Jazz — In Stock — LPs  

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The associates here are very hip – Leroy Vinnegar on bass and Shelly Manne on drums – a nice combo with Hovde's organ! Titles include "What Now My Love", "The Snake", "That's Where It's At", "Wednesday Mornin", and "Pressure Cooker".... read more

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One of Freddie Hubbard's greatest records – a soaring bit of soulful modernism that's almost a precursor to 70s sounds on record labels like Black Jazz or Strata East! Freddie's at his early best here – stepping aside from some of the more serious Blue Note modes, and definitely... read more

A totally fantastic set from the turn of the 70s, and one of Freddie Hubbard's most soulful, spiritual albums ever – a seminal chapter in the evolution of soul jazz – and a record that was a keen inspiration for changes to come on labels like Strata East and Black Jazz! The group here... read more

Pivotal work from Freddie Hubbard – a tight, edgey quintet side with a sound that approaches the Blue Note "new thing" sound, but which stays just this side of the fence to keep in line with Freddie's other soulful work of the 60s! The group features some great work by James... read more

Seminal work from Freddie Hubbard – an early hardbop session that features some great work by Tina Brooks on tenor, piano by McCoy Tyner, and rhythm from the team of Sam Jones on bass Clifford Jarvis on drums! And although Freddie's great at this early point in his career – playing... read more

Amazing work from Freddie Hubbard – one of his best albums ever! The title cut's a classic, but all cuts on the album are great – and really set a whole new standard for soul jazz in the 70s! Unlike the freer runs of Miles Davis, Freddie takes things into territory here that's open,... read more

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Mid 80s effort from 2 of the greatest modern trumpeters to have put a horn to their lips. Woody & Freddie run through a set of tunes, all written by trumpeters, like Clifford Brown, Fats Navarro & Kenny Dorham, as well as their own, with a group of the then-young players on Blue Note, like... read more

Nice one! This is the obscure first album by Rhetta Hughes – who's probably better known to the world for her later album on Tetragrammon. The tracks are a mix of pop and soul titles, but they're given some nice arrangements by Chicago soul great Tennyson Stephens, who also sings on the... read more

Early Blue Note work from the legendary Bobbi Humphrey – a session cut before she hooked up with producer Larry Mizell, but one that's still got a righteously soulful vibe! The arrangements here are by Wade Marcus, but he still has the great idea of giving Bobbi a bit more expanded sound in... read more

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A great setting for the 7 string guitar of Charlie Hunter – served up here in a spare set of duets with drummer Scott Amendola! The sound is nice and wide – way fuller than you might expect from two instruments, thanks to some lush phrasing from Charlie, as he moves nicely along with... read more

A tasty Latin-tinged set by Bobby Hutcherson – one that recalls his classic Montara album for Blue Note, but handled here with perhaps a bit less electricity overall! Hutcherson's got a wonderful way with colors and tones on the set – extremely evocative, and bursting out with a sunny,... read more

Moody material from Bobby Hutcherson – and one of the first records to feature his vibes in the company of tenorist Harold Land – a player who would help Hutcherson make some mighty fine music over the years! The set's got a super-hip group – with Stanley Cowell on piano, giving... read more

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A quartet date, with guitar – and Imada plays both acoustic and electric piano!... read more

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A genius bit of work from the legendary Weldon Irvine – a mightily righteous effort that more than lives up to its heady title and cover! After turning out 2 great albums on his own indie Nodlew label, Weldon really steps into greatness with this set – using the bigger budget of his... read more

Landmark early work from the legendary Weldon Irvine – recorded way back when he was first coming to fame with Nina Simone, but done as an obscure indie effort for his tiny Nodlew label! The set's a wicked batch of keyboard-heavy funk – at a level that's similar to some of the best... read more

Weldon Irvine's last album for a major label – and a key set that marks the debut of the legendary Don Blackman! Irvine's still very much in charge of the session, but Blackman's emerging here with the strength that would show up on his later soul sessions – singing lead vocals on some... read more

Massively funky work from the mighty Weldon Irvine – sublimely cosmic and filled with soul throughout! The vibe here is a bit more focused than on some of Weldon's earlier albums – a moody blend of electric keys, heavy percussion, and some slight bits of jazzy solo work by trumpeters... read more

Obscure organ jazz record by the player who's probably best known to people from the good records he made with Willis Jackson on Prestige. This set's a nice stripped down set of tracks, with Ivory on organ, Paul Renfro on tenor, and Bill Nicks on drums. Good spare organ and tenor lines, with a... read more

A pretty compelling little quartet – a jazz combo from Zimbabwe, and one who play with a lot of spiritual jazz overtones – yet also throw in some occasional vocals in English! Instrumentation is pretty unique – like some of the hipper experiments on Strata East in the 70s –... read more

With a name like Chubby, the set ought to be a snoozer – but it swings nicely, thanks to some strong bass work by Jackson! The group's a Chicago ensemble, featuring lesser-known players of the 50s – like Vito Price, Cy Touff, Don Lamond, and Jimmy Gourley – plus trombone by Bill... read more

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One of our favorite albums of all times – and a legendary testament to the greatness of the Chicago music scene in the late 60s! Melvin Jackson was the bassist in Eddie Harris' very successful group of the time – and his playing on Eddie's trippy and funky records for Atlantic is one... read more

One of our favorite albums of all times – and a legendary testament to the greatness of the Chicago music scene in the late 60s! Melvin Jackson was the bassist in Eddie Harris' very successful group of the time – and his playing on Eddie's trippy and funky records for Atlantic is one... read more

An overlooked early session from multi-instrumentalist Michael Gregory Jackson, recording here with a trio of great horn players in a wonderfully sensitive sound! The record's approach is a perfect illustration of the maturity on the New York avant scene in the late 70s – a real change from... read more

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A set that definitely moves along the Soul Route promised in the title – thanks to great vibes from Milt Jackson, and a mix of electric and acoustic piano from Gene Harris! Harris here has none of the hoke of some of his Concord sides – and instead, slides in alongside Jackson to give... read more

Jackson, Johnson, Brown, and company – and a few more too – a nicely laidback sextet date from the later years of Pablo Records, done in the great mode that always made the label's work a 70s extension of the Verve Records ethos! Key players here, obviously, are Milt Jackson on vibes,... read more

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A bit of a mystery session – clearly recorded in the late 40s, but without as many session details as we might like! Still, the work's great – early Milt Jackson with a nice boppish edge, recording here with Sonny Stitt on alto, Sir Charles Thompson on piano, and Russell Jacquet on... read more

With Zane Massey on saxes, Vernon Reid on guitars, Melvin Gibbs on bass, and Henry Scott on trumpet.... read more

A nice return to the soul jazz style of Willis' years at Prestige – after cutting a few too-smooth albums for bigger labels during the 70s! The style here is nice and easy-going – longish tracks, with a quintet that features Willis' old bandmate Pat Martino on guitar, plus Charles... read more

A Texas tenor takes on one of Chicago's mightiest reedmen! Worth it for the presence of Freeman alone (only a handful of recordings exist of the man), this live date from '78 features Gator and Von fronting a heavy, heavy band with Carl Wilson, Yusef Ali, and Joe(as in "Boogaloo") Jones.... read more

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After Ahmad spent the 60s playing mellow acoustic piano, he turned into a great jazz artist on the Fender Rhodes – and this album is one of the best he ever made in that genre. The record has some great orchestrations by Richard Evans, and Ahmad's tone is very rich and full, with a great... read more

A landmark album – not only for Bob James, but for CTI and the Fender Rhodes as well! This is the album where all the magic starts – the first of many extremely successful albums that Bob recorded during the 70s under his own name, and almost the birthplace of the modern hip hop... read more

A monster – and quite possibly one of the greatest Fender Rhodes albums of all time! Bob James is really at the height of his powers here – stepping out with a sound that's a lot smoother than some of his earlier work, yet in a groove that's never too slick or too overproduced –... read more

Acoustic sounds from two players who made their mark during the fusion generation – and a wonderful illustration that at their core, both Bob James and David Sanborn are pretty darn great jazz musicians! The album's got a laidback vibe that's wonderful – these flowing lines on acoustic... read more

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The incredible drums and Rhodes-heavy jazz dance album from composer Thom Janusz – made in collaboration with NYC dancer, choreographer and company leader Ronn Forella – possibly the funkest, best and hardest-to-find album ever released by the Hoctor label! Ostensibly a hip 70s dance... read more

Wild and wonderful work by Keith Jarrett – light years away from his records on ECM! The album features a quartet that includes Dewey Redman on tenor, Charlie Haden on bass, and Paul Motian on drums – but it's clearly Keith who's driving the bus here, taking lots of odd twists and... read more

Jarrett's genre defining solo piano recording, one of what would become many, many documents of his improvised solo performances. While the music here is fully improvised, as nearly so as any music can be, it explores a more lyrical and contemplative side of improv than was the current approach to... read more

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One of the first, and most famous, of Norman Granz's landmark JATP sessions – featuring an extended reading of "How High The Moon" that was a bit of jazz history itself! The session was recorded at Syria Mosque Auditorium in Pittsburgh – and featured players that include Buck... read more

A great little live set – ostensibly a Dizzy Gillespie performance, but with some very strong guest stars! The core of the group is Diz's great one from the early 60s – with Lalo Schifrin on piano and Leo Wright on alto and flute, and they're joined by Stan Getz, JJ Johnson, and... read more

This is the 14th in a the original 10" series of recordings at the Philharmonic. The line up on this set is pretty blistering, and includes Coleman Hawkins and Lester Young on tenor sax, William Smith on alto, Buck Clayton on trumpet, Buddy Rich on drums, Irving Ashby on guitar, Billy Hadnott... read more

Features work by Dave Remington, Max Hook, Marty Marsala, Doc Cenardo, Hal Carnes, and others.... read more

One of our favorite albums ever from Eddie Jefferson – one of the last sessions he ever recorded as a leader, and a stone cooker through and through! The arrangements here are by Slide Hampton, who hits a really soulful groove for the set – one that moves away from some of the more... read more

Great later work from vocalist Eddie Jefferson! Although the title of this one might be read as a haunting premonition of Eddie's untimely early death, the grooves within show nothing of the tragedy that was to overtake him a few years later. Hard swingin' jazz vocal stuff, put together by one of... read more

A wild and weird one! Jerry Jerome looks stately on the front cover – but he plays a strange shaped "straight alto" sax – one that basically looks like a regular horn, with the kink pushed out of it! The instrument has a raspy blown-out tone that's more tenor than anything... read more

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Groovy little record that has this funky tenor giant playing a bunch of tracks with a Frenchy feel to them. Budd's joined by Hank Jones on piano, plus Kenny Burrell on guitar, and a nice Latin rhythm section that includes Joe Venuto on vibes and marimba and Willie Rodriguez on percussion. The... read more

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A great set from the Chicago scene – one recorded in the early 80s, but put together with a really timeless sound overall! The album's a rediscovery of tenorist Eddie Johnson – a player who'd been away from music for part of the 70s, but who returns beautifully here with a raspy tenor... read more

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A beautiful set of indie soul jazz from the turn of the 80s – recorded in a laidback and soulful style that's right up there with some of our favorite small label sets from the 70s. Lamont is on keyboards, working here with a strong group that includes Charles McPherson on alto, Nathan East... read more

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Great LP issue of material issued on 78s for the Solo Art label in 1939!... read more

Killer funkiness from Boogaloo Joe Jones! Grover Washington Jr makes an incredible appearance here – sounding much harder and heavier than on some of his Kudu recordings – more of a gritty soul jazz player, working beautifully alongside the sharp guitar of Boogaloo Joe Jones, and the... read more

Great stuff – the US issue of some very rare tracks that were recorded for MPS in Germany under the leadership of either Carmell Jones or Nathan Davis. One group on the record features Davis and Jones, along with a rhythm section of Francy Boland, Kenny Clarke, and Jimmy Woode. They swing... read more

A righteous underground soul classic from Del Jones – message-oriented funk at its best! Jones is working here in the spirit of some of the best locally-crafted indie outings of the time – like work by Mike James Kirkland, Oneness Of Juju, The Pharoahs, and other important righteous... read more

One of Elvin's excellent post-Coltrane LPs – handled with a modern spiritual jazz sound that shows his roots with the great one, but which also has him stretching the vibe into a way that would shape the sound of 70's fusion. Elvin's got a great group on this one, with Dave Liebman, Joe... read more

Easily the most hard-hitting of Blue Note's 2LP Lighthouse Live series from the early 70s – and a record that really lets Elvin Jones and his group stretch out and play! The setting is a perfect one for Jones – given the boundless energy already present on his studio sessions for Blue... read more

One of Elvin Jones' greatest records – a set that's quite different from both his work in the John Coltrane Quartet, and some of the powerhouse jazz sides he'd cut later as a solo act! The vibe here is a bit hard to describe, but it somehow comes together in the "midnight walk" of... read more

Amazing stuff from Ivan Boogaloo Joe Jones! Unlike some of the other players on Prestige during the early 70s – who often got a bit weaker as the decade moved on, thanks to the departure of some of the better forces arranging and producing the records – Jones kept on playing hard,... read more

A tasty batch of funky jazz cuts from Ivan Boogaloo Joe Jones – working here in a tight guitar groove that's actually better than that heard on his early albums for Prestige! The group's a good one – with Rusty Bryant on tenor, Butch Cornell on organ, and Grady Tate on drums –... read more

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One of the greatest Quincy Jones albums of all time! The record's a spacey jazz masterpiece – and it combine's Quincy's soulful soundtrack vision with the excellent production talents of Creed Taylor, for a monster album of long drawn out cuts that mix soul jazz with more sophisticated... read more

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Surprisingly great quartet tracks from two cats we're normally used to hearing in a big band – Thad Jones on cornet and Mel Lewis on drums – joined by Harold Danko on piano and Rufus Reid on bass. Tracks are long, and titles include "But Not For Me", "Autumn Leaves"... read more

One of the great lost ones from Blue Note – hard to find in any pressing, and a killer hardbop session from the days when the label could crank them out with a quality unmatched by other labels! Clifford Jordan's leading an unusual group here – a septet, which is a bit of a change from... read more

A nice bop revival session for Clifford Jordan – recorded with a style that takes us back to his first years on wax! The lineup includes Red Rodney on trumpet and flugelhorn, Jaki Byard on piano, and Vernel Fournier on drums – and the tracks are recorded with all the classic and loving... read more

A really wonderful record – straight ahead, but oh so beautiful! Jordan's playing in a very relaxed setting – blowing openly on long tracks in this Japanese only session, working with a quartet that includes Reggie Workman, Freddie Waits, and a very hip Hank Jones, well worth saying... read more

Excellent work by Jordan – recorded right at the same time as his classic sides for the Strata East label, and with a similar feel! The group on the set is the same as heard on the Glass Bead Games album – Cedar Walton on piano, Sam Jones on bass, and Billy Higgins on drums – and... read more

A landmark session that features two of the greatest tenor talents to emerge from the rich Chicago scene of the 50s! Jordan was well-known to jazz fans, or would be within a few years – but Gilmore's rarely heard in this sort of setting, as most of his recording career was spent in the... read more

A brilliant collaboration between Clifford Jordan and Sonny Red! At the time of this recording, Jordan was one of a number of firey young tenor players from Chicago – all of them hard-blowing, with a nice soulful bottom that opened up a bop sound to more moods and emotions – but Jordan... read more

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