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Jim Hall

 

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Exact matches: 19
Exact matches1
CD, LP, Vinyl record album cover art
Bob Brookmeyer/Jim Hall/Jimmy RaneyStreet Swingers ... LP
World Pacific, 1958. Near Mint- ... $39.99
A beautiful guitar/trombone session that features Jim Hall, Jimy Raney, and Brookmeyer – with titles that include "Arrowhead", "Street Swingers", "Hot Buttered Noodling", "Musicale Du Jour", and "Jupiter". LP, Vinyl record album
(Black label pressing with deep groove. Cover has light wear and some discoloration from age.)

Exact matches2
CD, LP, Vinyl record album cover art
Paul DesmondPaul Desmond Quartet With Jim Hall ... CD
Giants Of Jazz, Late 50s/Early 60s. Used ... $11.99
CD
(Out of print.)

Exact matches3
CD, LP, Vinyl record album cover art
Paul Desmond with Jim HallDesmond Blue (First Editions Series) ... CD
RCA/BMG, 1962. Used ... $4.99
A cool jazz classic from altoist Paul Desmond and guitarist Jim Hall! The album was recorded under Desmond's name, but Hall's the guitarist throughout, and his playing lends an indescribably wonderful edge to the set, making the album a real team effort! Unlike other RCA sides by Hall and Desmond, this one features the pair with larger string backings by Bob Prince, which create a dreamy pillow for alto and guitar to solo across. Titles include the Desmond originals "Late Lament" and "Desmond Blue" – plus "Ill Wind", "My Funny Valentine", and "Like Someone In Love". CD features 7 bonus tracks – masters and alternates, but tunes not on the album, including "Autumn Leaves", "Imagination", and "Advise & Consent". New notes, and extra photos too! CD

Exact matches4
CD, LP, Vinyl record album cover art
Bill Evans & Jim HallUndercurrent (Solid State) ... LP
United Artists/Solid State, Early 60s. Near Mint- Gatefold ... $18.99
Incredibly spare moody stuff from Jim Hall and Bill Evans! The record is a classic in understatement – and is the inevitable meeting of two players who'd both made a career out of saying more with less. The tracks are long and dreamy, and the piano/guitar lines seem to float in the air, suspended on little but ideas and imagination. Includes a very nice version of "Skating In Central Park", plus "Dream Gypsy", "Romain", and "Darn That Dream". LP, Vinyl record album
(Late 60s pressing.)

Exact matches5
CD, LP, Vinyl record album cover art
Art Farmer/Jim HallBig Blues (Japanese pressing) ... CD
CTI (Japan), 1979. New Copy ... $13.99
Sweet and subtle genius from two of the most understated players in jazz – a really great little record that makes the best of the CTI sound without tricking up the players too much! Art Farmer and Jim Hall play in a quintet with vibes by Mike Mainieri – in a style that eschews the electric funk of other CTI records, but has a similar sense of space, sound, and rhythm overall – proof that the label's groundbreaking approach didn't always have to be electrified! Tracks are quite long, and the two leaders effortlessly craft notes that magically hang in space with an airily soulful feel. Titles include wonderfully reworked versions of "Whisper Not", "A Child Is Born", and "Pavane For A Dead Princess". CD
(Blu Spec CD.)

Exact matches6
CD, LP, Vinyl record album cover art
Michel Petrucciani/Jim Hall/Wayne ShorterPower Of Three ... CD
Blue Note (Japan), 1986. New Copy ... $16.99
A key moment in the career of pianist Michel Petrucciani – and a set that features an amazing collaboration with guitarist Jim Hall, and a fair bit of great tenor and soprano sax from Wayne Shorter too! Hall's guitar is heard on every track on the set – ringing out in those wonderfully spare, openly flowing notes he first started crafting in the 50s – a surprisingly wonderful counterpart to the piano of Petrucciani, which seems to take on an even more sensitive and evocative feel for the date. Shorter comes in on a few of the album's tracks – arcing great lines over the colors of the pair, in a way that's a bit like some of the Jimmy Giuffre experiments with Hall in the 50s – but more tuned towards Shorter's own sense of tone and timing. Titles include "Careful", "Bimini", "Morning Blues", "Limbo", and "Waltz New". CD
(SHMCD pressing.)

Exact matches7
CD, LP, Vinyl record album cover art
Ron Carter & Jim HallTelephone ... CD
Concord (Japan), 1985. New Copy ... Around August 27, 2014
CD

Exact matches8
CD, LP, Vinyl record album cover art
Bill Evans & Jim HallUndercurrent (original master recording) ... LP
United Artists/Mobile Fidelity, Early 60s. New Copy ... Around May 10, 2014 (delayed)
Incredibly spare moody stuff from Jim Hall and Bill Evans! The record is a classic in understatement – and is the inevitable meeting of two players who'd both made a career out of saying more with less. The tracks are long and dreamy, and the piano/guitar lines seem to float in the air, suspended on little but ideas and imagination. Includes a very nice version of "Skating In Central Park", plus "Dream Gypsy", "Romain", and "Darn That Dream". LP, Vinyl record album

Exact matches9
CD, LP, Vinyl record album cover art
Jim HallJazz Guitar ... CD
Pacific Jazz/Universal (Japan), 1957. New Copy ... Around October 8, 2014
A rare early trio set from Jim Hall – especially noteworthy because Jim rarely worked in the format as a leader! The album's got Hall working with Carl Perkins on piano and Red Mitchell on bass – in a mode that slightly recalls some of Barney Kessel's mid 50s recordings over at Contemporary Records, but which also has that airier style that was Hall's first great calling card on his instrument. Some of the best cuts really have the notes hanging in air with incredible grace and a very subtle sense of swing – and titles include "This Is Always", "Look For The Silver Lining", "Stella By Starlight", "Deep In A Dream", "Seven Come Eleven", and "Thanks For The Memory". CD

Exact matches10
CD, LP, Vinyl record album cover art
Jim HallWhere Would I Be? ... LP
Milestone, 1971. Very Good+ ... Just Sold Out!
One of the hippest albums we've ever heard from guitarist Jim Hall – a set of free-thinking, open-ended tracks that show him really expanding his horizons at the end of the 60s! The album's drenched in Jim's warm, chromatic tones – whether gently played on a few mellow numbers, or falling over themselves like cascading water on the more upbeat tunes. The record's got some great drums and percussion from Airto, plus piano by Benny Aronov, who also plays electric on a few tracks as well. Titles include a great version of "Vera Cruz", plus "Minotaur", "Simple Samba", "Careful", "Wehre Would I Be", and "Goodbye My Love". LP, Vinyl record album
(Orange label pressing.)

Exact matches11
CD, LP, Vinyl record album cover art
New Paul Desmond with Jim HallEasy Living ... LP
RCA, 1966. Used ... Temporarily Out Of Stock
Paul Desmond doesn't get any better than this – blowing his icy cool alto next to warm guitar lines from the mighty Jim Hall – a classic RCA Records pairing in jazz, heard to great effect on this classic album! There's a slight bossa groove to some of the rhythms, which is great for Desmond's sound – and the backing is also free of piano, so the guitar and alto hang together wonderfully by themselves – suspended in space, dipping and turning around each other beautifully! The pair get some very light rhythmic accompaniment from Connie Kay on drums, and either Percy Heath or Gene Wright on bass – on titles that include "That Old Feeling", "Easy Living", "Blues For Fun", "Polka Dots & Moonbeams", and "When Joanna Loved Me". LP, Vinyl record album
(Black label stereo pressing with deep groove.)

Exact matches12
CD, LP, Vinyl record album cover art
New Jim HallBy Arrangement ... CD
Telarc, 1998. Used ... Temporarily Out Of Stock
CD
(Small cutout notch through spine.)

Exact matches13
CD, LP, Vinyl record album cover art
New Jim HallConcierto ... LP
CTI, 1975. Used Gatefold ... Temporarily Out Of Stock
One of Jim Hall's most compelling albums from the 70s – a mix of lightly swinging tunes and more complicated numbers, recorded with some of his best partners from earlier years! Chet Baker is on trumpet, Paul Desmond is on alto sax – and the rest of the group includes Ron Carter bass, Roland Hanna piano, and Steve Gadd on drums. Hall's style is as airy and free-floating as ever – and the spacious arrangements on the album by Don Sebesky only support his work even more. The centerpiece of the album is the 19 minute long "Concierto De Aranjuez", and other tracks include "The Answer Is Yes", "Two's Blues", and "You'd Be So Nice To Come Home To". LP, Vinyl record album

Exact matches14
CD, LP, Vinyl record album cover art
New Jim HallIt's Nice To Be With You – Jim Hall In Berlin ... LP
MPS, 1969. Used Gatefold ... Temporarily Out Of Stock
A wonderful album from guitarist Jim Hall – one of our favorites by him! This is a very unique session that has him playing in an MPS 60s mode – more straight on than some of his 60s sessions, with a sound and tone that still recalls his earlier work with Art Farmer, Bill Evans, or Paul Desmond, but with an occasional groove that's very fresh! The group's a trio, with Jimmy Woode on bass and Daniel Humair on drums – and the group run through a set of tracks that includes "Blue Joe", "Romaine", "Young One, For Debra", and a great version of "Up Up & Away"! LP, Vinyl record album
(US pressing. Cover has unglued seams.)

Exact matches15
CD, LP, Vinyl record album cover art
New Jim HallLive At The North Sea Jazz Festival ... CD
Challenge (Holland), 1979. Used ... Temporarily Out Of Stock
CD
(Out of print,)

Exact matches16
CD, LP, Vinyl record album cover art
New Jim Hall/Ron CarterAlone Together ... LP
Milestone, 1972. Used ... Temporarily Out Of Stock
The title's an apt one, as the session features spare, unaccompanied duets between guitarist Jim Hall and bassist Ron Carter – done at a time when both players were stepping into some of their warmest, most sensitive years. Hall's especially great here – and even though he had already built a career out of working in lighter, less rhythm section-based settings, the early 70s saw him moving into even more unfettered territory – and opening up with incredibly personal, sensitive notes that danced equally well with the space around them. Titles include "St Thomas", "I'll Remember April", "Alone Together", "Softly As In A Morning Sunrise", and "Autumn Leaves". LP, Vinyl record album
(Cover has some wear.)

Exact matches17
CD, LP, Vinyl record album cover art
New Paul Desmond with Jim HallDesmond Blue (First Editions Series – with bonus tracks) ... CD
RCA/BMG, 1962. New Copy ... Out Of Stock
A cool jazz classic from altoist Paul Desmond and guitarist Jim Hall! The album was recorded under Desmond's name, but Hall's the guitarist throughout, and his playing lends an indescribably wonderful edge to the set, making the album a real team effort! Unlike other RCA sides by Hall and Desmond, this one features the pair with larger string backings by Bob Prince, which create a dreamy pillow for alto and guitar to solo across. Titles include the Desmond originals "Late Lament" and "Desmond Blue" – plus "Ill Wind", "My Funny Valentine", and "Like Someone In Love". CD features 7 bonus tracks – masters and alternates, but tunes not on the album, including "Autumn Leaves", "Imagination", and "Advise & Consent". New notes, and extra photos too! CD
Also available Desmond Blue (First Editions Series) ... CD 4.99

Exact matches18
CD, LP, Vinyl record album cover art
New Jim Hall & Pat MethenyJim Hall & Pat Metheny ... CD
Telarc, 1998. Used ... Out Of Stock
CD
(Out of print. BMG Direct pressing.)

Exact matches19
CD, LP, Vinyl record album cover art
New Billie & De De Pierce/Jim Robinson's New Orleans BJazz At Preservation Hall 2 ... CD
Atlantic (Japan), 1962. New Copy ... Out Of Stock
Some of the best-recorded work to ever come from the Preservation Hall scene in New Orleans – one of Atlantic Records' great 60s albums of material from the legendary venue! Side one features a small combo led by trombonist Jim Robinson – a group with a great gutbuckety groove, thanks to banjo, bass, and drums on the rhythms – and graces with some especially nice clarinet by Louis Cottrell in the lead with Jim. Titles include "Gettysburg March", "You Tell Me Your Dream", and "My Bucket's Got A Hole In It". Side two features the classic group of trumpeter Joseph De De Pierce and pianist Billie Pierce – in a lineup that has George Lewis on clarinet and Louis Nelson on trombone. Titles include "Shine", "San", "Ciribiribin", and "Shake It & Break It". CD
 
Possible matches: 35
Possible matches20
CD, LP, Vinyl record album cover art
Bob Brookmeyer QuintetTraditionalism Revisited ... LP
World Pacific, 1957. Very Good+ ... $29.99
Beautifully modernist material from the great Brookmeyer – performing here with a well-suited group that features Jimmy Giuffre and Jim Hall, plus the great Dave Bailey on drums. The album features older tracks done in a surprisingly fresh style, and the trio of lead players dance around each other in a wonderful way. Titles include "Truckin", "Some Sweet Day", "Jada", and "Louisiana". LP, Vinyl record album
(Black label pressing with deep groove. Cover has split seams and a bit of pen on front.)

Possible matches21
CD, LP, Vinyl record album cover art
Buddy ColletteBuddy Collette & His Swinging Shepherds At The Cinema ... LP
Mercury, Late 50s. Very Good+ ... $8.99
Buddy takes his Swinging Shepherds crew to the movies on this one – serving up a set of tunes from 40s and 50s films that all come off perfectly with the group's multi-flute approach! The sound's nicely mellow at times, but still has that tightly arranged west coast modern style that made the group's first record so great. Players include Paul Horn, Bud Shank, and Harry Klee on flutes – plus Jim Hall on guitar, Red Mitchell on bass, and Shelly Manne on drums. Titles include "The Bad & The Beautiful", "The Shrike", "Invitation", "Ruby", "Swinging On A Star", and "Intermezzo" LP, Vinyl record album
(Black label stereo pressing with deep groove. Cover has some light stains on the back.)

Possible matches22
CD, LP, Vinyl record album cover art
Paul DesmondGlad To Be Unhappy ... CD
RCA (Japan), 1965. New Copy ... $13.99
Hard to be unhappy in a setting like this – a classic RCA session from the 60s, and one that matches the sublime icy alto sax of Paul Desmond with the perfectly airy guitar of the great Jim Hall! The pair work simple wonders with familiar tunes on the set – bringing together a love of the understated, mixed with a desire to delight and surprise – a quality that plays out wonderfully throughout the course of the record, and keeps us hanging with a sense of joy and delight. The group's completed by bass and drums – with no piano for rhythm, leaving the guitar and alto suspended in mid-air – and titles include "Any Other time", "Glad To Be Unhappy", "Poor Butterfly", "Stranger In Town", and "Taste Of Honey". CD

Possible matches23
CD, LP, Vinyl record album cover art
Paul DesmondPure Gold Jazz (aka Desmond Blue) ... LP
RCA, Early 60s. Very Good+ ... $3.99
70s repackaging of Desmond Blue – a cool jazz classic from altoist Paul Desmond and guitarist Jim Hall! The album was recorded under Desmond's name, but Hall's the guitarist throughout, and his playing lends an indescribably wonderful edge to the set, making the album a real team effort! Unlike other RCA sides by Hall and Desmond, this one features the pair with larger string backings by Bob Prince, which create a dreamy pillow for alto and guitar to solo across. Titles include the Desmond originals "Late Lament" and "Desmond Blue" – plus "Ill Wind", "My Funny Valentine", and "Like Someone In Love". LP, Vinyl record album
(Cover has some splitting on the spine.)

Possible matches24
CD, LP, Vinyl record album cover art
Paul DesmondSkylark ... CD
CTI, 1974. Used ... $4.99
A stunning 70s set from the great Paul Desmond – one that has the tremendous alto player finding an even fresher groove than before – yet all without losing any of the class and control that made him so great in the 50s and 60s! Don Sebesky arranged the set, but most of the instrumentation is nice and lean – small group modes that allow Paul's alto to soar out in the lead, often alongside some excellent guitar work from Gabor Szabo and Gene Bertoncini – the latter of whom provides accompaniment that takes us back to some of Jim Hall's music with Desmond. Bob James plays a bit of piano on the record, and rhythm is by Ron Carter on bass, Jack DeJohnette on drums, and Ralph MacDonald on percussion – plus a bit of cello from George Ricci, who shades tunes in with a mighty nice sound. But as you'd guess, the main focus is on Desmond's sublime alto sax – on titles that include "Was A Sunny Day", "Take Ten", "Music For A While", and of course, "Skylark". CD
(Out of print. Digipack has remnants of an old sticker.)

Possible matches25
CD, LP, Vinyl record album cover art
Art FarmerInteraction ... CD
Atlantic (Japan), 1963. New Copy ... $13.99
A magnificent set from the team of Art Farmer and Jim Hall – one of those rare pairings in jazz that somehow comes off sounding even way better than the sum of its parts – and that's saying a lot, given that the parts here are already pretty darn great! Farmer's flugelhorn and Hall's guitar create these wonderful shapes in sound – softly coming together with a vibe that's very modern, yet also soulful – gently swinging while still experimenting – with a combination that's completely wonderful! Think of Bob Brookmeyer and Clark Terry, or Bill Evans and Jim Hall – and you'll be somewhere in the territory of these magically unique sounds – augmented with some gentle rhythm work by Steve Swallow on bass and Walter Perkins on drums. Titles include "By Myself", "Days Of Wine & Roses", "Sometime Ago", and "My Kinda Love". CD

Possible matches26
CD, LP, Vinyl record album cover art
Dusko GoykovichSamba Do Mar ... CD
Enja (Germany), 2004. New Copy ... $13.99 15.99
A whole new chapter in the career of trumpeter Dusko Goykovich – and a beautiful one at that! The set has Dusko playing a set of bossa-inspired tunes – working with a quartet that includes guitar, bass, and drums – in a warmly chromatic style that reminds us a lot of the classic Art Farmer/Jim Hall sessions of the early 60s! Dusko's playing is as imaginative as ever – and takes on whole new levels of expression in this setting. The light rhythms of the tunes are a real contrast from the modal and soul jazz approaches of earlier years – and in some ways, they seem to set Dusko free to explore whole new territory. Great stuff all around – with titles that include "The Fish", "Quo Vadis", "Sunset", "Samba Do Mar", "Jim's Ballad", and "Love & Deception". CD

Possible matches27
CD, LP, Vinyl record album cover art
Chico HamiltonChico Hamilton – Jazz Milestone Series ... LP
Pacific Jazz, 1950s. Very Good+ Gatefold ... $7.99
A 60s collection that brings together some of Chico's best early work for Pacific Jazz – including his groundbreaking Quintet, a group that completely redefined the sound of jazz on the west coast! The album's filled with playful tracks that feature Chico's unique rhythms next to instrumentation that includes guitar, flute, cello, and alto – with players that include Eric Dolphy, Jim Hall, Paul Horn, and Buddy Collette. Titles include "Soft Winds", "Satin Doll", "Caravan", "Taking A Chance On Love", "Sleep", "Take The A Train", and "Siete Quatro". LP, Vinyl record album

Possible matches28
CD, LP, Vinyl record album cover art
Roger KellawayJazz Portrait Of Roger Kellaway ... LP
Regina, 1964. Very Good+ ... $24.99
A surprisingly nice record – and one of Roger Kellaway's best straight jazz sessions of the 60s! The set's a gently grooving one, featuring many original compositions by Kellaway – played in a playful and freewheeling style that's a lot better than we would have imagined. Roger's a demon on the keys – and although the rhythm combo's not listed in the notes, they play with a good degree of soul and space on the best numbers. Jim Hall's also credited as being on the set, but most of the tunes sound like trio ones – and titles include "Double Fault", "Cinderella", "Here Today Gone Tomorrow", and "Same Old Same Old". LP, Vinyl record album
(Cover has a small bit of old tape in a corner of the spine – and some light notes on back.)

Possible matches29
CD, LP, Vinyl record album cover art
Lee KonitzLee Konitz Duets ... LP
Milestone, 1967. Very Good Gatefold ... $3.99
An interesting concept record, with Konitz approaching a variety of material, much of it written by his collaborators, in wide open duet settings. Players include Jim Hall, Joe Henderson, Elvin Jones and Richie Kamuca, and on each piece, both Konitz and his companion have loads of room to extrapolate on the base composition. Perhaps the highlight of the record is to be able to listen to Konitz wrap his warm tone around each piece, and then dance lightly around the melody. 8 numbers, including "Erb" with Jim Hall, "Checkerboard" with Dick Katz, and "You Don't Know What Love Is" with Joe Henderson. LP, Vinyl record album
(Green label original pressing in a beautiful glossy cover! Vinyl is nice and clean overall, but has a short click on one short track.)

Possible matches30
CD, LP, Vinyl record album cover art
John LewisJohn Lewis Piano ... LP
Atlantic, 1957. Very Good- ... $14.99
One of the strongest sessions recorded by pianist John Lewis in the 50s – a date that shows depths of his talents that run even greater than his work with the Modern Jazz Quartet, quite possibly because is work on piano is at the forefront of the record throughout! There's a sense of darkness here that really fits the image on the cover – a style that's stated clearly on piano lines that are often as spacious as they are gentle, but which also have a moodier undercurrent below, thanks to Lewis' careful choice of keys and notes. The backing is often quite spare – Lewis sometimes plays just with Connie Kay's drums, or the guitar of either Jim Hall or Barry Galbraith – and at its fullest, the record features 2 trio numbers with the bass of Percy Heath and drums of Connie Kay. Tracks are lyrically and thoughtfully composed – and titles include "Two Lyric Pieces", "Harlequin", "D&E", "Little Girl Blue", and "Warmeland". LP, Vinyl record album
(Black label pressing with the "Long Playing Unbreakable" logo and deep groove. Cover has some wear, aging, a light mark from sticker removal, a tiny rip at the opening, and a bit of pen on the back.)

Possible matches31
CD, LP, Vinyl record album cover art
Charlie MarianoJazz Portrait Of Charlie Mariano ... LP
Regina, 1963. Good ... $9.99
A beautiful little record that's one of the toughest to find by Charlie Mariano, and which represents a rare "with orchestra" session that was put together by a young Don Sebesky! The backing's got all the moody overtones that show up in Sebesky's best arranging, and the group includes Jim Hall, Bob Brookmeyer, Jaki Byard, and other accomplished modernists – all working together to create beautiful backdrops of color and tone. Mariano's alto is the centerpiece, though, and he plays with a range of sophisticated emotions that don't always show up on his other records. Far from being a snoozy "with strings" session, the record has a lively ever-changing groove that sounds more like a classic jazz soundtrack than a straight studio session. The whole thing's a real treat, and titles include "Pretty Little Nieda", "To Taiho", "The Wind", and "The Shout". LP, Vinyl record album
(Gold label pressing, with deep groove. Cover has wear, staining, and split top and bottom seams.)

Possible matches32
CD, LP, Vinyl record album cover art
Jack MontroseHorn's Full ... LP
RCA, 1958. Near Mint- ... $19.99
A great set, and one of the few obscure sides of west coast jazz from Jack Montrose (not to be confused with east coast player JR Montrose). Shorty Rogers supervised the session, and the album features some open-ended tracks done in quintet format that are similar to some of Shorty's best work for RCA in this mode. Jack heads up 2 different groups on the set – but they both have a vibes (Red Norvo) and guitar (Barney Kessel or Jim Hall) lineup that really gives the record an unusual sound for an LA cool jazz set at the time. Titles include "The Horn's Full", "Headline", "True Blue", "Solid Citizen", "Dark Angel", "This Little House", and "Rosanne". LP, Vinyl record album
(Beautiful copy! Cover has a bit of clear tape in two corners, and a small bit of pen on the back – but overall this one's very nice.)

Possible matches33
CD, LP, Vinyl record album cover art
Sonny RollinsWhat's New? ... CD
RCA/Bluebird, 1962. Used ... $2.99
A very unique album from Sonny Rollins – one that features him blowing tenor over some Latin-based rhythms that have a tight uptempo feel. The core group on the album features Jim Hall on guitar, Bob Cranshaw on bass, and Ben Riley on drums – but they're augmented by larger arrangements that mix together bossa nova and calypso rhythms, which forge a surprisingly great background for Rollins' gutsy tenor. Although it's easy to dismiss the record as a throwaway cash-in affair on the Latin boom of the early 60s – Rollins actually handles himself wonderfully, and the longer-than-usual tracks on the album show a whole new side of his talents that were later reprised on Latin sessions during the 70s. Titles include "Bluesongo", "Jungoso", "The Night Has A Thousand Eyes", and "Brownskin Girl". CD
(Out of print, punch through barcode.)
Also available What's New? ... LP 24.99

Possible matches34
CD, LP, Vinyl record album cover art
Sonny RollinsWhat's New? ... LP
RCA, 1962. Very Good+ ... $24.99
A very unique album from Sonny Rollins – one that features him blowing tenor over some Latin-based rhythms that have a tight uptempo feel. The core group on the album features Jim Hall on guitar, Bob Cranshaw on bass, and Ben Riley on drums – but they're augmented by larger arrangements that mix together bossa nova and calypso rhythms, which forge a surprisingly great background for Rollins' gutsy tenor. Although it's easy to dismiss the record as a throwaway cash-in affair on the Latin boom of the early 60s – Rollins actually handles himself wonderfully, and the longer-than-usual tracks on the album show a whole new side of his talents that were later reprised on Latin sessions during the 70s. Titles include "Bluesongo", "Jungoso", "The Night Has A Thousand Eyes", and "Brownskin Girl". LP, Vinyl record album
(Black label pressing with deep groove. Cover has a split top seam and mostly split bottom seam which are held with some clear tape, an address sticker and a name in pen.)
Also available What's New? ... CD 2.99

Possible matches35
CD, LP, Vinyl record album cover art
Ben WebsterAt The Renaissance ... LP
Contemporary, 1960. Very Good+ ... $11.99
A previously unreleased live date from late in the career of Ben Webster – recorded at The Renaissance in Hollywood in 1960, but unissued until nearly 25 years later! The group features Jim Hall on guitar, Jimmy Rowles on piano, Red Mitchell on bass, and Frank Butler on drums – and tracks are all longish, and live-feeling – with that sense of fragility that marked some of Webster's later recordings in this mode, and even further deepened the humanity in his tone. And while the recording quality is definitely "live" at times, Ben's tone comes through loud and clear – different than on some of the tighter Verve recordings of a few years before, but in a way that's really great. Titles include "Georgia On My Mind, "Caravan", "Stardust", and "Ole Miss Blues". LP, Vinyl record album
(Back cover has a spot of residue & a promo stamp.)

Possible matches36
CD, LP, Vinyl record album cover art
VariousColor & Light – Jazz Sketches On Sondheim ... CD
Sony, 1995. Used ... $4.99
Includes performances by Herbie Hancock, Nancy Wilson, Grover Washington Jr., Jim Hall, Peabo Bryson, and Terence Blanchard. CD

Possible matches37
CD, LP, Vinyl record album cover art
New Bob BrookmeyerTrombone Jazz Samba ... LP
Verve, 1962. Used Gatefold ... Temporarily Out Of Stock
An overlooked gem from Bob Brookmeyer – and a set that fits in strongly with the other Verve Records bossa nova albums of the 60s! Bob's the center star on valve trombone, but the record's awash in work from other great Verve talents too – a tight small group that features Gary McFarland on vibes, Jim Hall and Jimmy Raney on guitars, and Willie Bobo on drums – alongside some added percussion that really helps keep the bossa spirit strong! Tunes have that spare, soulful crackle that you'd find in the Stan Getz bossa sessions for Verve – except that trombone is the lead solo instrument here – and titles include "A Felicidade", "Col Bogey Bossa Nova", "Blues Bossa Nova", "Qual E O Po", "Chara Tu Tristeza", and "Samba De Orfeu". LP, Vinyl record album
(Cover has light wear, a bit of sticker residue, and some discoloration along the opening.)

Possible matches38
CD, LP, Vinyl record album cover art
New Paul DesmondEast Of The Sun (aka First Place Again) ... LP
Discovery/Warner, 1960. Used ... Temporarily Out Of Stock
An early 80s repress of the first big Paul Desmond solo album of the 60s – and a standout set that's very much in the tradition of his best work on RCA! This rare side was cut for Warner Brothers during a time when they were taking a brief dip into jazz – and it's a rarely-heard set that features Jim Hall on guitar, Connie Kay on drums, and Percy Heath on bass, all backing up Paul with a spare "after hours" sound that's a marked change from his tightly woven work with Brubeck. Desmond's alto is full of possibilities here – working wonders with familiar tunes like "Greensleeves", "You Go To My Head", "Time After Time", and "East Of The Sun" – as well as with the John Lewis modern number "2 Degrees East, 3 Degrees West". LP, Vinyl record album

Possible matches39
CD, LP, Vinyl record album cover art
New Bill Evans TrioTrio/Duo ... LP
Verve, 1963/1966. Used 2LP Gatefold ... Temporarily Out Of Stock
Nice two-fer that brings together 2 spare, open sets from Bill Evans, in a nice trio with Gary Peacock & Paul Motian on the first and paired with guitarist Jim Hall on the second. All his partners compliment his style nicely, and there's a beautiful moody quality that makes these sides seem as if they were recorded much closer than 2 and a half years that seperated them. The first Lp in the set is a reissue of the excellent Trio '64 and the second is a reissue of the second meeting of Evans & Hall, Intermodulation. The trio side includes "Dancing In The Dark", "Always", "Little Lulu", and "For Heaven's Sake", and the duets include "Jazz Samba", "All Across The City", "Angel Face", and "Turn Out The Stars". LP, Vinyl record album

Possible matches40
CD, LP, Vinyl record album cover art
New Stan GetzVoices ... LP
Verve, 1967. Used Gatefold ... Temporarily Out Of Stock
An amazingly seductive album from Stan Getz! The record features Getz's tenor blowing breezily away, amidst sophisticated arrangements with touches of dark easy scoring, post-bossa Brazilian writing, and early CTI production. Claus Ogerman arranged the whole set, and the overall feel is very similar to From The Hot Afternoon, which has Paul Desmond blowing in a similar style to arrangements by Don Sebesky. The core group features some hip players – like Herbie Hancock, Jim Hall, and Ron Carter – and the larger backing has the "voices" you'd guess from the title. Tracks include "Once", "Darling Joe", "Midnight Samba", "Little Rio", "Infinidad", and "Where Flamingo's Fly". LP, Vinyl record album

Possible matches41
CD, LP, Vinyl record album cover art
New Stan GetzWhat The World Needs Now – Stan Getz Plays Bacharach & David ... LP
Verve, 1966. Used Gatefold ... Temporarily Out Of Stock
Stan Getz meets Burt Bacharach – a heavenly combination that brings together two of our most favorite musical talents of the 60s! And while we're at it, we'd also like to mention a third – Chicago soul arranger Richard Evans, who handles all the backdrops for this set – bringing in a groove that you might not expect for tunes by Burt Bacharach – not exactly Charles Stepney at Cadet, but not far, either – a perfect setting for the sparkling, lyrical tone that Getz was hitting at this point in his career. The tunes are familiar, but the blend of talents really keeps things fresh – and with extra contributions from Herbie Hancock on piano and Jim Hall on guitar, you can bet there's plenty going on here. Titles include "Wives & Lovers", "Windows Of The World", "House Is Not A Home", "Walk On By", and "Trains & Boats & Planes". LP, Vinyl record album
(Textured cover gatefold pressing.)

Possible matches42
CD, LP, Vinyl record album cover art
New Quincy JonesGolden Boy ... LP
Mercury, 1964. Used ... Temporarily Out Of Stock
A sweet bridge between Quincy's big band recordings and his groovier soundtrack work of the mid 60s – as the record combines straight jazzy grooving with some of the cooler elements of Quincy's soundtrack scores, like stepping strings, wordless voices, and a breathy mellow groove that floats across the disc in a wonderful way! Aiding Quincy in the album are a host of top-line jazz players – including Eddie Lockjaw Davis, Jerome Richardson, and Phil Woods on saxes – plus Freddie Hubbard on trumpet, Al Grey on trombone, and Jim Hall on guitar! Although titled after the show Golden Boy, only a few cuts here are from that musical – and the rest include Quincy Jones originals and some cool covers, given the Q twist. Titles include "Seaweed", "The Witching Hour", "Hard Day's Night", "The Sidewinder", and "Theme From Golden Boy", done in 2 versions, both great! LP, Vinyl record album
(Original pink label promo. Cover has a small split on the bottom seam, a spot of tape on the spine, and a promo stamp on the back.)

Possible matches43
CD, LP, Vinyl record album cover art
New Sonny RollinsStandard Sonny Rollins ... LP
RCA, 1964. Used ... Temporarily Out Of Stock
There's nothing standard about this one – as the record's an excellent batch of work from Sonny and his "& Co" lineup that featured Jim Hall on guitar and Herbie Hancock on piano! The format's a bit unusual for Rollins, in that not all the players of the group play at once – so that the album features shifting assemblages of instruments behind Sonny's tenor, running through extremely creative versions of tracks like "Travelin' Light", "Night & Day", "Three Little Words", "My Ship", and "It Could Happen To You". Rollins is at the height of his powers here, and although the session is deceptively simple, his work on the tenor is incredible! LP, Vinyl record album
(Sealed 60s pressing!)

Possible matches44
CD, LP, Vinyl record album cover art
New Paul DesmondBossa Antigua (with bonus tracks) ... CD
RCA, 1965. New Copy ... Out Of Stock
The team of Paul Desmond and Jim Hall was one of the best ideas ever forged in American jazz of the 60s – and the icy pair are perfect company together on this album of bossa-inflected tracks with a very cool edge! The album allows Desmond's alto to take on a warmth and flowing quality it never had in the Dave Brubeck group – and Hall's guitar work, while a masterpiece of understatement, brings in just the right amount of ringing tone to echo out the brilliance of Desmond's ideas. Gene Wright and Connie Kay complete the group, and titles include "O Gato", "Samba Cantina", "Girl From East 9th", "Ship Without A Sail", and "Bossa Antigua". Plus, this excellent CD reissue features 2 bonus tracks – the groovy "Samba Cepeda" and an alternate take of "O Gato". CD

Possible matches45
CD, LP, Vinyl record album cover art
New Paul DesmondTake Ten (plus bonus tracks) ... CD
RCA, 1963. New Copy ... Out Of Stock
That's "Take Ten", not "Take Five" – a great title cut that echoes Paul Desmond's previous work with Dave Brubeck – but which then gives way quickly to some sweet bossa-styled grooves done with guitar from Jim Hall! The album's one of the strongest of the Hall/Desmond collaborations for RCA – A sublime showcase not just for Paul's impeccable alto, but also for the amazing tones and chromes that fly freely from the strings of Jim's guitar! Both players are set up with just a bit of gentle backing – light percussion from Connie Kay, and a bit of bass from Gene Cherico or Gene Wright. The whole thing's a well-conceived study in economy, as the two players craft sly and subtle lines around spare drum and bass backings – slowly hanging sound in space to weave a rich web of sound that's as compelling as it seems to be effortless! Titles include "Take Ten", "El Prince", "Embarcadero", "Samba De Orfeu", "Theme From Black Orpheus", and "Alone Together". CD also features alternate takes of "Embarcadero" and "El Prince". CD

Possible matches46
CD, LP, Vinyl record album cover art
New Bob Brookmeyer/Lalo SchifrinTrombone Jazz Samba/Samba Para Dos ... CD
Verve (Germany), 1962. New Copy ... Out Of Stock
Pure genius throughout – two great albums on a single CD! Trombone Jazz Samba is an overlooked gem from Bob Brookmeyer – and a set that fits in strongly with the other Verve Records bossa nova albums of the 60s! Bob's the center star on valve trombone, but the record's awash in work from other great Verve talents too – a tight small group that features Gary McFarland on vibes, Jim Hall and Jimmy Raney on guitars, and Willie Bobo on drums – alongside some added percussion that really helps keep the bossa spirit strong! Tunes have that spare, soulful crackle that you'd find in the Stan Getz bossa sessions for Verve – except that trombone is the lead solo instrument here – and titles include "A Felicidade", "Col Bogey Bossa Nova", "Blues Bossa Nova", "Qual E O Po", "Chara Tu Tristeza", and "Samba De Orfeu". Samba Para Dos is a great lost groover on Verve – recorded during the heyday of the label's bossa years with Stan Getz! The record features Bob Brookmeyer fronting a large group arranged and conducted by Lalo Schifrin – soloing over the top, while Lalo comes up with sparkling bossa-tinged grooves that are in the spirit of his best soundtrack work of the mid 60s. Brookmeyer's playing is great too – very different than his sparer, modernist work on other records – and very much in the tradition of Brazilian trombone players who were a key force in bossa jazz at the time. The set includes one long original, "Samba Para Dos", plus shorter standards like "My Funny Valentine", "What Kind Of Fool Am I", and "I Get A Kick Out Of You" – all taken in great jazzy bossa versions! CD

Possible matches47
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New Buddy Collette & Chico HamiltonTanganyika ... CD
Dig/VSOP, 1956. New Copy ... Out Of Stock
A real lost slice of work from the career of Chico Hamilton – recorded for the short-lived Dig label, owned by R&B artist Johnny Otis in the mid 50s! The group here is slightly different than Hamilton's quintet that recorded for Pacific Jazz – in that it's got a sound that's a bit less arranged, and which often opens up into some more freewheeling jazz styles at times. Buddy Collette and Jim Hall are on the session from Chico's regular group – and Buddy's really the co-leader of the set, and contributed some fantastic original tunes that are perfect for his colorful work on reeds. And the group's also got Curtis Counce on bass and Gerald Wiggins on piano – bringing a decidedly heavier groove to the record than on most 50s Hamilton work – one that's topped off by the trumpet of John Anderson, often muted but still powerful enough to make its presence known on the set. Titles include the Collette originals "It's You", "Green Dream", "Jungle Pogo Stick", "Tanganyika", and "A Walk On The Veldt" – plus other session originals "And So Is Love", "Wagnervous", and "The Blindfold Test". CD

Possible matches48
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New Paul DesmondSkylark ... CD
CTI (Japan), 1974. New Copy ... Out Of Stock
A stunning 70s set from the great Paul Desmond – one that has the tremendous alto player finding an even fresher groove than before – yet all without losing any of the class and control that made him so great in the 50s and 60s! Don Sebesky arranged the set, but most of the instrumentation is nice and lean – small group modes that allow Paul's alto to soar out in the lead, often alongside some excellent guitar work from Gabor Szabo and Gene Bertoncini – the latter of whom provides accompaniment that takes us back to some of Jim Hall's music with Desmond. Bob James plays a bit of piano on the record, and rhythm is by Ron Carter on bass, Jack DeJohnette on drums, and Ralph MacDonald on percussion – plus a bit of cello from George Ricci, who shades tunes in with a mighty nice sound. But as you'd guess, the main focus is on Desmond's sublime alto sax – on titles that include "Was A Sunny Day", "Take Ten", "Music For A While", and of course, "Skylark". CD
(Blu Spec CD.)

Possible matches49
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New Gerry MulliganGerry Mulligan 63 – The Concert Jazz Band ... CD
Verve (Japan), 1962. New Copy ... Out Of Stock
The sound of Gerry Mulligan in the early 60s – and one of the best records by his larger than usual Concert Jazz Band! Given Gerry's piano-less experiments of the 50s, it's surprising to actually have him as the pianist on this session – hitting the keys with a nice light touch, so that the larger horn section can take over most of the tunes – a beautifully-arranged ensemble who have a feel that's lighter than some of the groups of the 50s – such as the Kenton ensemble – yet one that's equally modern at times! The lineup is wonderful – with Clark Terry and Nick Travis on trumpets, Willie Dennis and Bob Brookmeyer on trombones, and Gene Quill, Gene Allen, and Eddie Caine on saxes – plus guitar from Jim Hall, bass from Bill Crow, and drums from Gus Johnson. Titles include "Big City Life", "Bridgehampton South", "My Kind Of Love", "Pretty Gypsy", "Bridgehampton Strut", and "Big City Blues". CD

Possible matches50
CD, LP, Vinyl record album cover art
New Paul DesmondFirst Place Again ... CD
Warner (Japan), 1960. New Copy ... Out Of Stock
The first big Paul Desmond solo album of the 60s – and a standout set that's very much in the tradition of his best work on RCA! This rare side was cut for Warner Brothers during a time when they were taking a brief dip into jazz – and it's a rarely-heard set that features Jim Hall on guitar, Connie Kay on drums, and Percy Heath on bass, all backing up Paul with a spare "after hours" sound that's a marked change from his tightly woven work with Brubeck. Desmond's alto is full of possibilities here – working wonders with familiar tunes like "Greensleeves", "You Go To My Head", "Time After Time", and "East Of The Sun" – as well as with the John Lewis modern number "2 Degrees East, 3 Degrees West". CD

Possible matches51
CD, LP, Vinyl record album cover art
New Jimmy GiuffreFour Brothers Sound ... CD
Atlantic (Japan), 1958. New Copy ... Out Of Stock
An amazing record by Jimmy Giuffre – one that he uses to replicate the "4 Brothers Sound" of the years when he played with Woody Herman as one of a group of four saxophonists blowing together – but done here by Jimmy himself on all 4 horns, using early overdubbing techniques that let him play four tenor sax parts at once! The sound is wonderful – filled with complex colors, tones, and changes you won't find on Giuffre's other albums of the time – and Jimmy's backed by usual trio-mates Brookmeyer and Jim Hall – with Brookmeyer on piano, swinging things a bit more than usual next to Hall's guitar. The 4-tenor frontline is wonderful, and titles include "Four Brothers", "Ode To Switzerland", "Space", "Blues In The Barn", and "Memphis In June". CD

Possible matches52
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New Jimmy Giuffre 3Easy Way ... LP
Verve, 1959. Used ... Out Of Stock
The Easy Way? Jimmy Giuffre never did anything the easy way – and his classic albums from the late 50s, some of the strongest modern jazz sides of the time, are a great testament to that fact! This album's one of the most obscure – and features Jimmy in his groundbreaking percussion-less trio mode – blowing tenor, clarinet, and baritone in a group with Jim Hall on guitar and Ray Brown on bass. The notes hang magically in air – still quite rhythmic, despite the freedom of the setting, but also stretching forth in an unfettered style that set the stage for countless jazz experiments to come. Titles include "Montage", "Time Enough", "Off Center", "A Dream", "Ray's Time", and "Careful". LP, Vinyl record album
(Verve Inc pressing, with trumpeter logo and deep groove. Cover has a bit of tape on the top seam, and a small bit of red marker.)

Possible matches53
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New Terumasa HinoTrans-Blue ... CD
Sony (Japan), 1984. New Copy ... Out Of Stock
Terumasa Hino's looking a bit cheesy on the cover of this one – but the record's hardly the slick 80s affair you might expect – and instead is a great session of ballads and more gentle numbers, recorded in the US with full string backings and a warmly sensitive approach to the music! There's a depth here that goes beyond most of Hino's other work of the decade – an approach to the tunes that reminds us a bit of Art Farmer or Freddie Hubbard in a similar setting – with warmly lyrical lines undercut with a slight hint of sadness – that "blue" reference in the title and cover image. Hino plays cornet with a core group that includes Jim Hall on guitar, Kenny Kirkland on piano, Eddie Gomez on bass, and Grady Tate on drums – plus a bit of vocals – and strings are arranged by David Nadian. Titles include "Greensleeves", "Black Orpheus", "Alone Alone & Alone", "Nature Boy", and "Lush Life". CD
(Blue Spec CD2.)

Possible matches54
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New Sonny RollinsWhat's New? ... LP
RCA, 1962. New Copy (reissue)... Out Of Stock
A very unique album from Sonny Rollins – one that features him blowing tenor over some Latin-based rhythms that have a tight uptempo feel. The core group on the album features Jim Hall on guitar, Bob Cranshaw on bass, and Ben Riley on drums – but they're augmented by larger arrangements that mix together bossa nova and calypso rhythms, which forge a surprisingly great background for Rollins' gutsy tenor. Although it's easy to dismiss the record as a throwaway cash-in affair on the Latin boom of the early 60s – Rollins actually handles himself wonderfully, and the longer-than-usual tracks on the album show a whole new side of his talents that were later reprised on Latin sessions during the 70s. Titles include "Bluesongo", "Jungoso", "The Night Has A Thousand Eyes", and "Brownskin Girl". LP, Vinyl record album
Also available
What's New? ... LP 24.99
What's New? ... CD 2.99
 
Partial matches: 14
Partial matches55
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Donald ByrdFancy Free ... CD
Blue Note (Japan), 1969. New Copy ... $18.99
One of the coolest, grooviest 60s albums from trumpeter Donald Byrd – one that has him really reaching out for a hip new sound, but in ways that are different than most of his other material at the time! Key on the date is the placement of electric piano from Duke Pearson – played in this open, flowing style that has all the best hallmarks of Pearson's own work on the instrument for his sessions – yet balanced nicely with the bolder punch of Byrd's trumpet as well. Donald's quite far from any Miles Davis cliches on this one – no too-dark electric modes at all – and instead, the album's got this sense of lyrical soulfulness that we've maybe never heard this strongly again on any of Byrd's other albums. Other players include Frank Foster on tenor, Jerry Dodgion and Lew Tabackin on flute, Julian Priester on trombone, Jimmy Ponder on guitar, and either Idris Muhammad or Joe Chambers on drums. All tracks are nice and long, and very fresh – and include "Weasil", "I Love the Girl", "Fancy Free", and "The Uptowner". CD
(SHMCD.)

Partial matches56
CD, LP, Vinyl record album cover art
Donald ByrdFancy Free ... CD
Blue Note, 1969. Used ... $31.99
One of the coolest, grooviest 60s albums from trumpeter Donald Byrd – one that has him really reaching out for a hip new sound, but in ways that are different than most of his other material at the time! Key on the date is the placement of electric piano from Duke Pearson – played in this open, flowing style that has all the best hallmarks of Pearson's own work on the instrument for his sessions – yet balanced nicely with the bolder punch of Byrd's trumpet as well. Donald's quite far from any Miles Davis cliches on this one – no too-dark electric modes at all – and instead, the album's got this sense of lyrical soulfulness that we've maybe never heard this strongly again on any of Byrd's other albums. Other players include Frank Foster on tenor, Jerry Dodgion and Lew Tabackin on flute, Julian Priester on trombone, Jimmy Ponder on guitar, and either Idris Muhammad or Joe Chambers on drums. All tracks are nice and long, and very fresh – and include "Weasil", "I Love the Girl", "Fancy Free", and "The Uptowner". CD
(Out of print.)

Partial matches57
CD, LP, Vinyl record album cover art
Jimmy GiuffreMusic Man ... LP
Atlantic, Late 50s. Very Good+ ... $7.99
The Music Man, made different – thanks to very fresh arrangements from Jimmy Giuffre – heard here in one of his few large group sessions for Atlantic Records! The music is all from the score of the famous show, but Giuffre really reworks things with some sharp modern jazz edges – inventive rhythms from bassist Wendell Marshall and drummer Ed Shaugnessy – and no use of piano at all, which allows for plenty of free play in the horn section – which features Giuffre on tenor, clarinet, and baritone – plus Al Cohn and Eddie Wasserman on tenor, Joe Wilder and Phil Sunkel on trumpets, and Sol Schlinger on baritone sax. Without any vocals, and with Jimmy's unique structures, these tunes take on some very fresh styles – and titles include "Marian The Librarian", "The Wells Fargo Wagon", "Iowa Stubborn", "Gary Indiana", and "It's You". LP, Vinyl record album
(Original black label pressing.)

Partial matches58
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Beaver Harris & The 360 Degree Music ExperienceFrom Rag Time To No Time ... LP
360 Degrees, 1974. Very Good+ ... $33.99
Hardly any ragtime here – despite the title – and instead, the album's one of the greatest ever from drummer Beaver Harris – cut with his ultra-hip 360 Degree Music Experience group! The title is somewhat accurate in that the record brings together a long history of jazz-based expression – almost a century's worth of music, served up by Harris and the group members with the same fluid sensibility as Jaki Byard in his best work, although Byard was never this ambitious! The ensemble is somewhat large, but really comes together well – with an impressive range of artists who include Doc Cheatham on trumpet, Marshall Brown on trombone, Dave Burrell on piano, Keith Marks on flute, Cecil McBee and Jimmy Garrison on bass, and Maxine Sullivan and Bill Willingham on vocals. The album's sort of a mini-history of jazz, but one that's hardly hokey at all – and which usually veers towards Harris' more righteous modes of the 70s, even when hitting older styles. Sullivan is especially great – singing here as a sophisticated soul jazz diva of the 70s, and hardly the older-styled singer we might expect. A few moments are stripped down and percussive – and other odd instrumentation includes a bit of sitar and steel drums. Titles include "It's Hard To But We Do", "I Wish I Knew", "Can There Be Peace?", "Down In Brazil", "African Drums", and "Round Trip". LP, Vinyl record album
(Cover has a cut corner, edge wear, and clear tape on the top seam.)

Partial matches59
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New Heath BrothersJazz Family ... CD
Concord, 1998. Used ... $0.99
The Heath Brothers groove is nicely expanded by a set of added horns – all of whom bring a nice sense of fullness to the tracks, in a way that recalls some of Jimmy Heath's best arranging styles from years back! Jimmy's in the frontline on tenor and soprano sax, joined by Percy Heath on acoustic bass and cello, and Albert Heath on drums and percussion – and the rest of the combo features piano by Jeb Patton, trombone from Benny Powell, and 5 other brass players who deepen the tones and colors of the tunes quite nicely. There's a great choice of songs here too – a fair bit of Heath-penned tracks that show the thoughtful writing of Jimmy and his brothers – on tracks that include "A Harmonic Future", "I'm Lost", "13th House", "Move To The Groove", and "Three At Last" – plus a great take on Kenny Dorham's "None Shall Wander". CD
(Barcode has a cutout hole.)

Partial matches60
CD, LP, Vinyl record album cover art
New Eddie HigginsEddie Higgins ... LP
Vee Jay, 1961. Very Good ... $6.99
Early genius from Eddie Higgins – a pianist who was a big thing on the Chicago scene of the 60s, but is probably best known to most folks for his revival records of the past decade or two! The younger Higgins has more of an edge than the later one – and this self-titled debut is a cooker of a hardbop album – thanks not only to work from Eddie's core trio, but also some great horn interplay from Frank Foster on tenor and Paul Seranno on trumpet! Eddie wrote some of the best cuts on the record – some really fresh numbers – and he gets rhythmic help from either Richard Evans or Jim Atlas on bass, and Marshall Thompson on drums. Higgins titles include "Foot's Bag", "Zarac The Evil One", and "AB's Blues" – and the album also features versions of "Blues For Big Scotia" and "Falling In Love With Love". LP, Vinyl record album
(Rainbow label pressing with deep groove.)

Partial matches61
CD, LP, Vinyl record album cover art
Barney KesselSome Like It Hot ... LP
Contemporary, 1959. Very Good- ... $19.99
A pretty nice jazz tribute to the Billy Wilder film of the same name – and one that reprises a number of tunes from the film, especially popular songs of the 20s – but brings them back in a way that's still got plenty of hip 50s jazz touches! The record's nicely without the hoke that came with a lot of the music in the movie – thanks to a lineup that includes Art Pepper (on tenor, alto, and clarinet!), Joe Gordon, Jimmy Rowles, and Jack Marshall – playing a bit of rhythm guitar in addition to Barney Kessel's main solo one! And if there ever was a record to illustrate the old jazz adage "it ain't the song, it's the singer", this record may be it – because Barney and crew really work some magic with old chestnuts like "I Wanna Be Loved By You", "Sugar Blues", "Sweet Georgia Brown", "Runnin Wild", "By The Beautiful Sea", and "I'm Through With Love". CD features 2 bonus tracks! LP, Vinyl record album
(Original black label stereo pressing, with deep groove. Cover has a split spine, a partially split bottom seam, some wear, and a few stains.)

Partial matches62
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Charles MingusJazz Workshop Concerts 1964/1965 (7CD set) ... CD
Mosaic, 1964/1965. New Copy 7 CDs ... $118.99 119.00
Key moments in the career of Charles Mingus – all recorded during the crucial years of 1964 and 1965, and featuring the first-time release of a fair bit of live material too! The set represents the first full presentation of recordings that have appeared piecemeal on a handful of obscure releases – self-released records from Mingus himself – Town Hall, My Favorite Quintet, and Music Written For Monterey – all really expanded here with the full recordings of the tracks, and unreleased titles provided from the original tapes! Mingus was really on fire during these years – severed from most of his bigger label associations, and freely working on some of his most inventive ideas with various smaller groups of players – all fresh young talents who were key interpreters of Charles' ideas – including Johnny Coles and Lonnie Hillyer on trumpet, Jimmy Owens on trumpet and flugelhorn, Charles McPherson on alto sax, Clifford Jordan on tenor, Jaki Byard on piano, Eric Dolphy on alto, flute, and bass clarinet. The stalwart Dannie Richmond is on drums, and the sides represent some of Dolphy's last, and most important recordings on the planet – recordings done at Town Hall and in Amsterdam in April of 1964 – in addition to live material at Monterey in 1964 and 1965, in Minneapolis in May of 1965. Tracks are all quite long – some pushing the half-hour timing – and as with the best live Mingus, there's variations here that go way past any studio readings – really incredible solo flights that are still beautifully integrated with the ideas of the main group. Titles include "So Long Eric", "Orange Was The Color Of Her Dress Then Blue Silk", "Mingus Piano Solo", "Bird Preamble", "Themeless Blues", "Copa City Titty", "A Lonely Day In Selma", "Cocktails For Two", "Praying With Eric", "Parkeriana", "ATFW", "Meditations On A Pair Of Wire Cutters", and "Meditations On Integration". 7CDs, limited edition, and with a great book of notes too! CD

Partial matches63
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Jimmy RaneyA ... CD
Prestige (Japan), 1954. New Copy ... $22.99
A simple title, but a great little record – one that offers up Jimmy Raney's guitar in all its best early tone – a sound on the instrument that few other players could match at the time! Raney's guitar was always a bit earthier than some of his 50s contemporaries like Johnny Smith and Tal Farlow – and in an era where the electric guitar could sometimes be played in a style that made you forget that there was actually a guy on the other end of those strings, a record like this really stands out! We're not saying that Raney's tone isn't great, because it is – ringing out with a bright, bell-like mode at times – but it's also a bit more personal too. Other players include Hall Overton on piano, John Wilson on trumpet, and Teddy Kotick on bass – and titles include "Double Image", "On The Square", "Some Other Spring", "Minor", "A Foggy Day", and "Cross Your Heart". CD
(SHMCD pressing.)

Partial matches64
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Jack TeagardenJack Teagarden – Jazz Great ... CD
Bethlehem/Solid (Japan), 1954. New Copy ... $13.99
The album definitely lives up to the title, and features the mighty Jack Teagarden in a number of small group settings – all with a straight ahead punch that gets away from some of the gimmicks of his other 50s sessions! Teagarden's trombone is still one of the sharpest instruments of his generation of jazz – and Jack works here with a mix of players that includes Jimmy McPartland on trumpet, Edmond Hall on clarinet, Dick Cary on piano, Walter Page on bass, and Jo Jones on drums. Most arrangements are by Cary – and Jack sings just a bit, in that wonderfully raspy style of his. Titles include "Misery & The Blues", "Bad Acting Woman", "Meet Me Where They Play The Blues", "Music To Love By", and "High Society". CD

Partial matches65
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New VariousMusic Of New Orleans Vol 3 – Music Of The Dance Halls ... LP
Folkways, Late 50s. Very Good+ ... $16.99
Field recordings done by Samuel Charters – with work by Jimmy Clayton, Emile Barnes, and Billy & Dee Dee Pierce! LP, Vinyl record album
(Includes booklet.)

Partial matches66
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New Charles MingusMingus Ah Um (Columbia Jazz Masterpieces) ... LP
Columbia, 1959. Used ... Temporarily Out Of Stock
One of Charles Mingus' true classics – and an essential album in any jazz collection! This 1959 gem was recorded by Mingus at a key point in his career – when he was rising from the jazz underground into the ranks of America's elite jazzmen, penning some of the most challenging work of his career, and working with incredible younger players that interpreted his work with a great deal of fire! The tracks are a bit more tightly arranged than work on some of Mingus' previous work for labels like Atlantic and Bethlehem, but that also gives them a razor-sharp emotional edge that's carried off perfectly by players who include John Handy and Shafi Hadi on alto saxes, Booker Ervin on tenor, Willie Dennis and Jimmy Knepper on trombones, Horace Parlan on piano, and Dannie Richmond on drums. The album is filled with key Mingus classics – like "Better Git It In Your Soul", "Boogie Stop Shuffle", "Goodbye Pork Pie Hat", and "Fables of Faubus" – plus "Self Portrait In Three Colors", "Open Letter To Duke", and "Bird Call". LP, Vinyl record album
(Cover has some edge wear.)

Partial matches67
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New VariousDelmark 40th Anniversary ... CD
Delmark, Late 50s/1960s/1970s/1980s/Early 90s. Used ... Temporarily Out Of Stock
Tracks by Jimmy Forrest, Malachi Thompson, Eric Alexander, Joseph Jarman, Jim Cooper, John Young, Ira Sullivan, Roscoe Mitchell, Jodie Christian, Art Hodes, Lin Halliday, Mike Smith, and Zane Massey. CD
(Out of print.)

Partial matches68
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New Bennie GreenHornful Of Soul ... CD
Bethlehem/Solid (Japan), 1960. New Copy ... Out Of Stock
A killer of an album from one of the best hardbop trombonists of the 50s! This side's always been wickedly hard to find, and it comes from that later period when the Bethlehem label was cutting records that had a lot more of a soulful groove than earlier years. Bennie's playing with a hip group of underground players that includes Jimmy Forrest on tenor, Lem Davis on alto, and Skip Hall on organ – and although the tracks are short, they've got a fire that gets the job done in double-time, and which makes you think you're hearing some session on Prestige. Titles include "Catwalk", "Dee Dee", "Dibblin & Dabblin", and "Groove One". CD
 
 
 



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