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Benny Kelly

 

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Possible matches: 5
Possible matches1
CD, LP, Vinyl record album cover art
Dizzy GillespieDizzy Gillespie At Newport ... LP
Verve, 1957. Very Good ... $16.99
One of the best albums ever in Verve's classic set of recordings from the 1957 Newport Jazz Festival – a set that captures the Dizzy Gillespie group of the decade in top live formation! The ensemble here is plenty hip – with a young Lee Morgan joining Dizzy on trumpet, and a host of other great players who include Melba Liston and Al Grey on trombones, Benny Golson and Billy Mitchell on saxes, and rhythm from the trio of Wynton Kelly on piano, Paul West on bass, and Charlie Persip on drums! Although big, the band often had the sharper groove of a small combo – and even when hitting some older moments from Gillespie's earlier years, they still kept a modern edge in their approach – thanks to arrangements by AK Salim, Tadd Dameron, Benny Golson, Quincy Jones, and Dizzy himself. Titles include "School Days", "I Remember Clifford", "Manteca", "Dizzy's Blues", "Cool Breeze", and "Doodlin". LP, Vinyl record album
(Verve Inc. pressing with trumpeter logo & deep groove. Cover has yellowed tape on all seams.)

Possible matches2
CD, LP, Vinyl record album cover art
New Wynton KellyKelly Blue ... LP
Riverside, 1959. Very Good+ ... $11.99
A great little session from Wynton Kelly – one that has him breaking out of the lyrical roots of his trio work, and hitting some harder notes as a leader of a larger hardbop group! The album features Kelly working in both trio and sextet format – the latter with players who include Nat Adderley, Bobby Jaspar, and Benny Golson; and the former with Paul Chambers and Jimmy Cobb (who also play with the sextet). The sextet tracks are the ones that we really love here – as they tend to feature 2 long original numbers by Kelly – much more open than usual, and in a mode that was rarely captured as well on Wynton's albums as a leader. The trio sides are still nice too, though – although a bit more like some of his other sides – and the album features 6 tracks in all, titles that include "Kelly Blue", "Softly As In A Morning Sunrise", "Green Dollphin Street", "Keep It Moving", and "Old Clothes". LP, Vinyl record album
(OJC pressing.)

Possible matches3
CD, LP, Vinyl record album cover art
Blue MitchellBlue Soul ... CD
Riverside/OJC, 1959. New Copy ... $6.99
A strong early winner from Blue – recorded with an all-star group that includes Curtis Fuller, Jimmy Heath, Wynton Kelly, Sam Jones, and Philly Joe Jones. Mitchell's not necessarily the leader – Benny Golson and Jimmy Heath handled the arrangements – but the group overall is great, and the set has a nice mix of lyricality and hard bop groove. 9 numbers in all, including "Minor Vamp", "The Head", "Top Shelf", "Blue Soul", "The Way You Look Tonight", "Park Avenue Petite", "Polka Dots & Moonbeams", "Nica's Dream", and "Waverly Street". CD
(CD case has a cutout hole.)

Possible matches4
CD, LP, Vinyl record album cover art
New Jimmy ClevelandCleveland Style ... LP
EmArcy, Mid 50s. Used ... Temporarily Out Of Stock
Quite possibly the best of Cleveland's albums for Mercury during the 50s – a tight hardbop set of tracks recorded with a septet that includes Art Farmer on trumpet, Benny Golson on tenor, Wynton Kelly on piano, and Charlie Persip on drums. Tracks are more open-ended than on some of Cleveland's other albums, with more room for soloing. Titles include "Posterity", "A Jazz Ballad", "Jimmie's Tune", "Long Ago & Far Away", and "Goodbye Ebbets Field". LP, Vinyl record album
(Japanese pressing. Cover has light wear.)

Possible matches5
CD, LP, Vinyl record album cover art
New Benny GolsonBenny Golson Quartets (Turning Point/Free) ... CD
Mercury/Gambit (Spain), 1962. Used ... Temporarily Out Of Stock
2 LPs of Benny Golson quartet sessions – 1962's Turning Point and Free – back-to-back on CD! First up is Turning Point, a beautiful album showcasing the tenor stylings of Golson in an intimate setting with Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums. Golson plays two originals, plus standards, and his tone is fantastic throughout! This is one of the few efforts from the period that really shows him in an open-ended jazz vein, without a focus on his arrangements – which are excellent! Titles include "Turning Point", "Stella By Starlight", "Three Little Words", "Alone Together" and "Dear Kathy". Next up is Free – another great one! The material has a beautifully confident tone, with Golson's tenor cutting, changing, and swinging perfectly in lines that are masterfully crafted, yet full of raw emotion. This quartet includes Tommy Flanagan on piano, Ron Carter on bass, and Arthur Taylor on drums – and titles inlcude "Sock Cha-Cha", "Shades Of Stein", "Just By Myself", "My Romance" and "Just In Time". CD also includes the bonus track "Impromptune" – cut in 1960 with Cedar Walton, Tommy Willams and Albert Tootie Heath. CD
(Out of print.)
 
 
 
 



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