce and Power record labels, and issued over the years on a number of dodgy knock-off labels, without any proper notations, and (usually) pretty terrible sound. Jimmy's in a... read more

Like all of Jimmy's late 50s live sets, this is a killer, and features wild weird grooves, strangely played solos, and the kind of genius playing that makes you understand why Blue Note went so wild over Jimmy in the first place, and recorded him as much as they did. The tracks are standards... read more

One of the best hard-wailing all-star sessions that Jimmy did so well for Blue Note! The album features an amazing array of top-line players – like Tina Brooks, Lee Morgan, Curtis Fuller, Lou Donaldson, Art Blakey, and Kenny Burrell – and they all play with Smith in differing... read more

One of the few Jimmy Smith albums issued on his own label – the tiny Mojo Records imprint, which he was running in the mid 70s when taking a break from the majors! The album's got a raw power that returns Jimmy to the glory days of his best 60s recordings – really taking advantage of... read more

A surprisingly nice little album – a Jimmy Smith Blue Note session dedicated to Fats Waller, one of the first jazz musicians to work out his skills on the organ! Jimmy's working with a tight trio that includes Quentin Warren on guitar and Donald Bailey on drums – and although Waller... read more

An incredible record by Jimmy Smith – unlike anything we've ever heard from him! The session is a rare French soundtrack one – recorded in 1965, in a setting that was quite different than any of Jimmy's American sessions from the same time. According to the notes, Smith was just shown... read more

A perennial favorite in the Jimmy Smith catalog for Blue Note – and a smoking little set that has Jimmy's Hammond grooving nicely alongside tenor from Stanley Turrentine and guitar from Kenny Burrell! Only Donald Bailey's drums remain from Jimmy's regular trio, but that shift is fine, given... read more

A wealth of unreleased tracks recorded by Jimmy Smith for Blue Note in the late 50s – most of them short, with a feel that's like his 45rpm work for the label! The sound here is prime early Smith – that totally cooking Hammond sound he had back in the day – mostly set up here in... read more

Material that was recorded in the early 60s, but not issued by Blue Note until later in the decade – when they were pulling out any Jimmy Smith session they had, in order to compete with the bigger hits on Verve. The record features 8 extended tracks, with an all-star jam session lineup that... read more

No hokey organ grinder here – no monkey on a leash, begging for change on a street corner – just a smoking little trio session that stands as one of the best records that Jimmy Smith ever recorded for Verve! The album's got a groove that's similar to Jimmy's early years at Blue Note... read more

A very nice groover from Jimmy – and a session that was recorded earlier, but not issued by Blue Note until the end of the 60s. The format is hard-wailing sextet – with Blue Mitchell on trumpet, Ike Quebec on tenor, and Jackie McLean on alto. Jimmy's usual trio at the time holds the... read more

A surprisingly nice jazz album, although one that got hidden in the years of Jimmy's more "concept" oriented sessions for Verve. Most of the material is quartet stuff, with players like Bernard Purdie, Eric Gale, and Ron Carter backing up Jimmy's soulful organ. The tracks are longer... read more

A nice little set from Jimmy – often overlooked amidst the flurry of early 60s Blue Notes, but a really strong session! The group on the set is Jimmy's trio with Quentin Warren on guitar and Don Bailey on drums – but they're augmented here by Lou Donaldson, whose crafty work on alto... read more

One of the Jimmy Smith "jam session" Blue Notes, with a large group that includes Lee Morgan, Lou Donaldson, George Coleman, Tina Brooks, and Art Blakey – nearly all of whom take long solos and dig deep to compete with each other. 3 long tracks, "The Sermon", "JOS&quo... read more

One of the Jimmy Smith "jam session" Blue Notes, with a large group that includes Lee Morgan, Lou Donaldson, George Coleman, Tina Brooks, and Art Blakey – nearly all of whom take long solos and dig deep to compete with each other. 3 long tracks, "The Sermon", "JOS&quo... read more

Great late 70s work from Jimmy Smith – two albums back to back on a single CD! One of our favorite later albums from organist Jimmy Smith – and a set that cooks heavily in a wicked blend of jazz, funk, and soul! The style's a bit like the groove that Johnny Hammond hit during his... read more

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A real treasure, and a record that may well be our favorite Jimmy Smith album for Verve – a masterful meeting of his smoking Hammond work with some swingingly sophisticated arrangements by Oliver Nelson and Claus Ogerman! Both Nelson and Ogerman bring a fuller spectrum of horn work to the... read more

The second great session from two of Verve's biggest jazz stars of the 60s – organist Jimmy Smith and guitarist Wes Montgomery – an unlikely pair, to be sure, but one who work great together on the set! The real change here is in Wes' playing – as it's shifted from the mellower... read more

The second great session from two of Verve's biggest jazz stars of the 60s – organist Jimmy Smith and guitarist Wes Montgomery – an unlikely pair, to be sure, but one who work great together on the set! The real change here is in Wes' playing – as it's shifted from the mellower... read more

Excellent meeting between 2 mighty talents who rarely recorded together! Oliver Nelson did the arrangements and leads a big band, but the real focus is on Jimmy and Wes' solos, which are given a lot of room to roam in long tracks like "James & Wes", "Night Train", and "... read more

Excellent meeting between 2 mighty talents who rarely recorded together! Oliver Nelson did the arrangements and leads a big band, but the real focus is on Jimmy and Wes' solos, which are given a lot of room to roam in long tracks like "James & Wes", "Night Train", and "... read more

A sweetly funky set from Johnny Hammond Smith – a date done right at the start of the jazz funk era on Prestige – and one that marks a nicely heavy change in Johnny's sound! The format here is quite different than the style of Smith's early 60s work – with Hammond that's much... read more

A great little groover from Johnny Hammond Smith – and one of his rarest albums! The record may be rare because it's got a strange cover that features a comic character that looks like the Green Lantern, and Prestige might have gotten nervous about copyright infringement – but more... read more

A great date from the non-Louis Prima years of Keely Smith – a rare radio performance done with backing from the Count Basie Band! Both Keely and Basie are at the height of their powers here – and the album has a format that alternates vocal numbers with some equally great instrumental... read more

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Righteous jazz, with plenty of soul – a killer collection of the mid 70s work of Lonnie Liston Smith – all based around his legendary recordings for the Flying Dutchman label! Lonnie got his start on the hippest side of the jazz spectrum – including work with Pharoah Sanders on... read more

A beautiful album of smooth mellow jazzy grooves – and one that proves that Lonnie was still always great, even when he was getting the more mainstream production treatment. The record is similar to ones cut by other older jazz funk keyboardists at the time – like Ramsey Lewis or... read more

Smooth jazzy soul from Lonnie's mid 80s years – recorded when Lonnie was heavily under the sway of Guru Sri Chinmoy! If you've ever heard Chinmoy as a musician, you know that he's not very good – and fortunately, Lonnie keeps him away from the instruments on the record, and only lets... read more

Wonderfully warm work from the late 70s years of Lonnie Liston Smith – material from his key stretch a Columbia Records, a time when he'd really learned to tighten up his groove a bit from earlier years, yet still keep all the deeper soul intact! The set kicks off with Song For The Children... read more