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James Brown

 

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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
Harry JamesQuadromania – Harry James – Sweet Georgia Brown (4CD set) ... CD
Membran (Germany), Late 30s/1940s/Early 50s. Used 4CD ... $6.99
CD
(Out of print.)
 
Possible matches: 26
Possible matches2
CD, LP, Vinyl record album cover art
Donald BrownCause & Effect ... CD
Muse, 1991. Used ... $4.99
A really wonderful little album from pianist Donald Brown – deeply soulful, and in ways that go beyond just his work on piano! There's some great higher-concept ideas going on here – bits of culture and philosophy folded into the music, courtesy of recitations by Marlon Saunders on a handful of tracks – the oft-overlooked legacy of soul jazz that extended well past the 70s, at a time when this sort of music was often an expression for deeper thoughts in the years before hip hop dominated such territory too strongly. Brown's got some great help on the date too – tenor from Joe Henderson, flute from James Spaulding, and vibes from Steve Nelson – plus bass from Ron Carter and drums from either Kenny Washington or Carl Allen, both the kind of players who get the rhythmic pulse of the record right. Titles include "A Free Man","The Power Of The Drums", "Black Narcissus", "Man In A State Of Nature", "Daddy's Girl Cynthia", and "Cause & Effect". CD
(Out of print.)

Possible matches3
CD, LP, Vinyl record album cover art
Hank CrawfordTrue Blue ... LP
Atlantic, 1964. Very Good- ... $2.99
A cool cooker from altoist Hank Crawford – cut in a tightly-grooving ensemble mode that really reflects his roots with Ray Charles! The tunes are mostly short, but have a great sense of personality – a vibrant approach that comes not just from Hank's lead solos, but also from the group backing by players who include James Clay and Wilbur Brown on tenor, Charlie Patterson on trumpet, and Sonny Forriest on guitar. Hank plays a bit of piano at times, and both John Hunt and Phil Guilbeau get in some trumpet solos too – and titles include "Mellow Down", "Shake-A-Plenty", "Shooby", "Blues In Bloom", and "Skunky Green". LP, Vinyl record album
(Red & purple label pressing.)

Possible matches4
CD, LP, Vinyl record album cover art
Lou DonaldsonSay It Loud! ... LP
Blue Note, 1968. Good+ Gatefold ... $14.99
One of the greatest Blue Note funky jazz sets of the late 60s – an all-out soul fest headed up by funky Lou Donaldson, and featuring some incredible work on drums from Idris Muhammad – who was still calling himself Leo Morris at this point! Muhammad's work on the drums is fantastic – not just in the snap-funk mode of some of his oft-sampled Blue Note classics, but also hitting these nicely changed-up rhythms that dance along with a free sense of joy, love, and life – one that seems to open Lou up even more than before! Other players on the set are great too – and include a young Charles Earland on organ, Blue Mitchell on trumpet, and Jimmy Ponder on guitar – cooking up some incredible licks that fill in the spaces between the grooves with a wash of soulful colors! Titles include a great version of the James Brown Classic "Say It Loud", plus the originals "Snake Bone" and "Brother Soul" – and surprisingly great takes on "Summertime" and "Caravan"! LP, Vinyl record album
(Original Liberty pressing. Cover has some wear with stains down the inside of the gatefold.)
Also available Say It Loud! (with bonus track) ... CD 18.99

Possible matches5
CD, LP, Vinyl record album cover art
Lou DonaldsonSay It Loud! (with bonus track) ... CD
Blue Note (Japan), 1969. New Copy ... $18.99
One of the greatest Blue Note funky jazz sets of the late 60s – an all-out soul fest headed up by funky Lou Donaldson, and featuring some incredible work on drums from Idris Muhammad – who was still calling himself Leo Morris at this point! Muhammad's work on the drums is fantastic – not just in the snap-funk mode of some of his oft-sampled Blue Note classics, but also hitting these nicely changed-up rhythms that dance along with a free sense of joy, love, and life – one that seems to open Lou up even more than before! Other players on the set are great too – and include a young Charles Earland on organ, Blue Mitchell on trumpet, and Jimmy Ponder on guitar – cooking up some incredible licks that fill in the spaces between the grooves with a wash of soulful colors! Titles include a great version of the James Brown Classic "Say It Loud", plus the originals "Snake Bone" and "Brother Soul" – and surprisingly great takes on "Summertime" and "Caravan"! Also includes a bonus alternate take of "Brother Soul". CD
(SHMCD.)
Also available Say It Loud! ... LP 14.99

Possible matches6
CD, LP, Vinyl record album cover art
Bob Downes Open MusicYou're Funkin' Good ... CD
Bob Downes Music, 2001. Used ... $4.99
A clunky title, a so-so cover, a later recording date – and yet, the record's wonderful overall – a surprisingly funky effort from British reedman Bob Downes! The album is Bob's tribute to funky sounds oif the 60s and 70s – and although it includes a few tracks penned by Downes back in the day, the music was recorded in the past decade or so – yet done with a surprisingly classic feel overall – one that really serves the funky style of the music very well! The group is very stripped-down – just a trio with electric bass and keyboards, plus Downes on tenor, alto, flute, soprano sax, and even a bit of vocals – the kind of shouted, James Brown-chorus type – which are processed here to give them a really offbeat sound. The whole thing's pretty great – and you can bet that if this was a small label pressing from the US scene of a few decades back, it would be changing hands for a pretty penny. Titles include "Afro Swing", "Happy Funk", "A Man Without A Woman", "Pow Wow", "Funky Groove", "Hottin Up", "C'Mon Baby", and "You're Funkin Good". CD

Possible matches7
CD, LP, Vinyl record album cover art
Dee Felice TrioIn Heat ... LP
King/Bethlehem, Late 60s. New Copy (reissue)... $9.99
A killer album of soul jazz piano instrumentals – produced by James Brown! The Dee Felice Trio were a groovy combo from Cincinnati, and James Brown took a shine to them at some point in the late 60s. They backed James on one record, but their big moment was this album – which had James producing, and the group grooving nicely on some hard piano jammers! The sound's a lot more stripped-down than usual for James, but the groove is very nice! Includes an excellent funky version of "There Was A Time", a great cover of Marcos Valle's "Crickets Sing For Anamaria", and the tracks "Summer In The City", "In Heat", "Both Sides Now", and "Never". Darn hard to find, too! LP, Vinyl record album

Possible matches8
CD, LP, Vinyl record album cover art
New Ronnie FosterOn The Avenue ... CD
Blue Note (Japan), 1974. New Copy ... $13.99
Massive keyboard work from Ronnie Foster – one of his sweet funky 70s sets for Blue Note – and a killer all the way through! Ronnie plays a host of cool keys – Hammond, clavinet, and moog – and he's working here with tight production from George Benson, who really helps find a new soulful edge for Foster's music – plus great horns from Alfred Ellis, who helps bring a bit of his James Brown influence into the mix! Some of the best cuts feel like blacksploitation funk – with Foster taking long solos over some great instrumental grooves – often with the same offbeat twists and turns, and cool colors he brought to his Two Headed Freap album. Titles include "On The Avenue", "To See A Smile", "First Light", "Serenade To A Rock", and a nice version of Stevie Wonder's "Golden Lady". CD

Possible matches9
CD, LP, Vinyl record album cover art
Grant GreenShades Of Green ... LP
Blue Note, 1972. Very Good- ... $9.99
A stellar album from Grant Green – very different than most of his other work for Blue Note, and a sly electric groover recorded with vibist Billy Wooten! The sound here is a bit more spacious than some of Grant's earlier albums, yet no less funky – thanks to a hip undercurrent of soul in the drums, and arrangements from Wade Marcus that keep things fluid throughout. Wooten's vibes are wonderful, a ringing counterpoint to Green's great lines on guitar – and even the more familiar tunes on the record turn out to be really unique readings here – thanks to the arrangements and overall conception. Mellow moments are dripping with plenty of soul, and the funky ones are pretty great too – and titles include a killer medley of James Brown's "I Don't Want Nobody To Give Me Nothing" and "Cold Sweat", a heavy version of his instrumental groover "In The Middle", and a great original called "California Green" – plus "Never My Love", "Sunrise Sunset", "Got To Be There", and "If You Really Love Me". LP, Vinyl record album
(German Liberty pressing. Side 2 has marks that click on tracks one and four. Cover has some wear, a half-split top seam, and a rip with some separation on along the bottom of the back paste-on.)

Possible matches10
CD, LP, Vinyl record album cover art
Moe KoffmanTurned On ... LP
Jubilee, Late 60s. Very Good+ ... $29.99
One of the nicest albums cut by funky flute player Moe Koffman – kind of a batch of groovy 60s instrumentals, but with more of a soul tinge than you'd expect by the cover. The record features nice originals by Koffman called "James Brown's Bag" and "Funky Monkey" – plus versions of "Soul Finger", "The Mighty Quinn", "Windy", and "Song For My Father". LP, Vinyl record album
(Cover has a promo sticker and some wear.)

Possible matches11
CD, LP, Vinyl record album cover art
New Yusef LateefAutophysiopsychic ... LP
CTI, 1977. Very Good+ Gatefold ... $4.99
A strange bit of funk from Yusef Lateef! The record was recorded late in the CTI electric years – and it's got Yusef fronting a funky jazz group on 5 tracks that have a decidely R&B-ish fusion twist. Dave Matthews – of James Brown funky fame – arranged the whole album, and the record is similar to some of Dave's funky jazz records from the mid 70s. A few cuts have vocals, and Art Farmer joins Yusef in the frontline on horns – and the two of them blow together in light melodic lines over the top of funky rhythms from Steve Gadd, Eric Gale, Alex Blake, and others. Titles include "Robot Man", "YL", "Communication", and "Look On The Right Side". LP, Vinyl record album

Possible matches12
CD, LP, Vinyl record album cover art
James MoodyComin' On Strong ... LP
Argo, 1963. Very Good- ... $3.99
A prime Argo gem from James Moody – and key proof that when he wanted to, he could be one of the hippest cats working in 60s jazz! The approach here is subtle, but amazing – a blend of hardbop with some of the more modern ideas that were coming up in the post-bop generation from the team of Moody and Dizzy Gillespie. The rhythms are quite complicated at times – very fresh and vibrant, but without any of the easy gimmicks that other 60s artists would fall into – like vamping soul jazz or borrowed bossa lines. Instead, working in a combo with a young Kenny Barron, Moody concentrates on fresh timings and complicated changes – modes that push his own work on alto, tenor, and flute far from expected territory – and which also features Barron on piano and organ, George Eskridge on guitar, Chris White on bass, and Rudy Collins on drums. Tracks include "Zanzibar", "Dizzy", "Ole", "Sonnymoon For Two", and a nice version of "Fly Me To The Moon". LP, Vinyl record album
(Brown label Argo pressing. Cover has a center split on the bottom seam and some wear, with two promo stamps and some stains on the back.)

Possible matches13
CD, LP, Vinyl record album cover art
New Idris MuhammadBoogie To The Top ... LP
Kudu, 1977. Very Good+ ... $3.99
Quite different than Idris' funky drumming on early 70s jazz records – but not a bad little album on its own terms. As you'd guess by the title, the album's more of a disco/club effort than before, but thanks to some good arrangements by Dave Matthews – who'd worked some good magic with other Kudu artists, as well as James Brown – the funk component's still pretty high. Most tracks have vocals, and the record's got long drawn-out funk tracks with a lot of electric keyboards and wah-wah guitar work. Titles include "One With A Star", "Boogie To The Top", "Bread", and "Stick It In Your Face". LP, Vinyl record album
(Cover has some light wear.)

Possible matches14
CD, LP, Vinyl record album cover art
Marvin Peterson & The SoulmastersMarvin Peterson & The Soulmasters In Concert ... LP
Century/Jazzman (UK), 1968. Very Good+ (reissue)... $19.99
Rare early work from Hannibal Marvin Peterson – doing it live at the Burning Bush in Denton, TX in November of 1968, around the time Peterson was still a student at North Texas State University – an incredible formative live document of one of the great soul jazz players, in a more soul & early funk inspired groove than the more exploratory style to come! The set's credited to Marvin Peterson & The Soulmasters – aptly billed, we might add – and it's a mix of organ funk, a more slow cooking number or two, and a couple nods to James Brown style funk soul! Marvin, not yet billed as Hannibal, is on trumpet and he sings on his own "Five Foot Seven" and also contributes some vocals to the JB cover "I Can't Stand It". Tim Peterson is on sax and flute, penned the set opening "Groove For Otis" and co-wrote "Our Groove" with Peterson. The group also covers the Gershwin classic "Summertime" and other players include Mike Campell on alto sax, Clevend Gay on trombone, Eugene Carrier on organ and tamborine, Richard Thompson and Eugene Murray on bass and Emry Thomas on drums. LP, Vinyl record album
(Limited numbered edition – 0144 of 1500.)

Possible matches15
CD, LP, Vinyl record album cover art
Lee RitenourFestival ... CD
GRP, 1988. Used ... $3.99
With a mixture of US jazz and Brazilian players – including Dave Grusin, Bob James, Joao Bosco, Carlinhos Brown, and Caetano Veloso! Titles include "Night Rhythms", "Latin Lovers", "Rio Sol", "Humana", "Linda", and "New York/Brazil". CD

Possible matches16
CD, LP, Vinyl record album cover art
Larry WillisNew Kind Of Soul ... CD
Brunswick/Ultra Vybe (Japan), 1972. New Copy ... $16.99
A really killer set from pianist Larry Willis – way different than any of his later albums as a leader, and from his early work with Jackie McLean in the 60s! Larry's playing here with a sound that's as righteous as his image on the cover, but which is also pretty funky at points too – a small combo mode that's partly in a soul instrumental mode, partly with some of the soaring, more expressive qualities you'd find later on records for labels like Strata East or Black Jazz. The whole combo's wonderful – and includes the mighty Al Foster on drums and Vic Sproles on bass – two super-hip rhythm cats – alongside a tight flugelhorn frontline from the trio of Jimmy Owens, Marvin Stamm, and Joe Newman – and lots of sharp riffing guitar from Al Gava. The funky cuts are wonderful – and include a break version of Otis Redding's "Hard To Handle", and sweet covers of Andre Williams' "Funky Judge" and James Brown's "Lickin' Stick" – but original cuts are nice too, and include "Someday soon" and "Consola Coa". CD

Possible matches17
CD, LP, Vinyl record album cover art
David MatthewsGrand Cross ... CD
Electric Bird/King (Japan), 1983. New Copy ... Around December 10, 2014
A smooth session of fusion originally recorded by the Electric Bird imprint in Japan, and issued here in a US version by GNP. Matthews is a lot slicker than on his earlier funky work with James Brown – and he's got help from a bevvy of studio talents, like John Tropea, Larry Carlton, Randy Brecker, David Sanborn, and Steve Gadd. The record's got that classic Jap Jazz fusion sound – and it features the groover "Sambafrique", plus "Movin Man", "Grand Cross", and "Afro Sax". CD

Possible matches18
CD, LP, Vinyl record album cover art
New Marion BrownGeechee Recollections/Sweet Earth Flying ... CD
Impulse, 1973/1974. Used ... Temporarily Out Of Stock
Amazing work from Marion Brown – two albums we'd never be without! Geechee Recollections is quite possibly our favorite record ever from reedman Brown – and very different than both his seminal 60s recordings, and his European sides from later years! There's a really earthy feel to this record – one that really lives up to the title, and which comes from the use of lots of percussion, played by just about every group member, ala AACM – but handled in a style that's warmly spiritual, and very organic too – right in line with the best Impulse Records vibe of the time, yet completely its own thing too! Brown plays alto and soprano sax, and is working with players who include Leo Smith on trumpet, William Malone on mbira and autoharp, James Jefferson on bass, and Steve McCall, Jumma Santos, Bill Hasson, and A Kobena Adzenyah on percussion – in addition to percussion plays by other group members too. Two tracks are spare, beautiful solos – almost a Kalaparusha Maurice McIntyre vibe – and titles include "Buttermilk Bottom", "Once Upon A Time", "Tokalokaloka", and "Karintha". Sweet Earth Flying has an unusually introspective quality, and features Muhal Richard Abrams playing piano, Fender Rhodes, and Ring Modulated Hammon Organ, plus Paul Bley playing some of the same on a few tracks. The two-keyboard sound is very cool, and the record's dominated by it in a way that we find really surprising, given the fierceness of Brown's sax playing on earlier sessions. Each side of the album features a long suite – side one has "Sweet Earth Flying" and side two has "Eleven Light City" – and each have the tracks drifting in and out, with piano lines swirling about in a soulful spiritual way, as Brown's alto and soprano snake through the elegant arrangements. Really fantastic stuff – and a record that's unlike any we've heard from him! CD

Possible matches19
CD, LP, Vinyl record album cover art
New David MatthewsDune ... LP
CTI, 1977. Used ... Temporarily Out Of Stock
Funky spaciness from one of the 70's best arrangers! The set's a largeish orchestral work dedicated to Dune and other sci-fi books and films. Sounds goofy, but it's pretty darn great – and Dave Matthews takes his work with James Brown and makes the whole thing come out pretty darn funky. Includes the massive "Sandworms", plus "Song Of The Bene Gesserit", "Silent Running", "Arrakis", and "Space Oddity". LP, Vinyl record album

Possible matches20
CD, LP, Vinyl record album cover art
New Memphis Convention feat George ColemanMemphis Convention ... CD
DIW (Japan), 1992. Used ... Temporarily Out Of Stock
A great assemblage of legendary players from the Memphis scene, both old and young – brought together in one great chorus of soulful jazz! The feel of the set recalls the 1959 Young Men From Memphis album for United Artists – a record that featured a good number of the players on this set, many of whom are still sounding great, more than 20 years later! The style of this one is a bit more modern than that classic set – with less of the bluesy touches you might associate with Memphis, and more of the flowing, free soul jazz style that many of the players had developed in their years away from the city. The lineup includes Bill Mobley on trumpet, Bill Easley on saxes, George Coleman on tenor, Donald Brown on piano, James Williams on organ and piano, Calvin Newborn on guitar, Mulgrew Miller on piano, Jamil Nasser on bass, and Harold Mabern on piano too! The piano talents on the set are enough to make the set great – but the warmth and good spirits of the lineup are evident throughout, on tracks that include "No Moon At All", "Squindo's Passion", "Ray-el", "There But For The Grace Of", "The Sequel", and "Night Mist Blues". CD

Possible matches21
CD, LP, Vinyl record album cover art
New Blue MitchellMany Shades Of Blue ... LP
Mainstream, 1974. Used ... Temporarily Out Of Stock
Sweet electric 70s funk from Blue Mitchell – blowing here in some of the hippest arrangements of his career! Blue's trumpet alone is always pretty darn great, but for this album he's working with arranger Dave Matthews – who gives the tunes fierce groove that mixes vamping guitars with snapping drums – sort of picking up the groove that Matthews forged with James Brown, but allowing for a lot freer jazz interplay! The guitars are often recorded in a cool way that has them sounding a bit "watery" alongside the rhythms – so much so, you'd swear they were keyboards at times – and this approach sounds really great underneath Blue's tighter, harder, more punctuated solos over the top of the tracks. Additional support comes from horn players Joe Farrell and Seldon Powell – and titles include "Funk Walk", "Blue Funk", "Funny Bone", "Golden Feathered Bird", "Harmony Of The Underworld", and "Hot Stuff". LP, Vinyl record album
(Cover has light wear & some waviness.)

Possible matches22
CD, LP, Vinyl record album cover art
New Grant GreenGreen Is Beautiful ... CD
Blue Note, 1970. Used ... Out Of Stock
One of Grant Green's best funky records for Blue Note! The group's cut from the same cloth as Lou Donaldson's great ones from this period – like Hot Dog or Say It Loud – with Idris Muhammad on drums, kicking up lots of those chunky funky breaks that we always love so much! Green's work on guitar is especially nice – stretched out, but never trippy, with a tight single note style that really gets the most out of the grooves. Neal Creque plays keyboards on the set, and contributed 2 tracks – "Windjammer" and "Dracula" – and the album also sports a great long version of James Brown's "Ain't It Funky Now", and a sweet cover of "A Day In The Life"! CD
(Out of print.)

Possible matches23
CD, LP, Vinyl record album cover art
New William ParkerWood Flute Songs Anthology – Live 2006 to 2012 (8CD set) ... CD
Aum Fidelity, 2000s/Early 2010s. New Copy 8 CDs ... Out Of Stock
Some of the most amazing work we've ever heard from this legendary bassist – a set that's not based around music from a wooden flute, but which instead refers to the instrument in its title – as an illustration of the very organic approach of the work within! The 8CDs offer up eight different unreleased live recordings – all of which showcase the deeply spiritual side of Parker's recent years – an approach that's even more so than his already-deep sounds of previous recordings – carried out at a level that's completely sublime throughout! This is the side of Parker that we've always reached for over the years, but haven't always found this easily – a mature musical vision informed not just by jazz, but by a host of other cultural influences, including film – as well as the exterior world of being. All recordings feature the core quartet of Parker on bass, Rob Brown on alto sax, Lewis Barnes on trumpet, and Hamid Drake on drums – and the CDs feature two discs of material from a May 2006 concert in Oakland; two CDs' of music from an April 2007 concert in Houston; a June 2009 performance in New York with the addition of Billy Bang on violin, Bobby Bradford on cornet, and James Spaulding on alto; an April 2011 performance in Geneva with the AMR Ensemble; a June 2012 show from Montreal with Leena Conquest on voice and Eri Yamamoto on piano; and a June 2012 show from New York with Cooper Moore on piano. CD
(Limited to 1500 copies!)

Possible matches24
CD, LP, Vinyl record album cover art
New Grant GreenGreen Is Beautiful ... LP
Blue Note, 1970. New Copy (reissue)... Out Of Stock
One of Grant Green's best funky records for Blue Note! The group's cut from the same cloth as Lou Donaldson's great ones from this period – like Hot Dog or Say It Loud – with Idris Muhammad on drums, kicking up lots of those chunky funky breaks that we always love so much! Green's work on guitar is especially nice – stretched out, but never trippy, with a tight single note style that really gets the most out of the grooves. Neal Creque plays keyboards on the set, and contributed 2 tracks – "Windjammer" and "Dracula" – and the album also sports a great long version of James Brown's "Ain't It Funky Now", and a sweet cover of "A Day In The Life"! LP, Vinyl record album

Possible matches25
CD, LP, Vinyl record album cover art
New Blue MitchellMany Shades Of Blue ... CD
Mainstream/P-Vine (Japan), 1974. New Copy ... Out Of Stock
Sweet electric 70s funk from Blue Mitchell – blowing here in some of the hippest arrangements of his career! Blue's trumpet alone is always pretty darn great, but for this album he's working with arranger Dave Matthews – who gives the tunes fierce groove that mixes vamping guitars with snapping drums – sort of picking up the groove that Matthews forged with James Brown, but allowing for a lot freer jazz interplay! The guitars are often recorded in a cool way that has them sounding a bit "watery" alongside the rhythms – so much so, you'd swear they were keyboards at times – and this approach sounds really great underneath Blue's tighter, harder, more punctuated solos over the top of the tracks. Additional support comes from horn players Joe Farrell and Seldon Powell – and titles include "Funk Walk", "Blue Funk", "Funny Bone", "Golden Feathered Bird", "Harmony Of The Underworld", and "Hot Stuff". CD

Possible matches26
CD, LP, Vinyl record album cover art
New Archie SheppAttica Blues Big Band Live At The Palais Des Glaces ... CD
Blue Marge (France), 1979. New Copy 2CD ... Out Of Stock
Attica Blues, and beyond – a great late 70s performance that has Archie Shepp turning the clock back towards that famous album – but also making some very new grooves with a richly expanded lineup! The double-length set was recorded in Paris, in front of a very lively crowd – and it's honestly one of Shepp's most dynamic records from the time – definitely inspired by all the freedom he'd had in the French scene for the previous decade – yet also brought together with a great sense of focus too. The lineup is excellent – with vocals from Joe Lee Wilson and Irene Datcher – trumpets from Malachi Thompson, Charles McGhee, and Roy Burrowes; trombones from Charles Greenlee, Dick Griffin, and Steve Turre; reeds from Marion Brown, James Ware, and Marvin Blackman; plus piano from Art Matthews, some added strings, great percussion, and piano, tenor, and soprano sax from Shepp himself! Ray Copeland directs the group – giving it the hip focus of his few key recordings like this – and titles include "Star Love", "Moon Bees", "Attica Blues" (in two parts), "Steam", "Quiet Dawn", "Hi Fly", "U-Jaama", "Ballad For A Child", "Simone", "Crucificado", :A Change Has Come Over Me", "Goodbye Sweet Pops", and "Skippin'". CD

Possible matches27
CD, LP, Vinyl record album cover art
New Bill DoggettHonky Tonk Popcorn ... LP
King, 1969. New Copy (reissue)... Out Of Stock
Funky funky Hammond – a rare late 60s album from organist Bill Doggett, done with some help from James Brown – and a set that's unlike anything Doggett ever recorded before – or since! There's a blasting groove to the record right from the start – thanks to help from The James Brown Band on the leadoff cut – but even when they drop out, and Doggett's combo goes out on their own, the sound is still amazing – tight, soulful, and very much in a funky 45 style all the way through! Drums are hard, the organ is nice and fluid, and the sound is prime late 60s instrumental funk – a groove that Doggett never managed to reach again, which makes this record a real standout treasure. The album includes the legendary funky break cuts "Honky Tonk" and "Honky Tonk Popcorn", plus lots of other nice groovers, like "A Doozy", "Mad", "Slippin In", and "Corner Pocket". LP, Vinyl record album
 
 
 



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