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Jim Hall

 

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Exact matches: 17
Exact matches1
CD, LP, Vinyl record album cover art
Bob Brookmeyer/Jim Hall/Jimmy RaneyStreet Swingers ... LP
World Pacific, 1958. Near Mint- ... $33.99
A beautiful guitar/trombone session that features Jim Hall, Jimy Raney, and Brookmeyer – with titles that include "Arrowhead", "Street Swingers", "Hot Buttered Noodling", "Musicale Du Jour", and "Jupiter". LP, Vinyl record album
(Black label pressing with deep groove. Cover has light wear and some discoloration from age.)

Exact matches2
CD, LP, Vinyl record album cover art
Ron Carter & Jim HallTelephone ... CD
Concord (Japan), 1984. New Copy ... $13.99
Guitarist Jim Hall is a player who's always realized he sounds best in a small, intimate setting – whether in his 50s trio recordings with Jimmy Giuffre, or his 60s classics with Bill Hall, or his 70s experiments with bassist Ron Carter – and this live date for Concord really revives the latter, by bringing together two of the most sensitive string players in jazz for a really wonderful performance! The liveness of the setting – an introductory announcement, and some occasional applause – sometimes reminds us that the pair aren't off in a small room, creating magic on their own – but the overall focus of the material and the players' very careful sound still create this deeply personal sound that really holds us breathless. Some tracks are nice and long – and titles include "Telephone", "Indian Summer", "Chorale & Dance", "Candlelight", and "Two's Blues". CD

Exact matches3
CD, LP, Vinyl record album cover art
Art Farmer/Jim HallBig Blues ... CD
CTI/CBS, 1979. Used ... $19.99
Sweet and subtle genius from two of the most understated players in jazz – a really great little record that makes the best of the CTI sound without tricking up the players too much! Art Farmer and Jim Hall play in a quintet with vibes by Mike Mainieri – in a style that eschews the electric funk of other CTI records, but has a similar sense of space, sound, and rhythm overall – proof that the label's groundbreaking approach didn't always have to be electrified! Tracks are quite long, and the two leaders effortlessly craft notes that magically hang in space with an airily soulful feel. Titles include wonderfully reworked versions of "Whisper Not", "A Child Is Born", and "Pavane For A Dead Princess". CD
(Out of print. Tray card has a cutout notch.)

Exact matches4
CD, LP, Vinyl record album cover art
New Jim HallConcierto ... LP
CTI, 1975. Very Good+ ... $6.99
One of Jim Hall's most compelling albums from the 70s – a mix of lightly swinging tunes and more complicated numbers, recorded with some of his best partners from earlier years! Chet Baker is on trumpet, Paul Desmond is on alto sax – and the rest of the group includes Ron Carter bass, Roland Hanna piano, and Steve Gadd on drums. Hall's style is as airy and free-floating as ever – and the spacious arrangements on the album by Don Sebesky only support his work even more. The centerpiece of the album is the 19 minute long "Concierto De Aranjuez", and other tracks include "The Answer Is Yes", "Two's Blues", and "You'd Be So Nice To Come Home To". LP, Vinyl record album
(Non-gatefold pressing.)

Exact matches5
CD, LP, Vinyl record album cover art
Jim HallLive At Town Hall Vol 1 ... CD
Music Masters/BMG, 1991. Used ... $11.99
CD
(Out of print.)

Exact matches6
CD, LP, Vinyl record album cover art
New Jim Hall & Red MitchellJim Hall Guitar/Red Mitchell Bass ... LP
Artists House, 1978. Very Good+ Gatefold ... $9.99
An overlooked gem from the sublime Artists House series of the 70s – a rare chance to hear Jim Hall in a really stripped-down setting! The record features spare duets between Hall's guitar and the acoustic bass of Red Mitchell – both players who worked together on the LA scene of the 50s, but who've matured tremendously here, and really know how to take advantage of a setting like this. Hall's well-pointed notes are always a treat in this sort of format, but Mitchell's also especially nice – playing with warmly-rounded tones that are really great. Titles include "Big Blues", "Waltz New", "Fly Me To The Moon", "Blue Dove", and "Osaka Express". LP, Vinyl record album

Exact matches7
CD, LP, Vinyl record album cover art
Charlie Haden & Jim HallCharlie Haden/Jim Hall ... CD
Blue Note, New Copy ... Late September, 2014
CD

Exact matches8
CD, LP, Vinyl record album cover art
Jim HallJazz Guitar ... CD
Pacific Jazz/Universal (Japan), 1957. New Copy ... Around October 8, 2014
A rare early trio set from Jim Hall – especially noteworthy because Jim rarely worked in the format as a leader! The album's got Hall working with Carl Perkins on piano and Red Mitchell on bass – in a mode that slightly recalls some of Barney Kessel's mid 50s recordings over at Contemporary Records, but which also has that airier style that was Hall's first great calling card on his instrument. Some of the best cuts really have the notes hanging in air with incredible grace and a very subtle sense of swing – and titles include "This Is Always", "Look For The Silver Lining", "Stella By Starlight", "Deep In A Dream", "Seven Come Eleven", and "Thanks For The Memory". CD

Exact matches9
CD, LP, Vinyl record album cover art
New Paul Desmond with Jim HallComplete Recordings Of Paul Desmond With Jim Hall (4CD set) ... CD
Mosaic, Early 60s. Used 4CDs ... Temporarily Out Of Stock
Ahhh . . . The genius of Paul Desmond and Jim Hall! Desmond was the icy alto tone behind Dave Brubeck's legendary quartet of the late 50s and early 60s – and although we always liked his work with Dave, Paul's even better on his own! Desmond has a lanquid, lyrical tones that's simply beyond compare – and in the right setting, he crafts these snaking, inching, arcing lines that take the alto sax to a whole new level of expression. In these sides with guitarist Jim Hall, he's certainly in the right setting – as modernist Hall, fresh from work with the Jimmy Guiffre 3, really helps set the mode on these recordings, painting colors with a subtle brush, filling in spaces ever so gently as Desmond angles his way around tunes that have an increasingly Latin bent to them. The first album in the set features tracks from Desmond's rare 1959 Warner Brothers album , plus an obscure tune ("Susie") that was only ever issued on a 1959 Playboy compilation. The remaining 5 LPs feature tracks from Desmond's sublime RCA sessions from the early 60s - sparely recorded with only bass and drums behind work by him and Hall. Titles include "All Across The City", "East Of The Sun", "Greensleeves", "Rude Old Man", "Samba Cantina", "Two Degrees East, Three Degrees West", "Samba De Orfeu", and loads more. CD
(Out of print, and in nice shape, save for some light aging on the box.)

Exact matches10
CD, LP, Vinyl record album cover art
New Bill Evans & Jim HallUndercurrent (original master recording) ... LP
United Artists/Mobile Fidelity, 1962. New Copy Gatefold ... Temporarily Out Of Stock
A legendary set from the team of guitarist Jim Hall and pianist Bill Evans – both already wonderful players on their own, but really hitting a magical sort of space here together! The record is a classic in understatement – the inevitable meeting of two players who'd both made a career out of saying more with less – and both Evans and Hall manage to make this special sort of sound when working together in such a space – spare, but never short on ideas – filled with color and tone, but never overdone. The tracks are long and dreamy, and the piano/guitar lines seem to float in the air, suspended on naught but idea and imagination. Titles include a very nice version of "Skating In Central Park", plus "Dream Gypsy", "Romain", and "Darn That Dream". LP, Vinyl record album
(Beautiful Mobile Fidelity pressing – heavy vinyl, heavy cover, and limited and numbered too!)

Exact matches11
CD, LP, Vinyl record album cover art
New Jim HallCommitment ... LP
A&M, 1976. Used Gatefold ... Temporarily Out Of Stock
A really beautiful little album from Jim Hall – a mid 70s gem that has him recasting his style with a wonderful sound! The album features Hall in a variety of groupings – some quite spare, and featuring only accompaniment from piano (Don Thompson or Tommy Flanagan), drums (Terry Clarke), or vocals (Jane Hall) – while a few other tracks feature Hall in a nice larger group with Flanagan on piano and Art Farmer on trumpet – playing in a warm, compressed sound that's incredibly beautiful. The tunes are all quite fresh – even on the few familiar numbers on the session – and the album's a work of subtle genius that shows why Hall was one of the greatest jazz talents on the guitar during his day! Titles inlcude "Down The Line", "Walk Soft", "One Morning In May", "Lament For A Fallen Matador", "Bermuda Bye Bye", and "When I Fall In Love". LP, Vinyl record album
(Cover has light wear.)

Exact matches12
CD, LP, Vinyl record album cover art
New Michel Petrucciani/Jim Hall/Wayne ShorterPower Of Three ... LP
Blue Note, 1986. Used ... Temporarily Out Of Stock
A key moment in the career of pianist Michel Petrucciani – and a set that features an amazing collaboration with guitarist Jim Hall, and a fair bit of great tenor and soprano sax from Wayne Shorter too! Hall's guitar is heard on every track on the set – ringing out in those wonderfully spare, openly flowing notes he first started crafting in the 50s – a surprisingly wonderful counterpart to the piano of Petrucciani, which seems to take on an even more sensitive and evocative feel for the date. Shorter comes in on a few of the album's tracks – arcing great lines over the colors of the pair, in a way that's a bit like some of the Jimmy Giuffre experiments with Hall in the 50s – but more tuned towards Shorter's own sense of tone and timing. Titles include "Careful", "Bimini", "Morning Blues", "Limbo", and "Waltz New". LP, Vinyl record album

Exact matches13
CD, LP, Vinyl record album cover art
New Sonny RollinsQuartets Featuring Jim Hall ... LP
RCA, 1962. Used 2LP Gatefold ... Out Of Stock
A double album collecting Newk's excellent quartet recordings with Jim Hall for RCA. As such it contains work from The Bridge and What's New?, plus a few numbers that got tacked onto the Standard Sonny Rollins. Given Hall's gentleness and spare modernity on the guitar, a fan of Rollins' hard-blowing late 50s sessions might not expect the album to work – but instead, it sets up his playing in a whole new mode that brings out a leaner, more confident, more sophisticated solo mode that shows that his time woodshedding in retirement was well spent. 13 numbers in all, including "John S.", "The Bridge", "You Do Something To Me", "Where Are You", "Without A Song", "If Ever I Would Leave You", "Brownskin Girl", "Don't Swtop The Carnival", "The Night Has A Thousand Eyes", "My Ship", "Love Letters", "Long Ago (An Far Away)" and "God Bless the Child". LP, Vinyl record album
(Cover has a cutout notch.)

Exact matches14
CD, LP, Vinyl record album cover art
New George Shearing & Jim HallFirst Edition ... LP
Concord, 1982. Used ... Out Of Stock
LP, Vinyl record album
(Cover has some light wear.)

Exact matches15
CD, LP, Vinyl record album cover art
New Paul Desmond with Jim HallDesmond Blue (First Editions Series – with bonus tracks) ... CD
RCA/BMG, 1962. New Copy ... Out Of Stock
A cool jazz classic from altoist Paul Desmond and guitarist Jim Hall! The album was recorded under Desmond's name, but Hall's the guitarist throughout, and his playing lends an indescribably wonderful edge to the set, making the album a real team effort! Unlike other RCA sides by Hall and Desmond, this one features the pair with larger string backings by Bob Prince, which create a dreamy pillow for alto and guitar to solo across. Titles include the Desmond originals "Late Lament" and "Desmond Blue" – plus "Ill Wind", "My Funny Valentine", and "Like Someone In Love". CD features 7 bonus tracks – masters and alternates, but tunes not on the album, including "Autumn Leaves", "Imagination", and "Advise & Consent". New notes, and extra photos too! CD

Exact matches16
CD, LP, Vinyl record album cover art
New Art Farmer/Jim HallBig Blues (Japanese pressing) ... CD
CTI (Japan), 1979. New Copy ... Out Of Stock
Sweet and subtle genius from two of the most understated players in jazz – a really great little record that makes the best of the CTI sound without tricking up the players too much! Art Farmer and Jim Hall play in a quintet with vibes by Mike Mainieri – in a style that eschews the electric funk of other CTI records, but has a similar sense of space, sound, and rhythm overall – proof that the label's groundbreaking approach didn't always have to be electrified! Tracks are quite long, and the two leaders effortlessly craft notes that magically hang in space with an airily soulful feel. Titles include wonderfully reworked versions of "Whisper Not", "A Child Is Born", and "Pavane For A Dead Princess". CD
(Blu Spec CD.)
Also available Big Blues ... CD 19.99

Exact matches17
CD, LP, Vinyl record album cover art
New Michel Petrucciani/Jim Hall/Wayne ShorterPower Of Three ... CD
Blue Note (Japan), 1986. New Copy ... Out Of Stock
A key moment in the career of pianist Michel Petrucciani – and a set that features an amazing collaboration with guitarist Jim Hall, and a fair bit of great tenor and soprano sax from Wayne Shorter too! Hall's guitar is heard on every track on the set – ringing out in those wonderfully spare, openly flowing notes he first started crafting in the 50s – a surprisingly wonderful counterpart to the piano of Petrucciani, which seems to take on an even more sensitive and evocative feel for the date. Shorter comes in on a few of the album's tracks – arcing great lines over the colors of the pair, in a way that's a bit like some of the Jimmy Giuffre experiments with Hall in the 50s – but more tuned towards Shorter's own sense of tone and timing. Titles include "Careful", "Bimini", "Morning Blues", "Limbo", and "Waltz New". CD
(SHMCD pressing.)
 
Possible matches: 41
Possible matches18
CD, LP, Vinyl record album cover art
Bob Brookmeyer QuintetTraditionalism Revisited ... LP
World Pacific, 1957. Very Good+ ... $24.99
Beautifully modernist material from the great Brookmeyer – performing here with a well-suited group that features Jimmy Giuffre and Jim Hall, plus the great Dave Bailey on drums. The album features older tracks done in a surprisingly fresh style, and the trio of lead players dance around each other in a wonderful way. Titles include "Truckin", "Some Sweet Day", "Jada", and "Louisiana". LP, Vinyl record album
(Black label pressing with deep groove. Cover has split seams and a bit of pen on front.)

Possible matches19
CD, LP, Vinyl record album cover art
Buddy ColletteBuddy Collette & His Swinging Shepherds At The Cinema ... LP
Mercury, Late 50s. Very Good+ ... $6.99
Buddy takes his Swinging Shepherds crew to the movies on this one – serving up a set of tunes from 40s and 50s films that all come off perfectly with the group's multi-flute approach! The sound's nicely mellow at times, but still has that tightly arranged west coast modern style that made the group's first record so great. Players include Paul Horn, Bud Shank, and Harry Klee on flutes – plus Jim Hall on guitar, Red Mitchell on bass, and Shelly Manne on drums. Titles include "The Bad & The Beautiful", "The Shrike", "Invitation", "Ruby", "Swinging On A Star", and "Intermezzo" LP, Vinyl record album
(Black label stereo pressing with deep groove. Cover has some light stains on the back.)

Possible matches20
CD, LP, Vinyl record album cover art
New Paul DesmondDesmond Blue ... LP
RCA, 1962. Very Good+ ... $9.99
A cool jazz classic from altoist Paul Desmond and guitarist Jim Hall! The album was recorded under Desmond's name, but Hall's the guitarist throughout, and his playing lends an indescribably wonderful edge to the set, making the album a real team effort! Unlike other RCA sides by Hall and Desmond, this one features the pair with larger string backings by Bob Prince, which create a dreamy pillow for alto and guitar to solo across. Titles include the Desmond originals "Late Lament" and "Desmond Blue" – plus "Ill Wind", "My Funny Valentine", and "Like Someone In Love". LP, Vinyl record album
(Black label mono pressing with deep groove. Cover has some wear and a bit of pen on back.)

Possible matches21
CD, LP, Vinyl record album cover art
Paul DesmondFirst Place Again – The Impeccable Taste Of The Most Internationally Honored Alto Saxophist ... LP
Warner, 1960. Very Good- ... $8.99
The first big Paul Desmond solo album of the 60s – and a standout set that's very much in the tradition of his best work on RCA! This rare side was cut for Warner Brothers during a time when they were taking a brief dip into jazz – and it's a rarely-heard set that features Jim Hall on guitar, Connie Kay on drums, and Percy Heath on bass, all backing up Paul with a spare "after hours" sound that's a marked change from his tightly woven work with Brubeck. Desmond's alto is full of possibilities here – working wonders with familiar tunes like "Greensleeves", "You Go To My Head", "Time After Time", and "East Of The Sun" – as well as with the John Lewis modern number "2 Degrees East, 3 Degrees West". LP, Vinyl record album
(Gold label stereo pressing. Cover has some wear, masking tape on the seams, and a sticker, with some a few ink stamps and some stains on the back.)

Possible matches22
CD, LP, Vinyl record album cover art
Paul DesmondGlad To Be Unhappy ... CD
RCA (Japan), 1965. New Copy ... $9.99
Hard to be unhappy in a setting like this – a classic RCA session from the 60s, and one that matches the sublime icy alto sax of Paul Desmond with the perfectly airy guitar of the great Jim Hall! The pair work simple wonders with familiar tunes on the set – bringing together a love of the understated, mixed with a desire to delight and surprise – a quality that plays out wonderfully throughout the course of the record, and keeps us hanging with a sense of joy and delight. The group's completed by bass and drums – with no piano for rhythm, leaving the guitar and alto suspended in mid-air – and titles include "Any Other time", "Glad To Be Unhappy", "Poor Butterfly", "Stranger In Town", and "Taste Of Honey". CD
Also available Glad To Be Unhappy ... LP 23.99

Possible matches23
CD, LP, Vinyl record album cover art
New Paul DesmondGlad To Be Unhappy ... LP
RCA, 1965. Sealed ... $23.99
Hard to be unhappy in a setting like this – a classic RCA session from the 60s, and one that matches the sublime icy alto sax of Paul Desmond with the perfectly airy guitar of the great Jim Hall! The pair work simple wonders with familiar tunes on the set – bringing together a love of the understated, mixed with a desire to delight and surprise – a quality that plays out wonderfully throughout the course of the record, and keeps us hanging with a sense of joy and delight. The group's completed by bass and drums – with no piano for rhythm, leaving the guitar and alto suspended in mid-air – and titles include "Any Other time", "Glad To Be Unhappy", "Poor Butterfly", "Stranger In Town", and "Taste Of Honey". LP, Vinyl record album
(Sealed 60s mono pressing.)
Also available Glad To Be Unhappy ... CD 9.99

Possible matches24
CD, LP, Vinyl record album cover art
Paul DesmondLemme Tell Ya 'Bout Desmond – The Music Of Paul Desmond ... CD
Label M, Early 60s/Early 70s. Used ... $6.99
A nice little collection of work by Paul Desmond – one that offers up three distinct slices of his career! Most of the work here is from Desmond's wonderful recordings for RCA in the early 60s – some of his first truly great albums as a leader, most of which were done in the company of guitarist Jim Hall – in a sublimely spare groove that's somewhere between bossa and the west coast cool that Desmond helped forge in the 50s. A few other tracks in the set are from Paul's early 70s years at CTI – recordings that almost recreate the mood of the RCA years, but with a slightly more open, contemporary vibe. In between these are two tracks from Paul's years at A&M – great recordings, of course, but also better documented on other albums. Other players on the CD include Gabor Szabo, Gerry Mulligan, Connie Kay, and Bob James – and titles include "I'm Old Fashioned", "Skylark", "Take Ten", "Stardust", "When Joanna Loved Me", "Desmond Blue", "Bossa Antigua", "El Condor Pasa", "Samba With Some Barbeque", and "A Taste Of Honey". CD
(Out of print.)

Possible matches25
CD, LP, Vinyl record album cover art
Bill Evans TrioTrio/Duo ... LP
Verve, 1963/1966. Very Good+ 2LP Gatefold ... $5.99
Nice two-fer that brings together 2 spare, open sets from Bill Evans, in a nice trio with Gary Peacock & Paul Motian on the first and paired with guitarist Jim Hall on the second. All his partners compliment his style nicely, and there's a beautiful moody quality that makes these sides seem as if they were recorded much closer than 2 and a half years that seperated them. The first Lp in the set is a reissue of the excellent Trio '64 and the second is a reissue of the second meeting of Evans & Hall, Intermodulation. The trio side includes "Dancing In The Dark", "Always", "Little Lulu", and "For Heaven's Sake", and the duets include "Jazz Samba", "All Across The City", "Angel Face", and "Turn Out The Stars". LP, Vinyl record album
(Cover has light wear.)

Possible matches26
CD, LP, Vinyl record album cover art
Art FarmerInteraction/Sing Me Softly Of The Blues ... CD
Collectables, 1963/1965. Used ... $14.99
Reissue of two of Art Farmer's beautiful albums for Atlantic from the mid 60s! Both records have Farmer playing with modernist-oriented backing – one group is Jim Hall, Steve Swallow, and Walter Perkins; the other is Swallow, Steve Kuhn, and Pete LaRoca. As could be expected, these players have a much more open-ended sound than some of Farmer's other rhythm sections, and they offer him a complicated set of rhythms in which to interweave fragile lyrical solos. The albums are both great, and have been unavailable for years and years – until this nicely priced reissue came out! Tracks include "Loads Of Love", "Sometime Ago", "Days Of Wine & Roses", "Tears", "One For Majid", "Petite Belle", and "I Waited For You". CD
(Out of print.)

Possible matches27
CD, LP, Vinyl record album cover art
Stan GetzWhat The World Needs Now – Stan Getz Plays Bacharach & David ... CD
Verve, 1966. Used ... $8.99
Stan Getz meets Burt Bacharach – a heavenly combination that brings together two of our most favorite musical talents of the 60s! And while we're at it, we'd also like to mention a third – Chicago soul arranger Richard Evans, who handles all the backdrops for this set – bringing in a groove that you might not expect for tunes by Burt Bacharach – not exactly Charles Stepney at Cadet, but not far, either – a perfect setting for the sparkling, lyrical tone that Getz was hitting at this point in his career. The tunes are familiar, but the blend of talents really keeps things fresh – and with extra contributions from Herbie Hancock on piano and Jim Hall on guitar, you can bet there's plenty going on here. Titles include "Wives & Lovers", "Windows Of The World", "House Is Not A Home", "Walk On By", and "Trains & Boats & Planes". CD
Also available What The World Needs Now – Stan Getz Plays Bacharach & David ... LP 4.99

Possible matches28
CD, LP, Vinyl record album cover art
New Stan GetzWhat The World Needs Now – Stan Getz Plays Bacharach & David ... LP
Verve, 1966. Very Good Gatefold ... $4.99
Stan Getz meets Burt Bacharach – a heavenly combination that brings together two of our most favorite musical talents of the 60s! And while we're at it, we'd also like to mention a third – Chicago soul arranger Richard Evans, who handles all the backdrops for this set – bringing in a groove that you might not expect for tunes by Burt Bacharach – not exactly Charles Stepney at Cadet, but not far, either – a perfect setting for the sparkling, lyrical tone that Getz was hitting at this point in his career. The tunes are familiar, but the blend of talents really keeps things fresh – and with extra contributions from Herbie Hancock on piano and Jim Hall on guitar, you can bet there's plenty going on here. Titles include "Wives & Lovers", "Windows Of The World", "House Is Not A Home", "Walk On By", and "Trains & Boats & Planes". LP, Vinyl record album
(Textured cover gatefold pressing. Cover has a small mark from price sticker removal.)
Also available What The World Needs Now – Stan Getz Plays Bacharach & David ... CD 8.99

Possible matches29
CD, LP, Vinyl record album cover art
Jimmy GiuffreJimmy Giuffre 3 ... CD
Atlantic, 1957. Used ... $4.99
Groundbreaking trio work from the great Jimmy Giuffre – an album that cut loose both the piano and the drums – in a way that took Gerry Mulligan's earlier rhythm-less experiments with jazz, and pushed them one degree further! The group on the session features Giuffre on clarinet, tenor, and baritone sax – alongside the guitar of Jim Hall and bass of Ralph Pena – all working together with no other accompaniment, but in a way that's as swinging as it is airy – an amazing exercise in tone, color, and control! The sound is out of this world, and the notes just hang lightly in air – beautifully dancing around one another. Titles include "Voodoo", "Train & The River", "My All", "Crawdad Suite", and "Two Kinds Of Blues". CD
(Out of print.)

Possible matches30
CD, LP, Vinyl record album cover art
New Jimmy GiuffreJimmy Giuffre 3 ... LP
Atlantic, 1957. Very Good+ ... $19.99
Groundbreaking trio work from the great Jimmy Giuffre – an album that cut loose both the piano and the drums – in a way that took Gerry Mulligan's earlier rhythm-less experiments with jazz, and pushed them one degree further! The group on the session features Giuffre on clarinet, tenor, and baritone sax – alongside the guitar of Jim Hall and bass of Ralph Pena – all working together with no other accompaniment, but in a way that's as swinging as it is airy – an amazing exercise in tone, color, and control! The sound is out of this world, and the notes just hang lightly in air – beautifully dancing around one another. Titles include "Voodoo", "Train & The River", "My All", "Crawdad Suite", and "Two Kinds Of Blues". LP, Vinyl record album
(Red & purple label pressing.)

Possible matches31
CD, LP, Vinyl record album cover art
Dusko GoykovichSamba Do Mar ... CD
Enja (Germany), 2004. New Copy ... $9.99 15.99
A whole new chapter in the career of trumpeter Dusko Goykovich – and a beautiful one at that! The set has Dusko playing a set of bossa-inspired tunes – working with a quartet that includes guitar, bass, and drums – in a warmly chromatic style that reminds us a lot of the classic Art Farmer/Jim Hall sessions of the early 60s! Dusko's playing is as imaginative as ever – and takes on whole new levels of expression in this setting. The light rhythms of the tunes are a real contrast from the modal and soul jazz approaches of earlier years – and in some ways, they seem to set Dusko free to explore whole new territory. Great stuff all around – with titles that include "The Fish", "Quo Vadis", "Sunset", "Samba Do Mar", "Jim's Ballad", and "Love & Deception". CD

Possible matches32
CD, LP, Vinyl record album cover art
Chico HamiltonChico Hamilton – Jazz Milestone Series ... LP
Pacific Jazz, 1950s. Very Good+ Gatefold ... $3.99
A 60s collection that brings together some of Chico's best early work for Pacific Jazz – including his groundbreaking Quintet, a group that completely redefined the sound of jazz on the west coast! The album's filled with playful tracks that feature Chico's unique rhythms next to instrumentation that includes guitar, flute, cello, and alto – with players that include Eric Dolphy, Jim Hall, Paul Horn, and Buddy Collette. Titles include "Soft Winds", "Satin Doll", "Caravan", "Taking A Chance On Love", "Sleep", "Take The A Train", and "Siete Quatro". LP, Vinyl record album

Possible matches33
CD, LP, Vinyl record album cover art
Chico HamiltonChico Hamilton Quintet Featuring Buddy Collette ... LP
Pacific Jazz, 1955. Very Good- ... $11.99
An archetypal record from the west coast scene of the 50s – a sublime batch of lightly grooving numbers from Chico Hamilton's famous early Quintet! The power here really comes from a triad of three players – reedman Buddy Collette, mentioned in the title and playing flute, alto, tenor, and clarinet; guitarist Jim Hall, whose spacious use of his instrument set new standards with this record; and cellist Fred Katz, often an unsung hero whose gentle sound shapes really helped bring a sense of tone and color to the group. Also featured is bassist Carson Smith, giving the same great sensitive accompaniment here he did in Gerry Mulligan's early quartet – and Chico himself is on drums, of course, but often playing with unusual timings and touches that really make for a lot more than conventional rhythm! Titles include "Blue Sands", "The Sage", "A Nice Day", "Buddy Boo", and "Spectacular" – as well as "Free Form", which is totally improvised – although in a way that's very different from any 60's track that would have the same sort of name! LP, Vinyl record album
(Black label Pacific Jazz pressing with deep groove. Cover has light wear, with splitting and tape on the seams. Label has a name sticker.)

Possible matches34
CD, LP, Vinyl record album cover art
Chico HamiltonChico Hamilton Quintet In Hi Fi ... LP
Pacific Jazz, 1956. Very Good ... $4.99
One of Chico's earliest albums for Pacific Jazz – a set of tightly arranged tracks with a cool chamber feel to them – featuring a lineup that includes Buddy Collette on reeds, Fred Katz on cello, Jim Hall on guitar, and Carson Smith on bass. Collette, Katz, and Hall are at the height of their powers here – a bit restricted, perhaps, but in the way that Hamilton was using to craft some of the more creative sounds of the 50s LA jazz scene – perfectly shaped and formed throughout! Just about every band member contributed a song and an arrangement to the album – and titles include "The Ghost", "Chrissie", "Jonalah", "Sleepy Slept Here", "Drums West", "The Squimp", and "Sleep". LP, Vinyl record album
(Black label pressing with deep groove. Cover has split seams.)

Possible matches35
CD, LP, Vinyl record album cover art
Chico HamiltonOriginal Chico Hamilton Quintet – Complete Studio Recordings (plus live tracks) ... CD
World Pacific/Lonehill (Spain), 1955. Used ... $16.99
Great work from the legendary Chico Hamilton Quintet of the mid 50s – a CD that features the famous first album by the group, plus bonus live tracks! The core of the CD is one of Chico's earliest albums for Pacific Jazz – a set of tightly arranged tracks with a cool chamber feel to them – featuring a lineup that includes Buddy Collette on reeds, Fred Katz on cello, Jim Hall on guitar, and Carson Smith on bass. Collette, Katz, and Hall are at the height of their powers here – a bit restricted, perhaps, but in the way that Hamilton was using to craft some of the more creative sounds of the 50s LA jazz scene – perfectly shaped and formed throughout! Just about every band member contributed a song and an arrangement to the album – and titles include "The Ghost", "Chrissie", "Jonalah", "A Nice Day", "Wind", "The Sage", and "The Morning After". Added to these tracks are 5 more live numbers featuring the quintet recorded at The Strollers in Long Beach – "Spectactular", "Free Form", "I Want To Be Happy", "Buddy Boo", and "Walking Carson Blues" – plus "A Bank For Barksdale" by the Gerry Mulligan Quartet with Hamilton, and "Stella By Starlight" by an amended group at The Strollers. CD
(Out of print.)

Possible matches36
CD, LP, Vinyl record album cover art
New Hampton HawesAll Night Session Vol 1 ... LP
Contemporary, 1956. Very Good+ ... $9.99
A noteworthy session from pianist Hampton Hawes – a rare quartet session from the 50s (at a time when Hawes was mostly working in trios) – and also a three volume set of releases, all recorded in the space of a single night! The album is truly an All Night Session – as the material here was recorded during the night of November 12 and early morning hours of November 13, 1956 – with an unusual group that features Hawes on piano, Red Mitchell on bass, Bruz Freeman on drums, and Jim Hall on guitar! Hall's ringing tones are a perfect partner for Hawes' light approach to the keys – and the relaxed, extended nature of the recording has both players really opening up on some of the album's longish tracks. Titles on this volume include "Jordu", "Groovin High", "Takin Care", and "Hampton's Pulpit". LP, Vinyl record album
(Yellow label 70s pressing, pre-OJC.)

Possible matches37
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Roger KellawayJazz Portrait Of Roger Kellaway ... LP
Regina, 1964. Very Good+ ... $19.99
A surprisingly nice record – and one of Roger Kellaway's best straight jazz sessions of the 60s! The set's a gently grooving one, featuring many original compositions by Kellaway – played in a playful and freewheeling style that's a lot better than we would have imagined. Roger's a demon on the keys – and although the rhythm combo's not listed in the notes, they play with a good degree of soul and space on the best numbers. Jim Hall's also credited as being on the set, but most of the tunes sound like trio ones – and titles include "Double Fault", "Cinderella", "Here Today Gone Tomorrow", and "Same Old Same Old". LP, Vinyl record album
(Cover has a small bit of old tape in a corner of the spine – and some light notes on back.)

Possible matches38
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New John LewisJazz Abstractions ... LP
Atlantic, 1960. Very Good+ ... $4.99
Way more than just "abstractions" – as the set's a very focused batch of some of the larger ideas that John Lewis had about jazz – explored beautifully here away from the Modern Jazz Quartet! The album has Lewis working with frequent partner – and fellow third stream conceptualist – Gunther Schuller – and also features great guest work from Ornette Coleman on alto, Joe Wilder on trumpet, Jim Hall on guitar, and Scott LaFaro on bass – all very different talents at the forefront of jazz at the time, helping bring a wider range of voices than you might normally get on a John Lewis project. Titles include "Abstraction", "Variants On A Theme of Thelonious Monk", and "Piece For Guitar & Strings". LP, Vinyl record album
(Red & green label pressing.)

Possible matches39
CD, LP, Vinyl record album cover art
John LewisOdds Against Tomorrow – Original Soundtrack ... LP
United Artists, 1959. Sealed ... $14.99
Proof that the serious compositional intentions of MJQ member John Lewis could more than be fulfilled – and a nice dramatic score that features a few themes that would later be taken up more fully by Lewis' group. The set is mostly orchestral with jazz touches – featuring Lewis at the head of a large group of musicians that includes MJQ members Milt Jackson, Connie Kay, and Percy Heath – plus Jim Hall, Bill Evans, Tom McIntosh, Gunther Schuller, and Joe Wilder. Tracks are relatively short, and titles include "Games", "Social Call", "The Carousel Incident", "Skating In Central Park", "No Happiness For Slater", "How To Frame Pigeons", and "A Cold Wind Is Blowing". LP, Vinyl record album
(Sealed early pressing – nice and heavy!)

Possible matches40
CD, LP, Vinyl record album cover art
John LewisWonderful World Of Jazz (with bonus tracks) ... CD
Atlantic, 1960. Used ... $4.99
One of the best early albums cut by John Lewis as a leader – a set that's a fair bit different than John's work with the Modern Jazz Quartet – thanks to strong guest appearances from players who include Paul Gonsalves and Benny Golson on tenor sax, Eric Dolphy on alto, Jim Hall on guitar, and Herb Pomeroy on trumpet. Most of the tracks are a great mix of the mellow, introspective Lewis approach with some of the freer, more relaxed styles of the soloists – an approach that's slightly third stream, but which also has some of the great sounds and tones that Lewis forged on his Afternoon In Paris album with Sacha Distel. Titles include great versions of "Body & Soul" and "Afternoon In Paris", plus Lewis' classic "2 Degrees East, 3 Degrees West", as well as "I Should Care" and "I Remember Clifford". CD

Possible matches41
CD, LP, Vinyl record album cover art
New Gary McFarlandGary McFarland Orchestra – Featuring Special Guest Bill Evans ... LP
Verve, 1963. Very Good+ Gatefold ... $14.99
Great early work from Gary McFarland – much more serious than some of his whimsical bossa sides, but also a stunning example of the depths of his talents! The group on the session isn't really an "orchestra" – just a combo with Gary on vibes, Bill Evans on piano, Jim Hall on guitar, Phil Woods and Spencer Sinatra on reeds – plus some added strings. The tracks have the fragility of some of the collaborations between Bill Evans and Jim Hall – but also a bit more swing and space at times, and a wonderfully chromatic edge from McFarland's vibes! The feel's a bit like some of the work done by Gary over at Impulse – and titles include "Reflections In The Park", "Night Images", "Peachtree", "Tree Patterns", and "A Moment Alone". LP, Vinyl record album
(Cover has a small center split on the bottom seam.)

Possible matches42
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New Jack MontroseHorn's Full ... LP
RCA, 1958. Very Good+ ... $12.99
A great set, and one of the few obscure sides of west coast jazz from Jack Montrose (not to be confused with east coast player JR Montrose). Shorty Rogers supervised the session, and the album features some open-ended tracks done in quintet format that are similar to some of Shorty's best work for RCA in this mode. Jack heads up 2 different groups on the set – but they both have a vibes (Red Norvo) and guitar (Barney Kessel or Jim Hall) lineup that really gives the record an unusual sound for an LA cool jazz set at the time. Titles include "The Horn's Full", "Headline", "True Blue", "Solid Citizen", "Dark Angel", "This Little House", and "Rosanne". LP, Vinyl record album
(Cover has some wear.)

Possible matches43
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Gerry MulliganGerry Mulligan 63 – The Concert Jazz Band ... LP
Verve, 1963. Very Good ... $6.99
The sound of Gerry Mulligan in the early 60s – and one of the best records by his larger than usual Concert Jazz Band! Given Gerry's piano-less experiments of the 50s, it's surprising to actually have him as the pianist on this session – hitting the keys with a nice light touch, so that the larger horn section can take over most of the tunes – a beautifully-arranged ensemble who have a feel that's lighter than some of the groups of the 50s – such as the Kenton ensemble – yet one that's equally modern at times! The lineup is wonderful – with Clark Terry and Nick Travis on trumpets, Willie Dennis and Bob Brookmeyer on trombones, and Gene Quill, Gene Allen, and Eddie Caine on saxes – plus guitar from Jim Hall, bass from Bill Crow, and drums from Gus Johnson. Titles include "Big City Life", "Bridgehampton South", "My Kind Of Love", "Pretty Gypsy", "Bridgehampton Strut", and "Big City Blues". LP, Vinyl record album

Possible matches44
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New Greg OsbyInvisible Hand ... CD
Blue Note, 2000. Used ... $4.99
One of the most sophisticated albums to come from the funky reed talents of Greg Osby – one of Blue Note's biggest hopes of the past 10 years. Osby's moving way past the simple riffing of early days, and is working here with a sextet that includes the great Andrew Hill on piano, Jim Hall on guitar, and west coast reed legend Gary Foster on flute and alto. The overall sound is much different than some of Osby's other work, and the young player emerges as a strong and sensitive soloist, especially in the moments in which he's matching lines with Foster. Titles include "With Son", "The Watcher", "Ashes", "Sanctus", "Tough Love", and the lovely 60s soundtrack theme "Who Needs Forever". CD

Possible matches45
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Django ReinhardtJazz In Paris – Django's Blues ... CD
Universal (France), 1947. Used ... $5.99
Late recordings by the legendary Hot Club Of Paris – a selection of 15 titles that were all originally recorded as 78rpm singles, all remastered and wonderfully packaged in keeping with the Jazz In Paris standards! The recordings boast some especially great clarinet work by Hubert Rostaing – a player whose sound is as sublime as that of Django on the guitar! Many of the tunes are relatively spare, and feature clarinet and guitar interplay that hangs nicely in space – almost prefacing later 50s experiments by the team of Jimmy Guiffre and Jim Hall, but with a more traditional bent, of course. Titles include "Gipsy With A Song", "September Song", "Brazil", "Django's Blues", "Love's Mood", "I Love You", and "Moppin The Bride". CD

Possible matches46
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Zoot SimsBossa Nova Sessions ... CD
Colpix/West Side (UK), Early 60s. Used ... $13.99
While not as classic as the bossa sessions that Stan Getz cut for Verve, these early 60's sides by Zoot (for the Colpix label) are still pretty tasty groovers in the pop bossa vein that was sweeping the US at the time. Zoot lays down some nice easy solos over larger bossa arrangements, and Jim Hall joins the set on guitar. Hall's not as Braziliany as players like Joao Gilberto or Charlie Byrd, but he does the job nicely enough, and there's more than enough good moments on this nicely priced 17 track set. Titles include "Instant Samba", "Maria Ninguen", "Recado Bossa Nova", "Poquito Cantando", and "Cantada A Orquesta". CD
(Out of print.)

Possible matches47
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Zoot SimsNew Beat Bossa Nova Vol 1 ... LP
Colpix, Early 60s. Very Good ... $19.99
A great chapter in 60s bossa jazz – Zoot Sims "answer" to Stan Getz's bossa work on Verve – recorded in a similar jazz-meets-bossa style, with some great guitar work by Jim Hall! Zoot's solos are a bit tighter and not as laidback as Stan's – giving a more jazz-based sound to the work that makes for a nice change – and most of the tunes feature larger backings from Manny Albam and Al Cohn – never too over-arranged, but with enough of a full swinging sound to set things right. Hall's guitar works surprisingly well in the setting – and titles include "Barquinho De Papel", "Ciume", "Recado Bossa Nova (parts 1 & 2)", and "Cano Canoe". LP, Vinyl record album
(Gold label pressing, with deep groove.)

Possible matches48
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New Sonny StittStitt Plays Bird ... LP
Atlantic, 1963. Very Good+ ... $7.99
After years of staying free of comparisons with Charlie Parker, Sonny Stitt steps confidently into a set of compositions by the late, great one – sounding really wonderful in his own interpretations of these classics! The album's got the same simple and focused still as Stitt's best work on Roost – and although the compositions are all by Bird, the overall sound is still very much Sonny's own – especially given the wonderful sense of space and timing brought to some of the performances! The group's an unusual one, especially for Stitt – and features John Lewis on piano, Jim Hall on guitar, Richard Davis on bass, and Connie Kay on drums – all offering a slightly more modern take on Bird than might be expected – especially through the angular lines on Hall's guitar. Titles include "Ko Ko", "Confirmation", "Ornithology", "Parker's Mood", "Au Privave", and "Constellation". LP, Vinyl record album
(Red & green label pressing.)

Possible matches49
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New Herb Ellis & Jimmy GiuffreHerb Ellis Meets Jimmy Giuffre ... CD
Verve, 1959. Used ... Temporarily Out Of Stock
Forget every bias you have against Herb Ellis – because this is a heck of a great little record – thanks in no small part to saxophonist Jimmy Giuffre! The style here is in a nice space between Giuffre's earlier work at Capitol and some of the gentler sounds of his later trio sides for Verve and Atlantic – and the lineup features the fuller horn lineup of the post-Four Brothers years, but also makes the instruments step out slowly and spaciously, using Ellis' guitar in a way that's not unlike Jim Hall's sound in Giuffre's later trio. Other players include Bud Shank, Art Pepper, Richie Kamuca, and Jim Hall (on rhythm guitar) – and titles include "A Country Boy", "My Old Flame", "Goose Grease", "You Know", "Remember", and "Patricia". CD
(Out of print Verve Master Edition.)

Possible matches50
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New Jimmy Giuffre 3Easy Way ... LP
Verve, 1959. Used ... Temporarily Out Of Stock
The Easy Way? Jimmy Giuffre never did anything the easy way – and his classic albums from the late 50s, some of the strongest modern jazz sides of the time, are a great testament to that fact! This album's one of the most obscure – and features Jimmy in his groundbreaking percussion-less trio mode – blowing tenor, clarinet, and baritone in a group with Jim Hall on guitar and Ray Brown on bass. The notes hang magically in air – still quite rhythmic, despite the freedom of the setting, but also stretching forth in an unfettered style that set the stage for countless jazz experiments to come. Titles include "Montage", "Time Enough", "Off Center", "A Dream", "Ray's Time", and "Careful". LP, Vinyl record album
(Verve Inc pressing, with deep groove, stereo. Cover is nice overall, and has a few inches of wear on the spine.)

Possible matches51
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New Bill EvansPeace Piece & Other Pieces ... LP
Riverside/Milestone, 1958/1959/1962. Used 2LP Gatefold ... Out Of Stock
Nice Milestone 2-fer collected and remastered in 1975, of the Riverside LP Everybody Digs Bill Evans, an unreleased trio side and one outtake from the Interplay sessions. The first set finds Bill in his typical piano trio setting, joined by Sam Jones and Philly Joe Jones, but has several of his moody piano solos, the other format that he really shined in: "Lucky To Be Me", "Peace Piece" and Epilogue". The rest of the set bounces along nicely, with the light feel we dig so much about his trios, as does the later half of the LP, which is with Paul Chamber and Phily Joe. The last piece, "Loose Bloose", is a different take than the one included onteh Interplay 2-fer Milestone issued around this time, with Zoot Sims and Jim Hall in a not-often-heard quintet setting, that works surprisingly well. Also includes "Oleo", "Young & Foolish", "You And The Night And Music" and "Green Dolphin Street". LP, Vinyl record album
(Cover has some edge wear.)

Possible matches52
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New Art FarmerInteraction ... CD
Atlantic (Japan), 1963. New Copy ... Out Of Stock
A magnificent set from the team of Art Farmer and Jim Hall – one of those rare pairings in jazz that somehow comes off sounding even way better than the sum of its parts – and that's saying a lot, given that the parts here are already pretty darn great! Farmer's flugelhorn and Hall's guitar create these wonderful shapes in sound – softly coming together with a vibe that's very modern, yet also soulful – gently swinging while still experimenting – with a combination that's completely wonderful! Think of Bob Brookmeyer and Clark Terry, or Bill Evans and Jim Hall – and you'll be somewhere in the territory of these magically unique sounds – augmented with some gentle rhythm work by Steve Swallow on bass and Walter Perkins on drums. Titles include "By Myself", "Days Of Wine & Roses", "Sometime Ago", and "My Kinda Love". CD

Possible matches53
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New Modern Jazz QuartetThird Stream Music ... LP
Atlantic, 1957. Used ... Out Of Stock
A seminal album that defined the fresh sound of a whole new generation in jazz – that "third stream" movement that was different from the cool jazz of the west coast, and the fire of New York! The style here follows that same mix of jazz and higher-concept elements you'd hear on other Modern Jazz Quartet albums for Atlantic – but the music is expanded here with some great help from outside parties too. The Jimmy Giuffre trio join the quartet on most of side one – adding in Jimmy's snakey clarinet and Jim Hall's fluid guitar lines for a really fresh take on the MJQ groove. The remainder of the album brings in the Beaux Arts String Quartet – who shade in the mix of vibes and piano with these dark strains that are really beautiful – and bring even more drama than usual to the music. Titles include "Da Capo", "Fine", "Exposure", "Sketch", and "Conversation". LP, Vinyl record album
(Red & green label pressing. Cover has a cutout notch.)

Possible matches54
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New Paul DesmondBossa Antigua (with bonus tracks) ... CD
RCA, 1965. New Copy ... Out Of Stock
The team of Paul Desmond and Jim Hall was one of the best ideas ever forged in American jazz of the 60s – and the icy pair are perfect company together on this album of bossa-inflected tracks with a very cool edge! The album allows Desmond's alto to take on a warmth and flowing quality it never had in the Dave Brubeck group – and Hall's guitar work, while a masterpiece of understatement, brings in just the right amount of ringing tone to echo out the brilliance of Desmond's ideas. Gene Wright and Connie Kay complete the group, and titles include "O Gato", "Samba Cantina", "Girl From East 9th", "Ship Without A Sail", and "Bossa Antigua". Plus, this excellent CD reissue features 2 bonus tracks – the groovy "Samba Cepeda" and an alternate take of "O Gato". CD

Possible matches55
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New Paul DesmondTake Ten (plus bonus tracks) ... CD
RCA, 1963. New Copy ... Out Of Stock
That's "Take Ten", not "Take Five" – a great title cut that echoes Paul Desmond's previous work with Dave Brubeck – but which then gives way quickly to some sweet bossa-styled grooves done with guitar from Jim Hall! The album's one of the strongest of the Hall/Desmond collaborations for RCA – A sublime showcase not just for Paul's impeccable alto, but also for the amazing tones and chromes that fly freely from the strings of Jim's guitar! Both players are set up with just a bit of gentle backing – light percussion from Connie Kay, and a bit of bass from Gene Cherico or Gene Wright. The whole thing's a well-conceived study in economy, as the two players craft sly and subtle lines around spare drum and bass backings – slowly hanging sound in space to weave a rich web of sound that's as compelling as it seems to be effortless! Titles include "Take Ten", "El Prince", "Embarcadero", "Samba De Orfeu", "Theme From Black Orpheus", and "Alone Together". CD also features alternate takes of "Embarcadero" and "El Prince". CD

Possible matches56
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New Terumasa HinoTrans-Blue ... CD
Sony (Japan), 1984. New Copy ... Out Of Stock
Terumasa Hino's looking a bit cheesy on the cover of this one – but the record's hardly the slick 80s affair you might expect – and instead is a great session of ballads and more gentle numbers, recorded in the US with full string backings and a warmly sensitive approach to the music! There's a depth here that goes beyond most of Hino's other work of the decade – an approach to the tunes that reminds us a bit of Art Farmer or Freddie Hubbard in a similar setting – with warmly lyrical lines undercut with a slight hint of sadness – that "blue" reference in the title and cover image. Hino plays cornet with a core group that includes Jim Hall on guitar, Kenny Kirkland on piano, Eddie Gomez on bass, and Grady Tate on drums – plus a bit of vocals – and strings are arranged by David Nadian. Titles include "Greensleeves", "Black Orpheus", "Alone Alone & Alone", "Nature Boy", and "Lush Life". CD
(Blue Spec CD2.)

Possible matches57
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New Sonny RollinsWhat's New? ... LP
RCA, 1962. Used ... Out Of Stock
A very unique album from Sonny Rollins – one that features him blowing tenor over some Latin-based rhythms that have a tight uptempo feel. The core group on the album features Jim Hall on guitar, Bob Cranshaw on bass, and Ben Riley on drums – but they're augmented by larger arrangements that mix together bossa nova and calypso rhythms, which forge a surprisingly great background for Rollins' gutsy tenor. Although it's easy to dismiss the record as a throwaway cash-in affair on the Latin boom of the early 60s – Rollins actually handles himself wonderfully, and the longer-than-usual tracks on the album show a whole new side of his talents that were later reprised on Latin sessions during the 70s. Titles include "Bluesongo", "Jungoso", "The Night Has A Thousand Eyes", and "Brownskin Girl". LP, Vinyl record album
(Black label pressing with deep groove. Cover has a split top seam and mostly split bottom seam which are held with some clear tape, an address sticker and a name in pen.)

Possible matches58
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New VariousColor & Light – Jazz Sketches On Sondheim ... CD
Sony, 1995. Used ... Out Of Stock
Includes performances by Herbie Hancock, Nancy Wilson, Grover Washington Jr., Jim Hall, Peabo Bryson, and Terence Blanchard. CD
 
Partial matches: 23
Partial matches59
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Donald ByrdFancy Free ... CD
Blue Note (Japan), 1969. New Copy ... $18.99
One of the coolest, grooviest 60s albums from trumpeter Donald Byrd – one that has him really reaching out for a hip new sound, but in ways that are different than most of his other material at the time! Key on the date is the placement of electric piano from Duke Pearson – played in this open, flowing style that has all the best hallmarks of Pearson's own work on the instrument for his sessions – yet balanced nicely with the bolder punch of Byrd's trumpet as well. Donald's quite far from any Miles Davis cliches on this one – no too-dark electric modes at all – and instead, the album's got this sense of lyrical soulfulness that we've maybe never heard this strongly again on any of Byrd's other albums. Other players include Frank Foster on tenor, Jerry Dodgion and Lew Tabackin on flute, Julian Priester on trombone, Jimmy Ponder on guitar, and either Idris Muhammad or Joe Chambers on drums. All tracks are nice and long, and very fresh – and include "Weasil", "I Love the Girl", "Fancy Free", and "The Uptowner". CD
(SHMCD.)

Partial matches60
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Miles DavisLive Miles – More Music From The Legendary Carnegie Hall Concert ... CD
Columbia, 1961. Used ... $2.99
Extra material from the 1961 date at Carnegie Hall, an astounding live set that featured Miles in a transitional quintet with Hank Mobley, Wynton Kelly, Paul Chambers and Jimmy Cobb, and also with the Gil Evans Orchestra. The performance is rendered with a subtle grace, an excellent portrait of Miles at a pivotal point in his career, moving on from his early command of bop and explorations of the cool, but not yet exploding his sound altogether with the modal approach that he would soon adopt. Side one features "Concierto De Anranjuez", and side two features "Teo", 'Walkin" and "I Thought About You". CD
(Out of print.)

Partial matches61
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Jimmy GiuffreMusic Man ... LP
Atlantic, Late 50s. Very Good+ ... $3.99
The Music Man, made different – thanks to very fresh arrangements from Jimmy Giuffre – heard here in one of his few large group sessions for Atlantic Records! The music is all from the score of the famous show, but Giuffre really reworks things with some sharp modern jazz edges – inventive rhythms from bassist Wendell Marshall and drummer Ed Shaugnessy – and no use of piano at all, which allows for plenty of free play in the horn section – which features Giuffre on tenor, clarinet, and baritone – plus Al Cohn and Eddie Wasserman on tenor, Joe Wilder and Phil Sunkel on trumpets, and Sol Schlinger on baritone sax. Without any vocals, and with Jimmy's unique structures, these tunes take on some very fresh styles – and titles include "Marian The Librarian", "The Wells Fargo Wagon", "Iowa Stubborn", "Gary Indiana", and "It's You". LP, Vinyl record album
(Original black label pressing.)

Partial matches62
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Lionel HamptonFabulous Lionel Hampton & His All Stars ... LP
Concert Hall (France), 1956. Very Good+ ... $8.99
Features Lucky Thompson on tenor, Jimmy Cleveland on trombone, Ray Copeland on trumpet, and the great Oscar Dennard on piano! LP, Vinyl record album
(60s UK pressing.)

Partial matches63
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Eddie HigginsEddie Higgins ... LP
Vee Jay, 1961. Very Good ... $6.99
Early genius from Eddie Higgins – a pianist who was a big thing on the Chicago scene of the 60s, but is probably best known to most folks for his revival records of the past decade or two! The younger Higgins has more of an edge than the later one – and this self-titled debut is a cooker of a hardbop album – thanks not only to work from Eddie's core trio, but also some great horn interplay from Frank Foster on tenor and Paul Seranno on trumpet! Eddie wrote some of the best cuts on the record – some really fresh numbers – and he gets rhythmic help from either Richard Evans or Jim Atlas on bass, and Marshall Thompson on drums. Higgins titles include "Foot's Bag", "Zarac The Evil One", and "AB's Blues" – and the album also features versions of "Blues For Big Scotia" and "Falling In Love With Love". LP, Vinyl record album
(Rainbow label pressing with deep groove. Cover has a sticker and some pencil on back.)

Partial matches64
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Charles MingusJazz Workshop Concerts 1964/1965 (7CD set) ... CD
Mosaic, 1964/1965. New Copy 7 CDs ... $118.99 119.00
Key moments in the career of Charles Mingus – all recorded during the crucial years of 1964 and 1965, and featuring the first-time release of a fair bit of live material too! The set represents the first full presentation of recordings that have appeared piecemeal on a handful of obscure releases – self-released records from Mingus himself – Town Hall, My Favorite Quintet, and Music Written For Monterey – all really expanded here with the full recordings of the tracks, and unreleased titles provided from the original tapes! Mingus was really on fire during these years – severed from most of his bigger label associations, and freely working on some of his most inventive ideas with various smaller groups of players – all fresh young talents who were key interpreters of Charles' ideas – including Johnny Coles and Lonnie Hillyer on trumpet, Jimmy Owens on trumpet and flugelhorn, Charles McPherson on alto sax, Clifford Jordan on tenor, Jaki Byard on piano, Eric Dolphy on alto, flute, and bass clarinet. The stalwart Dannie Richmond is on drums, and the sides represent some of Dolphy's last, and most important recordings on the planet – recordings done at Town Hall and in Amsterdam in April of 1964 – in addition to live material at Monterey in 1964 and 1965, in Minneapolis in May of 1965. Tracks are all quite long – some pushing the half-hour timing – and as with the best live Mingus, there's variations here that go way past any studio readings – really incredible solo flights that are still beautifully integrated with the ideas of the main group. Titles include "So Long Eric", "Orange Was The Color Of Her Dress Then Blue Silk", "Mingus Piano Solo", "Bird Preamble", "Themeless Blues", "Copa City Titty", "A Lonely Day In Selma", "Cocktails For Two", "Praying With Eric", "Parkeriana", "ATFW", "Meditations On A Pair Of Wire Cutters", and "Meditations On Integration". 7CDs, limited edition, and with a great book of notes too! CD

Partial matches65
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Charles MingusMingus Ah Um (2CD Legacy edition – with Mingus Dynasty album and bonus tracks) ... CD
Columbia, 1959. Used 2CD ... $14.99
One of Charles Mingus' true classics – and an essential album in any jazz collection! This 1959 gem was recorded by Mingus at a key point in his career – when he was rising from the jazz underground into the ranks of America's elite jazzmen, penning some of the most challenging work of his career, and working with incredible younger players that interpreted his work with a great deal of fire! The tracks are a bit more tightly arranged than work on some of Mingus' previous work for labels like Atlantic and Bethlehem, but that also gives them a razor-sharp emotional edge that's carried off perfectly by players who include John Handy and Shafi Hadi on alto saxes, Booker Ervin on tenor, Willie Dennis and Jimmy Knepper on trombones, Horace Parlan on piano, and Dannie Richmond on drums. The album is filled with key Mingus classics – like "Better Git It In Your Soul", "Boogie Stop Shuffle", "Goodbye Pork Pie Hat", and "Fables of Faubus" – plus "Self Portrait In Three Colors", "Open Letter To Duke", and "Bird Call". 2CD set also features the full Mingus Dynasty album – plus bonus tracks from both records, and a few alternates from Ah Um! There's a whopping 25 tracks on the whole set – beautifully packaged, with great notes too. CD
Also available Mingus Ah Um (with bonus tracks) ... CD 2.99

Partial matches66
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New Charles MingusMingus Ah Um (with bonus tracks) ... CD
Columbia, 1959. Used ... $2.99
One of Charles Mingus' true classics – and an essential album in any jazz collection! This 1959 gem was recorded by Mingus at a key point in his career – when he was rising from the jazz underground into the ranks of America's elite jazzmen, penning some of the most challenging work of his career, and working with incredible younger players that interpreted his work with a great deal of fire! The tracks are a bit more tightly arranged than work on some of Mingus' previous work for labels like Atlantic and Bethlehem, but that also gives them a razor-sharp emotional edge that's carried off perfectly by players who include John Handy and Shafi Hadi on alto saxes, Booker Ervin on tenor, Willie Dennis and Jimmy Knepper on trombones, Horace Parlan on piano, and Dannie Richmond on drums. The album is filled with key Mingus classics – like "Better Git It In Your Soul", "Boogie Stop Shuffle", "Goodbye Pork Pie Hat", and "Fables of Faubus" – plus "Self Portrait In Three Colors", "Open Letter To Duke", and "Bird Call". CD features 3 rare bonus tracks – "GG Train", "Girl Of My Dreams", and "Pedal Point Blues" – and also features 4 tracks presented here in their full versions, not the edited ones that appeared on the original LP. CD
Also available Mingus Ah Um (2CD Legacy edition – with Mingus Dynasty album and bonus tracks) ... CD 14.99

Partial matches67
CD, LP, Vinyl record album cover art
New Pee Wee RussellAsk Me Now! ... LP
Impulse, 1965. Near Mint- Gatefold ... $19.99
A record that will blow your mind – way different than you might expect from the cover! Sure, Pee Wee was a bit of a traditionalist on his instrument – the clarinet – but he's working here in a starkly modern way that almost recalls some of the best 50s work of Jimmy Guiffre, or some of the earlier sides by Steve Lacy. There's still a swing-based approach to the tunes, but they're handled in a spare style that features equal interplay between Russell, trombonist Marshall Brown, bassist Russell George, and drummer Ronnie Bedford – a great player who really makes the album sparkle! The tracks include a couple of Thelonious Monk titles – "Ask Me Now!" and "Hackensack" as well as a couple of Marshall Brown originals – "Licorice Stick" and "Calypso Walk". Other titles are Ornette Coleman's "Turnaround", Coltrane's "Some Other Blues" and Ellington's "Prelude To A Kiss". LP, Vinyl record album
(Rainbow label pressing. Cover has a cut corner and light wear.)

Partial matches68
CD, LP, Vinyl record album cover art
Jack TeagardenJack Teagarden – Jazz Great ... CD
Bethlehem/Solid (Japan), 1954. New Copy ... $9.99
The album definitely lives up to the title, and features the mighty Jack Teagarden in a number of small group settings – all with a straight ahead punch that gets away from some of the gimmicks of his other 50s sessions! Teagarden's trombone is still one of the sharpest instruments of his generation of jazz – and Jack works here with a mix of players that includes Jimmy McPartland on trumpet, Edmond Hall on clarinet, Dick Cary on piano, Walter Page on bass, and Jo Jones on drums. Most arrangements are by Cary – and Jack sings just a bit, in that wonderfully raspy style of his. Titles include "Misery & The Blues", "Bad Acting Woman", "Meet Me Where They Play The Blues", "Music To Love By", and "High Society". CD
Also available Jack Teagarden – Jazz Great ... LP 18.99

Partial matches69
CD, LP, Vinyl record album cover art
Jack TeagardenJack Teagarden – Jazz Great ... LP
Bethlehem, 1954. Very Good ... $18.99
The album definitely lives up to the title, and features the mighty Jack Teagarden in a number of small group settings – all with a straight ahead punch that gets away from some of the gimmicks of his other 50s sessions! Teagarden's trombone is still one of the sharpest instruments of his generation of jazz – and Jack works here with a mix of players that includes Jimmy McPartland on trumpet, Edmond Hall on clarinet, Dick Cary on piano, Walter Page on bass, and Jo Jones on drums. Most arrangements are by Cary – and Jack sings just a bit, in that wonderfully raspy style of his. Titles include "Misery & The Blues", "Bad Acting Woman", "Meet Me Where They Play The Blues", "Music To Love By", and "High Society". LP, Vinyl record album
(Deep groove red label pressing. Cover has a small rip in one corner, and some splitting on the spine – but is nice overall.)
Also available Jack Teagarden – Jazz Great ... CD 9.99

Partial matches70
CD, LP, Vinyl record album cover art
VariousDelmark 40th Anniversary ... CD
Delmark, Late 50s/1960s/1970s/1980s/Early 90s. Used ... $3.99
Tracks by Jimmy Forrest, Malachi Thompson, Eric Alexander, Joseph Jarman, Jim Cooper, John Young, Ira Sullivan, Roscoe Mitchell, Jodie Christian, Art Hodes, Lin Halliday, Mike Smith, and Zane Massey. CD
(Out of print.)

Partial matches71
CD, LP, Vinyl record album cover art
VariousMusic Of New Orleans Vol 3 – Music Of The Dance Halls ... LP
Folkways, Late 50s. Very Good+ ... $13.99
Field recordings done by Samuel Charters – with work by Jimmy Clayton, Emile Barnes, and Billy & Dee Dee Pierce! LP, Vinyl record album
(Includes booklet.)

Partial matches72
CD, LP, Vinyl record album cover art
New Gene Ammons & James MoodyChicago Concert ... CD
Fantasy/OJC, 1971. Used ... Temporarily Out Of Stock
Late great work from Ammons – an album done at the time of his funk sides for Prestige, but recorded in the style of his earlier years in Chicago! The session's a laidback set of soulful solo-heavy work – recorded as part of a hip series of shows at the North Park Hotel, with a local rhythm trio that includes Jodie Christian on piano, Cleveland Eaton on bass, and Marshall Thompson on drums. James Moody joins Ammons in the frontline, and the set's got the best electric feel that you'd hear if you were lucky enough to catch either player in a small club date in the early 60s. Loads of very imaginative solo work in the best Chicago tenor tradition – with titles that include "Work Song", "Jim Jam Jug", "Have You Met Miss Jones", and "C Jam Blues". Plus, CD features a special bonus track – a 14 minute version of "Yardbird Suite". CD
(Out of print.)

Partial matches73
CD, LP, Vinyl record album cover art
New Miles DavisMiles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 ... LP
Columbia, 1961. Used ... Temporarily Out Of Stock
Sparkling live work from Miles Davis – and a set that captures both sides of his talents on Columbia at the time! Half the material features a smoking quintet – with Hank Mobley on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and the other half of the date features a larger orchestra led by Gil Evans – in the modern mode that make the Miles/Evans collaborations sound so great on some of the pair's studio records! Together, the material offers up a beautiful live portrait of Davis' early 60s genius – allowed a bit more space to roam in the live setting, on titles that include "So What", "New Rhumba", "Lament", and "No Blues" – all taken at a bit of a faster clip than in the studio, as Miles was wont to do in a live performance! LP, Vinyl record album
(70s pressing.)

Partial matches74
CD, LP, Vinyl record album cover art
New Edmond HallPetite Fleur ... CD
United Artists/Mighty Quinn, 1959. Used ... Temporarily Out Of Stock
A compelling comeback set for clarinetist Edmond Hall – cut in 1959 when Chris Barber was enjoying a hit with a remake of Sidney Bechet's "Petite Fleur", which provided for a nice opportunity to get Hall back in the studio for a date under the same name! The record's got a lot more freedom than some of Hall's earlier work – with a few key longer tracks that expand upon the trad styles of earlier records, and some exceptional production that brings out the best strengths in all players. Hall's working here with Vic Dickenson, Ellis Larkins, Emmett Berry, Milt Hinton, and Jimmie Crawford – and titles include a great 9 minute "Ellington Medley", an 8 minute original titled "Off The Road", and the tunes "Don't Give Me Sympathy", "Adam & Evie", "Clarinet Marmalade", "Edmond Hall Blues", and "Petite Fleur". CD

Partial matches75
CD, LP, Vinyl record album cover art
New Heath BrothersJazz Family ... CD
Concord, 1998. Used ... Temporarily Out Of Stock
The Heath Brothers groove is nicely expanded by a set of added horns – all of whom bring a nice sense of fullness to the tracks, in a way that recalls some of Jimmy Heath's best arranging styles from years back! Jimmy's in the frontline on tenor and soprano sax, joined by Percy Heath on acoustic bass and cello, and Albert Heath on drums and percussion – and the rest of the combo features piano by Jeb Patton, trombone from Benny Powell, and 5 other brass players who deepen the tones and colors of the tunes quite nicely. There's a great choice of songs here too – a fair bit of Heath-penned tracks that show the thoughtful writing of Jimmy and his brothers – on tracks that include "A Harmonic Future", "I'm Lost", "13th House", "Move To The Groove", and "Three At Last" – plus a great take on Kenny Dorham's "None Shall Wander". CD

Partial matches76
CD, LP, Vinyl record album cover art
New Bennie GreenHornful Of Soul ... CD
Bethlehem/Solid (Japan), 1960. New Copy ... Out Of Stock
A killer of an album from one of the best hardbop trombonists of the 50s! This side's always been wickedly hard to find, and it comes from that later period when the Bethlehem label was cutting records that had a lot more of a soulful groove than earlier years. Bennie's playing with a hip group of underground players that includes Jimmy Forrest on tenor, Lem Davis on alto, and Skip Hall on organ – and although the tracks are short, they've got a fire that gets the job done in double-time, and which makes you think you're hearing some session on Prestige. Titles include "Catwalk", "Dee Dee", "Dibblin & Dabblin", and "Groove One". CD

Partial matches77
CD, LP, Vinyl record album cover art
New Charles MingusMingus Ah Um (Columbia Jazz Masterpieces) ... LP
Columbia, 1959. Used ... Out Of Stock
One of Charles Mingus' true classics – and an essential album in any jazz collection! This 1959 gem was recorded by Mingus at a key point in his career – when he was rising from the jazz underground into the ranks of America's elite jazzmen, penning some of the most challenging work of his career, and working with incredible younger players that interpreted his work with a great deal of fire! The tracks are a bit more tightly arranged than work on some of Mingus' previous work for labels like Atlantic and Bethlehem, but that also gives them a razor-sharp emotional edge that's carried off perfectly by players who include John Handy and Shafi Hadi on alto saxes, Booker Ervin on tenor, Willie Dennis and Jimmy Knepper on trombones, Horace Parlan on piano, and Dannie Richmond on drums. The album is filled with key Mingus classics – like "Better Git It In Your Soul", "Boogie Stop Shuffle", "Goodbye Pork Pie Hat", and "Fables of Faubus" – plus "Self Portrait In Three Colors", "Open Letter To Duke", and "Bird Call". LP, Vinyl record album
(Cover has a Factory Sealed sticker.)

Partial matches78
CD, LP, Vinyl record album cover art
New Charles MingusMingus Ah Um (180 gram pressing) ... LP
Columbia, 1959. New Copy (reissue)... Out Of Stock
One of Charles Mingus' true classics – and an essential album in any jazz collection! This 1959 gem was recorded by Mingus at a key point in his career – when he was rising from the jazz underground into the ranks of America's elite jazzmen, penning some of the most challenging work of his career, and working with incredible younger players that interpreted his work with a great deal of fire! The tracks are a bit more tightly arranged than work on some of Mingus' previous work for labels like Atlantic and Bethlehem, but that also gives them a razor-sharp emotional edge that's carried off perfectly by players who include John Handy and Shafi Hadi on alto saxes, Booker Ervin on tenor, Willie Dennis and Jimmy Knepper on trombones, Horace Parlan on piano, and Dannie Richmond on drums. The album is filled with key Mingus classics – like "Better Git It In Your Soul", "Boogie Stop Shuffle", "Goodbye Pork Pie Hat", and "Fables of Faubus" – plus "Self Portrait In Three Colors", "Open Letter To Duke", and "Bird Call". LP, Vinyl record album
Also available
Mingus Ah Um (with bonus tracks) ... CD 2.99
Mingus Ah Um (2CD Legacy edition – with Mingus Dynasty album and bonus tracks) ... CD 14.99

Partial matches79
CD, LP, Vinyl record album cover art
New Jimmy RaneyA ... CD
Prestige (Japan), 1954. New Copy ... Out Of Stock
A simple title, but a great little record – one that offers up Jimmy Raney's guitar in all its best early tone – a sound on the instrument that few other players could match at the time! Raney's guitar was always a bit earthier than some of his 50s contemporaries like Johnny Smith and Tal Farlow – and in an era where the electric guitar could sometimes be played in a style that made you forget that there was actually a guy on the other end of those strings, a record like this really stands out! We're not saying that Raney's tone isn't great, because it is – ringing out with a bright, bell-like mode at times – but it's also a bit more personal too. Other players include Hall Overton on piano, John Wilson on trumpet, and Teddy Kotick on bass – and titles include "Double Image", "On The Square", "Some Other Spring", "Minor", "A Foggy Day", and "Cross Your Heart". CD
(SHMCD pressing.)

Partial matches80
CD, LP, Vinyl record album cover art
New Donald ByrdFancy Free ... CD
Blue Note, 1969. Used ... Out Of Stock
One of the coolest, grooviest 60s albums from trumpeter Donald Byrd – one that has him really reaching out for a hip new sound, but in ways that are different than most of his other material at the time! Key on the date is the placement of electric piano from Duke Pearson – played in this open, flowing style that has all the best hallmarks of Pearson's own work on the instrument for his sessions – yet balanced nicely with the bolder punch of Byrd's trumpet as well. Donald's quite far from any Miles Davis cliches on this one – no too-dark electric modes at all – and instead, the album's got this sense of lyrical soulfulness that we've maybe never heard this strongly again on any of Byrd's other albums. Other players include Frank Foster on tenor, Jerry Dodgion and Lew Tabackin on flute, Julian Priester on trombone, Jimmy Ponder on guitar, and either Idris Muhammad or Joe Chambers on drums. All tracks are nice and long, and very fresh – and include "Weasil", "I Love the Girl", "Fancy Free", and "The Uptowner". CD
(Out of print.)

Partial matches81
CD, LP, Vinyl record album cover art
New Beaver Harris & The 360 Degree Music ExperienceFrom Rag Time To No Time ... LP
360 Degrees, 1974. Used ... Out Of Stock
Hardly any ragtime here – despite the title – and instead, the album's one of the greatest ever from drummer Beaver Harris – cut with his ultra-hip 360 Degree Music Experience group! The title is somewhat accurate in that the record brings together a long history of jazz-based expression – almost a century's worth of music, served up by Harris and the group members with the same fluid sensibility as Jaki Byard in his best work, although Byard was never this ambitious! The ensemble is somewhat large, but really comes together well – with an impressive range of artists who include Doc Cheatham on trumpet, Marshall Brown on trombone, Dave Burrell on piano, Keith Marks on flute, Cecil McBee and Jimmy Garrison on bass, and Maxine Sullivan and Bill Willingham on vocals. The album's sort of a mini-history of jazz, but one that's hardly hokey at all – and which usually veers towards Harris' more righteous modes of the 70s, even when hitting older styles. Sullivan is especially great – singing here as a sophisticated soul jazz diva of the 70s, and hardly the older-styled singer we might expect. A few moments are stripped down and percussive – and other odd instrumentation includes a bit of sitar and steel drums. Titles include "It's Hard To But We Do", "I Wish I Knew", "Can There Be Peace?", "Down In Brazil", "African Drums", and "Round Trip". LP, Vinyl record album
(Cover has a cut corner, edge wear, and clear tape on the top seam.)
 
 
 



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