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New Ray RussellSecret Asylum ... CD
Reel Recordings (Canada), 1973. Used ... Out Of Stock
Great work from the key years of British guitarist Ray Russell – a previously-unissued tape, but one that stands right up there with his best albums of the time! The style here is quite free at times – Russell's guitar working in a quintet with Harry Beckett on trumpet and flugelhorn, Gary Windo on tenor and flute, Daryl Runswick on bass, and Alan Rushton on drums – all stretching out with energy that's similar to some of the freest moments in the Paris scene a few years before, inflected with some sharper, sometimes louder, edges from Russell's guitar – which is quite dark and fuzzy at points. Titles include "Stained Angel Morning", "There The Dance Is", "These That I Am", "All Through Over You", "Spinetree", and "Sweet Cauldron". CD
(Out of print.)
Partial matches: 26
Partial matches2
CD, LP, Vinyl record album cover art
David BoykinEye Of The Beholder ... CD
Dreamtime, 2004. New Copy ... $6.99
A real departure for saxophonist David Boykin – an album of solo material, performed on soprano sax and Bb Clarinet – in a style that recalls the most experimental work of Roscoe Mitchell, and which also has ties to the solo recordings of Evan Parker and Steve Lacy! Boykin's really concerned with sound in space on the album – and blows with a freely creative vibe that surpasses even his best earlier work. The tunes start out slow, and spare, but then unfold as the album goes on – and demonstrate some incredible tone and control that we never expected from Boykin! Originally part of a live performance with a dancer, but more than compelling enough on its own – and with tracks that include "Transfixed", "And Amazement", "Of Wonder", "With A Gaze", and "Upon The Beloved". CD

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Bill EvansYou Must Believe In Spring ... CD
Warner, 1977. Used ... $6.99
Wonderful late work by Evans – recorded in 1977, but not issued until after his death in 1980. The session benefits from the bass work of Eddie Gomez – rich, round, and warm – a perfect accompaniment for Evans' sometimes faltering piano work at the time – and a player that Evans was incredibly lucky to be working with during much of his later years. The set includes a wonderful version of Michel Legrand's "You Must Believe In Spring", plus the tracks "Theme From Mash", "The Peacocks", "Sometime Ago", and "Gary's Theme". CD also features 3 previously unissued bonus tracks – "Without A Song", "All Of You", and "Freddie Freeloader". CD
(Out of print original pressing.)

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CD, LP, Vinyl record album cover art
Terumasa HinoNew York Times ... LP
Sony (Japan), 1983. Near Mint- Gatefold ... $14.99
A smooth set of fusion tracks, recorded by Hino in New York, with backing by a small group that includes Kenny Kirkland on keyboards, and occasional work by a larger horn section. The sound is pretty slick and funky, but also nice and soulful – and the record reminds us of some of Freddie Hubbard's larger fusion efforts from the late 70s. Titles include "Dream Cream", "Otis", "Champagne Rain", "Freeland", and "Newborn Swing". LP, Vinyl record album
(Includes obi.)

Partial matches5
CD, LP, Vinyl record album cover art
New Pete Magadini with Don MenzaBones Blues (with bonus track) ... CD
Sackville/Delmark, 1977. New Copy ... $11.99 15.99
A killer from drummer Pete Magadini – an artist we really don't know from many other records, but who really lets tenorist Don Menza shine on this obscure 70s session! Menza's one of those players who really knows how to make the best of a date like this – taking all the tight sense of power he's packed into his horn for larger group, fuller ensemble sessions – and opening up with a richness that really puts him at the top of his league for the time! Most numbers really let Don take the lead right from the start – with the sort of presence that Sonny Stitt might have on a small independent side like this – but the rest of the group gets some good moments in too – including Wray Downes on piano and Dave Young on bass. Titles include "Old Devil Moon", "Solar", "I Remember Clifford", "What A Time We Had", and "Poor Butterfly". CD features a bonus alternate take of "Freddie The Freeloader" CD

Partial matches6
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Charles MingusJazz Workshop Concerts 1964/1965 (7CD set) ... CD
Mosaic, 1964/1965. New Copy 7 CDs ... $118.99 119.00
Key moments in the career of Charles Mingus – all recorded during the crucial years of 1964 and 1965, and featuring the first-time release of a fair bit of live material too! The set represents the first full presentation of recordings that have appeared piecemeal on a handful of obscure releases – self-released records from Mingus himself – Town Hall, My Favorite Quintet, and Music Written For Monterey – all really expanded here with the full recordings of the tracks, and unreleased titles provided from the original tapes! Mingus was really on fire during these years – severed from most of his bigger label associations, and freely working on some of his most inventive ideas with various smaller groups of players – all fresh young talents who were key interpreters of Charles' ideas – including Johnny Coles and Lonnie Hillyer on trumpet, Jimmy Owens on trumpet and flugelhorn, Charles McPherson on alto sax, Clifford Jordan on tenor, Jaki Byard on piano, Eric Dolphy on alto, flute, and bass clarinet. The stalwart Dannie Richmond is on drums, and the sides represent some of Dolphy's last, and most important recordings on the planet – recordings done at Town Hall and in Amsterdam in April of 1964 – in addition to live material at Monterey in 1964 and 1965, in Minneapolis in May of 1965. Tracks are all quite long – some pushing the half-hour timing – and as with the best live Mingus, there's variations here that go way past any studio readings – really incredible solo flights that are still beautifully integrated with the ideas of the main group. Titles include "So Long Eric", "Orange Was The Color Of Her Dress Then Blue Silk", "Mingus Piano Solo", "Bird Preamble", "Themeless Blues", "Copa City Titty", "A Lonely Day In Selma", "Cocktails For Two", "Praying With Eric", "Parkeriana", "ATFW", "Meditations On A Pair Of Wire Cutters", and "Meditations On Integration". 7CDs, limited edition, and with a great book of notes too! CD

Partial matches7
CD, LP, Vinyl record album cover art
New Roscoe Mitchell SextetSound ... LP
Delmark, 1966. New Copy (reissue)... $9.99 12.98
One of the first bold statements to come from Chicago's AACM underground of the 60s – a tremendous debut effort from the young Roscoe Mitchell! The album's got a "sense of the new" feel that's as gripping as anything recorded by ESP or Impulse around the same time – a rule-breaking, freely-creative approach to jazz that builds strongly off the changes already wrought by Cecil Taylor, Ornette Coleman, and Archie Shepp! The format is somewhat like the Art Ensemble Of Chicago at times – with measured horn work from Mitchell on alto, clarinet, and recorder, Maurice McIntyre on tenor, Lester Bowie on trumpet and flugelhorn, and Lester Lashley on trombone (as well as a bit of cello). Some tracks – like the brilliant "Sound" – offer a slow-building exploration of tones and textures – while others, like the blues-joke "Little Suite", or the harmelodic "Ornette", show a wry sense of humor that would become a Chicago avant hallmark as the years went on! LP, Vinyl record album

Partial matches8
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Ralph MooreImages (plus bonus track) ... CD
Landmark, 1989. New Copy ... $4.99
A key recording from one of our favorite tenor talents of the 80s – the amazing Ralph Moore, a player who really carries on a strong legacy from the 60s work of Hank Mobley! Like Mobley, Moore's got a very rich-voiced sound that's steeped in tradition, but which is also never afraid to take chances too – a way of handling the tenor that few of his contemporaries could match, which is probably why Ralph's presence really upped the ante on so many dates at the time as a sideman. He's even better as a leader, though, and this standout set for Landmark is a real gem – a record filled with freely creative energy throughout, and a never-ending sense of soul – as Moore's tenor is set up nicely in a core group with Benny Green on piano, Peter Washington on bass, and Kenny Washington on drums – the latter of whom brings some of the same magic to this set that Billy Higgins did to Blue Note in the 60s. Terence Blanchard plays trumpet on 4 of the album's tracks – and titles include "Punjab", "Freeway", "Enigma", "Blues For John", "One Second Please", and "Episode From A Village Dance". Also includes the CD-only bonus track "Morning Star". CD

Partial matches9
CD, LP, Vinyl record album cover art
Anthony OrtegaNew Dance! ... LP
Revelation, 1967. Very Good ... $44.99
One of the clearest moments of brilliance ever from saxophonist Anthony Ortega – an album that should stand as one of THE avant jazz sessions of the 60s, but which is sadly often overlooked! Although Ortega first rose to fame quickly in the 50s, his talents were often used in larger backing ensembles and studio work in the 60s – and this rare date for Revelation Records is one of the few times he got to express himself freely in the studio – bursting out with a free sense of expression and energy that lies somewhere in the space between Jimmy Giuffre, Marion Brown, and Anthony Braxton! The setting is free, but Ortega often shows a Giuffre-like sense of rhythm and timing, even at the sparest moments – and the rasp in his tone recalls the gentle soulfulness of Brown at his most expressive – touched by some of the greater complexities of Braxton's early approach to the sound of the alto. Accompaniment is by Bobby West on bass and Bill Goodwin on drums on some numbers – and simply by Chuck Domanico on bass on others. LP, Vinyl record album
(Original white label pressing. Cover has small seam splits, some wear, with a name in pen and small stain on back.)

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Willie PickensIt's About Time! ... LP
Southport, 1987. Near Mint- ... $5.99
The title's a reference to the fact that the album's a long-overdue debut as a leader for pianist Willie Pickens – a player who was important in the Chicago scene for years, but had never made it into the studio until the late 80s. The set's an odd one – in that it features a fair number of solo piano tracks, with Pickens playing in a style that's freely moves up and down the timeline of jazz piano expression, almost in the mode of some of Jaki Byard's work. Other tracks are in trio mode, but still pianistically evocative of a number of styles – and titles include "Invitation", "Wave", "Lush Life", and "Stella By Starlight". LP, Vinyl record album
(Cover has a sticker on the spine.)

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Sonny RollinsFreedom Suite Plus ... LP
Riverside, 1957/1958. Near Mint- 2LP Gatefold ... $9.99
A great reissue that takes Rollins' historic Freedom Suite LP, and adds in a full extra LP's worth of material pulled from scattered sessions on Riverside. The well-annotated set offers a strong look at Rollins during the key 1958 period, when he was really moving into some of his strongest musical statements of the decade. Freedom Suite features Sonny blowing freely in a trio, with Oscar Pettiford on bass and Max Roach on drums – and the other tracks feature Sonny Clark, Roy Haynes, and either Percy Heath of Paul Chambers on bass. Titles include "Cutie", "Just In Time", "Mangoes", "Shadow Waltz", "Freedom Suite", "Someday I'll Find You", and "Funky Hotel Blues". LP, Vinyl record album

Partial matches12
CD, LP, Vinyl record album cover art
Solidarity Unit, IncRed, Black & Green (180 gram pressing) ... LP
Charles Shaw/Eremite, 1972. New Copy (reissue)... $26.99 34.99
Landmark work from the St Louis scene – a pivotal album by Solidarity Unit – an offshoot of that city's groundbreaking Black Artists Group! The style here is very much in the mode of AACM work coming out of Chicago at the time – freely creative, and very exploratory – although often presented here with a sense of tightness and power that's even more impressive. Charles Bobo Shaw is the key musical vision here – having wrote, arranged, and produced the record – a bold vehicle for his own creative work on percussion, alongside other players who include Oliver Lake on flute and alto, Joseph Bowie on trombone, Danny Trice on congas, Richard Martin on guitar, and Baikida Yaseen (Carroll?) on trumpet. Tracks are all long, and quite free – and titles include "Beyond The New Horizon", "Floreo", and "Something To Play On". LP, Vinyl record album
(Limited pressing of 600 copies – done with very heavy, high quality vinyl, in a very heavy cover!)

Partial matches13
CD, LP, Vinyl record album cover art
New Eric AlexanderSummit Meeting ... CD
Milestone, 2002. Used ... Temporarily Out Of Stock
This tenor giant gets better and better with each new album! Eric Alexander is one of our favorite new jazz artists of the past decade – still a relatively young player, but with a sound that's incredible, steeped in years of tradition, yet freely creative in his own unique way. His tenor solos on this set stand up to some of our favorite older work by players like Clifford Jordan or Sonny Rollins, and if anything, the backing may be some of the best he's ever received on record. Alexander's playing here with longtime friend and musical partner Harold Mabern – who's as sympathetic to Alexander's sound as he once was to that of Frank Strozier – and the other players in the group include trumpeter Nicholas Payton, John Webber, and Joe Farnsworth. Titles include "Andre's Turn", "After The Rain", "This Girl's In Love With You", "A House Is Not A Home", and "Summit Meeting". CD

Partial matches14
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New Paul BleyPaul Bley With Gary Peacock ... LP
ECM (Germany), 1963/1968. Used ... Temporarily Out Of Stock
A 70s ECM album from Paul Bley, but one that features work from much earlier years – one session recorded in 1963, the other from 1968 – both done with Gary Peacock on bass, and either Billy Elgart or Paul Motian on drums! These early sides from Bley are quite interesting examples of his growth – because at times, they still echo some of the more conventional changes and rhythms of other jazz pianists – but also point the way towards a much more freely melodic use of the keyboard. Only one track here is a familiar standard – Jerome Kern's "Long Ago & Far Away" – and others are originals by Bley, Annette Peacock, and Ornette Coleman – with titles that include "Blues", "Getting Started", "When Will The Blues Leave", "Gary", "Moor", and "Big Foot". LP, Vinyl record album
(German pressing. Cover has some wear and seam splitting.)

Partial matches15
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New Anthony Braxton/Richard TeitelbaumSilence/Time Zones ... CD
Black Lion (UK), 1969/1976. Used ... Temporarily Out Of Stock
A great CD that brings together 2 different albums by Braxton – one a mixture of electronics and reeds, the other a laidback trio recording in an AACM mode. The first tracks feature Braxton's 70s explorations with electronic music artist Richard Teitelbaum. Together, the pair laid down some excellent sax/moog improvisations that still sound pretty incredible today. Braxton's icy tone was a great match for Teitelbaum's spare linear sound, and the result was a few great records like this one. The rest of the record is trio work with Leroy Jenkins and Leo Smith – both very long tracks, stretched out and freely creative. The album features 4 long tracks – "Crossing", "Off The Top Of My Head", "Silence", and "Behemoth Dreams". CD
(Out of print.)

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CD, LP, Vinyl record album cover art
New Sam RiversQuest (PA USA pressing) ... LP
PA USA, 1979. New Copy (reissue)... Temporarily Out Of Stock
One of Sam Rivers' most freely expressive albums – a set of extended improvisations that features the leader on tenor, soprano, flute, and piano – really spinning out with some strongly expressive solos! The rest of the lineup is quite free too – with Dave Holland on bass and Barry Altschul on percussion – a pair who sometimes hit rhythmic impulses at the best moments, but also often stretch out and do their thing in a relatively free way too. Titles include "Judgement", "Hope", "Expectation", and "Vision". LP, Vinyl record album

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New Sam RiversQuest (PA USA pressing) ... LP
PA USA, 1979. Used Gatefold ... Temporarily Out Of Stock
One of Sam Rivers' most freely expressive albums – a set of extended improvisations that features the leader on tenor, soprano, flute, and piano – really spinning out with some strongly expressive solos! The rest of the lineup is quite free too – with Dave Holland on bass and Barry Altschul on percussion – a pair who sometimes hit rhythmic impulses at the best moments, but also often stretch out and do their thing in a relatively free way too. Titles include "Judgement", "Hope", "Expectation", and "Vision". LP, Vinyl record album
(Cover has a cut corner.)

Partial matches18
CD, LP, Vinyl record album cover art
New Tom ScottMaster Of Funk – The Essential Albums 1974 to 1977 (Tom Scott & The LA Express/Tom Cat/New York Connection with bonus tracks) ... CD
Columbia/Raven (Australia), 1973/1974/1975. New Copy 2 CDs ... Temporarily Out Of Stock
A trio of classics from the mighty Tom Scott! First up is the landmark Tom Scott & The LA Express – a real breakout moment for reedman Scott – the first truly big album for the saxophonist who'd been blowing some great records on his own, and lending his horn to a host of classic jazz and soul sessions too! The groove is a lot sharper and tighter than earlier Scott albums, but never too slick – and definitely has that great ear for a funky undercurrent that seems to bring out the most soulful notes in Tom's horns – underscored here by wicked rhythms from the LA Express combo that features Joe Sample on keyboards, Larry Carlton on guitar, Max Bennett on bass, and John Guerin on drums. Titles include the sublime break track "Sneaking In the Back" – plus "Dahomey Dance", "King Cobra", "Easy Life", "Spindrift", "Vertigo", "LA Expression", and "Strut Your Stuff". Tom Cat was a runaway hit for reedman Tom Scott – and the record that helped to elevate him to the ranks of studio and fusion superstardom in the 70s! By the time of the record, Scott had already done some key work under his own name, and was contributing heavily to countless other sessions in the jazz, pop, soul, and soundtrack worlds. But this album's the one that really helped Tom get his groove out there – a particular approach to smooth fusion that still kept things plenty funky overall! Part of the credit for the set really goes to bassist Max Bennett and drummer John Guerin – who bring in a tightly snapping bottom that lets Scott get a bit smoother on the top with his saxes, in a style that's augmented by plenty of great keyboard work from Larry Nash. Titles include "Keep On Doin It", "Tom Cat", "Rock Island Rocket", "Mondo", "Refried", "Backfence Cattin", and "Love Poem". On New York Connection, Tom Scott leaves his LA group behind – and works with lots of great funk-based backings from a combo that includes Richard Tee on keyboards, Bob James on Fender Rhodes, and Eric Gale on guitar! The grooves are every bit as tight as on Tom's previous albums – and like those gems, they've got a balance that's never too slick or commercial – really in the best Kudu Records mode, with a strong ear for a hook, but lots of room for Scott to solo freely on tenor and soprano sax, plus a bit of flute and moog as well. Titles include "Uptown & Country", "New York Connection", "Time & Love", "Midtown Rush", "Looking Out For Number 7", "You're Gonna Need Me", and "Dirty Old Man". CD features four bonus tracks too – "Dream Lady", "Shadows", "Smoothin On Down", and "Theme From Starsky & Hutch". CD

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New Don WilkersonShoutin! ... LP
Blue Note, 1963. Used ... Temporarily Out Of Stock
Shoutin is right – as the album's a wailer all the way through, one of the few jazz albums cut by Texas tenor giant Don Wilkerson – best known to crowds at the time for his work with the Ray Charles group, but really stepping out here in a different way for Blue Note! The album has Don blowing in a freely gutsy style – working with a crack soul jazz quartet that includes Grant Green on guitar, John Patton on organ, and Ben Dixon on drums – all key players that help Wilkerson get past any of the hoke of the Ray Charles sound, and into a groove that's made the record a standout Blue Note classic for years! Tracks are all longish, and titles include "Blues For J", "Cookin With Clarence", "Movin Out", "Happy John", and "Sweet Cakes". LP, Vinyl record album
(New York mono pressing with Van Gelder stamp and "ear". This is a really wonderful copy, with only one very light surface mark in one spot, and slight aging in one spot on the cover – but beautiful vinyl and cover overall!)

Partial matches20
CD, LP, Vinyl record album cover art
New Jonas Kullhammar Quartet w/Norbotten Big BandSnake City North ... CD
Moserobie (Sweden), 2005. New Copy ... Out Of Stock
Beautifully strong work from Swedish tenor saxophonist Jonas Kullhammar – an incredible new voice in jazz from the European scene! Kullhammar's a hell of a great player – who who works with a strongly rhythmic pulse and a great degree of soul – a sound that takes us back to some of the best power of late 60s work on Blue Note or Prestige, but which also opens up the groove in ways that recall some of the freer-thinking European jazz of the time. And in a way, there's a feel here that recalls some of the work on MPS or other European labels of the early 70s – as Kullhammar's regular quartet is expanded with larger backings from the Norrbotten Big Band – in a way that conveys small group intensity and energy, yet comes across with a great deal of sonic power. There's a freshness here that we totally love – a sound that's timeless, yet never cliched – very much its own, yet freely drawing on strands of older jazz from the past. All tunes are originals, and arrangements are by Torbjorn Gulz, the pianist on the set. Titles include "For X", "Snake City East", "Frippes Blues", "Slow Drop", "I Sheriffens Klor", and "Karleksvals". CD

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New Sadao WatanabeSadao Watanabe (1972) ... CD
Sony (Japan), 1972. New Copy ... Out Of Stock
A massive set from Sadao Watanabe – recorded live in Tokyo in 1972, and crackling with the sort of raw energy that really marked his shift as a player in the 70s! The group is a sextet – with electric piano, guitar, bass, and trombone alongside some very free-thinking work from Watanabe on alto, soprano sax, and flute. At times, the album takes on a dark-edged Miles Davis electric Japan sort of mode – using the electric bass and drums at their loudest, while Sadao solos freely over the top. At other moments, there's an introspective quality that's equally great – earthy, almost organic playing on flute that falls in line with more rhythmic playing by the rest of the group. Hiroshi Fukumura does some great work on trombone, and the keys are handled by Fumio Itabashi. Titles include "Kijiji", "Barabara", "Mombasa", "Mtoto", "Sasa", and "Mtelenko". CD

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New Louis Moholo, Dudu Pukwana, Johnny DyaniSpiritual Knowledge & Grace – Live In Eindhoven 1979 ... CD
Ogun (UK), 1979. New Copy ... Out Of Stock
A treasure! The set features rare live work from three key members of The Blue Notes, working here alongside tenorist Frank Wright in a late 70s performance from the Netherlands – issued here for the first time, and with really brilliant sound overall! The lineup features Dudu Pukwana on alto and piano, Johnny Dyani on bass and piano, Louis Moholo on drums, and the legendary Frank Wright on tenor and a bit of double bass – all working together freely with a tremendous sense of collaboration – Wright's tenor blown with beautifully soulful, raspy tones that seem to push Dudu even farther than on some of his other albums from the time. There's almost an Art Ensemble Of Chicago feel to the record, although the whole thing comes off with a bit more of a South African soul – as befits the origin of the players – on titles that include "Ancient Spirit" and "Contemporary Fire". CD

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New Claude WilliamsonRound Midnight ... CD
Bethlehem/Solid (Japan), 1956. New Copy ... Out Of Stock
One of the greatest albums ever from west coast pianist Claude Williamson – from the cool image on the cover, right down to the freely swinging grooves on the vinyl! Williamson's working here in trio formation with Red Mitchell on bass and Mel Lewis on drums – mostly on familiar tunes, but done in ways that have a really personal sort of approach. The album often has Claude taking his time on the intros to the tunes – setting things up in broad flourishes in a near-solo mode, before letting the bass and drums come into play – and this style creates a nicely moody feel that matches the late nite image of the cover. Titles include "Hippy", "Stella By Starlight", "I'll Know", "Tea For Two", "Love Is Here To Stay", and "The Song Is You". CD

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New AirAir Time ... LP
Nessa, 1977. Used ... Out Of Stock
One of the best albums ever by this legendary Chicago trio – a great example of the way that records on the Nessa label can really get to the heart of artists' intentions! The trio of Henry Threadgill on reeds, Fred Hopkins on bass, and Steve McCall on percussion have never sounded better – and have this intimate, soulful interplay that's sometimes missing from other efforts – that special kind of energy that makes the AACM so great when it's really clicking this well – as deeply spiritual as it is freely expressive! Threadgill plays alto, tenor, bass flute, and the compelling hubkaphone –a nd titles include "I'll Be Right Here Waiting", "No 2", "GvE", "Subtraction", and "Keep Right On Playing Thru The Mirror Over The Water". LP, Vinyl record album

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New Elton Dean's NinesenseHappy Daze/Oh For The Edge ... CD
Ogun (UK), 1976/1977. New Copy ... Out Of Stock
Seminal work from British reedman Elton Dean – two classic Ogun albums back to back on a single CD! First up is Happy Daze – a set that's got a lot more complicated class than you might expect from the title – really wonderful large ensemble arrangements penned by Dean, and definitely in the spirit that he claimed made the group the heir to Keith Tippett's previous group of the late 60s! The music here is all nicely inside, and pretty darn soulful – swinging and stepping with a bit more of a groove than some of the other Ogun Records work of the time – really back to that hip point at the end of the 60s, when British jazz groups stretched out in their spirit, but never got too avant in their style – a perfect blend that Dean really recreates here, with help from players who include Alan Skidmore on tenor, Harry Beckett on trumpet, Mark Charig on trumpet and tenor horn, Nick Evans and Radu Malfatti on trombones, Keith Tippett on piano, Harry Miller on bass, and Louis Moholo on drums. Titles include "Nicrotto", "Seven For Lee", "Sweet FA", and "Three For All". On Oh For The Edge, there's definitely an edge to the music – but one that's a bit different than that of some of Elton Dean's contemporaries in the 70s British scene! Dean brings a lot more swing and soul to this record than you might expect – working with a large group, but never letting the players get totally outside – which is a real change from some of the more freely improvising UK ensembles of the period. Dean's own work on alto and saxello are totally great – as are the core rhythms of the group, which come from Keith Tippett on piano, Harry Miller on bass, and Louis Moholo on drums. But we're also plenty happy to hear Alan Skidmore on tenor, Harry Beckett and Mark Charig on trumpets, and Nick Evans on trombone. The recording has a very good "roomy" sound to it that gives it a darker edge than some of the other Ogun recordings from the time – and tracks include "Fall In Free", "Dance", "Friday Night Blues", and "Prayer For Jesus". CD

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New Terumasa HinoLive (Japanese paper sleeve edition) ... CD
Three Blind Mice/Think (Japan), 1973. New Copy ... Out Of Stock
One of the boldest and most powerful 70s albums we've heard from trumpeter Terumasa Hino – a live date that rivals the sharp edges and strong lines of his similar album for Enja at the time! The tracks here are all quite long, and mostly show a freely exploratory Hino – one who's far more experimental than the smoother artist that emerged later in his electric years – and a player with a tremendous range of sounds on the trumpet! Other players include Mikio Masuda on piano and Motohiko Hino on drums – and the album features 2 long tracks that go quite outside, "Stella By Starlight" and "Be & Know" – plus a more lyrical version of "Sweet Lullaby". CD
(Blu Spec CD.)

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New David Murray & Gwo-Ka Masters Feat Pharoah SandersGwotet ... CD
Justin Time, 2004. Used ... Out Of Stock
A rich tapestry of Afro-Caribbean rhythms – and one of the most compelling albums we've heard in years from David Murray! The set features an expanded group of percussionists, vocalists, and other instrumentalists – fronted by lead solo stars David Murray and Pharoah Sanders – all jamming freely in styles that bring together bits of African, Haitian, and Cuban rhythms – forging them into a bold new sound for the project! Tracks are all quite longish, and given the previous skills that both Murray and Sanders have exhibited in such settings, they're more than up for the challenge of working with such a heady group of players! Titles include "Go To Jazz", "Gwotet", "Djolla Feeling", "La Jwa", "O Leonso", and "Ovwa". CD