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Jim Hall

 

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Exact matches: 15
Exact matches1
CD, LP, Vinyl record album cover art
Ron Carter & Jim HallTelephone ... CD
Concord (Japan), 1984. New Copy ... $13.99
Guitarist Jim Hall is a player who's always realized he sounds best in a small, intimate setting – whether in his 50s trio recordings with Jimmy Giuffre, or his 60s classics with Bill Hall, or his 70s experiments with bassist Ron Carter – and this live date for Concord really revives the latter, by bringing together two of the most sensitive string players in jazz for a really wonderful performance! The liveness of the setting – an introductory announcement, and some occasional applause – sometimes reminds us that the pair aren't off in a small room, creating magic on their own – but the overall focus of the material and the players' very careful sound still create this deeply personal sound that really holds us breathless. Some tracks are nice and long – and titles include "Telephone", "Indian Summer", "Chorale & Dance", "Candlelight", and "Two's Blues". CD

Exact matches2
CD, LP, Vinyl record album cover art
New Paul Desmond with Jim HallDesmond Blue (First Editions Series – with bonus tracks) ... CD
RCA/BMG, 1962. New Copy ... $5.99 6.99
A cool jazz classic from altoist Paul Desmond and guitarist Jim Hall! The album was recorded under Desmond's name, but Hall's the guitarist throughout, and his playing lends an indescribably wonderful edge to the set, making the album a real team effort! Unlike other RCA sides by Hall and Desmond, this one features the pair with larger string backings by Bob Prince, which create a dreamy pillow for alto and guitar to solo across. Titles include the Desmond originals "Late Lament" and "Desmond Blue" – plus "Ill Wind", "My Funny Valentine", and "Like Someone In Love". CD features 7 bonus tracks – masters and alternates, but tunes not on the album, including "Autumn Leaves", "Imagination", and "Advise & Consent". New notes, and extra photos too! CD

Exact matches3
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Charlie Haden & Jim HallCharlie Haden/Jim Hall ... CD
Blue Note/Impulse, 1990. New Copy ... $13.99 14.98
Beautiful duets between guitarist Jim Hall and bassist Charlie Haden – recorded here in a previously-unissued live date from 1990 – with sublime sound throughout! Both players really open up when given the right sort of space – and find wonderful harmony together here – ways of brilliantly augmenting the strengths of each other, while also allowing for plenty of individual expression as well. The tracks are all quite long, and the record has this mellifluous quality that makes it a real standout in the catalog of both artists – a great reminder of Haden at his most intimate, and one of a handful of important duo recordings from Hall. Titles include "Down From Antigua", "First Song", "Turnaround", "Bemsha Swing", "In The Moment", "Skylark", and "Big Blues". CD

Exact matches4
CD, LP, Vinyl record album cover art
Jim HallJazz Guitar ... CD
Pacific Jazz/Universal (Japan), 1957. New Copy ... $13.99
A rare early trio set from Jim Hall – especially noteworthy because Jim rarely worked in the format as a leader! The album's got Hall working with Carl Perkins on piano and Red Mitchell on bass – in a mode that slightly recalls some of Barney Kessel's mid 50s recordings over at Contemporary Records, but which also has that airier style that was Hall's first great calling card on his instrument. Some of the best cuts really have the notes hanging in air with incredible grace and a very subtle sense of swing – and titles include "This Is Always", "Look For The Silver Lining", "Stella By Starlight", "Deep In A Dream", "Seven Come Eleven", and "Thanks For The Memory". CD

Exact matches5
CD, LP, Vinyl record album cover art
Jim HallLive At Town Hall Vol 1 ... CD
Music Masters/BMG, 1991. Used ... $6.99
CD
(Out of print.)

Exact matches6
CD, LP, Vinyl record album cover art
Jim Hall & Red MitchellJim Hall Guitar/Red Mitchell Bass ... LP
Artists House, 1978. Very Good+ Gatefold ... $6.99
An overlooked gem from the sublime Artists House series of the 70s – a rare chance to hear Jim Hall in a really stripped-down setting! The record features spare duets between Hall's guitar and the acoustic bass of Red Mitchell – both players who worked together on the LA scene of the 50s, but who've matured tremendously here, and really know how to take advantage of a setting like this. Hall's well-pointed notes are always a treat in this sort of format, but Mitchell's also especially nice – playing with warmly-rounded tones that are really great. Titles include "Big Blues", "Waltz New", "Fly Me To The Moon", "Blue Dove", and "Osaka Express". LP, Vinyl record album

Exact matches7
CD, LP, Vinyl record album cover art
Billie & De De Pierce/Jim Robinson's New Orleans BJazz At Preservation Hall 2 ... CD
Atlantic (Japan), 1962. Used ... $9.99
Some of the best-recorded work to ever come from the Preservation Hall scene in New Orleans – one of Atlantic Records' great 60s albums of material from the legendary venue! Side one features a small combo led by trombonist Jim Robinson – a group with a great gutbuckety groove, thanks to banjo, bass, and drums on the rhythms – and graces with some especially nice clarinet by Louis Cottrell in the lead with Jim. Titles include "Gettysburg March", "You Tell Me Your Dream", and "My Bucket's Got A Hole In It". Side two features the classic group of trumpeter Joseph De De Pierce and pianist Billie Pierce – in a lineup that has George Lewis on clarinet and Louis Nelson on trombone. Titles include "Shine", "San", "Ciribiribin", and "Shake It & Break It". CD
(Includes obi.)

Exact matches8
CD, LP, Vinyl record album cover art
New Bill Evans & Jim HallIntermodulation ... CD
Verve, 1966. Used ... Temporarily Out Of Stock
A magnificent follow up to the Undercurrent album from the team of Bill Evans and Jim Hall – and like that one, a set that features amazing interplay between piano and guitar! Hall's guitar has never sounded better – and in the airy company of Evans, it takes on many of the same qualities as on his famous late 50s recordings in the Jimmy Guiffre trio. Bill's work is great too – almost more tonally focused than before, with perfectly chosen notes that resonate beautifully in this very spare space. Titles include "Jazz Samba", "All Across The City", "Angel Face", and "Turn Out The Stars". CD

Exact matches9
CD, LP, Vinyl record album cover art
New Jim HallIt's Nice To Be With You – Jim Hall In Berlin ... CD
MPS/Edel (Germany), 1969. New Copy ... Temporarily Out Of Stock
A wonderful album from guitarist Jim Hall – different than some of his other work, and with a slightly harder edge! The unique session has him playing in an MPS 60s mode – more straight-on than some of his more airy moments – with a sound and tone that still recalls his work with Paul Desmond or Art Farmer, but a more direct approach, and an occasional groove as well! The trio's as unique as the record – the great Jimmy Woode on bass and drums from Daniel Humair – and titles include "Blue Joe", "Romaine", "Young One For Debra", "Body & Soul", and a great version of "Up Up & Away", which soars to the sky in a way you'd never expect from Jim! CD

Exact matches10
CD, LP, Vinyl record album cover art
New Bill Evans & Jim HallUndercurrent (original master recording) ... LP
United Artists/Mobile Fidelity, 1962. New Copy Gatefold ... Out Of Stock
A legendary set from the team of guitarist Jim Hall and pianist Bill Evans – both already wonderful players on their own, but really hitting a magical sort of space here together! The record is a classic in understatement – the inevitable meeting of two players who'd both made a career out of saying more with less – and both Evans and Hall manage to make this special sort of sound when working together in such a space – spare, but never short on ideas – filled with color and tone, but never overdone. The tracks are long and dreamy, and the piano/guitar lines seem to float in the air, suspended on naught but idea and imagination. Titles include a very nice version of "Skating In Central Park", plus "Dream Gypsy", "Romain", and "Darn That Dream". LP, Vinyl record album
(Beautiful Mobile Fidelity pressing – heavy vinyl, heavy cover, and limited and numbered too!)

Exact matches11
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New Bob Brookmeyer/Jim Hall/Jimmy RaneyStreet Swingers ... LP
World Pacific, 1958. Used ... Out Of Stock
A beautiful guitar/trombone session that features Jim Hall, Jimy Raney, and Brookmeyer – with titles that include "Arrowhead", "Street Swingers", "Hot Buttered Noodling", "Musicale Du Jour", and "Jupiter". LP, Vinyl record album
(Black label pressing with deep groove. Cover has light wear and some discoloration from age.)

Exact matches12
CD, LP, Vinyl record album cover art
New Paul DesmondPaul Desmond Quartet With Jim Hall ... CD
Giants Of Jazz, Late 50s/Early 60s. Used ... Out Of Stock
CD
(Out of print.)

Exact matches13
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New Art Farmer/Jim HallBig Blues ... CD
CTI/CBS, 1979. Used ... Out Of Stock
Sweet and subtle genius from two of the most understated players in jazz – a really great little record that makes the best of the CTI sound without tricking up the players too much! Art Farmer and Jim Hall play in a quintet with vibes by Mike Mainieri – in a style that eschews the electric funk of other CTI records, but has a similar sense of space, sound, and rhythm overall – proof that the label's groundbreaking approach didn't always have to be electrified! Tracks are quite long, and the two leaders effortlessly craft notes that magically hang in space with an airily soulful feel. Titles include wonderfully reworked versions of "Whisper Not", "A Child Is Born", and "Pavane For A Dead Princess". CD
(Out of print. Tray card has a cutout notch.)

Exact matches14
CD, LP, Vinyl record album cover art
New Art Farmer/Jim HallBig Blues (Japanese pressing) ... CD
CTI (Japan), 1979. New Copy ... Out Of Stock
Sweet and subtle genius from two of the most understated players in jazz – a really great little record that makes the best of the CTI sound without tricking up the players too much! Art Farmer and Jim Hall play in a quintet with vibes by Mike Mainieri – in a style that eschews the electric funk of other CTI records, but has a similar sense of space, sound, and rhythm overall – proof that the label's groundbreaking approach didn't always have to be electrified! Tracks are quite long, and the two leaders effortlessly craft notes that magically hang in space with an airily soulful feel. Titles include wonderfully reworked versions of "Whisper Not", "A Child Is Born", and "Pavane For A Dead Princess". CD
(Blu Spec CD.)

Exact matches15
CD, LP, Vinyl record album cover art
New Michel Petrucciani/Jim Hall/Wayne ShorterPower Of Three ... CD
Blue Note (Japan), 1986. New Copy ... Out Of Stock
A key moment in the career of pianist Michel Petrucciani – and a set that features an amazing collaboration with guitarist Jim Hall, and a fair bit of great tenor and soprano sax from Wayne Shorter too! Hall's guitar is heard on every track on the set – ringing out in those wonderfully spare, openly flowing notes he first started crafting in the 50s – a surprisingly wonderful counterpart to the piano of Petrucciani, which seems to take on an even more sensitive and evocative feel for the date. Shorter comes in on a few of the album's tracks – arcing great lines over the colors of the pair, in a way that's a bit like some of the Jimmy Giuffre experiments with Hall in the 50s – but more tuned towards Shorter's own sense of tone and timing. Titles include "Careful", "Bimini", "Morning Blues", "Limbo", and "Waltz New". CD
(SHMCD pressing.)
 
Possible matches: 32
Possible matches16
CD, LP, Vinyl record album cover art
Bob Brookmeyer QuintetTraditionalism Revisited ... LP
World Pacific, 1957. Very Good+ ... $14.99
Beautifully modernist material from the great Brookmeyer – performing here with a well-suited group that features Jimmy Giuffre and Jim Hall, plus the great Dave Bailey on drums. The album features older tracks done in a surprisingly fresh style, and the trio of lead players dance around each other in a wonderful way. Titles include "Truckin", "Some Sweet Day", "Jada", and "Louisiana". LP, Vinyl record album
(Black label pressing with deep groove. Cover has split seams and a bit of pen on front.)

Possible matches17
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Bob Brookmeyer/Lalo SchifrinTrombone Jazz Samba/Samba Para Dos ... CD
Verve (Germany), 1962. New Copy ... $13.99 18.98
Pure genius throughout – two great albums on a single CD! Trombone Jazz Samba is an overlooked gem from Bob Brookmeyer – and a set that fits in strongly with the other Verve Records bossa nova albums of the 60s! Bob's the center star on valve trombone, but the record's awash in work from other great Verve talents too – a tight small group that features Gary McFarland on vibes, Jim Hall and Jimmy Raney on guitars, and Willie Bobo on drums – alongside some added percussion that really helps keep the bossa spirit strong! Tunes have that spare, soulful crackle that you'd find in the Stan Getz bossa sessions for Verve – except that trombone is the lead solo instrument here – and titles include "A Felicidade", "Col Bogey Bossa Nova", "Blues Bossa Nova", "Qual E O Po", "Chara Tu Tristeza", and "Samba De Orfeu". Samba Para Dos is a great lost groover on Verve – recorded during the heyday of the label's bossa years with Stan Getz! The record features Bob Brookmeyer fronting a large group arranged and conducted by Lalo Schifrin – soloing over the top, while Lalo comes up with sparkling bossa-tinged grooves that are in the spirit of his best soundtrack work of the mid 60s. Brookmeyer's playing is great too – very different than his sparer, modernist work on other records – and very much in the tradition of Brazilian trombone players who were a key force in bossa jazz at the time. The set includes one long original, "Samba Para Dos", plus shorter standards like "My Funny Valentine", "What Kind Of Fool Am I", and "I Get A Kick Out Of You" – all taken in great jazzy bossa versions! CD

Possible matches18
CD, LP, Vinyl record album cover art
Buddy ColletteBuddy Collette & His Swinging Shepherds At The Cinema ... LP
Mercury, Late 50s. Very Good+ ... $2.99
Buddy takes his Swinging Shepherds crew to the movies on this one – serving up a set of tunes from 40s and 50s films that all come off perfectly with the group's multi-flute approach! The sound's nicely mellow at times, but still has that tightly arranged west coast modern style that made the group's first record so great. Players include Paul Horn, Bud Shank, and Harry Klee on flutes – plus Jim Hall on guitar, Red Mitchell on bass, and Shelly Manne on drums. Titles include "The Bad & The Beautiful", "The Shrike", "Invitation", "Ruby", "Swinging On A Star", and "Intermezzo" LP, Vinyl record album
(Black label stereo pressing with deep groove. Cover has some light stains on the back.)

Possible matches19
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New Paul DesmondTake Ten (plus bonus tracks) ... CD
RCA, 1963. New Copy ... $5.99 6.98
That's "Take Ten", not "Take Five" – a great title cut that echoes Paul Desmond's previous work with Dave Brubeck – but which then gives way quickly to some sweet bossa-styled grooves done with guitar from Jim Hall! The album's one of the strongest of the Hall/Desmond collaborations for RCA – A sublime showcase not just for Paul's impeccable alto, but also for the amazing tones and chromes that fly freely from the strings of Jim's guitar! Both players are set up with just a bit of gentle backing – light percussion from Connie Kay, and a bit of bass from Gene Cherico or Gene Wright. The whole thing's a well-conceived study in economy, as the two players craft sly and subtle lines around spare drum and bass backings – slowly hanging sound in space to weave a rich web of sound that's as compelling as it seems to be effortless! Titles include "Take Ten", "El Prince", "Embarcadero", "Samba De Orfeu", "Theme From Black Orpheus", and "Alone Together". CD also features alternate takes of "Embarcadero" and "El Prince". CD

Possible matches20
CD, LP, Vinyl record album cover art
Jimmy Giuffre1961 (Fusion/Thesis) (180 gram pressing) ... LP
ECM (Germany), 1961. New Copy 2LP Gatefold (reissue)... $31.99 35.99
2 amazing albums from the 2nd version of the Jimmy Giuffre 3! After working with his first combo of Bob Brookmeyer and Jim Hall during the late 50s, Giuffre hooked up with a pair of younger modernists – Paul Bley and Steve Swallow – reintroducing the piano and bass to his trio format, instruments that had been previously missing because Giuffre wanted to explore the possibilities of melodic composition freed from rhythmic constraints. With this trio, Giuffre was still working in that mode – as you'll hear on Bley and Swallow's incredibly free playing. The group's performances are not free jazz by any means, but they're a key link in that tradition – as Giuffre and crew do an excellent job of creating unconventional compositions, most of which feel like little sculptures in sound. There's a total of 20 tracks on 2LPs – and titles include "Cry, Want", "Trudgin", "Jesus Maria", "Ictus", "Sonic", "Whirrrrr", "The Gamut", "Herb & Ictus", and "Flight". Both records originally available on Verve, now repackaged by ECM. LP, Vinyl record album

Possible matches21
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Jimmy GiuffreFour Brothers Sound ... LP
Atlantic, Late 50s. Very Good ... $39.99
An amazing record by Jimmy Giuffre – one that he uses to replicate the "4 Brothers Sound" of the years when he played with Woody Herman as one of a group of four saxophonists blowing together – but done here by Jimmy himself on all 4 horns, using early overdubbing techniques that let him play four tenor sax parts at once! The sound is wonderful – filled with complex colors, tones, and changes you won't find on Giuffre's other albums of the time – and Jimmy's backed by usual trio-mates Brookmeyer and Jim Hall – with Brookmeyer on piano, swinging things a bit more than usual next to Hall's guitar. The 4-tenor frontline is wonderful, and titles include "Four Brothers", "Ode To Switzerland", "Space", "Blues In The Barn", and "Memphis In June". LP, Vinyl record album
(Black label pressing with deep groove.)

Possible matches22
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Jimmy GiuffreJimmy Giuffre 3 ... LP
Atlantic, 1957. Very Good+ ... $14.99
Groundbreaking trio work from the great Jimmy Giuffre – an album that cut loose both the piano and the drums – in a way that took Gerry Mulligan's earlier rhythm-less experiments with jazz, and pushed them one degree further! The group on the session features Giuffre on clarinet, tenor, and baritone sax – alongside the guitar of Jim Hall and bass of Ralph Pena – all working together with no other accompaniment, but in a way that's as swinging as it is airy – an amazing exercise in tone, color, and control! The sound is out of this world, and the notes just hang lightly in air – beautifully dancing around one another. Titles include "Voodoo", "Train & The River", "My All", "Crawdad Suite", and "Two Kinds Of Blues". LP, Vinyl record album
(Red & purple label pressing.)

Possible matches23
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Jimmy GiuffreWestern Suite ... LP
Atlantic, 1957. Very Good ... $29.99
One of the best-ever Jimmy Giuffre albums! Jimmy's playing here in his classic piano-less trio format, in a group with Jim Hall on guitar and Bob Brookmeyer on trombone. The group was perhaps his best, and they achieve a perfect blend of free-flowing improvised lines, while still managing to retain a jazz swing (something that didn't always happen on Giuffre's other records). The centerpiece of the set is the extended "Western Suite" (don't be fooled by the name, because there's no sort of "Country & Western" tinge to it), and the record also includes beautiful long versions of "Blue Monk" and "Topsy". The whole thing is one of the most amazing jazz records ever recorded, and has an insane array of tones, colors, and sound shapes. LP, Vinyl record album
(Original black label pressing. Cover has light wear, some light stains, and a small split on the spine.)

Possible matches24
CD, LP, Vinyl record album cover art
Chico HamiltonChico Hamilton Quintet Featuring Buddy Collette ... LP
Pacific Jazz, 1955. Very Good- ... $9.99
An archetypal record from the west coast scene of the 50s – a sublime batch of lightly grooving numbers from Chico Hamilton's famous early Quintet! The power here really comes from a triad of three players – reedman Buddy Collette, mentioned in the title and playing flute, alto, tenor, and clarinet; guitarist Jim Hall, whose spacious use of his instrument set new standards with this record; and cellist Fred Katz, often an unsung hero whose gentle sound shapes really helped bring a sense of tone and color to the group. Also featured is bassist Carson Smith, giving the same great sensitive accompaniment here he did in Gerry Mulligan's early quartet – and Chico himself is on drums, of course, but often playing with unusual timings and touches that really make for a lot more than conventional rhythm! Titles include "Blue Sands", "The Sage", "A Nice Day", "Buddy Boo", and "Spectacular" – as well as "Free Form", which is totally improvised – although in a way that's very different from any 60's track that would have the same sort of name! LP, Vinyl record album
(Black label Pacific Jazz pressing with deep groove. Cover has light wear, with splitting and tape on the seams. Label has a name sticker.)

Possible matches25
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Hampton HawesAll Night Session Vol 2 ... LP
Contemporary, 1956. Very Good+ ... $11.99
A noteworthy session from pianist Hampton Hawes – a rare quartet session from the 50s (at a time when Hawes was mostly working in trios) – and also a three volume set of releases, all recorded in the space of a single night! The album is truly an All Night Session – as the material here was recorded during the night of November 12 and early morning hours of November 13, 1956 – with an unusual group that features Hawes on piano, Red Mitchell on bass, Bruz Freeman on drums, and Jim Hall on guitar! Hall's ringing tones are a perfect partner for Hawes' light approach to the keys – and the relaxed, extended nature of the recording has both players really opening up on some of the album's longish tracks. Titles on this volume include "I'll Remember April", "I Should Care", "Woody'N You", "Two Bass Hit", "Will You Still Be Mine", "April In Paris" and "Blue 'N Boogie". LP, Vinyl record album
(Yellow label 70s pressing.)

Possible matches26
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Keith JarrettTribute (180 gram pressing) ... LP
ECM (Germany), 1989. New Copy 2LP Gatefold (reissue)... $31.99 35.99
A great early trio moment from Keith Jarrett – a set that steps off some of his previous Standards albums for ECM, but which also has more of a personal flavor as well! The group here is that great combo with Gary Peacock on bass and Jack DeJohnette on drums – both really open, fluid players who make the music really sparkle alongside Jarrett's piano – offering up tunes that are mostly standards, but in really unique variations! The album's a tribute to key musical heroes – Lee Konitz, Jim Hall, Bill Evans, John Coltrane, and others – but the overall sound is pure Jarrett all the way through, on titles that include "Lover Man", "Solar", "Sun Prayer", "Little Girl Blue", "U Dance", "Ballad Of The Sad Young Men", and "All The Things You Are". LP, Vinyl record album

Possible matches27
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New Quincy JonesGolden Boy ... LP
Mercury, 1964. Very Good ... $4.99
A sweet bridge between Quincy's big band recordings and his groovier soundtrack work of the mid 60s – as the record combines straight jazzy grooving with some of the cooler elements of Quincy's soundtrack scores, like stepping strings, wordless voices, and a breathy mellow groove that floats across the disc in a wonderful way! Aiding Quincy in the album are a host of top-line jazz players – including Eddie Lockjaw Davis, Jerome Richardson, and Phil Woods on saxes – plus Freddie Hubbard on trumpet, Al Grey on trombone, and Jim Hall on guitar! Although titled after the show Golden Boy, only a few cuts here are from that musical – and the rest include Quincy Jones originals and some cool covers, given the Q twist. Titles include "Seaweed", "The Witching Hour", "Hard Day's Night", "The Sidewinder", and "Theme From Golden Boy", done in 2 versions, both great! LP, Vinyl record album
(Red label pressing with deep groove. Cover has a small cutout hole.)

Possible matches28
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John LewisOdds Against Tomorrow – Original Soundtrack ... LP
United Artists, 1959. Sealed ... $9.99
Proof that the serious compositional intentions of MJQ member John Lewis could more than be fulfilled – and a nice dramatic score that features a few themes that would later be taken up more fully by Lewis' group. The set is mostly orchestral with jazz touches – featuring Lewis at the head of a large group of musicians that includes MJQ members Milt Jackson, Connie Kay, and Percy Heath – plus Jim Hall, Bill Evans, Tom McIntosh, Gunther Schuller, and Joe Wilder. Tracks are relatively short, and titles include "Games", "Social Call", "The Carousel Incident", "Skating In Central Park", "No Happiness For Slater", "How To Frame Pigeons", and "A Cold Wind Is Blowing". LP, Vinyl record album
(Sealed early pressing – nice and heavy!)

Possible matches29
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Gerry MulliganGerry Mulligan 63 – The Concert Jazz Band ... LP
Verve, 1963. Very Good ... $4.99
The sound of Gerry Mulligan in the early 60s – and one of the best records by his larger than usual Concert Jazz Band! Given Gerry's piano-less experiments of the 50s, it's surprising to actually have him as the pianist on this session – hitting the keys with a nice light touch, so that the larger horn section can take over most of the tunes – a beautifully-arranged ensemble who have a feel that's lighter than some of the groups of the 50s – such as the Kenton ensemble – yet one that's equally modern at times! The lineup is wonderful – with Clark Terry and Nick Travis on trumpets, Willie Dennis and Bob Brookmeyer on trombones, and Gene Quill, Gene Allen, and Eddie Caine on saxes – plus guitar from Jim Hall, bass from Bill Crow, and drums from Gus Johnson. Titles include "Big City Life", "Bridgehampton South", "My Kind Of Love", "Pretty Gypsy", "Bridgehampton Strut", and "Big City Blues". LP, Vinyl record album

Possible matches30
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Greg OsbyInvisible Hand ... CD
Blue Note, 2000. Used ... $2.99
One of the most sophisticated albums to come from the funky reed talents of Greg Osby – one of Blue Note's biggest hopes of the past 10 years. Osby's moving way past the simple riffing of early days, and is working here with a sextet that includes the great Andrew Hill on piano, Jim Hall on guitar, and west coast reed legend Gary Foster on flute and alto. The overall sound is much different than some of Osby's other work, and the young player emerges as a strong and sensitive soloist, especially in the moments in which he's matching lines with Foster. Titles include "With Son", "The Watcher", "Ashes", "Sanctus", "Tough Love", and the lovely 60s soundtrack theme "Who Needs Forever". CD

Possible matches31
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Sonny RollinsAfter The Bridge ... CD
RCA (Japan), 1964. New Copy 2CD ... $18.99
Rare work from the RCA years of Sonny Rollins – all recorded during the time of his groundbreaking albums for the label in the early 60s, but never issued until this much later Japanese package! The title is quite apt – as the whole set really shows the development that Rollins brought to his music in the years after his classic album The Bridge – that open, freely expressive sound that took his already-great approach to tenor and really pushed it into something new – a bold, fresh style for the 60s that was full of power and freedom, but which took a very different direction than the music of John Coltrane or Archie Shepp. Music runs from bop standards to more thoughtful compositions – and even in the mellow moments, Rollins is really mindblowing – working in small group settings with players who include Herbie Hancock on piano, Jim Hall on guitar, Thad Jones on cornet, and either Ron Carter or David Izenzon on bass. Titles include "Afternoon In Paris", "Now's The Time", "I Remember Clifford", "Django", "When You Wish Upon A Star", "Travelin Light", and "Four". CD

Possible matches32
CD, LP, Vinyl record album cover art
New Sonny RollinsWhat's New? ... LP
RCA, 1962. Very Good ... $16.99
A very unique album from Sonny Rollins – one that features him blowing tenor over some Latin-based rhythms that have a tight uptempo feel. The core group on the album features Jim Hall on guitar, Bob Cranshaw on bass, and Ben Riley on drums – but they're augmented by larger arrangements that mix together bossa nova and calypso rhythms, which forge a surprisingly great background for Rollins' gutsy tenor. Although it's easy to dismiss the record as a throwaway cash-in affair on the Latin boom of the early 60s – Rollins actually handles himself wonderfully, and the longer-than-usual tracks on the album show a whole new side of his talents that were later reprised on Latin sessions during the 70s. Titles include "Bluesongo", "Jungoso", "The Night Has A Thousand Eyes", and "Brownskin Girl". LP, Vinyl record album
(Black label living stereo pressing with deep groove. Cover has edge wear.)

Possible matches33
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Zoot SimsBossa Nova Sessions ... CD
Colpix/West Side (UK), Early 60s. Used ... $9.99
While not as classic as the bossa sessions that Stan Getz cut for Verve, these early 60's sides by Zoot (for the Colpix label) are still pretty tasty groovers in the pop bossa vein that was sweeping the US at the time. Zoot lays down some nice easy solos over larger bossa arrangements, and Jim Hall joins the set on guitar. Hall's not as Braziliany as players like Joao Gilberto or Charlie Byrd, but he does the job nicely enough, and there's more than enough good moments on this nicely priced 17 track set. Titles include "Instant Samba", "Maria Ninguen", "Recado Bossa Nova", "Poquito Cantando", and "Cantada A Orquesta". CD
(Out of print.)

Possible matches34
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Zoot SimsNew Beat Bossa Nova Vol 1 ... LP
Colpix, Early 60s. Very Good ... $11.99
A great chapter in 60s bossa jazz – Zoot Sims "answer" to Stan Getz's bossa work on Verve – recorded in a similar jazz-meets-bossa style, with some great guitar work by Jim Hall! Zoot's solos are a bit tighter and not as laidback as Stan's – giving a more jazz-based sound to the work that makes for a nice change – and most of the tunes feature larger backings from Manny Albam and Al Cohn – never too over-arranged, but with enough of a full swinging sound to set things right. Hall's guitar works surprisingly well in the setting – and titles include "Barquinho De Papel", "Ciume", "Recado Bossa Nova (parts 1 & 2)", and "Cano Canoe". LP, Vinyl record album
(Gold label pressing, with deep groove.)

Possible matches35
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Chico HamiltonChico Hamilton Quintet In Hi Fi ... LP
Pacific Jazz, 1956. Very Good- ... Just Sold Out!
One of Chico's earliest albums for Pacific Jazz – a set of tightly arranged tracks with a cool chamber feel to them – featuring a lineup that includes Buddy Collette on reeds, Fred Katz on cello, Jim Hall on guitar, and Carson Smith on bass. Collette, Katz, and Hall are at the height of their powers here – a bit restricted, perhaps, but in the way that Hamilton was using to craft some of the more creative sounds of the 50s LA jazz scene – perfectly shaped and formed throughout! Just about every band member contributed a song and an arrangement to the album – and titles include "The Ghost", "Chrissie", "Jonalah", "Sleepy Slept Here", "Drums West", "The Squimp", and "Sleep". LP, Vinyl record album
(Black label pressing with deep groove – nice and clean overall, and cover is nice!)

Possible matches36
CD, LP, Vinyl record album cover art
New Paul DesmondBossa Antigua (with bonus tracks) ... CD
RCA, 1965. New Copy ... Temporarily Out Of Stock
The team of Paul Desmond and Jim Hall was one of the best ideas ever forged in American jazz of the 60s – and the icy pair are perfect company together on this album of bossa-inflected tracks with a very cool edge! The album allows Desmond's alto to take on a warmth and flowing quality it never had in the Dave Brubeck group – and Hall's guitar work, while a masterpiece of understatement, brings in just the right amount of ringing tone to echo out the brilliance of Desmond's ideas. Gene Wright and Connie Kay complete the group, and titles include "O Gato", "Samba Cantina", "Girl From East 9th", "Ship Without A Sail", and "Bossa Antigua". Plus, this excellent CD reissue features 2 bonus tracks – the groovy "Samba Cepeda" and an alternate take of "O Gato". CD

Possible matches37
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New Paul DesmondTake Ten ... LP
RCA, 1963. Used ... Temporarily Out Of Stock
That's "Take Ten", not "Take Five" – a great title cut that echoes Paul Desmond's previous work with Dave Brubeck – but which then gives way quickly to some sweet bossa-styled grooves done with guitar from Jim Hall! The album's one of the strongest of the Hall/Desmond collaborations for RCA – A sublime showcase not just for Paul's impeccable alto, but also for the amazing tones and chromes that fly freely from the strings of Jim's guitar! Both players are set up with just a bit of gentle backing – light percussion from Connie Kay, and a bit of bass from Gene Cherico or Gene Wright. The whole thing's a well-conceived study in economy, as the two players craft sly and subtle lines around spare drum and bass backings – slowly hanging sound in space to weave a rich web of sound that's as compelling as it seems to be effortless! Titles include "Take Ten", "El Prince", "Embarcadero", "Samba De Orfeu", "Theme From Black Orpheus", and "Alone Together". LP, Vinyl record album
(Black label stereo pressing, with deep groove. Cover has some wear, minor seam splitting, a sticker, and some light stains on the back.)
Also available Take Ten (plus bonus tracks) ... CD 5.99

Possible matches38
CD, LP, Vinyl record album cover art
New Chico HamiltonChico Hamilton – Jazz Milestone Series ... LP
Pacific Jazz, 1950s. Used Gatefold ... Temporarily Out Of Stock
A 60s collection that brings together some of Chico's best early work for Pacific Jazz – including his groundbreaking Quintet, a group that completely redefined the sound of jazz on the west coast! The album's filled with playful tracks that feature Chico's unique rhythms next to instrumentation that includes guitar, flute, cello, and alto – with players that include Eric Dolphy, Jim Hall, Paul Horn, and Buddy Collette. Titles include "Soft Winds", "Satin Doll", "Caravan", "Taking A Chance On Love", "Sleep", "Take The A Train", and "Siete Quatro". LP, Vinyl record album
(Cover has some wear.)

Possible matches39
CD, LP, Vinyl record album cover art
New Bill Evans & Lee KonitzBill Evans & Lee Konitz Play The Arrangements Of Jimmy Giuffre (Lee Konitz Meets Jimmy Giuffre/You & Lee) ... CD
Verve/Lonehill (Spain), 1959. Used ... Out Of Stock
An amazing convergence of talents – one that took place in 1959, for Verve Records, and which featured work by some of the greatest modernists of the late 50s! The CD features work from 2 different Verve albums – Lee Konitz Meets Jimmy Giuffre and You & Lee – both of which features arrangements from Giuffre, then making big waves with his pianoless trio format for the label (and Atlantic) – but who's working here in a larger setting that still showcases his marvelously fluid conception of sound. The first set features twin altos by Konitz and Hal McKusic, alongside tenors by Warne Marsh and Ted Brown, with baritone sax by Jimmy, and incredibly subtle piano work by Bill Evans. The next session features Giuffre taking an even stronger hand in arrangements, but letting Konitz step out even more as the lead soloist – working within a larger horn group that features work by Billy Byers, Eddie Bert, and Ernie Royal. Bill Evans only plays on 4 of these tunes, with Jim Hall sliding in on guitar for the remainder – but that shift is ok with us, as it only further displays the Giuffre magic at the time! 17 tracks in all – with titles that include "Palo Alto", "Cork N Bib", "Uncharted", "Sompn Outa Nothin", "Darn That Dream", "I Didn't Know About You", "I'm Getting Sentimental Over You", and "You Are Too Beautiful". CD

Possible matches40
CD, LP, Vinyl record album cover art
New Stan GetzVoices ... LP
Verve, 1967. Used Gatefold ... Out Of Stock
An amazingly seductive album from Stan Getz! The record features Getz's tenor blowing breezily away, amidst sophisticated arrangements with touches of dark easy scoring, post-bossa Brazilian writing, and early CTI production. Claus Ogerman arranged the whole set, and the overall feel is very similar to From The Hot Afternoon, which has Paul Desmond blowing in a similar style to arrangements by Don Sebesky. The core group features some hip players – like Herbie Hancock, Jim Hall, and Ron Carter – and the larger backing has the "voices" you'd guess from the title. Tracks include "Once", "Darling Joe", "Midnight Samba", "Little Rio", "Infinidad", and "Where Flamingo's Fly". LP, Vinyl record album

Possible matches41
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New Joe PassIntercontinental ... CD
MPS/Edel (Germany), 1970. New Copy ... Out Of Stock
One of the grooviest records we've ever heard from guitarist Joe Pass – a sweet European session for MPS, and one with a very different feel than some of his US recordings! The setting's a trio, with a feel that's more open than some of Joe's pop-jazz sets from the 60s – and the rhythms are warmly fluid, in ways that allow Pass to play some great open-handed solos that spin out wonderfully – hanging softly in air, almost with Jim Hall-like qualities, although a bit more inside overall. The rest of the group features Eberhard Weber on bass and Kenny Clare on drums – and titles include a great version of "Ode To Billy Joe", plus "Chloe", "I Love You", "Joe's Blues", "Watch What Happens", and "El Gento". CD

Possible matches42
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New Paul DesmondGlad To Be Unhappy ... CD
RCA (Japan), 1965. New Copy ... Out Of Stock
Hard to be unhappy in a setting like this – a classic RCA session from the 60s, and one that matches the sublime icy alto sax of Paul Desmond with the perfectly airy guitar of the great Jim Hall! The pair work simple wonders with familiar tunes on the set – bringing together a love of the understated, mixed with a desire to delight and surprise – a quality that plays out wonderfully throughout the course of the record, and keeps us hanging with a sense of joy and delight. The group's completed by bass and drums – with no piano for rhythm, leaving the guitar and alto suspended in mid-air – and titles include "Any Other time", "Glad To Be Unhappy", "Poor Butterfly", "Stranger In Town", and "Taste Of Honey". CD

Possible matches43
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New Art FarmerInteraction/Sing Me Softly Of The Blues ... CD
Collectables, 1963/1965. Used ... Out Of Stock
Reissue of two of Art Farmer's beautiful albums for Atlantic from the mid 60s! Both records have Farmer playing with modernist-oriented backing – one group is Jim Hall, Steve Swallow, and Walter Perkins; the other is Swallow, Steve Kuhn, and Pete LaRoca. As could be expected, these players have a much more open-ended sound than some of Farmer's other rhythm sections, and they offer him a complicated set of rhythms in which to interweave fragile lyrical solos. The albums are both great, and have been unavailable for years and years – until this nicely priced reissue came out! Tracks include "Loads Of Love", "Sometime Ago", "Days Of Wine & Roses", "Tears", "One For Majid", "Petite Belle", and "I Waited For You". CD
(Out of print.)

Possible matches44
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New Dusko GoykovichSamba Do Mar ... CD
Enja (Germany), 2004. New Copy ... Out Of Stock
A whole new chapter in the career of trumpeter Dusko Goykovich – and a beautiful one at that! The set has Dusko playing a set of bossa-inspired tunes – working with a quartet that includes guitar, bass, and drums – in a warmly chromatic style that reminds us a lot of the classic Art Farmer/Jim Hall sessions of the early 60s! Dusko's playing is as imaginative as ever – and takes on whole new levels of expression in this setting. The light rhythms of the tunes are a real contrast from the modal and soul jazz approaches of earlier years – and in some ways, they seem to set Dusko free to explore whole new territory. Great stuff all around – with titles that include "The Fish", "Quo Vadis", "Sunset", "Samba Do Mar", "Jim's Ballad", and "Love & Deception". CD

Possible matches45
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New Keith JarrettTribute ... CD
ECM, 1989. Used 2CD ... Out Of Stock
A great early trio moment from Keith Jarrett – a set that steps off some of his previous Standards albums for ECM, but which also has more of a personal flavor as well! The group here is that great combo with Gary Peacock on bass and Jack DeJohnette on drums – both really open, fluid players who make the music really sparkle alongside Jarrett's piano – offering up tunes that are mostly standards, but in really unique variations! The album's a tribute to key musical heroes – Lee Konitz, Jim Hall, Bill Evans, John Coltrane, and others – but the overall sound is pure Jarrett all the way through, on titles that include "Lover Man", "Solar", "Sun Prayer", "Little Girl Blue", "U Dance", "Ballad Of The Sad Young Men", and "All The Things You Are". CD
Also available Tribute (180 gram pressing) ... LP 31.99

Possible matches46
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New Roger KellawayJazz Portrait Of Roger Kellaway ... LP
Regina, 1964. Used ... Out Of Stock
A surprisingly nice record – and one of Roger Kellaway's best straight jazz sessions of the 60s! The set's a gently grooving one, featuring many original compositions by Kellaway – played in a playful and freewheeling style that's a lot better than we would have imagined. Roger's a demon on the keys – and although the rhythm combo's not listed in the notes, they play with a good degree of soul and space on the best numbers. Jim Hall's also credited as being on the set, but most of the tunes sound like trio ones – and titles include "Double Fault", "Cinderella", "Here Today Gone Tomorrow", and "Same Old Same Old". LP, Vinyl record album
(Cover has a small bit of old tape in a corner of the spine – and some light notes on back.)

Possible matches47
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New Django ReinhardtJazz In Paris – Django's Blues ... CD
Universal (France), 1947. Used ... Out Of Stock
Late recordings by the legendary Hot Club Of Paris – a selection of 15 titles that were all originally recorded as 78rpm singles, all remastered and wonderfully packaged in keeping with the Jazz In Paris standards! The recordings boast some especially great clarinet work by Hubert Rostaing – a player whose sound is as sublime as that of Django on the guitar! Many of the tunes are relatively spare, and feature clarinet and guitar interplay that hangs nicely in space – almost prefacing later 50s experiments by the team of Jimmy Guiffre and Jim Hall, but with a more traditional bent, of course. Titles include "Gipsy With A Song", "September Song", "Brazil", "Django's Blues", "Love's Mood", "I Love You", and "Moppin The Bride". CD
 
Partial matches: 11
Partial matches48
CD, LP, Vinyl record album cover art
New Donald ByrdFancy Free ... CD
Blue Note (Japan), 1969. New Copy ... $18.99
One of the coolest, grooviest 60s albums from trumpeter Donald Byrd – one that has him really reaching out for a hip new sound, but in ways that are different than most of his other material at the time! Key on the date is the placement of electric piano from Duke Pearson – played in this open, flowing style that has all the best hallmarks of Pearson's own work on the instrument for his sessions – yet balanced nicely with the bolder punch of Byrd's trumpet as well. Donald's quite far from any Miles Davis cliches on this one – no too-dark electric modes at all – and instead, the album's got this sense of lyrical soulfulness that we've maybe never heard this strongly again on any of Byrd's other albums. Other players include Frank Foster on tenor, Jerry Dodgion and Lew Tabackin on flute, Julian Priester on trombone, Jimmy Ponder on guitar, and either Idris Muhammad or Joe Chambers on drums. All tracks are nice and long, and very fresh – and include "Weasil", "I Love the Girl", "Fancy Free", and "The Uptowner". CD
(SHMCD.)

Partial matches49
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Miles DavisFree Trade Hall, Manchester, England 1960 ... CD
Magnetic (France), 1960. Used ... $11.99
Quite an interesting slice of Miles Davis – live material from the brief time when Sonny Stitt was working with the Davis group in 1960! The pairing of Miles & Sonny has been heard a bit more famously (although still relatively obscurely) on a similar live set from Sweden, recorded around the same time – but this batch of tracks is from an even rarer date in Manchester – cut at the Free Trade Hall, on September 27, 1960. Stitt's working here with the group that included Paul Chambers, Wynton Kelly, and Jimmy Cobb on rhythm – and the tracks are mostly longish, with a few shorter numbers that are often focused most strongly on Miles' presence as lead soloist. Titles include "All Blues", "All Of You", "Walkin" and 2 takes of "Four". CD
(Out of print.)

Partial matches50
CD, LP, Vinyl record album cover art
Eddie HigginsEddie Higgins ... LP
Vee Jay, 1961. Very Good ... $4.99
Early genius from Eddie Higgins – a pianist who was a big thing on the Chicago scene of the 60s, but is probably best known to most folks for his revival records of the past decade or two! The younger Higgins has more of an edge than the later one – and this self-titled debut is a cooker of a hardbop album – thanks not only to work from Eddie's core trio, but also some great horn interplay from Frank Foster on tenor and Paul Seranno on trumpet! Eddie wrote some of the best cuts on the record – some really fresh numbers – and he gets rhythmic help from either Richard Evans or Jim Atlas on bass, and Marshall Thompson on drums. Higgins titles include "Foot's Bag", "Zarac The Evil One", and "AB's Blues" – and the album also features versions of "Blues For Big Scotia" and "Falling In Love With Love". LP, Vinyl record album
(Rainbow label pressing with deep groove. Cover has a sticker and some pencil on back.)

Partial matches51
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Charles MingusMingus Ah Um ... CD
Columbia, 1959. Used ... $3.99
One of Charles Mingus' true classics – and an essential album in any jazz collection! This 1959 gem was recorded by Mingus at a key point in his career – when he was rising from the jazz underground into the ranks of America's elite jazzmen, penning some of the most challenging work of his career, and working with incredible younger players that interpreted his work with a great deal of fire! The tracks are a bit more tightly arranged than work on some of Mingus' previous work for labels like Atlantic and Bethlehem, but that also gives them a razor-sharp emotional edge that's carried off perfectly by players who include John Handy and Shafi Hadi on alto saxes, Booker Ervin on tenor, Willie Dennis and Jimmy Knepper on trombones, Horace Parlan on piano, and Dannie Richmond on drums. The album is filled with key Mingus classics – like "Better Git It In Your Soul", "Boogie Stop Shuffle", "Goodbye Pork Pie Hat", and "Fables of Faubus" – plus "Self Portrait In Three Colors", "Open Letter To Duke", and "Bird Call". CD
(Columbia Jazz Masters pressing.)

Partial matches52
CD, LP, Vinyl record album cover art
Charles MingusMingus Ah Um ... LP
Columbia, 1959. Very Good- ... $59.99
One of Charles Mingus' true classics – and an essential album in any jazz collection! This 1959 gem was recorded by Mingus at a key point in his career – when he was rising from the jazz underground into the ranks of America's elite jazzmen, penning some of the most challenging work of his career, and working with incredible younger players that interpreted his work with a great deal of fire! The tracks are a bit more tightly arranged than work on some of Mingus' previous work for labels like Atlantic and Bethlehem, but that also gives them a razor-sharp emotional edge that's carried off perfectly by players who include John Handy and Shafi Hadi on alto saxes, Booker Ervin on tenor, Willie Dennis and Jimmy Knepper on trombones, Horace Parlan on piano, and Dannie Richmond on drums. The album is filled with key Mingus classics – like "Better Git It In Your Soul", "Boogie Stop Shuffle", "Goodbye Pork Pie Hat", and "Fables of Faubus" – plus "Self Portrait In Three Colors", "Open Letter To Duke", and "Bird Call". LP, Vinyl record album
(6 eye stereo pressing. Cover has some wear, a split bottom seam, some partial splitting on the other seams, and a bit of pen on the back.)
Also available Mingus Ah Um (2CD Legacy edition – with Mingus Dynasty album and bonus tracks) ... CD 11.99

Partial matches53
CD, LP, Vinyl record album cover art
Charles MingusMingus Ah Um (2CD Legacy edition – with Mingus Dynasty album and bonus tracks) ... CD
Columbia, 1959. Used 2CD ... $11.99
One of Charles Mingus' true classics – and an essential album in any jazz collection! This 1959 gem was recorded by Mingus at a key point in his career – when he was rising from the jazz underground into the ranks of America's elite jazzmen, penning some of the most challenging work of his career, and working with incredible younger players that interpreted his work with a great deal of fire! The tracks are a bit more tightly arranged than work on some of Mingus' previous work for labels like Atlantic and Bethlehem, but that also gives them a razor-sharp emotional edge that's carried off perfectly by players who include John Handy and Shafi Hadi on alto saxes, Booker Ervin on tenor, Willie Dennis and Jimmy Knepper on trombones, Horace Parlan on piano, and Dannie Richmond on drums. The album is filled with key Mingus classics – like "Better Git It In Your Soul", "Boogie Stop Shuffle", "Goodbye Pork Pie Hat", and "Fables of Faubus" – plus "Self Portrait In Three Colors", "Open Letter To Duke", and "Bird Call". 2CD set also features the full Mingus Dynasty album – plus bonus tracks from both records, and a few alternates from Ah Um! There's a whopping 25 tracks on the whole set – beautifully packaged, with great notes too. CD
Also available Mingus Ah Um ... LP 59.99

Partial matches54
CD, LP, Vinyl record album cover art
Pee Wee RussellAsk Me Now! ... LP
Impulse, 1965. Near Mint- Gatefold ... $14.99
A record that will blow your mind – way different than you might expect from the cover! Sure, Pee Wee was a bit of a traditionalist on his instrument – the clarinet – but he's working here in a starkly modern way that almost recalls some of the best 50s work of Jimmy Guiffre, or some of the earlier sides by Steve Lacy. There's still a swing-based approach to the tunes, but they're handled in a spare style that features equal interplay between Russell, trombonist Marshall Brown, bassist Russell George, and drummer Ronnie Bedford – a great player who really makes the album sparkle! The tracks include a couple of Thelonious Monk titles – "Ask Me Now!" and "Hackensack" as well as a couple of Marshall Brown originals – "Licorice Stick" and "Calypso Walk". Other titles are Ornette Coleman's "Turnaround", Coltrane's "Some Other Blues" and Ellington's "Prelude To A Kiss". LP, Vinyl record album
(Rainbow label pressing. Cover has a cut corner and light wear.)

Partial matches55
CD, LP, Vinyl record album cover art
Jack TeagardenJack Teagarden – Jazz Great ... CD
Bethlehem/Solid (Japan), 1954. New Copy ... $9.99
The album definitely lives up to the title, and features the mighty Jack Teagarden in a number of small group settings – all with a straight ahead punch that gets away from some of the gimmicks of his other 50s sessions! Teagarden's trombone is still one of the sharpest instruments of his generation of jazz – and Jack works here with a mix of players that includes Jimmy McPartland on trumpet, Edmond Hall on clarinet, Dick Cary on piano, Walter Page on bass, and Jo Jones on drums. Most arrangements are by Cary – and Jack sings just a bit, in that wonderfully raspy style of his. Titles include "Misery & The Blues", "Bad Acting Woman", "Meet Me Where They Play The Blues", "Music To Love By", and "High Society". CD
Also available Jack Teagarden – Jazz Great ... LP 14.99

Partial matches56
CD, LP, Vinyl record album cover art
Jack TeagardenJack Teagarden – Jazz Great ... LP
Bethlehem, 1954. Very Good ... $14.99
The album definitely lives up to the title, and features the mighty Jack Teagarden in a number of small group settings – all with a straight ahead punch that gets away from some of the gimmicks of his other 50s sessions! Teagarden's trombone is still one of the sharpest instruments of his generation of jazz – and Jack works here with a mix of players that includes Jimmy McPartland on trumpet, Edmond Hall on clarinet, Dick Cary on piano, Walter Page on bass, and Jo Jones on drums. Most arrangements are by Cary – and Jack sings just a bit, in that wonderfully raspy style of his. Titles include "Misery & The Blues", "Bad Acting Woman", "Meet Me Where They Play The Blues", "Music To Love By", and "High Society". LP, Vinyl record album
(Deep groove red label pressing. Cover has a small rip in one corner, and some splitting on the spine – but is nice overall.)
Also available Jack Teagarden – Jazz Great ... CD 9.99

Partial matches57
CD, LP, Vinyl record album cover art
New Bennie GreenHornful Of Soul ... CD
Bethlehem/Solid (Japan), 1960. New Copy ... Temporarily Out Of Stock
A killer of an album from one of the best hardbop trombonists of the 50s! This side's always been wickedly hard to find, and it comes from that later period when the Bethlehem label was cutting records that had a lot more of a soulful groove than earlier years. Bennie's playing with a hip group of underground players that includes Jimmy Forrest on tenor, Lem Davis on alto, and Skip Hall on organ – and although the tracks are short, they've got a fire that gets the job done in double-time, and which makes you think you're hearing some session on Prestige. Titles include "Catwalk", "Dee Dee", "Dibblin & Dabblin", and "Groove One". CD

Partial matches58
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New Charles MingusJazz Workshop Concerts 1964/1965 (7CD set) ... CD
Mosaic, 1964/1965. New Copy 7 CDs ... Out Of Stock
Key moments in the career of Charles Mingus – all recorded during the crucial years of 1964 and 1965, and featuring the first-time release of a fair bit of live material too! The set represents the first full presentation of recordings that have appeared piecemeal on a handful of obscure releases – self-released records from Mingus himself – Town Hall, My Favorite Quintet, and Music Written For Monterey – all really expanded here with the full recordings of the tracks, and unreleased titles provided from the original tapes! Mingus was really on fire during these years – severed from most of his bigger label associations, and freely working on some of his most inventive ideas with various smaller groups of players – all fresh young talents who were key interpreters of Charles' ideas – including Johnny Coles and Lonnie Hillyer on trumpet, Jimmy Owens on trumpet and flugelhorn, Charles McPherson on alto sax, Clifford Jordan on tenor, Jaki Byard on piano, Eric Dolphy on alto, flute, and bass clarinet. The stalwart Dannie Richmond is on drums, and the sides represent some of Dolphy's last, and most important recordings on the planet – recordings done at Town Hall and in Amsterdam in April of 1964 – in addition to live material at Monterey in 1964 and 1965, in Minneapolis in May of 1965. Tracks are all quite long – some pushing the half-hour timing – and as with the best live Mingus, there's variations here that go way past any studio readings – really incredible solo flights that are still beautifully integrated with the ideas of the main group. Titles include "So Long Eric", "Orange Was The Color Of Her Dress Then Blue Silk", "Mingus Piano Solo", "Bird Preamble", "Themeless Blues", "Copa City Titty", "A Lonely Day In Selma", "Cocktails For Two", "Praying With Eric", "Parkeriana", "ATFW", "Meditations On A Pair Of Wire Cutters", and "Meditations On Integration". 7CDs, limited edition, and with a great book of notes too! CD
 
 
 



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