Jazz — In Stock — LPs  

Warm mellow soul from David Sanborn – a surprisingly nice early album, recorded without all the schmaltz of his later work! The style is still quite full and professional, but there's also somehow a more earnest feel to the work – as Sanborn plays with a core group that includes Victor... read more

Pretty darn hard-jamming fusion – featuring Sancious on keyboards, Ernest Carter on drums, and Gerald Carboy on bass. Billy Cobham produced – and it's certainly in the same camp as some of his work. Titles include "East India", "Suite Cassandra", "Forest Of... read more

A fantastic album by Pharoah Sanders – one of his later albums for Impulse, but one of his best! The record has Pharoah grooving in a strongly modal style – working up long passages of rhythm, piano, and percussion that really build on the promise delivered in earlier tunes on records... read more

One of the most spiritual albums recorded by Pharoah Sanders for Impulse – an open-ended and free-thinking exploration of ideas, all very much in the late John Coltrane mode! The group's a largeish one – filled with spiritual soul jazz luminaries who include Hannibal Marvin Peterson on... read more

A tremendously joyous album from Pharoah Sanders – his last record for Impulse, and a rare thing of beauty! The album only features 2 long tracks, both of them great, and both of them showing Pharoah as more expressive, more imaginative, and more openly soulful than heard on his earlier... read more

If you think that Pharaoh Sanders' genius as a leader first blossomed during his post-Coltrane years on Impulse, you owe it to yourself to check out this early album for ESP – a startlingly great session that offers a whole new side of his talents! The album features 2 side-long tracks... read more

One of the first moments of genius from a young Pharoah Sanders – a set that builds on the energy of John Coltrane's Love Supreme generation – but takes it in a much more expansive direction! The album's got a sense of majesty that's years ahead of its time – righteous, positive,... read more

An excellent obscure Mongo Santamaria album – and one that features a nice jazzy groove played by one of Mongo's best groups ever! The band features Joao Donato, the famous Brazilian pianist, doubling up on trombone on a number of tracks – something you never hear on his Brazilian... read more

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The label says "Lonnie Satin sings Bossa Nova", and he does too, but not in the way that would make us put this in the Brazilian section. Lonnie's got more of a groovy jazzy folksy style – in a manner that's similar to Nina Simone, who he resembles at some moments on the record. ... read more

The quirky Sauter-Finegan ensemble lay down a weird set of tracks with their usual high level of performance and keen sense of wit! Tracks include "Madame X", "Sleepy Village", "Pictures From Sauter-Finegan Land", and "The Land Between". Great stuff from a... read more

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Funky 70s work from Lalo – with a bit of a disco twist, and plenty of the electric jazz funk elements that were showing up in his soundtracks at the time. Lalo's on keyboards, playing a cool host of electric ones that give the record a nice spacey sound over the top of the funky arrangements.... read more

A wonderful album from Lalo Schfrin! This one mixes together bossa piano and sweeping string arrangements – in a style that's incredibly dark-edged and driving, with a sound that's at once spooky and lovely – a dancing groove that makes the best tracks really sparkle! The album's... read more

Electric 70s work from Lalo Schifrin – with a tight uptempo funky sound that's similar to his strong "cop show" soundtrack themes at the time. Not totally up there with Bullit or some of the 60s grooves, but nicer than you might think, and proof that he was still a player back in... read more

A landmark in the European avant scene of the 60s – the first self-released album by pianist Alexander Von Schlippenbach – an all star session that features work by Peter Brotzmann, Manfred Schoof, Paul Rutherford, Han Bennink, and others! The work here is very free and a spacious... read more

Better than you might think – thanks to piano and organ from Jack Wilson!... read more

One of the earliest albums on the Free Jazz Productions label – a large group session led by trumpeter Manfred Schoof, and featuring a wealth of great talents from the European avant garde of the 60s – including Peter Brotzmann on tenor, Enrico Rava on trumpet, Irene Schweizer and... read more

A wonderful 70s set from trumpeter Manfred Schoof – laidback and mellow, with lots of warm tones at the bottom! Schoof recorded some sets in the 70s with a more avant approach, but this one has a really cool and soulful feel – and bubbles forth with work on electric piano and organ by... read more

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A seminal third stream recording – the height of late 50s modern jazz in all of its seriousness! The album features works written by Schuller, John Lewis, Jimmy Giuffre, and JJ Johnson – all of them larger, serious jazz-meets-classical type numbers – performed by the Brass... read more

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In our humble opinion, Shirley Scott didn't start getting great until she hit the end of the sixties (even though she'd recorded loads throughout the decade). Reason? Because she never could hold up her end in a marathon soul jazz session, and was better suited to some of the over arranged... read more

An early 80s set from Tom Scott, and proof that he could still make an electric jazz album sound more soulful than most of his mainstream contemporaries! There's a really great sense of balance here – production that's certainly polished, but instrumentation that's never sleepy at all –... read more

One of Tony Scott's best records from the time, and an excellent batch of tracks that really shows the direction he would head in the 60s. Scott's solos are incredibly open-ended – and he's backed by a group of hip players that includes Henry Grimes, Bill Evans, Paul Motian, and Sahib Shihab.... read more

A gem of a record from pianist Renato Sellani – and a set that cooks with all of the best energy of the Italian scene in the 70s! Like some other classics on the Carosello label, this record's got a vibe that mixes strong acoustic leads with a slight touch of electricity in the mix –... read more

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One of the best-ever Sonny Sharrock albums – and one of the few that really captures the fresh genius of his approach! The set was recorded in New York during the period when Sonny had just come out of Herbie Mann's group with Roy Ayers – but the sound is far far different than the... read more

Wow! This is one of Sonny Sharrock's rare early recordings, recorded in France shortly after he had been playing with Herbie Mann. The groove's kind of crazy, and it's amazing that Sonny jumped out so soon after leaving the sort of pop-jazz environs he was in with Herbie – but hey, lots of... read more

Shavers blows in a mellow and late nite mode – working with backings by Sy Oliver to craft some laidback readings of Gershwin classics! The strings are used with a nice level of economy, and Shavers' tone is perfect for the set – a bit trad, but also opening up to take the tunes past... read more

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Really rich sounds from Woody Shaw – one of his sublime studio sessions for Columbia Records – a major label, but one who really let Woody explore some new ideas in his music! There's a depth here that surpasses some of Shaw's straight small group sessions – really magnificent... read more

A fantastic album by Woody Shaw – spiritual, soulful, and filled with some nice modal grooving! The group's one of the best he ever worked with on Muse – with Billy Harper on tenor, plus Rene McLean, Steve Turre, Joe Bonner, and Cecil McBee – and the approach reminds us of some... read more

One of Woody's last albums – a back to basics set, recorded with a group that include Kenny Garret on alto sax, Kenny Barron on piano, and guest guitar work on one track by Peter Leitch. The approach is straight modal hardbop – in the spirit of Woody's first recordings for Muse –... read more

A brilliant date from the later years of Woody Shaw – an album that equally shows Woody's own talents, and those of his key group of younger players too! Shaw's trumpet is perfect in both modes here – the hard-blown righteous numbers Woody first gave the world from his start, and the... read more

An overlooked 60s gem from George Shearing – mellow and jazzy, and done with a slightly different style than usual! Deep Velvet takes Shearing's piano and vibes and backs them up with a 12-piece woodwind choir – one that creates a shimmering backdrop of colors and tones for the core... read more

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An unusual one for George Shearing – in that this Capitol session's a trio date, instead of Shearing's usual quintet mode – working in an Ahmad Jamal-like trio with drums by Vernel Fournier and bass by the late Israel Crosby! There's flowing, subtly soulful sound going on here –... read more

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Some of jazz's most sensitive artists get together in a lyrical set of light-handed ditties. Shearing's piano is a surprisingly nice complement to the vibes/bass/guitar sound of The Montgomery Brothers – and the group is augmented by some nice Latin percussion. Tracks are short, and titles... read more

Just duets – with Don Thompson on piano and bass, and George Shearing on piano and (surprisingly!) a bit of vocals!... read more

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Really great work from trumpeter Jack Sheldon – a bigger band record that doesn't suppress his horn, and which instead really gives him a tight energy that he doesn't always have on other records! Sheldon's playing here with a pretty nice group of players – including Billy Root, who... read more

A classic of spiritual, soulful jazz – and one of Archie Shepp's greatest albums! The set was recorded in New York after a few free and festive years in Paris, and it's an amazing about-face that has Archie stepping into a world of righteous, full-on, political, and funky themes – the... read more

An amazing Impulse debut from Archie Shepp – easily one of his boldest musical statements ever, and a key announcement to the world that a new generation of modernists was on the rise! The album was co-produced by John Coltrane – who brought Shepp to the label, and almost gets out-done... read more

A rare live set – recorded in Algiers during the Panafrican Festival in 1969, featuring a set of work that is some of Shepp's rootsiest of the 60s! The recording features a core group of Shepp, Grachan Moncur, Clifford Thorton, and Dave Burrell – all joined by a host of Algerian and... read more

Beautifully balanced 60s work from Archie Shepp – a record that mixes newer freedoms with sharper vision – all wrapped up with some wonderfully intense solo work! As with some of Shepp's other great dates for Impulse at the time, the group's a largeish one – a nonet of players... read more

Growing brilliance from the young Archie Shepp – a record that's not just about Archie's own amazing work on the tenor, but also his keen modern vision as a leader! The combo here is an ensemble that features some of the hippest modernists of the 60s – Roswell Rudd and Grachan Moncur... read more

Growing brilliance from the young Archie Shepp – a record that's not just about Archie's own amazing work on the tenor, but also his keen modern vision as a leader! The combo here is an ensemble that features some of the hippest modernists of the 60s – Roswell Rudd and Grachan Moncur... read more

Duets between alto saxophonist Rob Brown and pianist Matthew Shipp, recorded at a time when Shipp was first bursting into public consciousness as one of the stronger figures of the east coast avant garde of the past 25 years. Most tracks are numbered versions of "Sonic Exploration"... read more

An incredible album – one of our favorite Blue Notes ever! Despite the fact that the album's a spare quartet session, the record is one of Wayne Shorter's richest – and features his gutsy young tenor soloing insanely with a rhythmically intense combo that includes Herbie Hancock,... read more

An excellent set of some fairly out material – performed by Shorter with a group that includes Freddie Hubbard, Grachan Moncur, James Spaulding, Herbie Hancock, and a rare appearance by his brother Alan on flugelhorn! At times, the record builds into a sound that's freer and more... read more

Fanstastic LP! Produced by Nathan Davis, and released on the same label as his first two U.S. albums (after his return from Europe), this is a mad mix of breezy jazz and breakbeats. Break fans will looooove the cuts "Lunar Invasion" and "Fonky First", which both have a tight... read more

Classic Blue Note work by Horace Silver – the stuff that soul jazz legends are made of, and an album that showed he was destined to be a huge force away from the Jazz Messengers! Blue Mitchell and Junior Cook hold down the frontline with Horace – playing in a mellifluous style that... read more

The quintessential sound of late 60s Horace Silver – on one hand still very much in the Blue Note soul jazz groove that earned him plenty of jukebox single play, but on the other hand really stretching out with a style that's a bit more righteous than before! Horace shows that he can still... read more

Wonderful work from Horace Silver – part of a great run of late 70s sides for Blue Note that unlock a whole new side of his soulful talents! The vibe here is different than the previous United States trilogy – still very righteous, with an overt message too – but served up in... read more

A bit less well-known than some of the real Horace Silver classics on Blue Note – but an incredible record that shows the Silver Quintet at all its lyrical best! The record is a masterpiece of original voicings from Horace – not just in the unique tunes he penned for the set, but also... read more

An incredible record – the kind of album that only Blue Note could put out, and an instant classic that will sound wonderful forever! The album's truly one of the great ones – one of those Blue Notes that still makes you stop and pause when you hear it, even though you've heard it a... read more

An incredible record – the kind of album that only Blue Note could put out, and an instant classic that will sound wonderful forever! The album's truly one of the great ones – one of those Blue Notes that still makes you stop and pause when you hear it, even though you've heard it a... read more

One of the most righteous Horace Silver albums for Blue Note – and a far-reaching, politically-bent batch of tracks that feature vocals by Andy Bey, in a similar style to the work he did on the Gary Bartz records from the time – very hip, and quite different than other jazz vocal work... read more

One of Horace Silver's greatest records ever – and the album that always makes us remember how many of his tunes are now etched in the memory of modern jazz! The album's got a slightly exotic bent that you might guess from the title – a furthering of the sound that Silver first started... read more

Horace Silver at his most righteous – stepping out here in the amazing Phase 2 of his United States Of The Mind series – with some heavy vocals from the great Andy Bey! The grooves are more complicated than Silver was laying down a few years before – yet still equally soulful... read more

A great late 60s gem from pianist Horace Silver – and a great bridge between his earlier soul jazz for Blue Note, and some of his more righteous work to come in the 70s! At one level, the sound here steps off from classics like Serenade To A Soul Sister or The Jody Grind – but at... read more

One of the few live recordings ever done by Horace Silver during his Blue Note years – a real surprise, considering what a crowd pleaser he was at the time! The set catches Horace working with that great quintet that graced most of his best early Blue Notes – with Blue Mitchell on... read more

No blues here, but a hell of a great soul jazz set from Norman Simmons – the pianist who was a big part of the early 60s scene in Chicago, and who never really recorded that many albums as a leader! The record's got a super-hip lineup – with Clifford Jordan on tenor, Jimmy Owens on... read more

A motherlode of great music from Zoot Sims – mid 70s recordings done for the Groove Merchant label, presented here in a late 70s package! Although Groove Merchant was mostly known for its funkier sounds, the work here is nicely back to basics for Sims – small group sessions that give... read more

A swinging east coast set featuring the reeds of Zoot Sims, Al Cohn, and Tony Scott. Trigger Alpert is actually the leader on these sides, in spite of the way the album is billed, and he plays bass in a piano-less rhythm section alongside Ed Shaughnessy on drums. The front line also includes Joe... read more

One of Sinatra's greatest records ever – pure genius all the way through! Frank's backed here by the orchestra of Count Basie, with some incredible arrangements by Quincy Jones that really have a jazzy, syncopated kick to them. The move seems to be an unintentional way of covering for Frank'... read more

An amazing funky record cut by the American tenor player Hal Singer while he was living in exile in Paris! Although the bulk of Singer's other work is more traditional R&B sax material, this LP has a very good raw funky feel, with some nice tight guitar and organ grooves that spur Singer on to... read more

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Tremendous trio work – with Skidmore on tenor and soprano sax, Ali Haurand on bass, and Tony Oxley on drums! Side one is a very extended free track – and side two features some shorter numbers.... read more

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A record that's way way different than the sound of Jimmy Smith Blue Note work – and a much-loved set by fans of 70s funk! Jimmy's organ is still very strongly out front of the arrangements – but it's soaring over the top of grooves done by Jerry Peters and Michael "Incredible... read more

One of the last Jimmy Smith albums for Blue Note, and a tasty trio session that features Quentin Warren on guitar and Donald Baily on drums. The tracks are short, but very groovy – with a tighter sound than on some of Smith's other Blue Note trio albums, and the same kind of in-the-pocket... read more

Rare work from Jimmy Smith! These recordings are early pre-Blue Note sides by Jimmy – originally recorded for the Bruce and Power record labels, and issued over the years on a number of dodgy knock-off labels, without any proper notations, and (usually) pretty terrible sound. Jimmy's in a... read more

One of the best hard-wailing all-star sessions that Jimmy did so well for Blue Note! The album features an amazing array of top-line players – like Tina Brooks, Lee Morgan, Curtis Fuller, Lou Donaldson, Art Blakey, and Kenny Burrell – and they all play with Smith in differing... read more

One of Jimmy's last albums for a major label in the 70s – a real back-to-basics set that was recorded live at the Jimmy Smith Supper Club in LA – the "home of fried cornbread and live jazz", and a venue that we certainly wish we could have visited! Jimmy's working here with... read more

One of the few Jimmy Smith albums issued on his own label – the tiny Mojo Records imprint, which he was running in the mid 70s when taking a break from the majors! The album's got a raw power that returns Jimmy to the glory days of his best 60s recordings – really taking advantage of... read more

A surprisingly nice little album – a Jimmy Smith Blue Note session dedicated to Fats Waller, one of the first jazz musicians to work out his skills on the organ! Jimmy's working with a tight trio that includes Quentin Warren on guitar and Donald Bailey on drums – and although Waller... read more

A very nice groover from Jimmy – and a session that was recorded earlier, but not issued by Blue Note until the end of the 60s. The format is hard-wailing sextet – with Blue Mitchell on trumpet, Ike Quebec on tenor, and Jackie McLean on alto. Jimmy's usual trio at the time holds the... read more

Jimmy Smith and Stanley Turrentine go head to head in a great little set for Blue Note – spare quartet grooving, with lots of room for soulful solos! Turrentine's simply great at this point – playing with a raspy edge on the bottom of his tone, sounding dark and mysterious – not... read more

A nice little set from Jimmy – often overlooked amidst the flurry of early 60s Blue Notes, but a really strong session! The group on the set is Jimmy's trio with Quentin Warren on guitar and Don Bailey on drums – but they're augmented here by Lou Donaldson, whose crafty work on alto... read more

One of the Jimmy Smith "jam session" Blue Notes, with a large group that includes Lee Morgan, Lou Donaldson, George Coleman, Tina Brooks, and Art Blakey – nearly all of whom take long solos and dig deep to compete with each other. 3 long tracks, "The Sermon", "JOS&quo... read more

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