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With Eddie on tenor, reed trumpet, and the "Eddie Harris Attachment" – alongside Tete Montoliu on piano, Bo Stief on bass, and Norman Fearrington on drums. Titles include "Encirclement", "Freedom Jazz Dance", "Misty Thursday", "Scandia Skies"... read more

A landmark LP by Eddie Harris – one that we go back to again and again over the years! The album shows not only the brilliance of the young Eddie Harris (a brilliance that was not easily matched later in his career), but also the brilliant way that the Chicago jazz scene of the 60's could... read more

A massive batch of funky soul jazz – the Second Movement (to the first album Swiss Movement) of the collaboration of Eddie Harris and Les McCann! The vibe here is even freer, and hipper, than on the first set – with a host of long tracks that have Les really working the Fender Rhodes... read more

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A pair of killers from keyboardist Gene Harris – both recorded for Blue Note, and back to back on a single CD! First up is Gene Harris/The 3 Sounds – the last Three Sounds album for Blue Note – and the funkiest too – thanks to lots more electrification than usual, and some... read more

A masterpiece from Gene Harris – an album that's probably been his biggest influence on the sound of soul in the 21st Century, and for good reason too! The set moves way beyond both Harris' acoustic piano roots in the Three Sounds, and his other electric sides of the 70s – into sublime... read more

Funky, soulful, and completely sublime work from keyboardist Gene Harris – working here with some great help from Jerry Peters on arrangement and production – in a style that makes the album one of Harris' most compelling sets of the 70s! The backings are full, but tight too –... read more

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A great little solo set from Gene Harris – and a perfect example of that magical time after he'd left the Three Sounds, but hadn't yet hit the more standard styles of later years – a period when Harris was really experimenting with a wide range of keyboards and sounds! The set has... read more

Sweet sweet keyboards from the amazing Gene Harris – one of his seminal electric sides for Blue Note in the 70s – recorded between his earliest fame in the Three Sounds, and his later return to acoustic styles in the 80s! The sound here is equal parts jazz and soul – as Gene's... read more

Gene Harris in three different periods – the past, present, and future – served up here in a record issued under Gene's name as a leader, but which still continues the vibe of the later records by the Three Sounds! Most of the work is trio material – with just Gene on acoustic... read more

Gene Harris in three different periods – the past, present, and future – served up here in a record issued under Gene's name as a leader, but which still continues the vibe of the later records by the Three Sounds! Most of the work is trio material – with just Gene on acoustic... read more

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Genius work from the Detroit underground of the 70s – one of the greatest records ever on the now-famous Tribe Records label, and a masterpiece of soul, jazz, and righteous spirit! The session's headed by tenor player Wendell Harrison – and it's got an all-star Motor City lineup that... read more

A weird and wonderful album from Tribe Records giant Wendell Harrison – an obscure electric set from the start of the 80s! There's still a strongly spiritual feel on the record, but Wendell also adds some Fender Rhodes and vocals to his work on tenor and flute – bringing in the same... read more

A weird and wonderful album from Tribe Records giant Wendell Harrison – an obscure electric set from the start of the 80s! There's still a strongly spiritual feel on the record, but Wendell also adds some Fender Rhodes and vocals to his work on tenor and flute – bringing in the same... read more

Pretty hip stuff from drummer Billy Hart – and a record that mixes New York loft jazz traditions with a warmer sense of soul jazz that was being forged by some of the players on the record. Players like Don Pullen, Eddie Henderson, Hannibal Marvin Peterson, Dewey Redman, and Oliver Lake come... read more

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Srong work from Boris Hoff (tenor and soprano sax, sine tones and harmonium), Steven Hess (drums and electronics), Keefe Jackson (contrabass clarinet & tenor sax) and Juun (piano) – recorded at Chicago's Experimental Sound Studios in April of '10. Slow building atmosphere and tense... read more

Hampton Hawes isn't exactly the first pianist we think of when it comes to bluesy lines in his music – but there's definitely a blue-tinged undercurrent to most of the work in this set – a well-chosen batch of tracks from Hamp's early years as a leader on Contemporary Records! The... read more

Maybe the title's a bit overly-optimistic – but with a record like this, you can certainly imagine a world in which everybody does like Hampton Hawes! The record's the third in a legendary early run for the Contemporary label – trio material that broke Hawes out of the box and firmly... read more

One of those classic Contemporary albums of LA jazz – where all the players are big names, and where the gang of them is goofing around on the front, looking happier than any New York jazzmen could ever be! Hamp's, joined by Barney Kessel, Red Mitchell, and Shelly Manne – all of whom... read more

With Monk Montgomery on bass and Steve Ellington on drums – and titles that include "Ill Wind", "St Thomas", "Vierd Blues", "Secret Love", "Blue Skies", and "GK Blues".... read more

One of Hampton Hawes' last sessions for Contemporary Records – a wonderful little date that's filled with the bright tones and bold confidence that marked Hamp's piano work in later years! The style here is simple, but effective – and Hawes has a way of ringing out the notes without... read more

'Leaping brilliance on the keys from a young Hampton Hawes – a player who makes this record bristle with excitement from the very first note! The format is simple, but the presentation here is breathtaking – a rock-solid trio performance that shows why Hawes was one of the greatest... read more

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One of the best David Axelrod-assisted albums from the early 70s – a sweet batch of funky cuts with arrangements and backings handled by Axe! The record really bubbles with the warm and soulful approach Axelrod was using at Fantasy – kind of a step off his stark modern sound at Capitol... read more

The darkly brooding image of Hampton Hawes on the front cover of this one is a real standout in the mostly-sweet cover lineup of the Contemporary label – but it's also a great indication of the sound of the record, which is something different than most of its contemporaries! Hawes is... read more

An amazing set throughout – not just for the musical growth of Coleman Hawkins, but also for the development of the tenor sax in jazz, too! These sides could very well be said to be THE seminal recordings for tenor – the records that helped transform the instrument from a bit of a... read more

Great 40s material – with trumpeters that include Buck Clayton, Roy Eldridge, Charlie Shavers, and Joe Thomas.... read more

An obscure session that was nearly lost, because it was issued on a cheapo label – but which features some really great work from Coleman Hawkins! The format is small combo, with long tracks that really open up – and Hawk is blowing in that fantastic mode that he began to use a lot... read more

A really unusual chapter of the Coleman Hawkins catalog – an album of easy-going ballads and late nite tracks, recorded with backings from arranger Frank Hunter – hence the title of the set! Hunter's using some lush strings on the set, but not in a way that gets in front of Hawkins'... read more

Gritty grooves from Coleman Hawkins – a set that has the aging tenorist still working in swing-based formation, but with a much blusier tone than on his Verve albums of the decade! The group's a small one – with Hawkins on tenor and Charlie Shavers on trumpet – plus some... read more

A key album in the reintroduction of Coleman Hawkins in the late 50s – recorded in a style that still bears a lot of traces of earlier years, but at a time when Hawk was being claimed as a key influence by a variety of younger modernists! The set's got a sense of freedom that's really... read more

Massive later music from Coleman Hawkins – a date that might be easy to overlook, given the unassuming package – but one that really features that newfound mix of modernism and soul that graced the later years of Hawk! The setting is a bit unusual, but that's part of the charm –... read more

A beautiful LP issue of material originally issued on 78s!... read more

A great collection – one that features a side of material from the album Soul, with piano by Ray Bryant; and another side of a set recorded with the Red Garland Trio. Also features the full album At Ease – wonderful late work by Coleman Hawkins – a player who was very much "... read more

Great later Coleman Hawkins on Impulse – just the sort of deep-toned, soulfully-blown record that makes all his sessions for the label so great! Hawk's very firmly in the lead on that classic tenor of his – but the rest of the lineup keeps things swinging too – with Snooky Young... read more

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Great material from the 78rpm years of Savoy Records – early singles by Coleman Hawkins, Ben Webster, Illinois Jacquet, Ike Quebec, and John Hardee – sides that nicely skirt the worlds of bop and swing!... read more

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A great album that Brit tenor giant Tubby Hayes recorded on a trip to the U.S. during the early 60's. The set's a great batch of hard bop tracks recorded during the same time that Epic was doing great stuff like the Dave Bailey LPs, or some of the Charlie Rouse solo records. Dave Bailey's on... read more

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One of the heaviest keyboard albums you'll ever hope to find – a completely sublime session that not only features Fender Rhodes by pianist Roland Haynes, but also features additional keyboards from Kirk Lightsey – a double blend that really makes the record sparkle! The twin-keyboard... read more

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A hip 70s session from Roy Haynes – recorded in Paris, and a fair bit different than some of his few American dates of the time! The group's a very cool one – with alto and flute from Ricardo Strobert, plus guitar, electric bass, and Roy's drums – a groove that's partly electric,... read more

A monster! This is a stellar session that has Booker Ervin's tenor fronting a tight group led by drummer Roy Haynes – all with an amazing sense of rhythm that's made the album a standout for years! Ervin is playing in his best modernist vein, and the rhythm section features the excellent... read more

Proof that this Smalls Live series really brings out the best in most players – as pianist Kevin Hays grabs our ears here more than ever! The set's got an open, spontaneous energy – lots of really long tracks from Hays and his trio of Doug Weiss on bass and Bill Stewart on drums. Yet... read more

Amazing sounds from the SF scene of the 70s – previously unreleased work that really opens up a whole new chapter of jazz on the west coast! The HE3 Project is the brainchild of keyboardist Herman Ebertizsch – who plays lots of Fender Rhodes and moog on this sweet little record –... read more

The coolest chapter so far in the long-lost story of the He3 Project – wonderfully spiritual jazz sounds from the San Francisco scene of the early 70s – recorded with a wicked blend of instrumentation and vocals, and a really cosmic sound overall! The music isn't just the usual... read more

A second chapter of excellent jazzy soul from the HE3 (Herman Eberitzch III) Project – killer stuff recorded from 1974 to 1977 at Different Fur Studios in San Francisco – with a sound that blends intense, yet sultry disco era live soul with both jazzier and funkier sounds! HE is on... read more

The second album by this legendary 70s funk combo – best known as Herbie Hancock's backing band, but sounding great here on their own. The album's much more of a solid soul effort than the first one – which was great, but felt more like Herbie had stepped out of the studio for a minute... read more

A landmark bit of jazz funk – from one of the greatest backup groups of the 70s! Herbie Hancock first brought The Headhunters to light – working with the San Francisco-based combo that included Bennie Maupin, Mike Clark, Paul Jackson, and Bill Summers – using their sound to give... read more

A landmark bit of jazz funk – from one of the greatest backup groups of the 70s! Herbie Hancock first brought The Headhunters to light – working with the San Francisco-based combo that included Bennie Maupin, Mike Clark, Paul Jackson, and Bill Summers – using their sound to give... read more

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Very hip work from a young Jimmy Heath – a relative newcomer to the scene at this point, but breaking out with a firm conception and tone, exercised strongly here in a set of large group arrangements worked out in collaboration with Tom McIntosh. McIntosh's work in this format is well known... read more

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Three different slices of work from Julius Hemphill all served up over the course of five albums for the Black Saint/Soul Note label! The first two records in the package – Raw Materials & Residuals and Flat-Out Jump Suite – both have Hemphill coming off the New York loft jazz... read more

Arista Freedom release of 2 different sessions by Julius Hemphill – one from 1975, with Arthur Blythe, Hamiet Bluiett, and Abdul Wadud; the other from 1972, with Bluiett, Wadud, and Baikida Carroll. The 1972 session's a bit more interesting, and was recorded in St. Louis by Oliver Sain (of... read more

An unearthed session from the 70s – a great live date from the prime loft jazz years in New York, and one that features spare duets between Julius Hemphill on alto sax and Abdul Wadud on cello! Wadud's one of these players that we always find fascinating, especially in a spare setting like... read more

A seminal session from the St Louis scene of the early 70s – one that was humming nearly as much as Chicago was with the AACM at the time! As with the larger organization in the Windy City, St Louis had the Black Artists Group – of which Julius Hemphill was a key member, forming fresh... read more

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Eddie Henderson really lets his spirit flow here – working on some great long tracks in a sweet live setting – caught at a small club in Paris with backing from the trio of pianist Laurent DeWilde! Laurent really seems to get Henderson's groove here – and lays back with Eddie to... read more

The first compilation to really do justice to jazz funk legend Eddie Henderson – and a great one, too! Henderson's spacey trumpet style graced some of the best Blue Note and Capitol jazz sides to come out during the 70s – and his open-ended snakey way of playing was very different than... read more

Essential work from Eddie Henderson – one of the trumpeter's hippest albums of the 70s, and a key link between his early righteous days and his later smoother sound! The set's a near-perfect blend of all elements involved – tight funky rhythms, spacey soulful instrumentation, and... read more

An excellent document of how the rawer soul jazz spiritualism of the early 70s smoothed out to become the spacey mellow fusion of the late 70s. The players all have their jazz funk chops – and include Paul Humphrey, Herbie Hancock, Bennie Maupin, and Bill Summers – and they've taken... read more

An excellent document of how the rawer soul jazz spiritualism of the early 70s smoothed out to become the spacey mellow fusion of the late 70s. The players all have their jazz funk chops – and include Paul Humphrey, Herbie Hancock, Bennie Maupin, and Bill Summers – and they've taken... read more

Funky fusion doesn't get any funkier than this – and the album's one of the greatest 70s recordings by jazz funk trumpeter Eddie Henderson! The album's got a harder edge than a lot of Eddie's other records of the decade – razor sharp rhythms crackling away underneath a sublime space-hea... read more

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Some of the most ambitious electric work from Joe Henderson to date – a record that really has him stretching out from his previous small combo keyboard sets, into a space that's much fuller and even more righteous! Frequent partner George Cables is very much in force on electric piano... read more

A stone killer from the early Blue Note years of tenorist Joe Henderson – a key example of why the label had so much faith in him right from the start, and why Henderson's horn was quite different than so many other players of the 60s! There's a sharp edge here, but there's also a soulful... read more

A great lost session from tenorist Joe Henderson – recorded in 1980 for MPS Records, in a mellower, more easy-going style than some of his electric sides of the 70s! Joe's blowing in a really fluid style – almost like Stan Getz at times, but with a darker, edgier approach – and... read more

Fantastic electric work from the great Joe Henderson – one of his most free-wheeling sets for Milestone, and one of his best as well! The album's got a much more open, fluid groove than some of Joe's earlier electric sets – one that has Henderson working through longer tunes that... read more

One of Joe Henderson's greatest albums ever – a real treasure from his electric years at Milestone Records, and a set that showed he really had a lot more to offer for the scene of the 70s! The sound here is quite different than Joe's earlier work for Blue Note – a style that's... read more

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One of the few records ever cut by this fantastic alto player from the mid 50s! Henry most famously worked with Monk, but his albums as a leader are great – and this one features Kenny Dorham, Kenny Drew, Wilbur Ware, and Art Taylor, all components of a totally solid Riverside lineup. ... read more

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Matthew Herbert never fails to amaze our ears, but he does so even more than ever on this stunning Big Band set! The album's more dynamic, more creative, and more experimental than any of Herbert's other work – hardly the slower, cinematic modes of some recordings – or the jazz-meets-gr... read more

A megamix of Herbie's excellent proto hip hop tracks "Rockit", "Autodrive", "Futureshock", "Rough" and "Chameleon '84" by Grandmixer D St., plus the album versions of "TFS" and "Earthbeat" from the Future Shock LP.... read more

Classic funky MPS material from Peter Herbolzheimer and his legendary group of European and American ex-patriot players. The record grooves on hard and funkily, in a way that you'd hardly guess from a German bandleader – but which has become a favorite with groovers and jazz dancers... read more

Rare non-MPS work from this groovy leader – a sweet Polish live date, with versions of "Spanish", "Sunflower Chant", and "Blues In My Shoes"! Gustav Brom is great too – on titles that include "Who Can I Turn To", "Prilezitestne Blues",... read more

A young group, but one with a great take on an older aesthetic in jazz – the chamber styles of the late 50s modern scene, recast here with a hell of a lot more energy than before! The group play together in differing formations – from trio to septet – and their vision here is... read more

Compelling, tightly moving and straight up exciting progressive jazz from Herculaneum – with driving drums, both heavy and more mood-centric horns, rhythms that range from Afro jazz to freewheeling avant rock inspiration – really riveting stuff and probably their best album yet! The... read more

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A smoking version of the Herd – with Red Norvo on vibes, Flip Phillips on tenor, Bill Harris on trombone, Pete Candoli on trumpet, and Chubby Jackson on bass!... read more

A smoking version of the Herd – with Red Norvo on vibes, Flip Phillips on tenor, Bill Harris on trombone, Pete Candoli on trumpet, and Chubby Jackson on bass!... read more

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A masterpiece – one of 2 crazy albums in which Woody Herman's late band meets the Cadet arrangements of Richard Evans. You might think the combination wouldn't work – Woody's big band flourishes meeting up with Evans' compressed soulful grooves – but gosh, the record is simply... read more

A sweet small group session from Woody Herman – with the man himself on clarinet, plus Nat Pierce on piano, Chuck Andrus on bass, and Gus Johnson on drums.... read more

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