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Brother El

 

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CD, LP, Vinyl record album cover art
MastersoundsKismet/The King & I ... CD
El/Cherry Red (UK), 1957/1958. Used ... $6.99
A strangely compelling montage of tracks from the musical Kismet. Brothers Buddy and Monk Montgomery are joined here by brother Wes – then an emerging star on guitar, and a strong addition to the set, one who expands the sound past the usual exotic chamber groove laid down by the combo. Titles include "Fate", "Olive Tree", "And This Is My Beloved", "Not Since Nineveh", and "Stranger In Paradise". The King And I is a strange batch of titles played by one of the stranger groups of the late 50s, but the record works nicely – possibly because Rodgers & Hammerstein's tracks are a good forum for the group's mix of soul jazz and lyrical mysticism. Monk Montgomery plays an early Fender bass, Buddy Montgomery's on vibes, Richie Crabtree plays piano, and Benny Barth plays drums. The highlight is a great version of "Dance Of The Siamese Children", one of those odd show tunes that gets picked up often by jazz players, and turned into a completely different vehicle. Other titles include "Shall We Dance", "We Kiss In The Shadows", "My Lord & Master", and "I Have Dreamed". CD
 
Partial matches: 108
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CD, LP, Vinyl record album cover art
New Gene AmmonsBrother Jug! ... LP
Prestige, 1970. Very Good ... $14.99
One of Jug's funkier albums from his time back out of the pen, and a tasty electric session with Billy Butler on guitar and Sonny Phillips on organ. Pretty Purdie plays drums, and he kicks it nice and lean on the great groover "Jungle Strut". The album also features a nice version of "Son of A Preacher Man", plus "Ger-ru", which features Junior Mance on piano. LP, Vinyl record album
(Purple label pressing. Cover has a cutout hole & a name in marker.)

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Gene AmmonsJug Sessions ... LP
Mercury, Late 40s. Very Good+ 2LP Gatefold ... $2.99
A double LP set pulled together in the mid 70s of Jug's bluesy bop sides cut in the late 40s for Mercury. Sidemen include Junior Mance, Albert Ammons, Israel Crosby, Gene Wright and lesser known Chicago locals like Wes Landers, Leo Blevins, Jess Miller and Ernest McDonald. As you'd expect the blowing is is nice and soulful, but nice and concise with the shorter takes that groups were doing in the era for the recording formats of the day. 28 numbers in all, including "Concentration", "Red Top", "Idaho", "Shufflin The Boogie", "McDougal's Sprout", "Hold That Money", "Shermanski", "Harold The Fox", "Jeet Jet", "Odd-En-Dow", "Going For The Okey Doak", 'Blowing The Family Jewels", "Dues In Blues", "Daddy Sauce's Airlines", "ABdullah's Fiesta", "Brother Jug's Sermon" and "Little Slam". LP, Vinyl record album
(Cover has light wear.)

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Fred Anderson & Hamid DrakeFrom The River To The Ocean ... CD
Thrill Jockey, 2007. Used ... $8.99
A fresh album from one of the stronger partnerships in avant garde jazz – sax titan Fred Anderson and drummer/percussionist Hamid Drake – joined by some of the finest Chicago based players for set of slowbuilding, generously spacious material that might be even better their previous album for Thrill Jockey! Anderson's sax and Drake's drumming are as intuitive to each other as ever, and some bits of the record have a dual bass sound that really pulls us in! Josh Abrams and Harrison Bankhead bring the bass, with a great cello part by Bankhead on one track, and Jeff Parker plays some nice guitar. A masterful record with more of an ensemble approach than its predecessor! 5 long (or longish), languorously gripping tracks: "Planet E", "Strut Time", "For Brother Thompson", "From The River To The Ocean" and "Sakti/Shiva". CD

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Albert AylerLive In Greenwich Village – The Complete Impulse Recordings ... CD
Impulse, 1966. Used 2CD ... $12.99
Essential stuff! This 2 CD set includes the entirety of Albert Ayler's Live In Greenwich Village album – plus a huge amount of previously unreleased live material, played by the Ayler group in New York, during 1966 and 1967. Ayler's brother Don is on trumpet, and other players include Joel Freedman, George Steele, Bill Fowell, Beaver Harris, Sunny Murray, Alan Silva, and Henry Grimes. The tracks have the same intensity of Ayler's ESP work – and many tunes are quite long, very free and open. Titles include "Light In Darkness", "Divine Peacemaker", "Angels", "Omega Is The Alpha", "Universal Thoughts", "Change Has Come", "Infinite Spirit", and "Spiritual Rebirth". 14 tracks in all – and one of the most important slices of Ayler's career! CD
(Out of print. Digipack has some edge wear.)

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Count Basie & Mills BrothersAnnual Report ... LP
Dot, 1968. Sealed ... $5.99
A surprisingly nice later session by The Mills Brothers – working here with Count Basie, in a set of tracks that's certainly groovier than some of their early work. The feel here is much more 60s than you'd expect – with some arrangements by Chico O'Farrill, and performances by Eddie Lockjaw Davis and Eric Dixon, and a few tracks that are original to the album. Titles include "Glow Worm", "Cielito Lind", "Every Day", "Sent For You Yesterday & Here You Come Today", "Gentle On My Mind", and "You Never Miss The Water Till The Well Runs Dry". LP, Vinyl record album
(Sealed 60s pressing!)

Partial matches7
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George BensonIn Your Eyes ... CD
Warner, 1983. Used ... $6.99
Sweetly jazzy soul from George Benson – a key classic from his great run at Warner Brothers Records, and the kind of record that George did better than anyone else at the time! Back in the 60s, we'd never have guessed that Benson's sweetly crackling vocals would dominate popular jazz more than his great guitar work – but hearing George here, it's clear that his soul work could easily outshine his guitar, especially when set up in a package like this! Atlantic soul maestro Arif Mardin produced, and as with his Chaka Khan productions for Warner at the time, he gives Benson a clean, clear modern style that's certainly pop, but also a lot less cluttered and clunky than modes used with other artists at the time. George is mostly on the vocal tip for the set, and Kashif helps out on one track – no surprise, given that Kashif was soon to walk down the path that Benson had started with his first few vocal albums in the 70s. Titles include "Love Will Come Again", "Use Me", "Late At Night", "In Search Of A Dream", "Lady Love Me", "In Your Eyes", and "Never Too Far To Fall". CD

Partial matches8
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Walter Bishop Jr.Soul Village ... CD
Muse/Soul Brother (UK), 1977. New Copy ... $16.99
One of a rare few electric albums from the great Walter Bishop Jr – a pianist who started during the bop years, but really grew into new modes in the 70s! The set's an album on Muse, but one with the same hip grooves as Walter Bishop's pair of excellent albums for the Black Jazz label – and like those gems, this set features Bishop working on Fender Rhodes – hitting a groove we never would have expected in the old days, and really going for a style that's at the hippest end of the soul jazz spectrum of the 70s! Tunes are a mix of funky fusion and modal, spiritual styles – and other players include Randy Brecker on trumpet, Gerry Niewood on tenor and flute, and George Young on soprano and alto sax – and the horns are all arranged tightly by Mitch Farber, in a way that adds an extra edge to the record, but still leaves plenty of space for Bishop's solo flights on the keys. Titles include great versions of "Soul Village", "Coral Keys", and "Soul Turnaround" – plus the cuts "Philadelphia Bright", "Sweet Rosa", and "Valerie". CD

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CD, LP, Vinyl record album cover art
Randy BreckerScore ... LP
Solid State, Late 60s. Near Mint- Gatefold ... $24.99
A very cool early Randy Brecker album – recorded years before he was working in tighter, R&B-inflected styles – and was instead an up-and-coming player with a surprisingly sharp edge! The set's produced by Duke Pearson, and has a groovy sound that's similar to Blue Note dates of the late 60s – jazz at the core, but a willingness to bring in some other pre-fusion elements – most notably the electric piano of Hal Galper, which sounds great next to drums from Bernard Purdie and bass from Eddie Gomez! Brother Michael plays tenor, and Galper wrote a lot of the tracks – with that good groovy electric funk sound that he did so well at this time. Titles include "The Vamp", "The Weasel Goes Out To Lunch", "Pipe Dream", "The Marble Sea", and "Bangalore". LP, Vinyl record album
(Cover has some wear.)

Partial matches10
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Brecker BrothersBack To Back (with bonus tracks) ... CD
Arista/Soulmusic.com (UK), 1976. New Copy ... $9.99
Soulful fusion from The Brecker Brothers – a set that's one of their standout efforts from the 70s – and a record that went onto influence a whole generation of jazz musicians too! The album features the twin horns of Randy & Michael Brecker, along with alto by David Sanborn, keyboards by Don Grolnick, and guitar by Steve Khan – but one of the things that really makes the album great is the vocal arrangements, which were handled by Luther Vandross, who also sings on the album along with Patti Austin! The set's got a great soulful feel – with some wonderful mellow groovers that have a sweet 70s sound – titles that include "Lovely Lady", "Night Flight", "Slick Stuff", "What A Miracle Can Do", "I Love Wastin Time With You", "Keep It Steady", "Grease Piece", and "Dig A Little Deeper". CD features 2 bonus tracks – "If You Wanna Boogie (single version)", and "Slick Stuff (single version)". CD

Partial matches11
CD, LP, Vinyl record album cover art
Brecker BrothersDon't Stop The Music ... LP
Arista, 1977. Very Good ... $2.99
A stone classic from The Brecker Brothers – working here at a new level for 70s jazz fusion! Sure, it's as slick as it can be – with touches of club and disco grooves to give an even smoother edge to the jazz funk of the Brecker Brothers – but thanks to some solid soloing that's not afraid to go for the easy spots, the album's a lot more solid than an number of sound-a-like copycat LPs to come out at the time! There's more than enough interesting jazz funk numbers on here to keep you happy if you dig a soulful fusion groove, and with Steve Gadd and Lenny White on drums, the beats are heavy enough in the right places. Titles include "Tabula Rasa", "Finger Lickin Good", "Funky Sea, Funky Dew", "Squids", "Petals", and "As Long As I've Got Your Love". LP, Vinyl record album
(Includes the printed inner sleeve.)

Partial matches12
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Clifford Brown & Max RoachAt Basin Street ... CD
EmArcy/Verve, Mid 50s. Used ... $6.99
About as classic as you can get for the Brown/Roach group – recorded at Basin Street with a group that includes Richie Powell on piano, Sonny Rollins on tenor, and George Morrow on bass. Tracks are tight and in that firey hardbop mode the pair pioneered – and titles include "Gertrude's Bounce", "Powell's Prances", "Time", "The Scene Is Clean", and "I'll Remember April". Most notable is the work by Powell on the record – as Bud's brother really shines here, turning out some great original compositions, and arranging the group with tight precision! Plus, the CD reissue features 7 bonus tracks – including alternates of some tunes on the record, and a few breakdowns. CD

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Clifford Brown & Max RoachAt Basin Street (Japanese paper sleeve edition) ... CD
EmArcy (Japan), Mid 50s. Used ... $19.99
About as classic as you can get for the Brown/Roach group – recorded at Basin Street with a group that includes Richie Powell on piano, Sonny Rollins on tenor, and George Morrow on bass. Tracks are tight and in that firey hardbop mode the pair pioneered – and titles include "Gertrude's Bounce", "Powell's Prances", "Time", "The Scene Is Clean", and "I'll Remember April". Most notable is the work by Powell on the record – as Bud's brother really shines here, turning out some great original compositions, and arranging the group with tight precision. CD
(Out of print.)

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Clifford Brown & Max RoachClifford Brown & Max Roach (with bonus tracks) ... CD
EmArcy/Verve, Mid 50s. Used ... $7.99
Brilliant work by the team of Clifford Brown and Max Roach – a seminal hardbop album that was one of the few to bridge the east and west coast scenes! The set was recorded in LA under the joint leadership of Brown and Roach – and features the classic quintet lineup that included Harold Land on tenor, Richie Powell (Bud's brother!) on piano, and George Morrow on bass. The mix of Roach's heavy full-on drumming and Brown's lyrical beauty is beyond compare – and Land's angular and sensitive tenor lines provide a perfect link between the two. Titles include classics like "Parisian Thoroughfare", "The Blues Walk", "Daahoud", "Jordu", and "Joy Spring". CD
(Verve Master Edition pressing.)

Partial matches15
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Kenny BurrellNight Song ... LP
Verve, 1968. Very Good ... $6.99
A great title for this one – as the album's got a cool, laidback groove that's very much in a "night song" mode! Arrangements are by Don Sebesky – in that warm and fluid mode he was bringing to some of his best CTI sides at the time – and they push Kenny a bit more than usual, as he stretches out over the larger arrangements with some really great solo work that dips, turns, and rolls with incredibly warm hues of sound. Kenny plays solo on 2 tracks, and with a smaller quartet on a few more – and titles include "Night Song", "Love You Madly", "The Shadow Of Your Smile", "Brother Where Are You?", "Nighthawk", and "Teach Me Tonight". LP, Vinyl record album
(Cover has a small cutout notch and light wear.)

Partial matches16
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Donald Byrd with Clare FischerDonald Byrd With Strings (aka September Afternoon) (plus Byrd Blows On Beacon Hill) ... CD
Discovery/Lonehill (Spain), 1957. Used ... $11.99
A heck of a rare slice of Donald Byrd's career – a rare "with strings" session, recorded in 1957, but never issued until a brief 1982 LP on Discovery! The set also marks a rare early large set of arrangements by Clare Fischer – who backs up Byrd's shimmering trumpet lines with some great strings on the album – making for a moody session that's also got some nice modernist touches underneath. Given Byrd's Parisian recordings, and his work for a variety of labels at the time (this one was supposedly done for Warner Brothers), it's interesting to hear his more open style before it was clamped into the tighter Blue Note groove of the 60s. Titles include "Varmeland", "Lazy Afternoon", "Moon Mist", "I'm A Fool To Want You", "Dearly Beloved", and "September Afternoon". Added to this session is a slightly unusual choice – a much harder-edged quartet session from 1956 – Byrd Blows On Beacon Hill. The hard-to-find recording was originally cut for the obscure Transition label, and features a very different side than some of Byrd's other early two-leader sessions – especially as he blows with a warmth and moodiness that we don't normally hear from him at this point. The rest of the group includes Ray Santisi piano, Doug Watkins bass, and Jim Zitano drums – and titles include "Little Rock Getaway", "If I Love Again", "What's New", and "Stella By Starlight". CD

Partial matches17
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John Carter & Bobby BradfordFlight For Four (LP sleeve edition) ... CD
Flying Dutchman/International Phonograph, 1969. New Copy Gatefold ... $18.99 22.98
Spectacular work from one of the most groundbreaking groups of its time – the legendary John Carter/Bobby Bradford Quartet – quite possibly the hippest thing going in the LA scene of the late 60s! The group includes Carter on alto and tenor, Bradford on trumpet – working together in these amazing lines that have both players running off together in a style that's free, but often quite rhythmic – spurred on to move past the new freedoms unlocked by the Ornette Coleman group a few years before! Yet the vibe here is very different than Ornette, too – given the bold, righteous power that comes through in the voices of both players – working here at a level that seems to blow away just about anything else going on in the American avant garde at the time. The group has just two more players to round out its amazing sound – Tom Williamson on bass, and Bruz Freeman (brother of Von and George!) on drums – and all tracks are long and free, yet also fragile and intimate – with an almost painterly sense of beauty and emotion that stands in stark contrast to much of the avant work of the time coming out of the east coast. Titles include "Domino", "Abstractions For Three Lovers", "Woman", and "The Second Set". CD
(Great LP-styled gatefold cover – just like the rare original album!)

Partial matches18
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Cyrus ChestnutSoul Brother Cool ... CD
WJ3, 2013. New Copy ... $14.99 16.98
A really hard-hitting set from pianist Cyrus Chestnut – wrapped up here in a cover that's an homage to Max Roach in the 60s, and served up with a groove that definitely evokes the best jazz of that decade too! The group's a very sharp quartet – with Chestnut handling piano, plus Freddie Hendrix on trumpet, Dezron Douglas on bass, and Willie Jones II on drums – and also acting here as producer, given that the set's issued on his own label! The team of Douglas and Jones is mighty deft – and really adds a bristle to the rhythms right from the start – providing a perfect place for Hendrix to show off his tight skills on trumpet, while Chestnut mixes things up with lyrical moments and some harder punch on his piano. All tunes are originals by Cyrus, which furthers the fresh feeling of the record – and titles include "The Raven", "Stripes", "Soul Brother Cool", "Piscean Thought", "Spicey Honey", and "Dawn Of The Sunset". CD

Partial matches19
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Kenny Clarke, Cannonball Adderley, & OthersBohemia After Dark (with bonus track) ... CD
Savoy, 1955. Used ... $5.99
An excellent hardbop session from the glory days of the Savoy label – easily one of the label's key 50s classics! Drummer Kenny Clarke's at the front of the group – but all players are great, and the set features work by Cannonball Adderley on alto, Jerome Richardson on tenor, Donald Byrd on trumpet, Nat Adderley on cornet, Hank Jones or Horace Silver on piano, and Paul Chambers on bass. The Adderley brothers sound especially great – and the young Cannonball has a quality here that's more soulful and sharp-edged than his work on Mercury – much more in a Prestige blowing session style! Titles include "Late Entry", "Chasm", "Bohemia After Dark", and "Hear Me Talkin To Ya". CD features the bonus track "Caribbean Cutie". CD

Partial matches20
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Jimmy ClevelandIntroducing Jimmy Cleveland & His All Stars ... LP
Mercury, Mid 50s. Very Good- ... $11.99
An early leader session for Jimmy Cleveland – one that pulls him out of the Lionel Hampton group, and puts him in the company of a number of different all-stars – top level players that Mercury brought together in three different sessions for the album. Players include Lucky Thompson, Cecil Payne, Barry Galbraith, Wade Legge, Paul Chambers, and Jerome Richardson – and it's the quality of the ensemble grooving that really makes the album swing, a lot more than Cleveland's solos on his own. Titles include "Vixen", "Hear Ye Hear Ye", "See Minor", "Bone Brother", "Count 'Em", and "Little Beaver". LP, Vinyl record album
(Blue label drummer logo pressing, with deep groove. Cover has light wear and some aging, with some splitting on the top and bottom seams.)

Partial matches21
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Billy CobhamTotal Eclipse ... LP
Atlantic, 1974. Near Mint- ... $4.99
Full throttle fusion from Billy Cobham, the kind of stuff we once winced at because of the really over the top moments of heavy, heavy jamming, but that we find ourselves more sympathetic to these days, probably for the more sublime moments that poke through the onslaught here and there, including some nice spacey tracks. The Brecker brothers are up front, and the group has the tight electric approach you'd guess, with some easier grooves sliding in between the full on moments, and even a bit of funk, too. Includes "Solarization", "Lunarputians", "Total Eclipse", "Bandits", "Moon Germs","The Moon Ain't Made Of Green Cheese", "Sea Of tranquility" and "Last Frontier" LP, Vinyl record album
(Cover has light wear, promo sticker, and a cutout notch.)

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Jorge DaltoRendez-Vous ... LP
EMI/Cheetah, 1983/1988. Sealed ... $9.99
Warm and mellow keyboards from the great Jorge Dalto – an obscure Japanese set from the early 80s, but one that has all the spacious grooves of his US classic from the 70s! Jorge plays a range of acoustic and electric keys here – mostly in a small group setting that features guitar from Barry Finnerty or George Benson – both of whom play with the warm touches that are just right for Dalto's keys. There's a bit of horns on the set – Art Webb on flute on one track, Tom Browne's trumpet on another, and the alto of David Sanborn on two more – and the great Nicky Marrero contributes some Latin percussion to some of the album's best numbers too. Titles include "You're Like An Angel", "It's Magic", "Like A Whisper", "Hotel Du Globe", "My Latin Brother", "Mountain Song", and "Poinciana". LP, Vinyl record album

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Paul DesmondFirst Place Again – The Impeccable Taste Of The Most Internationally Honored Alto Saxophist ... LP
Warner, 1960. Very Good- ... $8.99
The first big Paul Desmond solo album of the 60s – and a standout set that's very much in the tradition of his best work on RCA! This rare side was cut for Warner Brothers during a time when they were taking a brief dip into jazz – and it's a rarely-heard set that features Jim Hall on guitar, Connie Kay on drums, and Percy Heath on bass, all backing up Paul with a spare "after hours" sound that's a marked change from his tightly woven work with Brubeck. Desmond's alto is full of possibilities here – working wonders with familiar tunes like "Greensleeves", "You Go To My Head", "Time After Time", and "East Of The Sun" – as well as with the John Lewis modern number "2 Degrees East, 3 Degrees West". LP, Vinyl record album
(Gold label stereo pressing. Cover has some wear, masking tape on the seams, and a sticker, with some a few ink stamps and some stains on the back.)

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New Paul Desmond with Jim HallComplete Recordings Of Paul Desmond With Jim Hall (4CD set) ... CD
Mosaic, Early 60s. Used 4CDs ... $149.99
Ahhh . . . The genius of Paul Desmond and Jim Hall! Desmond was the icy alto tone behind Dave Brubeck's legendary quartet of the late 50s and early 60s – and although we always liked his work with Dave, Paul's even better on his own! Desmond has a lanquid, lyrical tones that's simply beyond compare – and in the right setting, he crafts these snaking, inching, arcing lines that take the alto sax to a whole new level of expression. In these sides with guitarist Jim Hall, he's certainly in the right setting – as modernist Hall, fresh from work with the Jimmy Guiffre 3, really helps set the mode on these recordings, painting colors with a subtle brush, filling in spaces ever so gently as Desmond angles his way around tunes that have an increasingly Latin bent to them. The first album in the set features tracks from Desmond's rare 1959 Warner Brothers album , plus an obscure tune ("Susie") that was only ever issued on a 1959 Playboy compilation. The remaining 5 LPs feature tracks from Desmond's sublime RCA sessions from the early 60s - sparely recorded with only bass and drums behind work by him and Hall. Titles include "All Across The City", "East Of The Sun", "Greensleeves", "Rude Old Man", "Samba Cantina", "Two Degrees East, Three Degrees West", "Samba De Orfeu", and loads more. CD
(Out of print, and in nice shape, save for some light aging on the box.)

Partial matches25
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Lou DonaldsonSay It Loud! (with bonus track) ... CD
Blue Note (Japan), 1969. New Copy ... $18.99
One of the greatest Blue Note funky jazz sets of the late 60s – an all-out soul fest headed up by funky Lou Donaldson, and featuring some incredible work on drums from Idris Muhammad – who was still calling himself Leo Morris at this point! Muhammad's work on the drums is fantastic – not just in the snap-funk mode of some of his oft-sampled Blue Note classics, but also hitting these nicely changed-up rhythms that dance along with a free sense of joy, love, and life – one that seems to open Lou up even more than before! Other players on the set are great too – and include a young Charles Earland on organ, Blue Mitchell on trumpet, and Jimmy Ponder on guitar – cooking up some incredible licks that fill in the spaces between the grooves with a wash of soulful colors! Titles include a great version of the James Brown Classic "Say It Loud", plus the originals "Snake Bone" and "Brother Soul" – and surprisingly great takes on "Summertime" and "Caravan"! Also includes a bonus alternate take of "Brother Soul". CD
(SHMCD.)

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Charles EarlandCharles Earland Anthology ... CD
Soul Brother (UK), 1970s. New Copy 2CD ... $16.99
Magnificent! Charles Earland may well be our favorite-ever jazz organist – and after you hear this set, he'll probably be yours too! Charles really didn't emerge as a name until the beginning of the 70s – and although that decade did some nasty stuff to some of the 60s best organ players, Earland managed to really get a heck of a lot out of the decade, twisting and turning his style with all the changes in arrangements and instrumentation, yet always keeping it real, laying down killer solos and funky grooves that rank with some of the best organ work of his generation! This 2CD set is the first to really pay tribute to Earland's genius – and it's a massive batch of tracks the spans his early years at Prestige Records, and moves into his work for labels like Mercury, Columbia, and Muse. Disc 1 features "funky organ grooves" – 10 tracks from Prestige and Muse with a straight heavy soul jazz funk groove, cut with monster players like Melvin Sparks, Idris Muhammad, Gary Chandler, and Virgil Jones. Tracks on the set include "Murilley", "Spinky", "Betty's Dilemma", "Sing A Simple Song", "Morgan", "My Favorite Things", and "Sing A Simple Song" – and the grooves are hard and funky all the way through! Disc 2 features "jazz funk and beyond" – beginning with Earland's spacier jam cuts on the Leaving This Planet session for Prestige, then moving into his jams on Arp and Electric Piano for Mercury, and some of his later R&B funk cuts for Columbia. Most of this work's never been on CD before – and the wealth of Earland's talent here will take you way past his early Black Talk years. Titles include "Phire", "Coming To You Live", "Red Clay", "Intergalactic Love Song", "Cosmic Fever", "Betty Boop", "Let The Music Play", and "Over & Over". CD

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New Stan GetzBrothers ... LP
Prestige, 1949/1952. Very Good ... $6.99
A classic Prestige LP that compiles earlier sides by Getz – four tunes from a 1949 session recorded under Stan Getz & His Four Brothers, with Zoot Sims, Al Cohn, Allen Eager, and Brew Moore – all blowing with Getz in a real "brothers-like" sax section sound. The remaining 4 tracks feature Stan and Al Cohn, working in a 1952 session with Geroge Wallington and Kai Winding – on some nice light boppish tracks that have that sweet smooth Getz tone firmly in place. The album's got a great Don Martin cover, and titles include "Battleground", "Five Brothers", "Four & One Moore", "Red Door", and "Zoot Case". LP, Vinyl record album
(Blue label pressing.)

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Herbie HancockHerbie Hancock – The Warner Brothers Years 1969 to 1972 (Fat Albert Rotunda/Crossings/Mwandishi/bonus tracks) (3CD set) ... CD
Warner, Late 60s/Early 70s. New Copy 3 CDs ... $27.99 29.99
A trio of great albums from Herbie Hancock – funky, spiritual, and plenty soulful – and presented here with bonus tracks too! First up is Fat Albert Rotunda – the first album to feature Herbie really breaking away from his straight jazz work – moving into a groove that's nice and funky, using electric piano along with acoustic, to forge the sound that he'd develop famously over the 70s. The album's got a harder, heavier sound than some of his straight electric ones – and it features a larger group with soloists that include Johnny Coles on trumpet and Joe Henderson on tenor – plus some sweet basslines from Buster Williams! Includes the cuts "Fat Mama" and "Wiggle Waggle", both sample favorites, plus "Tell Me A Bedtime Story" and "Lil Brother". CD also features bonus mono mixes of "Wiggle Waggle" and "Fat Mama". Next is Mwandishi – an excellent session that was one of Herbie Hancock's first free-flowing fusion records of the 70s! Herbie's playing Fender Rhodes with a sound that's at once cosmically beautiful, soulfully fragile, and spacily grooving – and he gets some excellent accompaniment from an all-hip group of players that includes Benny Maupin on bass clarinet and flute, Buster Williams on bass, Eddie Henderson on trumpet, and Julian Priester on trombone – plus percussion from Jose Areas and Ndugu Chancler. The roots of later classics like Sextet and Flood all start with this session – and the album contains 3 long tracks – "You'll Know When You Get There", "Ostinato", and "Wandering Sprit Song". CD features bonus promo edits of "Ostinato" and "You'll Know When You Get There". Crossings is a record that really steps up Herbie's range of keyboards, mixing in both acoustic and electric pianos, mellotron, and even a bit of spacey moog from the legendary Patrick Gleeson! The whole thing is wonderful – very open and flowing, and even more organic than Hancock's later work on Columbia – especially given the length of the tracks on the set. In addition to Gleeson, other players include Benny Maupin on reeds, Julian Priester on trombone, Buster Williams on bass, and Billy Hart on drums – and titles include the 3 long tracks "Quasar", "Sleeping Giant", and "Water Torture" – all good ones! CD features bonus single mixes of "Crossings" and "Water Torture". CD

Partial matches29
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Herbie HancockMwandishi – The Complete Warner Brothers Recordings ... CD
Warner, Late 60s/Early 70s. Used 2CD ... $9.99
Essential set that brings together all of Herbie's key transitional recordings for Warner Brothers! Herbie started his years for the label playing in a more straight-ahead funky style – with perennial sample fave recordings like "Wiggle Waggle", "Fat Mama", and "Tell Me A Bedtime Story". Soon, however, he moved into more spacey territory – of the sort that he would later examine fully on his Columbia recordings of the early 70s. Tracks in this vein include "Sleeping Giant", "Water Torture", and "Wandering Spirit Song". The whole set features 3 full albums – Fat Mama, Crossings, and Mwandishi – and it's a great 2CD set filled with hard to find jazz funk classics! CD
(Out of print.)

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Herbie HarperFive Brothers (aka Herbie Harper Quintet) ... LP
Tampa, 1955. Very Good ... $24.99
Arguably the greatest session ever cut by trombonist Herbie Harper as a leader – and if not that, then certainly the one that has the most edge! Herbie's working here in a mode that's still as fluid as some of his other sessions from the 50s, but which also has a bit more of a "rasp" in the tone overall – an approach that's a bit more down-n-dirty than some of his more measured records – and which has some especially nice phrasing from Harper on trombone and Bob Enevoldsen on tenor sax. The rest of the group includes Red Mitchell on bass, Don Overburg on guitar, and Frank Capp on drums – and the whole thing's got a really nicely spontaneous and earthy quality. Titles include "Skull Cap", "Jim's Tune", "Juan Don", "Adios", "Godchild", "Don't Buck It", and "Alone Together". LP, Vinyl record album
(Original pink label pressing with deep groove. Cover's in nice shape, save for a split top seam and a partially split bottom seam.)

Partial matches31
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New Motohiko HinoMotohiko Hino First Album ... CD
Takt (Japan), 1970. New Copy ... $21.99
One of the greatest Japanese jazz drummers breaks out in his first album as a leader! Hino had played drums in the modernist bop group of (brother?) Terumasa Hino during the late 60s – but this set is the first that really lets his unique vision shine through. The album features Hino leading a sextet of young Japanese avant players that includes Takao Uematsu on tenor, Kosuke Mine on alto, and Hideo Ichikawa on piano and electric piano. The set begins with a rolling Ornette-ish take on "Gingerbread Boy", moves into a moody reading of "Into The Heaven", done more famously by Terumasa, but handled here in a dark spare manner that features some excellent cello work by Yshio Ikeda. The last track in the set is the 20 minute "Mine Tune", a free jazz workout on a par with work being recorded at the same time in Paris or Berlin. CD

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Weldon IrvineCosmic Vortex (Justice Divine) ... LP
RCA, 1974. New Copy (reissue)... $9.99
A genius bit of work from the legendary Weldon Irvine – a mightily righteous effort that more than lives up to its heady title and cover! After turning out 2 great albums on his own indie Nodlew label, Weldon really steps into greatness with this set – using the bigger budget of his deal with RCA to expand out his musical vision in a number of different directions. Keyboards are still very much at the forefront of his sound – played with that heavily vamping left hand that makes his work so funky – but there's also a focus on lyrics here too – sung by Weldon with support form singers Ojuleba & Nalo, in a way that creates a righteous "many voiced" mode on the lyrical tracks! Things get plenty jazzy on side two, though – and a few key tracks really take off in a heavily jamming way, mixing Weldon's keys with additional reeds, guitar, and percussion. Titles include excellent track "Walk That Walk, Talk that Talk", plus other great ones like "Love Your Brother", "Let Yourself Be Free", "Quiet", "I'll Name It Tomorrow", and "Love Jones". LP, Vinyl record album
Also available Cosmic Vortex (Justice Divine) ... LP 11.99

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Weldon IrvineCosmic Vortex (Justice Divine) ... LP
RCA, 1974. Near Mint- (reissue)... $11.99
A genius bit of work from the legendary Weldon Irvine – a mightily righteous effort that more than lives up to its heady title and cover! After turning out 2 great albums on his own indie Nodlew label, Weldon really steps into greatness with this set – using the bigger budget of his deal with RCA to expand out his musical vision in a number of different directions. Keyboards are still very much at the forefront of his sound – played with that heavily vamping left hand that makes his work so funky – but there's also a focus on lyrics here too – sung by Weldon with support form singers Ojuleba & Nalo, in a way that creates a righteous "many voiced" mode on the lyrical tracks! Things get plenty jazzy on side two, though – and a few key tracks really take off in a heavily jamming way, mixing Weldon's keys with additional reeds, guitar, and percussion. Titles include excellent track "Walk That Walk, Talk that Talk", plus other great ones like "Love Your Brother", "Let Yourself Be Free", "Quiet", "I'll Name It Tomorrow", and "Love Jones". LP, Vinyl record album
(BMG Special Products pressing.)
Also available Cosmic Vortex (Justice Divine) ... LP 9.99

Partial matches34
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Weldon IrvineLiberated Brother ... LP
Nodlew, 1972. New Copy (reissue)... $9.99
Landmark early work from the legendary Weldon Irvine – recorded way back when he was first coming to fame with Nina Simone, but done as an obscure indie effort for his tiny Nodlew label! The set's a wicked batch of keyboard-heavy funk – at a level that's similar to some of the best titles on Black Jazz or Strata East at the time, but also filled with an even richer array of colors and musical ideas. Weldon's work on electric piano is worth the price of admission alone – often spare, spacious, and perfectly placed – especially on the funky classics "Homey", "Mr Clean", and "Sister Sanctified" – a tune later cut by Stanley Turrentine, but heard here in Weldon's original version! Other cuts include "Gloria", "Juggah Buggah", "Blues Wel-Don", and "Liberated Brother". LP, Vinyl record album

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New Willis JacksonCool Gator ... LP
Prestige, Early 60s. Good ... $4.99
Well, Jackson's anything but "cool" as a player – and this album sets his hard wailing tenor in great company with Brother Jack McDuff on organ and Wild Bill Jennings on guitar. The sound is in that gutbuckety early 60s soul jazz style that was showing up on a number of Prestige albums at the time – with very heavy organ fluttering away in the mix, underneath tight tenor and guitar lines. Titles include "Blue Strollin", "Keep On A Blowin", and "A Smooth One", an old favorite in the McDuff bag! LP, Vinyl record album
(Yellow and black label pressing. Cover has a large stain at the bottom, with some stuck-on paper and seam splitting, and a name in marker on back.)

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New Willis JacksonKeep On A Blowin' ... LP
Prestige, Early 60s. Very Good+ ... $6.99
Raw early stuff by Willis Jackson – and an album that has hard wailin' soul jazz solos by Brother Jack McDuff on organ and Wild Bill Jennings on guitar! Those two, plus Gator, make up the core of the combo that features additional backing by bass and drums, but you won't need to worry about the additional players, because the triple threat of tenor/organ/guitar will hold all your attention. Tracks are long, and as usual, the best ones are the originals, including "Blue Strollin", "A Smooth One", and "Keep On A Blowin". LP, Vinyl record album
(Green label pressing. Cover has a cutout notch.)

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New Jazz CrusadersTough Talk (1963 – single LP) ... LP
Pacific Jazz, 1963. Very Good ... $8.99
Great early Crusaders stuff,and like many of their 60s sides, filled with memorable soul jazz that would become the template for a sound that would become the face of popular jazz for decades. The songs are almost all short, hard-cracking originals, and they've all got that tight LA groove that the band virtually invented – with sharp, concise solos that ring out nicely by Wayne Henderson, Wilton Felder, and Joe Sample. 9 numbers in all including "Boopie", "Turkish Black", "Deacon Brown", "Tough Talk", "Lazy Canary", "Lonely Horn", "Brother Bernard" and "No Name Samba". LP, Vinyl record album
(Original black label pressing. Cover has some wear, discoloration from age, and some pen on back.)

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Boogaloo Joe JonesRight On Brother ... LP
Prestige, 1970. Good ... $19.99
A fantastic album of funky jazz guitar – by one of the best players in the genre! This is Ivan's first truly sublime album – a set that showed the world that he was easily one of the greatest jazz guitarists of his generation – able to spin out single-note jams with a speed and dexterity that few others could match! The groove here is totally great and very righteous – heavy drums from Bernard Purdie, wailing organ from Charles Earland, and saxophone from Rusty Bryant – all cooking together in the best early 70s Prestige jazz funk mode! Titles include "Right On", "Brown Bag", "Things Ain't What They Used To Be", and "Poppin". LP, Vinyl record album
(Light blue label pressing. Cover has wear, split top and bottom seams with masking tape and residue, two cutout holes, and several stains on the back.)

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Quincy JonesI Heard That! ... LP
A&M, Late 60s/1970s. Very Good+ 2LP Gatefold ... $5.99
This set is divided into three parts – new songs recorded with a vocal group called Wattsline, the Award Winning Jones and the Grammy Winning Jones. The personnel involved with all of these songs is huge and they include George Duke, Herbie Hancock, Billy Preston, The Johnson Brothers, Toots Thielemans, Stevie Wonder, Billy Cobham, Grady Tate, Milt Jackson and many, many others. Tracks include "I Heard That!", "What Good Is A Song", "There's A Train Leavin", "Superstition", "Summer In The City", "Body Heat", "Killer Joe", "Theme From The Anderson Tapes" and "Walking In Space". LP, Vinyl record album

Partial matches40
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Rahsaan Roland KirkBrotherman In The Fatherland – Live In Germany 1972 ... CD
Hyena, 1972. Used ... $9.99
Previously unreleased live material by Rahsaan Roland Kirk – recorded during his headiest years at Atlantic records! Kirk in the studio is already plenty darn great – with an extremely inventive approach to rhythm, song structure, and soloing – but in a live setting, he opens up even more, and often lets his most playful spirit come in and really transform the tunes! The style here is similar to Roland's Bright Moments live date for Atlantic, but with less talking and more music overall – a sometimes straighter jazz approach that features tenor, flute, manzello, stritch, and clarinet from Kirk – plus piano by Ron Burton, bass by Henry Pete Pearson, drums by Richie Goldberg, and added percussion by Joe Texidor. Recording quality is quite strong, despite the "unreleased" nature of the tapes – and there's a very strong Coltrane vibe running through some of the tracks. Titles include a 17 minute reading of "Blue Trane", plus "Seasons/Serenade To A Cuckoo", "Pedal Up", "Lush Life", "Afro Blue", "Make It With You", "Rahsaan's Spirit", and "Like Sonny". CD
(Barcode has a cutout hole.)

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John KlemmerMagic & Movement ... LP
Impulse, 1973. Very Good Gatefold ... $3.99
Excellent work by Klemmer – filled with the kind of fire and emotion that you don't get on many of his other records! The set was recorded live at two different venues – and it's a choppy slightly-funky batch of modal soul jazz tunes, with an approach that makes it feel like a lost album on Strata East. On side one, Mike Nock is on Fender Rhodes, Wilton Felder plays bass, and Eddie Marshall is on drums. Titles on that set include "Blood Of The Sun" and "How Cum Ya Got Ta Rip Off Your Brothers?". Side two was recorded live at Montreux, and features more Fender Rhodes, plus backing by Cecil McBee and Alphonze Mouzon. Klemmer plays tenor with echoplex processing, and titles include "Free Love" and "Tree Of Forbidden Fruit". LP, Vinyl record album
(Cover has light wear.)

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James MasonRhythm Of Life ... CD
Soul Brother/Expansion (UK), 1977. New Copy ... $16.99
One of our favorite albums ever – and every track is a masterpiece! The album was originally cut for the tiny Chiaroscuro label in 1977 – and it's got a sound that's unlike anything else we can think of – soaring, soulful, jazzy, and righteous – wrapped up in a blend that's never been done this perfectly again! James Mason's a player who's know for a bit of keyboard work with other artists – but here, he's really working as a collective power – bringing together a brilliant ensemble that work as one to hit some sublime sounds – much in the way that Roy Ayers could work some key magic with his groups at the same time, but with a vibe that's very different too. Players include Ayers associates Justo Almario on saxes and Philip Woo on piano – and a young Narada Michael Walden adds some excellent drums to the record – a lot more powerful and funky than on most of his own albums! Lead vocals are by Clarice Taylor – who's got this unique voice that really makes the record – proud, but sensitive at the same time too – and Mason plays lots of Fender Rhodes, polymoog, Arp, and a bit of guitar. Titles include the breakbeat classic "Funny Girl", the monster groover "Sweet Power Your Embrace", the funky "Slick City", and the massive "Free" – but every cut's a winner, and others include "Mbewe", "Rhythm Of Life", and "Dreams". This is the kind of album that makes us proud to be in business! CD

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MastersoundsKismet – A Jazz Interpretation By The Mastersounds ... LP
World Pacific, Late 50s. Very Good- ... $4.99
The last session that The Mastersounds ever cut as a group – and a strangely compelling montage of tracks from the musical Kismet. Brothers Buddy and Monk Montgomery are joined here by brother Wes – then an emerging star on guitar, and a strong addition to the set, one who expands the sound past the usual exotic chamber groove laid down by the combo. Titles include "Fate", "Olive Tree", "This Is My Beloved", "Not Since Nineveh", and "Stranger In Paradise". LP, Vinyl record album
(Black label pressing. Cover has some wear, discoloration due to aging, and a sticker, with small splits on the top and bottom seams.)

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MastersoundsMastersounds Play Compositions By Horace Silver ... LP
World Pacific, Late 50s. Very Good ... $11.99
Masterful work from The Mastersounds – performing the works of Horace Silver with Silver's personal endorsement! The Mastersounds were a short lived, little-remembered group that had a strong resemblance to the Montgomery Brothers – mostly because Buddy and Monk Montgomery were in the group, along with pianist Richie Crabtree. This set features the group in a laidback live performance of Silver compositions, all arranged by Crabtree, and featuring nice takes on the tracks, with vibes and piano out front in the solo space. Titles include "Ecaroh", "Enchantment", "Moonrays", and "Buhania". Nice stuff, with a very haunting sound. LP, Vinyl record album
(Gold label pressing with deep groove. Cover has a light stain in one corner, but is nice overall.)

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Les McCannLive At Montreux ... CD
Atlantic (Japan), 1972. New Copy ... $13.99
The 70s genius of Les McCann – opened up here wonderfully in the space of a double-length live performance! Tracks are all nice and long – and Les steps out strongly on Fender Rhodes and clavinet, ringing out with amazing tones that are really wonderful – kind of the electric depth of the Circles record, mixed with some of the sharper soul of other early 70s albums! The small group features great conga work from Buck Clarke, who kicks in some great elements to really drive the rhythms – and the open space of the record really gives Les plenty of room to sing alongside his keyboards. Titles include "Carry On Brother", "Home Again", "Get Yourself Together", "Compared To What", "Cochise", and "Price You Got To Pay To Be Free". CD

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Jack McDuffChange is Gonna Come ... LP
Atlantic, 1966. New Copy (reissue)... $11.99
A sweet Atlantic soul groover from Brother Jack McDuff – and a set that has him tightening up his Hammond sound from his earlier years at Prestige Records! The tunes here are short and punched-up – almost instrumental soul numbers in their construction, but still filled with plenty of jazz – thanks to Jack's mad solos on organ, and some killer drums from Joe Dukes and Bernard Purdie! Other players include George Coleman on tenor, Cornell Dupree on guitar, and Buddy Lucas on baritone sax – and arrangements are by JJ Jackson and Jack himself. Titles include "Hotcha", "Down In the Valley", "Same Old Same Old", "No Tears", "What'd I Say", "Gonna Hang Me Up A Sign", and "Minha Saudade". LP, Vinyl record album

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Jack McDuffFourth Dimension ... LP
Cadet, 1974. Near Mint- ... $24.99
An excellent album from Brother Jack – one that has him making a shift from organ to electric keyboards, but in a mode that loses none of his funkiness, none of his soul, and none of his wit! The album's got some wonderfully angular groovers – showing that McDuff was always growing his style, working into grooves that always pushed him past his earlier work. Includes the stellar tracks "The City Bump" and "Layin' Back" – plus "Show Casing", "Half Breed", and "Fourth Dimension". LP, Vinyl record album
(White label promo, with some marker on the labels. Cover has a cutout hole, a few minor creases, and a sticker on front.)

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Jack McDuffHot Barbeque ... LP
Prestige, 1966. Near Mint- ... $13.99
One of our all-time favorite albums from Brother Jack McDuff – not just for the cover (which is plenty appealing to us as BBQ fans!), but also for the tight, sharply focused grooves on the set – some of Jack's first really firey work on record! The combo here is great – with a young George Benson hard-wailing on guitar, cutting lines so fast and furious it's hard to believe – especially if you only know his later work. The legendary Joe Dukes is on drums – dancing all over the place under Brother Jack's great groovy solos – and Red Holloway completes the group on tenor sax! The title track's got a rare vocal refrain – with Jack shouting out "Hot Barbeque" over the organ – and other cuts include "Briar Patch", "Hippy Dip", "601 1/2 North Poplar", and "The Three Day Thang". LP, Vinyl record album
(UK pressing on BGP.)

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Jack McDuffI Got A Woman ... LP
Prestige, Mid 60s/1969. Very Good ... $14.99
Some tasty groovers by Brother Jack – compiled from mid 60s sessions for Prestige, but not issued until this LP in 1969. Joe Dukes is on drums on all cuts, and players include Pat Martino, George Benson, Red Holloway, and Harold Ousley. Benny Golson's orchestra backs up the group on one number – "English Country Gardens", which also features McDuff on piano and celeste. Other tracks are more straightforward soul jazz – including "Twelve Inches Wide", "Spoonin", and "I Got A Woman". LP, Vinyl record album
(Blue label pressing. Cover has light wear, a bit of seam splitting, and one bumped corner.)

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Jack McDuffPrelude ... LP
Prestige, 1964. Very Good ... $7.99
Soul jazz organ with big band? It's been done – and never better than on this set – which features Brother Jack's classic quartet – with George Benson, Red Hollway, and Joe Dukes – next to the the screamin' orchestrations of a hip Benny Golson! Golson leads a crack band through a set of arrangements that barely get in the way of the organ grooves, and instead give a nice loud sound to the whole set – really pushing the group, especially McDuff's organ, into some wonderfully open territory that's quite different from other work! The best numbers really swing like some of Jimmy Smith's organ/big band sides with Oliver Nelson – particularly Virginia Woolf – and Golson's always been an underrated arranger, and this is one of his best sets! Tracks include "Kettle of Fish", "Prelude", and "Dig Uncle Will". LP, Vinyl record album
(Blue label pressing.)

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Jack McDuffSoul Circle ... LP
Prestige, 1968. Very Good ... $9.99
An excellent album of long jazzy grooves by Brother Jack McDuff – and one that has him really breaking past the tighter style of early years, into the long complicated modal style that graced his best later work. The material was most likely recorded earlier than the record's 1968 release date – by 2 different groups with classic McDuff bandmates, like George Benson, Harold Vick, Red Holloway, and Joe Dukes. Includes the massive "Lew's Piece", plus versions of "More" and "Opus de Funk" that are both very nice! LP, Vinyl record album
(Blue label pressing. Cover has a stain along the top seam, with heavy edge wear, a small peeled spot on front, and initials in marker on back.)

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Jack McDuffWho Knows What Tomorrow's Gonna Bring? ... LP
Blue Note, 1970. Very Good+ ... $34.99
Mindblowingly baroque funk from Brother Jack McDuff – an album that takes the initial Blue Note tripped-out groove of Moon Rappin, and pushes it to a whole new level! Jack's working here with arranger Ray Draper to come up with some tunes that are miles away from the earlier McDuff albums on Prestige – very far-reaching and free-thinking, and using a blend of rock and soul-inspired rhythms to push McDuff's organ work very firmly into the 1970s! The group on the set's a largeish one – filled with hip players that include Joe Beck on guitar, Mike Manieri on percussion, Randy Brecker and Olu Dara on trumpets, Paul Griffin on piano, and Draper himself on percussion and tuba. The set features the tightly-stepping funky number "Who's Pimpin Who", which features some great vocalizations from Ray and Jack; the tripped-out "Classic Funke", which has McDuff really burning up the keyboard; the down-n-dirty "Wank's Thang", which also has some nice vibes; and the cuts "Y'All Remember Boogie", "Ya Ya Ya Ya Ya", and "Who Knows What Tomorrow's Gonna Bring". LP, Vinyl record album
(Liberty/UA pressing. Cover has a cut corner.)

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Jack McDuff & David NewmanDouble Barrelled Soul ... LP
Atlantic, 1968. Very Good- ... $4.99
One of the more open-ended sessions that Brother Jack cut for Atlantic – with less of the tight larger soul arrangements that the label usually saddled him with. (Not that we mind those, though!) David Newman plays a variety of saxes, and the group also includes a young Melvin Sparks on guitar. Tracks are longish, and the album includes the originals "Duffin 'Round", "Esperanto", and "More Head" – as well as stunning versions of "Sunny" and "But It's Alright"! LP, Vinyl record album
(Blue & green label pressing.)

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Jack McDuff & Gene AmmonsBrother Jack Meets The Boss ... LP
Prestige, 1962. Very Good+ ... $6.99
A classic early set from Jack McDuff – and a record that's very much in his own hands, despite the presence of Gene Ammons as a co-leader! The group's more of a McDuff one than an Ammons ensemble – and features the great Joe Dukes on drums, Eddie Diehl on guitar, and Harold Vick on tenor, who plays alongside Ammons' guest appearance on 5 of the album's 6 tracks. The tunes are in that Steppin Out mode – a cross between Jack's gutbuckety R&B work of the early Prestige years, and some of his cleaner grooves of the mid 60s – and titles include "Mellow Gravy", "Watch Out", "Strollin", "Buzzin Round", and "Mr Clean". LP, Vinyl record album
(OJC pressing. Cover has light stains and initials in marker on back.)

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Chris McGregorPiano Song Vol 1 ... LP
Musica (France), 1977. Near Mint- ... $28.99
A rare solo session from pianist Chris McGregor – not often heard out in the open like on this! The work has a wonderful rolling rhythmic undercurrent – even when McGregor heads off on some of the freer tangents you might think of – given his work with the Blue Notes and the Brotherhood of Breath. And like the larger style of both of those groups, McGregor weaves wonderful African-styled melodies through each piece! LP, Vinyl record album
(Cover has a small bit of an old sticker in one corner, but is great overall.)

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Chris McGregor's Brotherhood Of BreathTravelling Somewhere ... CD
Cuneiform, 1973. Used ... $11.99
One of the few recordings available from the classic period of Chris McGregor's famous Brotherhood Of Breath ensemble – the African-tinged jazz combo that grew out of the wreckage of the ex-patriation of South Africa's Blue Notes ensemble as it mixed with members of the London scene in the late 60s. The resultant group was one of the most compelling cross cultural moments in jazz history – a mix of players that included Dudu Pukwana, Mongezi Feza, Nick Evans, Harry Beckett, Harry Miller, Evan Parker, and Louis Moholo. This live set was recorded in Bremen, Germany in 1973 – and it easily ranks with the best of the group's studio work, and (dare way say it?) may be their most perfect realization of the idiom they always promise, yet sometimes didn't deliver. Titles include "Wood Fire", "The Bridge", "MRA", "Restless", and "Kongi's Theme". CD

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Kosuke Mine2nd Album (Japanese paper sleeve edition) ... CD
Three Blind Mice/Think (Japan), 1970. New Copy ... $28.99
A great album from one of the greatest Japanese reedmen of the 70s – a player who's not that well known on our shores, but who served up a run of great little records like this at the time! Kosuke Mine has this sound that's sharp, but extremely fluid too – a way of running fast with lots of notes, each of which feels individually shaped with a nice sort of edge – but at a level that all works together beautifully, and which retains a very soulful, spiritual approach! The tracks here are all nice and long – a perfect showcase for his inventive, imaginative approach on alto and soprano sax – with nice solo elements from Takashi Imoi on trombone, held together by some great guitar lines from Yoshiaki Masuo, who plays with this style that's a lot more like a keyboard overall. Titles include "YM", "Brother In Law", "Striped Slacks", and "Chin San". CD
(Blu-spec CD.)

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Blue MitchellBantu Village ... CD
Blue Note/Soul Brother (UK), 1969. New Copy ... $16.99
One of the funkiest albums ever on Blue Note – a set that mixes the trumpet talents of Blue Mitchell with some killer backings from Monk Higgins – all in a groove that more gritty edges than the best funky soundtracks of the time! Higgins keeps the backings full, but always quite lean – fusing all elements together into a sharp, tight rhythm that steps along with some of the slight African touches you might guess from the title – a groove that's not really that authentic, but which resonates with some of the best inspirations that Hugh Masekela was bringing to American music at the time. And while the album might be an attempt to cash in on Masekela's groove, the feel here is really quite different overall – as tracks are nicely stretched out, with plenty of room for jazzy solo work – and a groove that's much harder overall, thanks to Higgins! Other players include Freddy Robinson on guitar, Wilton Felder on bass, Paul Humphrey on drums, and Plas Johnson on tenor – and titles include "HNIC", "Flat Backing", "Na Ta Ka", "Bantu Village", and "Blue Dashiki". CD

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Alphonse MouzonMan Incognito ... CD
Blue Note/Soul Brother (UK), 1975. New Copy ... $16.99
A monstrous bit of jazz funk from drummer Alphonse Mouzon – spacey tracks in a choppy style that reminds us a bit of some of the best European fusion albums from the period, but with a harder groove overall! Mini Moog and ARP trip out the sound throughout, but the underlying rhythms are nice and heavy. Lee Ritenour's on guitar, and he gets a lot of play on the record – but the main groove is Alphonse's heavy funky snakefoot! Al's drums and percussion are furiously frenetic, and he also plays a lot of keyboards – and other players include Tom Scott on tenor, Dave Grusin on clavinet, Victor Feldman on bongos and congas, and Charles Meeks on bass. A few tracks have vocals – by Marty McCall, Jackie Ward, and Caroline Willis – as well as Alphonse himself and the album's also got two very nice break-oriented tracks – "Snake Walk" and "New York City" – both with nice hard drums! Titles include a number of other good fusion groovers, like "Without A Reason", "Just Like the Sun", "Before You Leave", "Just Like The Sun", and "Mouzon Moves On". CD

Partial matches60
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Gerry MulliganParis Concert ... LP
World Pacific, 1954. Very Good Gatefold ... $3.99
US issue of some of Gerry's classic Vogue recordings, done in Paris in 1954 with a quartet that featured Bob Brookmeyer on valve trombone, Red Mitchell on bass, and Frank Isola on drums. This is Gerry at the height of his powers, and playing classic piano-less material with supberb accompaniment by Brookmeyer. Tracks include a number of originals, including "Utter Chaos", "Five Brothers", and "Walkin' Shoes", plus others like "Bernies Tune", "Come Out Wherever You Are", and "Laura". LP, Vinyl record album
(Black label Pacific Jazz in gatefold cover.)

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Gerry MulliganParis Concert (Pacific Jazz) ... LP
Pacific Jazz, 1954. Very Good+ ... $14.99
US issue of some of Gerry's classic Vogue recordings, done in Paris in 1954 with a quartet that featured Bob Brookmeyer on valve trombone, Red Mitchell on bass, and Frank Isola on drums. This is Gerry at the height of his powers, and playing classic piano-less material with supberb accompaniment by Brookmeyer. Tracks include a number of originals, including "Utter Chaos", "Five Brothers", and "Walkin' Shoes", plus others like "Bernies Tune", "Come Out Wherever You Are", and "Laura". LP, Vinyl record album
(Black label World Pacific pressing. Cover has some wear.)

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Brothers Nash (Ted & Dick Nash)Brothers Nash ... LP
Liberty, 1955. Near Mint- ... $19.99
Features Ted Nash on a variety of saxes, and Dick on trombone – plus a group with Tony Rizzi on guitar, Jimmy Rowles on piano, Harry Babasin on bass, and Roy Harte on drums. Tracks are mostly familiar numbers, but inventively arranged by Frank Comstock and others – and Ted really increases his range of reed work here, blowing on tenor, alto, and soprano sax – plus flute, alto flute, piccolo, clarinet, and bass clarinet! Titles include "Juntos", "We'll Be Together Again", "I Remember You", "Cuban Veranda", "You Are Too Beautiful", "For Heaven's Sake", and "The Nearness Of You". LP, Vinyl record album
(Blue label pressing with deep groove. Bottom seam has a small center split.)

Partial matches63
CD, LP, Vinyl record album cover art
New Horace ParlanSpeakin' My Piece ... LP
Blue Note, 1960. Near Mint- ... $29.99
A killer set by one of the greatest pianists of the postwar era – and one that features Horace Parlan's piano trading lines with the legendary Turrentine brothers (both Stanley & Tommy), playing here at the height of their powers! Tommy Turrentine's trumpet is especially great here – spurring on Stanley's tenor into a groove that's a lot deeper, and more soulful than usual – a perfect sound in the frontline, kicked up nicely by Horace Parlan's piano! Rhythm is from the team of George Tucker on bass and Al Harewood on drums – very tight and crackling throughout – and the album's easily one of the most cooking Blue Notes from the time. Titles include "Wadin", "Oh So Blue", "Speakin My Piece", "Up In Cynthia's Room", "Rastus", and "Borderline". LP, Vinyl record album
(Japanese pressing, with insert! Vinyl is great – and most of cover is too, but bottom inch has some light water staining.)

Partial matches64
CD, LP, Vinyl record album cover art
Art PepperArt Pepper + Eleven ... LP
Contemporary, 1959. Good+ ... $14.99
A unique large group session from Art Pepper – one of his few this way as a leader, despite constant 50s presence as a sideman in big ensembles! Arrangements are by Marty Paich, who more than makes things swing – and there's a nice rhythm section dancing underneath a larger group – with Russ Freeman on piano, Joe Mondragon on bass and Mel Lewis on drums. Players in the fuller lineup include Jack Sheldon on trumpet, Herb Geller on alto, Bill Perkins on tenor, and Bob Enevoldsen on trombone and tenor – and titles are mostly modern numbers written by other jazzmen like Horace Silver, Denzil Best, Jimmy Giuffre, and Sonny Rollins. Titles include "Groovin High", "Move", "Four Brothers", "Anthropology", and "Airegin". LP, Vinyl record album
(Yellow label pressing with deep groove. Cover has wear, staining, a split spine, a small split on the top seam, some pen, and a name in marker on the back.)

Partial matches65
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Sun RaNight In East Berlin/My Brothers The Wind & Sun No 9 ... CD
Leo (UK), 1986/1988. New Copy ... $14.99
2 slices of live work by Sun Ra from the late years of his career – 7 tracks from a performance in East Berlin in 1986, plus 1 more from New York in 1988 – both quite unusual! The East Berlin performance has a very full force – one that no doubt comes from the audience's extremely enthusiastic response to the music, but also from the Arkestra's wild improvisations on the first few numbers. Titles include "Mystic Prophecy", "Beyond The Wilderness Of Shadows", "Interstellar Low Ways", and "The Shadow World". The New York performance is a bit more freewheeling and playful – the 20 minute track "My Brothers The Wind & Sun No 9", which features a long synthesizer improvisation by Sun Ra at the beginning, augmented by a bit of vocalization – then increasing output from the larger group. Both performances offer up an extremely visionary side of the group – much more open and experimental than some other 80s live recordings! CD

Partial matches66
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Buddy RichStick It ... CD
RCA, 1972. Used ... $6.99
Buddy takes on the grooves of the younger generation – and serves up one of his funkiest records of the time! Buddy's working here with arranger John LaBarbera – a youthful talent with a wonderful ability for bringing together horns in a freshly creative way – one that completely revitalizes the Buddy Rich sound for the 70s, and which gives some especially great solo space to John's brother Pat LaBarbera, whose work on reeds really makes the album great! There's a beautiful groove to the whole set – a sense of soul and lyrical imagination that goes way past the bombastic sound you might normally expect from Buddy. More proof that the RCA years are filled with under-discovered Rich gems – and featuring the tracks "Space Shuttle", "Best Coast", "Wave", "Uncle Albert/Admiral Halsey", and "Sassy Strut". CD
(Cover image differs slighly from that shown.)

Partial matches67
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Max RoachSwiss Radio Days Vol 35 – Recorded Live In Lausanne Part 1 – 1960 ... CD
TCB (Switzerland), 1960. New Copy ... $14.99 15.99
Previously-unissued work by one of our favorite groups ever from drummer Max Roach – a mighty lineup that included Turrentine brothers Stanley on tenor and Tommy on trumpet, plus the great Julius Priester on trombone! The horns are amazing – balanced between the modern impulses of Priester's past with Sun Ra, and Roach's own inclinations – and the tighter soul of Stan and Tom, who are both extremely sharp-edged, and at the height of their youthful powers here. The pair mix a Blue Note energy with some fo Max's more vibrant ideas – illustrated in a range of rhythms and colors that really open up over the course of these long, live tracks. Titles include a great version of the obscure Bill Lee tune, "Jodie's Cha Cha" – plus long takes on "Night In Tunisia" and "Lotus Blossom", and the track "Prelude", presented in an arrangement by Lee. CD

Partial matches68
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Sonny RollinsSonny Rollins Plus 4 ... LP
Prestige/OJC, 1956. New Copy (reissue)... $11.99 17.98
A crackling bit of hardbop from Sonny Rollins – and a session that has Sonny playing with the Max Roach/Clifford Brown group that included Bud Powell's brother Richie on piano! Sonny had already made a strong name for himself on albums issued under the Roach/Brown tag at the time, and here the group returns the favor by allowing Sonny to lead, and by giving him a good deal of time in the spotlight! Rollins' solo ability is risen to a razor-sharp level for the set – really getting fire, and managing to invent at a speed and sharpness that's simply amazing. Titles include Sonny's classic reading of "Pent-up House", plus "Valse Hot", "Kiss & Run", and "Count Your Blessings". LP, Vinyl record album

Partial matches69
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Patrice RushenShout It Out (with bonus track) ... CD
Prestige/Soul Brother (UK), 1976. New Copy ... $11.99
A pivotal record for Patrice Rushen – a set that has her really tightening up the groove from previous albums on Prestige – heading much more towards the focused soul-drenched grooves of her Elektra Records years! The set's a stunner – still very much with the hip, west coast funky fusion vibe of Rushen's roots – but even groovier overall, with loads of massive cuts that hold up beautifully over the years – and which still show a side of Patrice that's much different than her later hits. Titles include the classic cuts "The Hump", "Stepping Stones", and "Shout It Out" – all perfect jazz funk gems in the best Prestige/Fantasy mode of the mid 70s – and other tracks include "Roll With The Punches", "Let There Be Funk", "Let Your Heart Be Free", "Yolon", and "Sojourn". This Soul Brother UK edition includes a bonus single verion of "Let Your Heart Be Free". CD
Also available Shout It Out ... LP 4.99

Partial matches70
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New David SanbornTaking Off ... CD
Warner/Collectors Choice, 1975. Used ... $5.99
The fantastic first album from David Sanborn – a lot more than you might expect if you only know him from later years! Sure, the record's tight – and yes, Sanborn was a crossover player from the start – but there's some great moments here, and the whole thing's got a lot more of an edge at points than you'd expect – a nice rasp in Sanborn's alto, reminding us a bit of the early sounds we heard coming from Tom Scott on his best sides. Randy Brecker plays trumpet in the group, and Mike Brecker's on tenor – and there's definitely a bit of Brecker Brothers soul overall – some undercurrents of funk that also come through in the guitars of Steve Khan and Joe Beck. Arrangements are by David Matthews, Don Grolnick, and Howard Johnson – and titles include "Butterfat", "Duck Ankles", "Black Light", "Blue Night", "Flight", "Funky Banana", and "The Whisperer". CD

Partial matches71
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Wayne ShorterAll Seeing Eye ... LP
Blue Note, 1965. New Copy (reissue)... $11.99
An excellent set of some fairly out material – performed by Shorter with a group that includes Freddie Hubbard, Grachan Moncur, James Spaulding, Herbie Hancock, and a rare appearance by his brother Alan on flugelhorn! At times, the record builds into a sound that's freer and more challenging than on some of Shorter's other albums from the time – but it does so in more of the "new thing" mode that you'd hear on records from the time by Jackie McLean or Moncur, with an overall sense of purpose that really keeps the message clear. Features all original compositions by the Shorter brothers – and cuts include "Chaos", "Face Of The Deep", "Mephistopheles", and "Genesis". LP, Vinyl record album

Partial matches72
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Lonnie Liston SmithRenaissance ... LP
RCA, 1976. Very Good Gatefold ... $7.99
A massively sweet groover from Lonnie and the Cosmic Echoes – smoother and warmer than some of his earlier albums, with a really soulful fusion vibe! Lonnie plays acoustic piano and "electric colorations" – working with a group that includes brother Donald on flute and vocals, Dave Hubbard on trumpet, and Leon Pendarvis on clavinet – and the whole thing's got a laidback, superdope feel that shows Lonnie totally at the top of his game! There's still a nice degree of spirituality to the set, and titles include "Renaissance", "Space Lady", "Between Here & There", "Mardis Gras", "Starlight & You", "Song Of Love", and "Mongotee". LP, Vinyl record album
(Cover has wear and a name in marker on both sides. Vinyl plays with a short click on the first track of each side.)

Partial matches73
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Stark RealityNow ... CD
Stones Throw, 1969. Used ... $8.99
One of the most tripped-out albums of funk you'll ever buy – a rare treasure with a very unusual history! The Stark Reality were a cool little combo formed to work on public television in Boston in the late 60s – and the combo featured some heavy guitars, fuzzed-up vibes, and some monster percussion laid out in tight bass and drum rhythms that were years ahead of their time! The group recorded one rare album – ostensibly a children's record, but based around old compositions by Hoagy Carmichael, completely pulled apart, sliced up, overly harmonized, and spat out into wild funky tunes that bear no resemblance to their originals! The original album – Stark Reality Discovers Hoagy Carmichael's Music Shop – has been a holy grail for collectors for years (we once sold a copy for hundreds of dollars!), and the music has only ever really been heard by a few dedicated beatheads that have tracked down rare copies. Now, though, the geniuses at Stones Throw have put out the whole LP, plus bonus material, in one fantastic package that is soon to make the Stark Reality legends amongst funky fans the world over! Mad vibes meet fuzzy guitars meet killer funky beats – and the whole thing's a masterpiece that will never be duplicated again! Tracks include "Too Much Tenderness", "Sunday's Song", "Roller Coaster Ride", "Say Brother", "Rocket Ship", "All You Need To Make Music", "Junkman's Song", and "Thirty Days Hath September". CD

Partial matches74
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Arnold SterlingHere's Brother Sterling ... LP
Jam, Early 80s. Very Good+ ... $7.99
Features Sterling on alto and soprano sax – with Virgil Jones on trumpet, Junior Mance on acoustic and electric piano, Bob Cranshaw on bass, and Ray Mantilla on percussion! LP, Vinyl record album
(Bottom cover seam is unglued.)

Partial matches75
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Ira SullivanCircumstantial (plus bonus track) ... CD
Nessa, 1977. New Copy ... $14.99 16.99
An overlooked later gem from Chicago trumpeter Ira Sullivan – maybe some of the greatest music he ever recorded, thanks to the freewheeling vibe and strong artist respect of the Nessa label! Sullivan's working here on a variety of horns – trumpet, flugelhorn, flute, and soprano sax – with all the kind of soulful undercurrents we love on his classic Atlantic album Horizons, but with an even richer, more exploratory sort of style overall – one that gets a lot from the group's lineup of Simon Salz on guitar and Jodie Christian on both acoustic and electric piano! Both players seem to ignite Sullivan's best impulses, and really push him into fresh territory – guided strongly by the work of Dan Shapera on bass and Wilbur Campbell on drums. Titles include a sublime version of "Girl From Ipanema" – very offbeat – plus "Monday's Dance", "Circumstantial", "Angel Eyes", and "That's Earl Brother". CD also features the previously unissued "Blues For Johnny Bratton". CD

Partial matches76
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Stanley TurrentineChip Off The Old Block ... LP
Blue Note, 1963. Very Good- ... $19.99
A solidly soulful session from Stanley Turrentine – one of his few Blue Note dates in the company of organist Shirley Scott, and possibly the hardest-hitting of the bunch! The album's got a great added element in the front line – the trumpet of Blue Mitchell, which really rounds out the sound alongside Stan's tenor and Shirley's Hammond – making for a really full approach, even though the group's a quintet – almost in the mode of some of Turrentine's dates with his brother Tommy, but a bit more lown-down and dirty! There's a definite Basie influence going on but the sound is much leaner overall – and other players include Earl May on bass and Al Harewood on drums. Titles include "One O'Clock Jump", "Midnight Blue", "Blues In Hoss' Flat", and "Cherry Point". LP, Vinyl record album
(New York stereo pressing, with a Van Gelder stamp and an "ear". Cover has light wear, some small light stains, and small splits on the top and bottom seams.)

Partial matches77
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New Stanley TurrentineJubilee Shout!!! (with bonus tracks) ... CD
Blue Note (Japan), 1962. New Copy ... $19.99
One of Stanley Turrentine's best albums ever – but a record that was recorded in 1962, yet only released by Blue Note 20 years later! The set's a great example of the sheer raw power that Stan had in his tone before it got watered down by his pop-jazz recordings of the later 60s – a sharp edge and way of phrasing that's simply amazing – filled with soulful tradition, yet never prone to any of the cliches of contemporaries like David Newman or Don Wilkerson. The group here is a great one too – a sextet with the amazing Tommy Turrentine on trumpet, punching up some very sharp lines next to Stan – plus Kenny Burrell on guitar, Sonny Clark on piano, Butch Warren on bass, and Al Harewood on drums. Titles are a killer batch of spiritual-oriented soul jazz numbers like "Brother Tom", "Jubilee Shout", "My Ship", "Cotton Walk", and "You Said It". Includes the bonus tracks "Jubilee Shout (alt take)", "My Ship (alt take)" & Brother Tom (alt take)". CD
(SHMCD pressing.)

Partial matches78
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Tommy TurrentineTommy Turrentine ... LP
Time, 1959. New Copy (reissue)... $9.99
One of the most fantastic hardbop albums of all time! Tommy Turrentine was the less-famous trumpet-playing brother of Stanley Turrentine – but he was a hell of a player in his early days, and he cut some amazing records with his brother during the younger years of his career. This is the only record we've ever seen that features him as a leader – but the session's a monster, with the kind of razor-sharp hardbop playing we'd stack up there with must-have LPs like Art Blakey's Freedom Rider, Hank Mobley's Caddy For Daddy, or the legendary Young Lions session on Vee Jay. The group features a number of players who were working with Max Roach at the time – including Stanley Turrentine on tenor and Julian Priester on trombone – as well as Roach on drums, Horace Parlan on piano, and Bob Boswell on bass. Titles include "Gunga Din", "Too Clean", "Time's Up", "Long As You're Living", "Blues For JP", and "Webb City". LP, Vinyl record album

Partial matches79
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McCoy TynerSong Of The New World ... LP
Milestone, 1973. Very Good ... $1.99
Soaring brilliance from McCoy Tyner – one of his first large group outings, and an effort undertaken with key help from William Fischer! There's a sense of soaring freedom here that's very much like Tyner's smaller group albums of the time – but Fischer tunes it with a broader sense of color and tone, really bringing the most out of players that include Hubert Laws, Sonny Fortune, Junie Booth, Alphonse Mouzon, Cecil Bridgewater, Virgil Jones, and Dick Griffin. Tyner's forceful piano is very much in the lead on most tunes, but the album's much more of a group effort than before – and the horn and string contributions on the longer tracks are really tremendous. Titles include "Little Brother", "The Divine Love", "Some Day", "Song Of The New World", and a version of "Afro Blue". LP, Vinyl record album
(Cover has light wear, a bit of sticker residue, light waviness along the opening, and a bit of wrinkling on the back along the bottom.)

Partial matches80
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Kazumi Watanabe & Jimmy HoppsMudari ... CD
Sony (Japan), 1977. Used ... $9.99
A really unique session for guitarist Kazumi Watanabe – one that's co-led with American vocalist Jimmy Hopps! Hopps' work on the record is really wonderful – poetic and soulful, with a deep-voiced quality that sets the mood of the album from the very first tune. Vocal and instrumental numbers alternate – and Watanabe's playing in an introspective style that's relatively airy, and has a really evocative tone. Tenor sax player Joe Jacson's also on the record, and sings a bit – as does guest vocalist Reiko Aoki. Titles include "Handle Me Gently", "Brothers & Sisters", "Blues Africaine", "Lonesome Cat", "Ann", "Poem", and "Salute To Papa". CD
(Includes obi.)

Partial matches81
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VariousSiesta – Swedish Jazz 1949-1956 Vol 1 ... LP
Metronome (Sweden), Early 50s. Very Good+ 2LP ... $14.99
Great collection of Swedish jazz from the 50s – with a set of tracks that moves way beyond the usual Lars Gullin material to show the full range of the country's rich jazz scene of the postwar years. The whole thing's put together with some great notes, and a stellar selection of material that does include a few numbers by Gullin's octet, but mostly rare stuff from other Swedish groups, such as those led by Bengt Hallberg., Hacke Bjorksten, Nisse Engstrom, Arne Domnerus, Reinhold Svensson, and Thore Swanerud. Also features 2 tracks by the Four Tenor Brothers, featuring Gullin, Domnerus, Gosta Theselius, and Rolf Blomquist. LP, Vinyl record album
(Cover has a small cutout hole.)

Partial matches82
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Art FarmerModern Art ... CD
United Artists/Universal (Japan), 1958. New Copy ... Around October 8, 2014
A seminal session as a leader by the young Art Farmer – recorded for United Artists, and a great set of tight lyrical tunes, played by Farmer in his sparkling style – in a group along with Benny Golson on tenor and Bill Evans on piano. Evans is a special treat here, as the 1958 session was recorded at a time when he was making a fair bit of appearances in various rhythm sections for horn players (like Miles Davis) – and although this role in Evans' career was a short one, it yielded some amazingly beautiful moments, as you'll hear on this album. Art's brother Addison plays bass, and Dave Bailey rounds out the group on drums. Tracks include "Cold Breeze", "Mox Nix", "Jubilation", and "Fair Weather". CD

Partial matches83
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Art PepperArt Pepper + Eleven ... LP
Contemporary/OJC, 1959. New Copy (reissue)... Around September 2, 2014
A unique large group session from Art Pepper – one of his few this way as a leader, despite constant 50s presence as a sideman in big ensembles! Arrangements are by Marty Paich, who more than makes things swing – and there's a nice rhythm section dancing underneath a larger group – with Russ Freeman on piano, Joe Mondragon on bass and Mel Lewis on drums. Players in the fuller lineup include Jack Sheldon on trumpet, Herb Geller on alto, Bill Perkins on tenor, and Bob Enevoldsen on trombone and tenor – and titles are mostly modern numbers written by other jazzmen like Horace Silver, Denzil Best, Jimmy Giuffre, and Sonny Rollins. Titles include "Groovin High", "Move", "Four Brothers", "Anthropology", and "Airegin". LP, Vinyl record album
Also available Art Pepper + Eleven ... LP 14.99

Partial matches84
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Bill Plummer & The Cosmic BrotherhoodBill Plummer & The Cosmic Brotherhood ... LP
Impulse/Captain High (Germany), Late 60s. New Copy (reissue)... Around May 15, 2014 (delayed)
Incredibly great – and one of the best of the late 60s trippy jazz albums on Impulse! Bill Plummer plays electric sitar with the "Cosmic Brotherood", a group that includes Tom Scott on saxes and electronics, Carol Kaye on Fender bass, Milt Holland on tabla, and Mike Craden on a heck of a lot of weird percussion. The tunes are groovy, "eastern" sounding, and have a modal jazzy approach that's similar to some of Scott's work, that of Chico Hamilton, Gabor Szabo, or some of the other groundbreaking, genre-crossing Impulse artists. Includes the totally great "Journey To The East", which has this mad trippy recitation – plus the tracks "Arc 294", "Lady Friend", "Antares", and "Song Plum". LP, Vinyl record album

Partial matches85
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New Albert AylerHoly Ghost – Rare & Unissued Recordings 1962 to 1970 (9CD set) ... CD
Revenant, 1960s. Used 9CDs ... Just Sold Out!
An amazing package – one that's almost as essential to Albert Ayler's catalog as his classic albums on ESP from the 60s! The 9CD set is filled with rare material from Ayler – early recordings from Scandinavia, a smattering of American sides from the mid 60s, later work in France from the end of his life, and even a performance at John Coltrane's funeral! Other players include brother Don Ayler, trumpeter Don Cherry, pianist Cecil Tayler, and Burton Greene – and the package is filled with amazing sounds that really show Ayler's inventive approach to jazz. The box itself is beautiful – sculpted like some hand-carved treasure chest – and filled with 9CDS, plus a 208 page full-color hardcover book that features essays by Amiri Baraka and Val Wilmer, photos and memorabilia, and a chronology of Ayler's performances. Amazing stuff – and a true tribute to this legend! CD
(Out of print.)

Partial matches86
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New Kenny Burrell with the Jack McDuff QuartetCrash! ... CD
Prestige/Universal (Japan), 1963. New Copy ... Just Sold Out!
Kenny Burrell joins the quartet of Hammond hero Brother Jack McDuff – in a session that's not only a classic Prestige cooker from the 60s, but also one of Kenny's most hard grooving albums of the decade! Jack's tight group really seem to push Burrell into some great new territory – a different groove than his Blue Note or Verve sides, with a bit more grit overall – although still plenty of those perfectly-chosen notes on his solos. Harold Vick's tenor sax is the main reed element here, although Eric Dixon also plays flute on one track – and remaining players include Joe Dukes on drums and Ray Barreto on congas, a player who didn't often work with Jack, but who's very welcome here. Tracks are longish, with an open-ended soul jazz feel – not really blowing session numbers, given McDuff's tight sense of rhythm, but a nice change from the usual. Titles include "Grease Monkey", "Nica's Dream", "Love Walked In", and "We'll Be Together Again". CD

Partial matches87
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Paul DesmondFrom The Hot Afternoon ... CD
A&M/CTI, 1969. Used ... Just Sold Out!
Incredible stuff – and a record that grows more and more important to us over the years! Desmond's best known as the icy alto behind Dave Brubeck's big records of the 50s, but by this point in his career, he'd developed a keen interest in Brazilian music – and was working at a level that was far more sophisticated than most other American jazzmen interested in Brazil. This incredible record features him working with the arrangements of Don Sebesky, and the Brazilian instrumentation of Edu Lobo, Airto, and Dorio Ferreira. The set's comprised almost entirely of tracks by Lobo and a young Milton Nasimento – and titles include "Faithful Brother", "From The Hot Afternoon", "Crystal Illusions", "October", "Catavento", and "Gira Girou" – all done in these amazing breezy versions that sound like nothing else we can think of! Plus, the CD features 6 bonus alternate takes – not on the original album! CD
(Out of print.)

Partial matches88
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Gregory James EditionProphets Of Soul (with bonus track) ... CD
Dakar/Solid (Japan), 1972. New Copy ... Just Sold Out!
Massively mellow funk – played by a cool Chicago trio that's heavy on the electric keys! The group's led by the team of keyboardist Gregory Bibb and guitarist James Norris – with the former working through a set of tasty keys that include Fender Rhodes, clavinet, and farfisa! Rhythms are lean, laidback, and nicely stripped-down – funky, but chilled out – in a kind of a groove that was years ahead of its time, and which is now only finally getting its due. There's some really heavy drums on the best cuts – hard, but with rhythms that are slightly off-kilter, in a way that makes for a really refreshing groove, even when the group's covering work by other artists. The whole thing's instrumental – with the original tracks "Brother Marcus" and "Changing Things" – plus great covers of "Love & Happiness", "Shaft", and a great version of "Ain't No Sunshine". Nice laidback funk, with a super-dope sound that's as a hip as the cover! CD features the bonus track "Sunday Lady". CD

Partial matches89
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New Dick GriffinNow Is The Time ... LP
Trident, 1979. New Copy (reissue)... Just Sold Out!
A tremendous bit of 70s soul jazz – a rare post-Strata East session by trombonist Dick Griffin, recorded with a super hip group and a very righteous sound! The album grooves with a great mix of modal and electric styles – strong solos out front, and some incredibly wonderful rhythms driving the whole set along. Players include Clifford Jordan on tenor, Donald Smith on flute and piano, Hubert Eaves on piano, Billy Hart and Freddie Waits on drums, and Lawrence Killian on percussion – and one track features some great vocals by Donald Smith, who sung on some of the best 70s albums by his brother Lonnie Liston Smith! Great all the way through – and a massive record that's up there with the best on Black Jazz and Strata East at the time. Titles include "Waltz My Son", "The Queen", "Now Is The Time", and "Madrid". LP, Vinyl record album

Partial matches90
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New Cannonball & Nat AdderleySummer Of 1955 (Bohemia After Dark/Spontaneous Combustion/That's Nat) ... CD
Savoy, 1955. New Copy 2CD ... Temporarily Out Of Stock
A triple-header of hardbop albums – a great package that features 3 Savoy Records classics from 1955, with bonus tracks and great notes too! First up is Bohemia After Dark – an excellent hardbop session from the glory days of the Savoy label – easily one of the label's key 50s classics! Drummer Kenny Clarke's at the front of the group – but all players are great, and the set features work by Cannonball Adderley on alto, Jerome Richardson on tenor, Donald Byrd on trumpet, Nat Adderley on cornet, Hank Jones or Horace Silver on piano, and Paul Chambers on bass. The Adderley brothers sound especially great – and the young Cannonball has a quality here that's more soulful and sharp-edged than his work on Mercury – much more in a Prestige blowing session style! Titles include "Late Entry", "Chasm", "Bohemia After Dark", and "Hear Me Talkin To Ya". Next is more material from the same stretch, originally issued under the title Spontaneous Combustion under Cannonball's name. Adderley and his alto sax are joined by Donald Byrd on trumpet, Nat Adderley on cornet, Jerome Richardson on tenor sax and flute, Horace Silver on piano, Paul Chambers on bass and Kenny Clarke on drums. The tracks include "Spontaneous Combustion", "Caribbean Cutie", "A Little Taste", "We'll Be Together Again", "Still Talkin To Ya", and "Flamingo". Last up is the album That's Nat – a real smoker from a young Nat Adderley – a session that has the leader on cornet, working in a tight hardbop combo with Jerome Richardson on tenor and flute, Hank Jones on piano, Wendell Marshall on bass, and Kenny Clarke on drums! The tracks are all nicely sharp-edge – that soulful Savoy sound of the mid 50s – and Richardson is especially nice, really getting a great sound from both his tenor and flute. Tracks are somewhat long, with good room for solos – and titles include "Porky", "I Married An Angel", "Kuzzin's Buzzin's", and "You Better Go Now". CD

Partial matches91
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New Cannonball & Nat AdderleyThem Adderleys (aka Introducing Nat Adderley) ... LP
Limelight, Late 50s. Used ... Temporarily Out Of Stock
A 60s repackaging of the album Introducing Nat Adderley – an excellent batch of soulful bop tracks, recorded as Nat's first, and with a group that includes brother Cannonball, Horace Silver, Roy Haynes, and Paul Chambers. The set's got a lot more fire than some of Nat's recordings from a few years later, probably because of the top-notch rhythm section on the session. Titles include "Watermelon", "New Arrivals", "Sun Dance", "Friday Nite", and "Fort Lauderdale". LP, Vinyl record album
(Cover has light wear, staining along the opening and the bottom left corner, and small splits on the top and bottom seams.)

Partial matches92
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New Cannonball AdderleyBlack Messiah ... CD
Capitol/Dusty Groove, Early 70s. Used 2 CDs ... Temporarily Out Of Stock
A massive live set from Cannonball Adderley – and a record that really shows the growth he'd undergone in just a few short years! The album's done in close collaboration with David Axelrod – who'd handled Cannon's big live dates for Capitol in the 60s – but this record is much more freewheeling, open-ended, fuzz, funky, and electric overall! Tracks are all nice and long, and really trip out in the best way – with keyboards from George Duke in the core group, plus some heavy basslines from Walter Booker, drums from Roy McCurdy, and guitar from Mike Deasy on a number of key tracks. Deasy plays with lots of great wah wah and fuzz – and the album also features guest work from Airto on percussion and Ernie Watts on tenor – plus Cannonball's great alto and the cornet of brother Nat Adderley too. There's a really collaborative feel to the whole thing – as the record steps easily between a lot of heady styles – and titles include "Zanek", "Eye Of The Cosmos", "The Scene", "The Chocolate Nuisance", "The Steam Drill", "Little Benny Hen", and "The Black Messiah". CD
Also available Black Messiah ... CD 17.99

Partial matches93
CD, LP, Vinyl record album cover art
New Cannonball AdderleyCannonball Enroute ... LP
Mercury, Late 50s. Used ... Temporarily Out Of Stock
Cannonball Adderley's enroute to a great jazz legacy here – stepping out in a groove that begins to show some of the soul jazz modes he was forging at the end of the 50s – a great change from the straighter bop styles of his early years! The lineup here is a wonderful early expression of the familiar Adderley groove – with brother Nat Adderley on cornet, Junior Mance on piano, Sam Jones on bass, and Jimmy Cobb on drums – with Mance and Jones bringing an especially nice bottom end to the record – one that gets things moving in a very soulful way! Titles include "Porky", "Hoppin John", "That Funky Train", "I'll Remember April", and "18th Century Ballroom". LP, Vinyl record album
(Black label pressing.)

Partial matches94
CD, LP, Vinyl record album cover art
New Cannonball AdderleyDomination ... LP
Capitol, 1965. Used ... Temporarily Out Of Stock
A key meeting of Cannonball Adderley and David Axelrod – and one of the pair's first larger collaborations together! The album features Cannonball solos over larger backings by Oliver Nelson – with some occasional help from brother Nat Adderley – all produced with that dark Axelrod edge that we love so much from the Capitol years. The tunes have just the right amount of space to keep things interesting – but also enough soul to link the work nicely to the other Adderley albums of the time. Nelson himself brings in some captivating modern moments to the set – and titles include "Interlude", "Mystified", "Gon Gong", "Shake A Lady", and "Introduction To A Samba". LP, Vinyl record album
(In great shape!)

Partial matches95
CD, LP, Vinyl record album cover art
New Cannonball Adderley & Nat AdderleyWhat Is This Thing Called Soul – The Cannonball Adderley/Nat Adderley Quintet In Europe Live ... LP
Pablo, 1960. Used ... Temporarily Out Of Stock
A real treat for Cannonball Adderley fans in the years after his passing – vintage live material recorded in 1960, right at a time when Adderley was really finding his groove! The lineup here features a classic quintet – with brother Nat on cornet, Victor Feldman on piano, Sam Jones on bass, and Louis Hayes on drums – rolling out in a heavy soul jazz groove that's right up there with Cannon's best Riverside albums from the time! The tracks are longish, given the live setting – with energy to match his Live In San Francisco or Japan albums – and titles include "Big P", "One For Daddy O", "The Chant", "Azule Serape", and "What Is This Thing Called Love". LP, Vinyl record album
(Cover has a cut corner.)

Partial matches96
CD, LP, Vinyl record album cover art
New Nat AdderleyIn The Bag ... LP
Jazzland, 1962. Used ... Temporarily Out Of Stock
An excellent early Nat Adderley record that has the funky trumpet player groovin' in the company of a number of bright young players from New Orleans, including Nat Perrilliat on tenor, Ellis Marsalis (yes, that one) on piano, and James Black on drums. Sam Jones plays funky bass, and brother Cannonball joins on on alto for a nice set of groovers that includes "In The Bag", "Sister Wilson", "Low Brown", and "New Arrival". Nice stuff, and we don't really see this one that much these days. LP, Vinyl record album
(Orange label Bill Grauer pressing with deep groove. Cover has some wear and a small peeled spot.)

Partial matches97
CD, LP, Vinyl record album cover art
New Nat AdderleyIntroducing Nat Adderley ... CD
EmArcy/Verve, Late 50s. Used ... Temporarily Out Of Stock
An excellent batch of soulful bop tracks – recorded as Nat's first – and featuring a group that includes brother Cannonball, plus Horace Silver, Roy Haynes, and Paul Chambers. The set's got a lot more fire than some of Nat's recordings from a few years later, probably because of the top-notch rhythm section – and titles include "Watermelon", "New Arrivals", "Sun Dance", "Friday Nite", and "Fort Lauderdale". This is the Verve master edition with 24-bit remastering, new liiner notes, photographs, original cover art & more. CD
(Out of print. Barcode has a cutout mark.)

Partial matches98
CD, LP, Vinyl record album cover art
New George BensonTake Five ... LP
CTI, 1974. Used ... Temporarily Out Of Stock
A great little 70s album by George Benson – and kind of a sleeper amidst the bigger hits of his CTI work! The record's a nicely stripped-down affair, with arrangements by Don Sebesky that don't ever really get in the way of Benson's guitar, and instead provid a perfect platform for him to lay down some wonderfully dark and chromatic chord changes. The set kicks off with a Phil Upchurch-conceived funky version of "Take Five", and Phil also contributed the funky number "Full Compass" to the record. The real standout, though, is George's own "My Latin Brother", a great Chicano funk number that's a perfect outing for Benson's dope guitar! LP, Vinyl record album
(Later pressing in a non-gatefold cover.)

Partial matches99
CD, LP, Vinyl record album cover art
New Brecker BrothersBack To Back (with bonus tracks) ... CD
Arista/Soulmusic.com (UK), 1976. Used ... Temporarily Out Of Stock
Soulful fusion from The Brecker Brothers – a set that's one of their standout efforts from the 70s – and a record that went onto influence a whole generation of jazz musicians too! The album features the twin horns of Randy & Michael Brecker, along with alto by David Sanborn, keyboards by Don Grolnick, and guitar by Steve Khan – but one of the things that really makes the album great is the vocal arrangements, which were handled by Luther Vandross, who also sings on the album along with Patti Austin! The set's got a great soulful feel – with some wonderful mellow groovers that have a sweet 70s sound – titles that include "Lovely Lady", "Night Flight", "Slick Stuff", "What A Miracle Can Do", "I Love Wastin Time With You", "Keep It Steady", "Grease Piece", and "Dig A Little Deeper". CD features 2 bonus tracks – "If You Wanna Boogie (single version)", and "Slick Stuff (single version)". CD
Also available Back To Back (with bonus tracks) ... CD 9.99

Partial matches100
CD, LP, Vinyl record album cover art
New Brother Ah's World Music EnsembleCelebration! ... CD
Mapleshade, 1993. Used ... Temporarily Out Of Stock
CD
 
 
 



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